文藝復興. i. 緒論 1. 「文藝」復興 ? 2. 全才藝術家 ? 3. art: 藝術還是技術 ?...
TRANSCRIPT
文藝復興
I. 緒論1.「文藝」復興 ?2. 全才藝術家 ? 3. Art:藝術還是技術 ? 機械技術 (arts méchaniques)自由技術 (arts libéraux)
II. 藝術與科學的結合
新柏拉圖主義
Botticelli 1484 Venus
Da Vinci 1492 selon
Vitruve
Bramante 1502
Tempietto
Bramante st peter's plan
佛羅倫斯大教堂與新的藝術目標
Ghiberti vs. Brunelleschi
Florence cathedral
Ghiberti 1401 Issac
Brunelleschi 1401
abraham
Ghiberti 1401-1425 North door
Ghiberti 1425-50 Porte de
Paradis
Ghiberti 1425-50 Porte de Paradis Essau
Ghiberti 1425-50 Porte de Paradis
Selfportrait
Florence cathedral dome
Florence cathedral plan
III. 數學性的繪畫法則：線性透視 (Linear perspective)的「發明」 (再發現 ?)perspective ← perspicio
★Giotto★Brunelleschi的實驗
Giotto 1303-1306 Chapel Arena
Giotto 1303-1306chapel Arena
Brunelleschi Perspective
Brunelleschi perspective
Masaccio 1428 Trinity perspective
Masaccio 1427 Eexpulsion
Perspective 1435 Alberti
perspective 1435 Alberti
透視的功能與意義
Uccello 1450 Battle san Romano
Da Vinci 1484 Virgin
Da Vinci 1495-98 Last Supper
Da Vinci -refectory-supper
Della Francesca 1460 Flagellation
Della Francesca schema
Della Francesca schema
Fouquet 1458 Entrée Charles IV à St. Denis
Da Vinci 1485 Codex Atlanticus
Holbein1533Ambassadors
IV.古典主義：米開朗基羅 (1475-1564)
Statue de Miche-ange
Michel-ange 1498-99 Pietà
Enguerrand Quarton 1455-1460 Pietà de Villeneuve-lès-Avignon
Michel-Ange 1501-04 David
Donatello 1432 David
Bernini 1623-24 DavidMichel-ange 1501-04
Michel Ange 1513-1515
Moise
Michel-ange 1508-1512 Sixtine Ceiling
The Erythraean Sibyl
Zechariah
Isaiah
The Delphic Sibyl
Joel
Jeremiah
Ezekiel
V. 矯飾主義：
Michel-Ange 1532-34 victory
Michel-Ange 1536-1541
Last Judgment
St Peter
Jean the Baptist
St. Lawrence
St Bartholomew
The Elect
Last Trumpet
Soul Ascending to Heaven
Soul carried downTo Hell
Charon’s Bark
Minos, King of Hell
Sistine Chapel
Pieta with self-portrait1547-55
結論：米開朗基羅之後
Bronzino St.
Lawrence
Parmigianino 1534 Modonna of long
neck
FIN