پاپ ات کیسلاکazarbook.com/wp-content/uploads/2017/05/clasicc-ta-pap.pdf ·...

کالسیک تا پاپ قطعات منتخب برای پیانو

جوزی محسن 1360 سرشناسه قطعات منتخب برای پیانو محسن جوزی عنوان و نام پدیدآور

زنجان آذرکلک 1394 مشخصات نشر 113 ص عکس پارتیسیون 22 times 29 س م مشخصات ظاهری

کالسیک تا پاپ فروست 979-0-9014579-1-1 شابک

فیپا وضعیت فهرست نویسی موسیقی برای پیانو موضوع

موسیقی برای پیانو -- پارتیسیون موضوع MT225 1394 6ق87ج رده بندی کنگره

7862 رده بندی دیویی 3899157 شماره ی کتاب شناسی ملی

به نام خداوند جان و خردکزین برتر اندیشه برنگذرد


محسن جوزی

کالسیک تا پاپ قطعات منتخب برای پیانومحسن جوزی

طرح جلد کبری چراغیسال انتشار 1394

نوبت انتشار اولشمارگان 1000 نسخه

لیتوگرافی ولیعصر )عج(قیمت 15000 تومان

شابم 979-0-9014579-1-1ناشر آذرکلک

نشانی زنجان آزادگان ساختمان اداری سهند واحد 502تلفن 33411583-024 نمابر 024-33411584

wwwazarkelkcomتمامی حقوق مادی و معنوی این اثر محفوظ است

DIABELLI Bagatelle 11HAYDN Gypsy Dance in C minor 12MOZART Minuet in C K6 13MOZART German Dance in F K605 no 3 14CZERNY No71 from Practical Exercises for Beginners OP 599 15LICHNER On the playground No 2 from Little Leaves Little Flowers op 64 16GURLITT Little pastime from Childrenrsquos Garden op 179 18BACH Siciliano 19BACH Prelude BWV 939 21MOZART Minuet in F K2 29HAYDN Country Minuet 30LOESCHHORN Study in C op 65 no 3 31BURGMULLER Arabesque Op 100 no 2 32MODJEHI Nazanine Maryam 37BRAHMS Waltz op 39 no 11 40GURLITT Study for the thumb 42SCHUBERT German Dance D783 No 5 44DVORAK Minuet op 28 no 1 45JOPLIN Original Rags 47CLEMENTI Sonata in F sharp minor Op 25 no 5 slow movement 51NOJUKI Moones 56CHOPIN Prelude op 28 no 4 62ALAMI Bahaneh 65SCHUMANN Traumlumerei Op 15 No 7 68BEETHOVEN Moonlight Sonata op 27 no 2 (1st mvt) 70NAZARETH Valsa Confidencias 76BEETHOVEN Fur Elise WoO 59 82SATIE Je te veux 90RACHMANINOFF Prelude in C-sharp Minor Opus 3 no 2 100SCHUBERT No 1 from Moments Musicaux D780 108

فهرست قطعات صفحه

تقدیم به مارک پولیشوک

To Mark Polishook

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1 Alfred Cortot2 infopianohouseir

محسنzwnjجوزیzwnj zwnj zwnj تابستانzwnjzwnj1۳۹۴

11

28bull Pianist 77

Ingasas

Anton DIABELLI (1781-1858)Bagatelle

BEGINNERTRACK 1

Best known as the composer of the waltz that is the basis of Beethovenrsquos famous variations Diabelli was an accomplished musician and teacher In 1818 he founded a music publishing firm in Vienna that published much of Schubertrsquos music

This is a nice little warm-up for the beginner pianist and a good sight-reading piece for the more advanced Itrsquos also an excellent exercise for practising your slurs

