美學第一章　導論[ 投影片 3-1]

第一章　導論本書的兩個特點1. 這是一本開啟之書，而非結論之書；介紹美

學的問題，而非提供美學的答案2. “What distinguishes this book is the

wide approach it takes, while remaining focused on philosophy.”

第一章　導論The institutional divide in Anglo-

American humanities departments:1. Department of philosophy2. Departments of the rest of what is

called Arts and Letters

第一章　導論美學的二分是一個西方歷史的產物1. 十八世紀：美學作為哲學的一門學科首次出

現2. 十九世紀：學科（ disciplines ）與學科知

識（ disciplinary knowledge ，傅柯學者譯為規訓知識）的形成

Foucault: Surveiller et punir: naissance de la prison, 1975

第一章　導論Questions

to solve Philosophy

第一章　導論Questions

Philosophy

do philosophy

第一章　導論“Similarly while the central focus of

aesthetics has been the legacy of its birth as a ‘science’ in the eighteenth century and its institutionalization as part of the discipline of philosophy in the nineteenth, it has wide scope…”

第一章　導論美學家族 Philosophical aesthetics Art theory Poetics/ literature theory （音樂的理論） （建築的理論） （戲劇的理論） （電影的理論）…

第一章　導論要懂美學，就要懂得1. 哲學2. The broad quarters of Arts and

Letters

第一章　導論 Philosophy

The humanitiesand arts(Arts andLetters)

第一章　導論1. (p. 3) The best of philosophical

aesthetics…2. (p. 4) … those outside of philosophy…

第一章　導論“Herwitz 的” 美學家1. David Hume (1711 – 1776) 英2. G. W. F. Hegel (1770 – 1831) 德3. R. G. Collingwood (1889 – 1943) 英4. Clive Bell (1881 – 1964) 英5. Roger Fry (1866 – 1934) 英6. Richard Wollheim (1923 – 2003) 英7. Arthur Danto (1924 -) 美8. (John Dewey (1859 – 1952) 美 )

第一章　導論“These writer/philosophers have all

relied deeply upon the certainties and uncertainties of their experience of art and beauty, (1) staking their own self-trust and confusion in relation to public dialogue about the arts, and (2) assimilating these into larger philosophical issues which have exercised them, about knowledge, science, history, truth, human identity, morals and so on.”

Hume

Dewey

Collingwood

Roger Fry

Hegel

Stanley Cavell (1926 - ) 美

Richard Wollheim

Immanuel Kant

Clement Greenberg (1909 – 1994) 美

Erwin Panofsky (1892 – 1968) 德→美