Take a look at the technical tips within the score

mp f

Allegretto

tradetrade

tradetrade

tradetrade

tradetrade

p

7

mf

13

tradetrade

tradetrade

f

19

2

4

2

4

amp

3

3

1

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4

3

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5

4

55

1

2

amp

1

2

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-

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3

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1

2

3 1

1

5

2

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1

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-

3

5

2

5

1

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2

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1

5

amp

4

3

4

2 1 3 2 4

-

3

3

5

2

5

3

5

-

54

amp

3

1

2

4

3

2 1

2

3

-

2

4

1

5

2

5

1

3

-

f f ff

f f ff

f ff

ff

f

fff

fff

FFF

fff

fff

FF

F

fff

fff

FF

fnf

fŒ

f ff

ff f

f

f

f

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Œ

ff

ff

F

F

f

f

f

f

F

F

f ff

ff

ff

ff

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ff

ff

F

F

f

f

f

fff

Œf

ff

f

f

ff

f

f f ff

f ff

ff

ffn

ff

Œ

f

ff

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f

ff

fFF

f

f

f

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Œ

mp f

Allegretto

tradetrade

tradetrade

tradetrade

tradetrade

p

7

mf

13

tradetrade

tradetrade

f

19

2

4

2

4

amp

3

3

1

2

4

3

2

5

4

55

1

2

amp

1

2

3

-

4

3

4

2

1

2

3 1

1

5

2

5

1

3

-

3

5

2

5

1

5

2

5

1

5

amp

4

3

4

2 1 3 2 4

-

3

3

5

2

5

3

5

-

54

amp

3

1

2

4

3

2 1

2

3

-

2

4

1

5

2

5

1

3

-

f f ff

f f ff

f ff

ff

f

fff

fff

FFF

fff

fff

FF

F

fff

fff

FF

fnf

fŒ

f ff

ff f

f

f

f

f

f

fff

Œ

ff

ff

F

F

f

f

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f

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f ff

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ff

Œf f f

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ff

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f f ff

f ff

ff

ffn

ff

Œ

f

ff

f

f

ff

f

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ff

fFF

f

f

f

fff

Œ

mp f

Allegretto

tradetrade

tradetrade

tradetrade

tradetrade

p

7

mf

13

tradetrade

tradetrade

f

19

2

4

2

4

amp

3

3

1

2

4

3

2

5

4

55

1

2

amp

1

2

3

-

4

3

4

2

1

2

3 1

1

5

2

5

1

3

-

3

5

2

5

1

5

2

5

1

5

amp

4

3

4

2 1 3 2 4

-

3

3

5

2

5

3

5

-

54

amp

3

1

2

4

3

2 1

2

3

-

2

4

1

5

2

5

1

3

-

f f ff

f f ff

f ff

ff

f

fff

fff

FFF

fff

fff

FF

F

fff

fff

FF

fnf

fŒ

f ff

ff f

f

f

f

f

f

fff

Œ

ff

ff

F

F

f

f

f

f

F

F

f ff

ff

ff

ff

Œf f f

f

ff

ff

F

F

f

f

f

fff

Œf

ff

f

f

ff

f

f f ff

f ff

ff

ffn

ff

Œ

f

ff

f

f

ff

f

f

ff

fFF

f

f

f

fff

Œ

mp f

Allegretto

tradetrade

tradetrade

tradetrade

tradetrade

p

7

mf

13

tradetrade

tradetrade

f

19

2

4

2

4

amp

3

3

1

2

4

3

2

5

4

55

1

2

amp

1

2

3

-

4

3

4

2

1

2

3 1

1

5

2

5

1

3

-

3

5

2

5

1

5

2

5

1

5

amp

4

3

4

2 1 3 2 4

-

3

3

5

2

5

3

5

-

54

amp

3

1

2

4

3

2 1

2

3

-

2

4

1

5

2

5

1

3

-

f f ff

f f ff

f ff

ff

f

fff

fff

FFF

fff

fff

FF

F

fff

fff

FF

fnf

fŒ

f ff

ff f

f

f

f

f

f

fff

Œ

ff

ff

F

F

f

f

f

f

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F

f ff

ff

ff

ff

Œf f f

f

ff

ff

F

F

f

f

f

fff

Œf

ff

f

f

ff

f

f f ff

f ff

ff

ffn

ff

Œ

f

ff

f

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fFF

f

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fff

Œ

This piece is a good exercise for changing the fingering on a certain note (notice the 4 then the 3 on the D in bar 9 and so on) Doing this helps the hand stay relaxed

Try to play the three notes within the chord at the same time

For the first four bars think in two-bar phrases The second two bars answer the first two bars

Lean into the C Notice the decrescendo

Remember to play staccato (detached) when you see dots over the notes

Play forte now

Bars 5-8 should be one long four-bar phrase

The horizontal line over a note means you need to emphasise it

At bar 9 suddenly lower the dynamics in both hands to lsquopianorsquo (soft)

Try to bring out the top notes of the LH chords

The double-dotted line means go back and repeat

Always make a downup motion with the pairs of slurred crotchets

Quavers are now introduced in what we call an Alberti bass Emphasise the first beat of the bar

Make a nice resolute ending Hands coming off at the same time

The key is C major (no sharps or flats)

p28 scores DIABELLI-FINALindd 28 11032014 0912

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Anton DIABELLI (1781-1858)int Bagatelle cent

مقدماتی

قویzwnjاجراzwnjکنید

bookspianohouseir اجرای صوتی اثر را از این جا دریافت کنید

12Joseph HAYDN (1732-1809)

int Gypsy Dance in C minor centمقدماتی

29 Pianist 71

asasasa

Joseph HAYDN (1732-1809)Gypsy Dance in C minor

BEGINNER

During Haydnrsquos long employment at the Esterhaacutezy court his duties included composing supervising musicians and maintaining instruments If he became weary of these burdens he must surely have found some joy and inspiration in listening to the gypsy bands that regularly visited the court

Playing and pedalling tips There is absolutely no need to use the pedal in this

TRACK 2

piece as it has to sound really light and crisp One needs to hear all the different types of articulation and changes in dynamics Pedal might blur this especially seeing the tempo is very brisk Remember the lsquogypsyrsquo word in the title ndash you want to bring across a fiery gypsy style


Lift both hands for the rest

Make sure all three notes of the chord are depressed at the same time

Emphasise the first C in the bar

Always keep both hands close to the keyboard

A big jump is required in the LH for the next chord Be prepared

Lean into the second G

Play the grace note F very lightly

Remember to hold down the G

Even and articulated fingers are needed here for this scale

The line above the second C means to give it extra prominence

The RH part in this new section is trickier It requires some nimbly executed leaps

Lean into the second B flat

Therersquos a nice hidden melody in the LH in these 4 bars above G to A to F to the G at the beginning of bar 12

If you find it awkward with the fifth finger on the last A flat try a fourth instead

These last four lines are a repeat of bars 5-8 but with a forte dynamic in the last two bars Drop finger firmly onto the last C

The key is C minor (3 flats)

p29 Scores Haydn-FINALindd 29 8313 092241

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13

29bull Pianist 76

Ingasas

Key of C even if therersquos a brief modulation to G major at bar 8 (spot the F sharp)

Wolfgang Amadeus MOZART (1756-1791)Minuet in C K6

BEGINNERTRACK 1

Mozart composed short pieces from the very early age of six including this one which was originally a sonata for keyboard and violin The French dance form in triple time was much in fashion in the 18th century The piece is simple and elegant comprising two parts made up of eight bars each The key changes to the dominant G major at the end of the second line (note the F sharp) but it quickly reverts back to C major

again a little later These short early pieces are perfect for the beginner and they still include enough technical issues to tackle This is great for getting acquainted with slurs for example Even if you need to take your hands of the piano for the rests and for the end of phrases still keep them close to the keyboard


LH plays the accompaniment role throughout Try to keep in time

This piece is a great exercise for slurs Feel the downup of the wrist on each pair with the emphasis always on the first note

The LH also has many slurred notes Make the downup movement

Itrsquos good to get used to changing fingering on repeated notes as below for the Ds Doing this will also help stop the fingers from tensing up

Even if there are no dynamics marked on the score try to pencil some in For example bars 3 and 4 could do with a bit more volume than bars 1 and 2

Play the crotchet notes with a detached quality to them Therersquos no need to join the notes (ie to make them legato)

Play the below six quavers legato (join the notes) Prepare the third finger to pass over the thumb (fourth and fifth notes)

Tail this phrase off nicely in both hands with a slight diminuendo

Notice the fingering of the thumb on the black note F in bar 10 One can actually place thumbs on black notes

Three pairs of slurred quavers here That means downup three times

In the RH above 2nd finger to moves silently on to the G

Again all the LH crotchets to be played detached Not staccato mind Just slightly detached

And again prepare the third finger to pass over the thumb (the D to the C)

p29 Scores Mozart-FINALindd 29 09012014 1621

Wolfgang Amadeus MOZART (1756-1791)int Minuet in C K6 cent

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نتzwnjهایzwnjسیاهzwnjراzwnjجداzwnjازzwnjهمzwnjاجراzwnjکنیدzwnjنیازیzwnjبهzwnjمتصلzwnjنواختنzwnj)لگاتو(zwnjzwnjآنzwnjهاzwnjنیستzwnj

دوzwnj قطعــهzwnj تونالیتــهzwnjيzwnjــهzwnjدرzwnj ــتzwnjالبت ــاژورzwnjاس مــیونzwnj ــزانzwnjzwnj۸مدوالس میســلzwnj بــهzwnj کوتاهــیzwnjمــاژورzwnjخواهیــمzwnjداشــت

بهتــرzwnjاســتzwnjنتzwnjهــایzwnjتکــراریzwnj)zwnjدرzwnjاینجــاzwnjنــتzwnjzwnjر(zwnjzwnjبــاzwnjانگشــتانzwnjمتفــاوتzwnjاجــراzwnjشــودzwnjبــاzwnjایــنzwnjکارzwnjازzwnjســفتzwnjشــدنzwnj

ــود ــریzwnjمیzwnjش ــتzwnjجلوگی دس

ــرzwnjشــدتzwnjدرzwnj ــرایzwnjتغیی ــاzwnjوجــودzwnjاینکــهzwnjهیــچzwnjنشــانهzwnjگذاریzwnjب بــیzwnjدرzwnjآنzwnj ــمzwnjتغییرات ــتzwnjمیzwnjتوانی ــدهzwnjاس ــرzwnjنش ــهzwnjذک ــنzwnjقطع ایــرzwnj ــالzwnjمیزانzwnjهــایzwnjzwnj۳وzwnjzwnj۴راzwnjقویت ــوانzwnjمث ــهzwnjعن ــمzwnjب ایجــادzwnjکنی

ــم ــراzwnjکنی ــایzwnjzwnj1وzwnjzwnjzwnj2اج ازzwnjمیزانzwnjه

ــوطzwnj ــریzwnjخط ــرایzwnjیادگی ــیzwnjب ــیzwnjعال ــهzwnjتمرین ــنzwnjقطع ایــاzwnj ــهzwnjهــمzwnjراzwnjب اتصــالzwnjاســتzwnjجفــتzwnjنتzwnjهــایzwnjمتصــلzwnjبــتzwnjاولzwnjراzwnj ــدzwnjن ــراzwnjکنی ــچzwnjاج ــاالیzwnjم ــنzwnjب ــتzwnjپایی حرک

ــد ــرzwnjاجــراzwnjzwnjکنی کمــیzwnjقویت

درzwnjاینzwnjجاzwnjهمzwnjنتzwnjهایzwnjسیاهzwnjدستzwnjچپzwnjبایدzwnjجداzwnjازzwnjهمzwnjاجراzwnjشوندzwnjدقتzwnjکنیدzwnjمنظورzwnjاجرایzwnjاستاکاتوzwnjنیستzwnjفقطzwnjکمیzwnjجداzwnj

مقدماتی


14Wolfgang Amadeus MOZART (1756-1791)

int German Dance in F K605 no 3 centمقدماتی

ایــنzwnjرقــصzwnjآلمانــیzwnjبرگرفتــهzwnjازzwnjقطعــهzwnjzwnjایzwnjارکســترالzwnjzwnjاســتzwnjکهzwnjموتــزارتzwnjدرzwnjســالzwnjzwnj1۷۹1تصنیــفzwnjکردهzwnjzwnjSleigh(بــودzwnjایــنzwnjقطعــهzwnjدرzwnjاصــلzwnjبــرایzwnjگروهــیzwnjازzwnjســازهایzwnjبــادیzwnjzwnjزهــیzwnjوzwnjپنــجzwnjzwnjزنــگzwnjدرشــکهzwnjbell(zwnjنوشــتهzwnjشــدهzwnjاســتzwnjوzwnjبــهzwnjهمیــنzwnjدلیــلzwnjبــاzwnjنــامzwnjدرشــکهzwnjســواریzwnj)Sleighzwnjride(zwnjمشــهورzwnjشــدهzwnj

اســتzwnjبنابرایــنzwnjzwnjبــهzwnjدنبــالzwnjصدایــیzwnjهســتیمzwnjکــهzwnjتداعیzwnjگــرzwnjzwnjدرشــکهzwnjســواریzwnjدرzwnjیــکzwnjروزzwnjدلپذیــرzwnjباشــد

نــکات اجرایــی هیچzwnjگونــهzwnjعالمتــیzwnjبــرایzwnjپدالzwnjگیــریzwnjدرzwnjقطعــهzwnjذکــرzwnjنشــدهzwnjاســتzwnjوzwnjاساســاzwnjنیــازیzwnjبــهzwnjاســتفادهzwnjازzwnjپــدالzwnjنداریــمzwnjبنابرایــنzwnjســعیzwnjکنیــدzwnjتــاzwnjجایــیzwnjکــهzwnjممکــنzwnjاســتzwnjلگاتــوzwnjاجــراzwnjکنیــدzwnjنوازندگانــیzwnjکــهzwnjعــادتzwnjبــهzwnjاســتفادهzwnjیzwnjزیــادzwnjازzwnjپــدالzwnjدارنــدzwnjمعمــوالzwnjدرzwnjاجــرایzwnjلگاتــوzwnjبــدونzwnjکمــکzwnjپدالzwnj

ضعیــفzwnjهســتندzwnjرعایــتzwnjانگشــتzwnjگذاریzwnjهــاzwnjبــهzwnjاجــرایzwnjبهتــرzwnjلگاتــوzwnjکمــکzwnjمیzwnjکنــد

28 Pianist 71

Wolfgang Amadeus MOZART (1756-1791)German Dance in F K605 no 3

BEGINNER

This German dance is a transcription of an ensemble piece Mozart wrote in 1791 It was originally scored for wind strings and five sleigh bells hence its nickname lsquoThe Sleigh Ridersquo Itrsquos a rather gentle sleigh ride by the sound of it

Pedal tips There are no markings on the score as use of pedal is not necessary

The lack of pedal also means that you really need to try to get the notes as legato as possible and pedal can sometimes make one avoid doing this Our fingerings should help for your legato


TRACK 1

Bring out the melody line Keep it nice and legato Think in two-bar phrases

Keep the LH close to the keyboard Remember to hold the dotted minims throughout the bar Make the inner notes smooth and soft

Fourth finger should remain down

Make a smooth transition to bar 3

Dynamics are now slightly more with mp instead of p so this phrase needs to be louder than the first

Start quietly

Climax of the first section Make the melody sing Begin to make a smooth descrescendo

Hands off at the same time

Beginning of the second section

The next four short phrases should sound like an lsquoanswerrsquo to the first four

Suddenly drop the dynamics here on the repeat

The left hand needs to sound much softer as well

The thumb needs to be ready to go under the hand for first beat of bar 14

Be prepared for the big stretch here in the bass from middle C to an octave lower The fifth finger should be ready

Make another gentle diminuendo again to the end Slow down just a little if you wish but there is no lsquoritrsquo marking so only very slightly

The key is F major (note the B flat)


تونالیتهzwnjیzwnjقطعهzwnjفاماژورzwnjاست

)zwnjنتzwnjسیzwnjبملzwnjشدهzwnjاست(

ملودیzwnjدستzwnjراستzwnjبایدzwnjبرجستهzwnjترzwnjازzwnjدستzwnjچپzwnjشنیدهzwnjشودzwnjسعیzwnjکنیدzwnjآنراzwnjنرمzwnjوzwnjلگاتوzwnjاجراzwnjکنیدzwnjجملهzwnjبندیzwnj

راzwnjبهzwnjصورتzwnjعبارتهایzwnjدوzwnjمیزانیzwnjدرzwnjنظرzwnjبگیریدzwnjدقتzwnjکنیدzwnjعبورzwnjازzwnjمیزانzwnjدومzwnjبهzwnj

zwnjنرمzwnjانجامzwnjشود سومzwnjکامال

باzwnjسرعتzwnjباالzwnjشروعzwnjکنیددستzwnjچپzwnjراzwnjنزدیکzwnjبهzwnjکلیدهاzwnjنگاهzwnjداریدzwnjدقتzwnjکنیدzwnjنتzwnjسفیدzwnjنقطهzwnjدارzwnjتاzwnjپایانzwnjمیزانzwnjنگهzwnjداشتهzwnjشودzwnjنتzwnjهایzwnjچنگzwnjبایدzwnjنرمzwnjوzwnjیکنواختzwnj

اجراzwnjشوند

انگشتzwnjچهارمzwnjراzwnjتاzwnjپایانzwnjمیزانzwnjپایینzwnjنگهzwnjدارید باzwnjتوجهzwnjبهzwnjتغییرzwnjشدتzwnjازzwnjzwnjpبهzwnjmp zwnjعبارتzwnjدومzwnjکمیzwnjقویzwnjترzwnjازzwnjعبارتzwnjاولzwnjنواختهzwnjمیzwnjشود

اوجzwnjقسمتzwnjاولzwnjملودیzwnjبایدzwnjآوازzwnjبخوانددکرشندوzwnjراzwnjبهzwnjنرمیzwnjازzwnjاینجاzwnjشروعzwnjکنید

دستzwnjهاzwnjراzwnjهمزمانzwnjبردارید

آغازzwnjبخشzwnjدومعبارتzwnjچهارzwnjمیزانیzwnjبعدیzwnjبایدzwnjهمانندzwnjجوابیzwnjبرایzwnjچهارzwnj

میزانzwnjاولzwnjباشددرzwnjاینzwnjجاzwnjعبارتzwnjقبلzwnjدوبارهzwnjتکرارzwnjمیzwnjشودzwnjشدتzwnjراzwnjبهzwnjطورzwnjناگهانیzwnjکاهشzwnjدهیدzwnj

تاzwnjمیzwnjتوانیدzwnjدستzwnjچپzwnjراzwnjنرمzwnjترzwnjاجراzwnjکنیدzwnj

درzwnjاولینzwnjضربzwnjدرzwnjمیزانzwnjzwnj1۴انگشتzwnjاولzwnjبایدzwnjآمادهzwnjعبورzwnjازzwnjزیرzwnjانگشتzwnjدومzwnjباشدzwnj

درzwnjپایانzwnjدوبارهzwnjدیمینوئندوییzwnjنرمzwnjراzwnjاجراzwnjکنیدzwnjباzwnjوجودzwnjنشانzwnjریتارداندوzwnjمیzwnjتوانیدzwnjسرعتzwnjراzwnjبهzwnjمقدارzwnjبسیارzwnjناچیزیzwnjکاهشzwnjدهیدzwnjzwnj

درzwnjاینجاzwnjدستzwnjچپzwnjبرایzwnjاجرایzwnjفاصلهzwnjیzwnjاکتاوzwnjدرzwnjباسzwnj)zwnjzwnjازzwnjنتzwnjzwnjدوzwnjبهzwnjنتzwnjدوzwnjدرzwnjاکتاوzwnjپایینتر(zwnjکامالzwnjبازzwnjمیzwnjشودzwnjانگشتzwnjپنجمzwnjبایدzwnjآمادهzwnjباشد


15Carl CZERNY (1791-1857)

int No71 from Practical Exercises for Beginners OP 599 cent

کارلzwnjچرنــیzwnjهماننــدzwnjپلــیzwnjمیــانzwnjبتهــوونzwnjوzwnjفرانتــزzwnjلیســتzwnjبــودهzwnjاســتzwnjبتهــوونzwnjاســتادzwnjچرنــیzwnjبــودzwnjوzwnjلیســتzwnjشــاگردzwnjاوzwnjzwnjایــنzwnjقطعــهzwnjازzwnjکتــابzwnjتمرینــاتzwnjمقدماتــیzwnjاپــوسzwnjzwnjzwnj۵۹۹انتخــابzwnjشــدهzwnjاســتzwnjکــهzwnjمشــتملzwnjبــرzwnjzwnj1۰۰تمریــنzwnjکوتــاهzwnjاســتzwnjنــکات اجرایــی zwnjایــنzwnjقطعــهzwnjیzwnjکوتــاهzwnjفرمیzwnjکالســیکzwnjداردzwnjوzwnjتقریبــاzwnjبــهzwnjجــزzwnjحضــورzwnjیــکzwnjکرشــندوzwnjوzwnjدیمنوئنــدوzwnjدرzwnjسراســرzwnjقطعــهzwnjشــدتzwnjzwnjzwnjpحاکــمzwnjاســتzwnjدرzwnjایــنzwnjقطعــهzwnjبــهzwnjصدایــیzwnjمتصــلzwnjوzwnjzwnjبیzwnjوقفــهzwnjنیــازzwnjداریــمzwnjوzwnjملــودیzwnjدســتzwnjراســتzwnjبایــدzwnjحالتــیzwnjآوازیzwnj

ــدzwnj ــوzwnjکمــکzwnjمیzwnjکن ــرzwnjلگات ــرایzwnjبهت ــهzwnjاج ــاzwnjب ــتzwnjانگشــتzwnjگذاریzwnjه )cantabile(zwnjداشــتهzwnjباشــدzwnjرعایدشــوارzwnjترینzwnjبخــشzwnjدرzwnjمیــزانzwnjســومzwnjقــرارzwnjداردzwnjجایــیzwnjکــهzwnjدســتzwnjراســتzwnjzwnjفواصــلzwnjنســبتاzwnjبزرگــیzwnjراzwnjاجــراzwnjمیzwnjکنــدzwnjدقــتzwnjکنیــدzwnjکــهzwnjانگشــتzwnjپیــشzwnjازzwnjاجــرایzwnjنــتzwnjبــرzwnjرویzwnjکلیــدzwnjمــوردzwnjنظــرzwnjآمــادهzwnjباشــدظرافتzwnjهــایzwnjبســیارzwnjزیبایــیzwnj)نظیــرzwnjzwnjعبــارتzwnjســهzwnjzwnjنتــیzwnjدســتzwnjچــپzwnjدرzwnjانتهــایzwnjمیــزانzwnjچهــارم(zwnjدرایــنzwnj

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مقدماتی

33bull Pianist 81

Carl CZERNY (1791-1857) No 71 from Practical Exercises for Beginners op 599

BEGINNERTRACK 4

Carl Czerny is the bridge between Beethoven who was his teacher and Liszt who was his pupil As a teacher extraordinaire Czerny produced many educational volumes including the 100 pieces of his op 599 from which this piece comes

Playing tips This sweet little Classical style piece should be played piano throughout with the odd crescendo and diminuendo It needs to sound seamless and there must be a lovely singing (cantabile) tone to the RH melody Always try for a good legato ndash the

fingering will help you with this Both of the eight-bar sections should be repeated The hardest part of the piece comes at bar 3 ndash you will notice that the RH has quite a few wide intervals to manage within those last four quavers Make sure your fingers are over the notes before you play them There are lots of lovely nuances such as the phrasing of the last three LH quavers in bar 4 Bring them out


p

Andante q = 100

tradetrade

tradetrade

dim

5

tradetrade

tradetrade

p

9

tradetrade

tradetrade

13

4

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4

4

amp

b

2

1

4

3

4

3

4

b

4 5 4 5 3 1 2 3

gt

amp

b

2

4

3

2

1

3

5

3

b

4 4 5 3

amp

4

2 12

1

amp

b

2

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2

43

amp

b

1

3

1

2

1

2

1

2

1

2

1 2 3

amp

b

3

1

4

2

4

2

b

4 5 4 5 3 4 2 1 2 1

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FFn

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f trade f

J

ffb

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f

permil

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J

f trade f

J

f

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ff F

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f

f

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ff

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Ff

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J

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Fff

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Fff

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fFff

f

fFf

ff

f

Ff

ff

fFf

ff

fff

Œ

p

Andante q = 100

tradetrade

tradetrade

dim

5

tradetrade

tradetrade

p

9

tradetrade

tradetrade

13

4

4

4

4

amp

b

2

1

4

3

4

3

4

b

4 5 4 5 3 1 2 3

gt

amp

b

2

4

3

2

1

3

5

3

b

4 4 5 3

amp

4

2 12

1

amp

b

2

3

2

43

amp

b

1

3

1

2

1

2

1

2

1

2

1 2 3

amp

b

3

1

4

2

4

2

b

4 5 4 5 3 4 2 1 2 1

F

f

fF

f

fftrade

f

J

ff

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f

Œ

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ffn

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The key is F major (with the one accidental of B flat)

Keep the LH accompaniment even making sure to bring out the minims more

Find a good legato in the LH as well as the RH The suggested fingering will help

The RH carried the melody Think in long four-bar phrases The highlight in the first four-bar phrase being within bar 3 Bar 3 is tricky too so practise very slowly

Round off these three last notes in the LH nicely

Bar 7 should be expressive This is the most difficult bar in the piece too as there are a lot of wide intervals in the RH Try to shape the phrase Each note matters

Go back to the start and repeat

Note the dynamic marking lsquoprsquo at the start Keep things soft and tender throughout

An even sweeter section begins here

LH notes to be even and light Keep the thumb relaxed and make sure it doesnrsquot stand out It will help if you rotate the wrist a little between each quaver

Again think in long four-bar phrases The high point being on the minim A in bar 12

Again round these three notes off nicely

Repeat these last eight bars again

Be prepared for the quick jump from the second minim F in bar 13 to the lower minim B at the start of bar 14

Tail off elegantly

P33 Scores CZERNY-FINALindd 33 13112014 1117

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16Heinrich LICHNER (1829-1898)

int On the playground No 2 from Little Leaves Little Flowers op 64 centمقدماتی

28bull Pianist 83

Heinrich LICHNER (1829-1898)On the playground No 2 from Little Leaves Little Flowers op 64

BEGINNERTRACK 1

The little-known 19th-century German composer pianist organist and teacher Heinrich Lichner was born in Silesia He wrote many works for the piano and was especially noted for his sonatinas Like many of his Romantic contemporaries he composed many works for children that are based on childhood games and stories

Playing tips This is a lovely sprightly little piece that requires nimble and even fingerwork We are sure that once you have mastered it you will enjoy playing it No pedal needed


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Try to keep rhythmically in time Using

a metronome might help at first

Start off by practising

very slowly hands

separately

Keep the RH wrist loose for the

repeated notes This will avoid tension

Ensure that the three notes within the LH chords

sound out and that your fingers hit the keys at the

same time The notes should be of equal weight too

Again keep the RH wrist loose

here or it will tense up over the

next seven bars In bars 10-11 donrsquot miss the crescendo and descrescendo markings

The LH above has a new style Try to make the notes more legato with

a slight emphasis on the first beat As with the RH the LH should build to

a crescendo to the end of bar 10 then decrescendo again

Lower the dynamics at the end

of bar 16 This is the beginning

of a new phrase

Key of C major (no

sharps or flats)

P28 Scores LICHNER-FINALindd 28 10032015 0919

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17

29bull Pianist 83


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Build up a crescendo in both hands Notice that both the hands are

now playing quaver staccato notes Try to keep 100 in time and

keep the notes even This should sound cheeky and joyous

The words lsquoDC al Finersquo below mean to return to the

beginning and play through to the lsquoFinersquo at bar 24

A new section appears here at bar 25 It is

a variation on the opening theme

This is where the piece ends

(on the repeat)

Below is an identical return of the opening Try to make it a little different this time ndash try

slightly different dynamics or a different (perhaps bolder) spirit


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بــهzwnjدنبــالzwnjصداییzwnjجســورانهzwnjوzwnjشــادzwnjهســتیم

بــاzwnjدیــدنzwnjعبــارتzwnjlsquoDC al FinersquozwnjzwnjبــهzwnjابتــدایzwnjقطعــهzwnjرفتــهzwnjوzwnjتــاzwnjعالمــتzwnjlsquoFinersquozwnjzwnjدرzwnjمیــزانzwnjzwnj2۴دوبــارهzwnjاجــراzwnjمیzwnjکنیــم

Heinrich LICHNER (1829-1898)int On the playground No 2 from Little Leaves Little Flowers op 64 cent

مقدماتی


18Cornelius GURLITT (1820-1901)

int Little pastime from Childrenrsquos Garden op 179 centمقدماتی

34bull Pianist 83

Cornelius GURLITT (1820-1901)Little pastime from Childrenrsquos Garden op 179

BEGINNERTRACK 4

Cornelius Gurlitt was born in Schleswig-Holstein on the Danish-German border and made his career as a composer and teacher in both countries and in Italy as well This piece comes from his volume of 24 pieces Der Kindergarten (Childrenrsquos Garden)

Playing tips This piece needs to sound nice and light with a skipping quality to it

Notice that the rests are in different places in the RH and LH ndash this will take time to get used to and we suggest practising hands separately The little hairpin crescendo and descrescendo markings will add colour No pedal required


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Try to find a nice calm Allegretto tempo Not too slow not too fast

Even though there are no phrase markings think in long phrases The first phrase goes all the way through the first four bars and tails off at the end

There should be a downup movement with the LH quavers And remember to take the hand off the keyboard for the quaver rest

Imagine that the RH is elegantly skipping Keep the wrist supple and lift the hand away from the keys for the quaver rest

Bring out this little bit of melody in the LH above

Both hands to hit the notes simultaneously

Round off the phrase with a slight decrescendo

Lift both hands here

Start off softly as you need to prepare for a crescendo

Try to join the RH chords as much as you can The suggested fingering will help It should sound smoother than the opening Within the space of one bar you have to go from soft to loud

We are now back at the opening theme Come to an end smoothly with a slight decrescendo

In the key of G major (just the one F sharp)

P34 Scores GURLITT-FINALindd 34 10032015 0922

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19Johann Sebastian BACH

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مقدماتی


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مقدماتی


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مقدماتی

Pian

oStre

et

بعمن


جوزی محسن 1360 سرشناسه قطعات منتخب برای پیانو محسن جوزی عنوان و نام پدیدآور

زنجان آذرکلک 1394 مشخصات نشر 113 ص عکس پارتیسیون 22 times 29 س م مشخصات ظاهری

کالسیک تا پاپ فروست 979-0-9014579-1-1 شابک

فیپا وضعیت فهرست نویسی موسیقی برای پیانو موضوع

موسیقی برای پیانو -- پارتیسیون موضوع MT225 1394 6ق87ج رده بندی کنگره

7862 رده بندی دیویی 3899157 شماره ی کتاب شناسی ملی

به نام خداوند جان و خردکزین برتر اندیشه برنگذرد


محسن جوزی











To Mark Polishook







11

28bull Pianist 77

Ingasas


BEGINNERTRACK 1




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Play forte now
















ــد کنی












ــت اس




ــدzwnj کنی




مقدماتی





29 Pianist 71

asasasa


BEGINNER



TRACK 2











































13

29bull Pianist 76

Ingasas



BEGINNERTRACK 1









































مقدماتی








28 Pianist 71


BEGINNER





TRACK 1






Start quietly


































مقدماتی

33bull Pianist 81


BEGINNERTRACK 4





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Tail off elegantly







هستیم













28bull Pianist 83


BEGINNERTRACK 1




p

Allegro q = 126

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very slowly hands

separately














of a new phrase

Key of C major (no

sharps or flats)


















17

29bull Pianist 83


BEGINNERTRACK 1

17

Fine

21

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(on the repeat)












مقدماتی




34bull Pianist 83


BEGINNERTRACK 4





mf

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مقدماتی

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To Mark Polishook







11

28bull Pianist 77

Ingasas


BEGINNERTRACK 1




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مقدماتی





29 Pianist 71

asasasa


BEGINNER



TRACK 2











































13

29bull Pianist 76

Ingasas



BEGINNERTRACK 1









































مقدماتی








28 Pianist 71


BEGINNER





TRACK 1






Start quietly


































مقدماتی

33bull Pianist 81


BEGINNERTRACK 4





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هستیم













28bull Pianist 83


BEGINNERTRACK 1




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of a new phrase

Key of C major (no

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17

29bull Pianist 83


BEGINNERTRACK 1

17

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(on the repeat)












مقدماتی




34bull Pianist 83


BEGINNERTRACK 4





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مقدماتی

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بعمن












To Mark Polishook







11

28bull Pianist 77

Ingasas


BEGINNERTRACK 1




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ــد کنی












ــت اس




ــدzwnj کنی




مقدماتی





29 Pianist 71

asasasa


BEGINNER



TRACK 2











































13

29bull Pianist 76

Ingasas



BEGINNERTRACK 1









































مقدماتی








28 Pianist 71


BEGINNER





TRACK 1






Start quietly


































مقدماتی

33bull Pianist 81


BEGINNERTRACK 4





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Tail off elegantly







هستیم













28bull Pianist 83


BEGINNERTRACK 1




p

Allegro q = 126

5

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very slowly hands

separately














of a new phrase

Key of C major (no

sharps or flats)


















17

29bull Pianist 83


BEGINNERTRACK 1

17

Fine

21

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(on the repeat)












مقدماتی




34bull Pianist 83


BEGINNERTRACK 4





mf

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مقدماتی

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بعمن








11

28bull Pianist 77

Ingasas


BEGINNERTRACK 1




mp f

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ــد کنی












ــت اس




ــدzwnj کنی




مقدماتی





29 Pianist 71

asasasa


BEGINNER



TRACK 2











































13

29bull Pianist 76

Ingasas



BEGINNERTRACK 1









































مقدماتی








28 Pianist 71


BEGINNER





TRACK 1






Start quietly


































مقدماتی

33bull Pianist 81


BEGINNERTRACK 4





p

Andante q = 100

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tradetrade

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5

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Tail off elegantly







هستیم













28bull Pianist 83


BEGINNERTRACK 1




p

Allegro q = 126

5

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very slowly hands

separately














of a new phrase

Key of C major (no

sharps or flats)


















17

29bull Pianist 83


BEGINNERTRACK 1

17

Fine

21

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(on the repeat)












مقدماتی




34bull Pianist 83


BEGINNERTRACK 4





mf

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29 Pianist 71

asasasa


BEGINNER



TRACK 2











































13

29bull Pianist 76

Ingasas



BEGINNERTRACK 1









































مقدماتی








28 Pianist 71


BEGINNER





TRACK 1






Start quietly


































مقدماتی

33bull Pianist 81


BEGINNERTRACK 4





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Tail off elegantly







هستیم













28bull Pianist 83


BEGINNERTRACK 1




p

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very slowly hands

separately














of a new phrase

Key of C major (no

sharps or flats)


















17

29bull Pianist 83


BEGINNERTRACK 1

17

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(on the repeat)












مقدماتی




34bull Pianist 83


BEGINNERTRACK 4





mf

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مقدماتی

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بعمن


13

29bull Pianist 76

Ingasas



BEGINNERTRACK 1









































مقدماتی








28 Pianist 71


BEGINNER





TRACK 1






Start quietly


































مقدماتی

33bull Pianist 81


BEGINNERTRACK 4





p

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dim

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Tail off elegantly







هستیم













28bull Pianist 83


BEGINNERTRACK 1




p

Allegro q = 126

5

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4

amp

1

3

4

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very slowly hands

separately














of a new phrase

Key of C major (no

sharps or flats)


















17

29bull Pianist 83


BEGINNERTRACK 1

17

Fine

21

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D C al Fine

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(on the repeat)












مقدماتی




34bull Pianist 83


BEGINNERTRACK 4





mf

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28 Pianist 71


BEGINNER





TRACK 1






Start quietly


































مقدماتی

33bull Pianist 81


BEGINNERTRACK 4





p

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Tail off elegantly







هستیم













28bull Pianist 83


BEGINNERTRACK 1




p

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very slowly hands

separately














of a new phrase

Key of C major (no

sharps or flats)


















17

29bull Pianist 83


BEGINNERTRACK 1

17

Fine

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(on the repeat)












مقدماتی




34bull Pianist 83


BEGINNERTRACK 4





mf

Allegrettoq = 104

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مقدماتی

33bull Pianist 81


BEGINNERTRACK 4





p

Andante q = 100

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Tail off elegantly







هستیم













28bull Pianist 83


BEGINNERTRACK 1




p

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very slowly hands

separately














of a new phrase

Key of C major (no

sharps or flats)


















17

29bull Pianist 83


BEGINNERTRACK 1

17

Fine

21

mf

25

D C al Fine

29

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29

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21

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29

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مقدماتی




34bull Pianist 83


BEGINNERTRACK 4





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28bull Pianist 83


BEGINNERTRACK 1




p

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very slowly hands

separately














of a new phrase

Key of C major (no

sharps or flats)


















17

29bull Pianist 83


BEGINNERTRACK 1

17

Fine

21

mf

25

D C al Fine

29

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(on the repeat)












مقدماتی




34bull Pianist 83


BEGINNERTRACK 4





mf

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permil

ff

tradetrade

ffb

tradetrade

ff

tradetrade

fpermil

ff

tradetrade

ffb

tradetrade

ff

tradetrade

fpermil

permil

ff

permil

ff

permil

ff

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permil

ff

permil

ff

permil

ff

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fn permil ff

permil

ff

permilf

fpermil

ff

j

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f

j

ff

j

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permil

f

f

permil

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permil

f

f

permil

f

f

permil

f

J

permil

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J

ff

ff

J

ff

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ff

permil



































mfespressivo

Allegretto



9


13


3

4

3

4

amp

b

b

2 1

Siciliano

b

b

54

2

1

2

1

54

2

1

amp

b

b

1 2

b

b

54

2

5 3

12

1

3

amp

b

b

23

1 2

5

b

b

53

12

1

35

3

2

amp

2 1

amp

b

b

5

rit

4

b

b

5

3

25

5

3

2

amp

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J

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œ

œ

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مقدماتی


20

mf

a tempo

17


21


25



wwwPianoHouseir

p

29


amp

b

b

2

amp

b

b

5 4 2

amp

b

b

22

amp

b

b

5 3 2 5 3 2

amp

b

b

5

2

b

b

5 3

1

2

54

2

amp

b

b

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b

b

5

3

25 3

12

1

3 1

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13

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مقدماتی





















مقدماتی

Pian

oStre

et

بعمن


17

29bull Pianist 83


BEGINNERTRACK 1

17

Fine

21

mf

25

D C al Fine

29

amp

amp

amp

b

amp

b

amp

b

1

1

5

4

3

b amp

amp

b

1

4

1

4 3

n

amp

b

5

1

3

5

1

2

5

1

2

1

3

1

2

n

f tradef

ff trade

ff f

f ff

ff

fn tradef

f

permil

fff

fff

permil permil

fff

fff

permil permil

f

ff

f

ff

f

ff

permil

fff

fff

permil

f tradef

ff trade

ff f

f ff

f

f

fn trade

permil

fff

fff

permil permil

fff

fff

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f

ff

f

ff

f

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fff

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f trade

f

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f tradef

ff trade

f

J

ftrade

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ff

f

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J

f

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ff

f

ff

f

f

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f

ff

f

ff

ff

f

ff

f

ff

17

Fine

21

mf

25

D C al Fine

29

amp

amp

amp

b

amp

b

amp

b

1

1

5

4

3

b amp

amp

b

1

4

1

4 3

n

amp

b

5

1

3

5

1

2

5

1

2

1

3

1

2

n

f tradef

ff trade

ff f

f ff

ff

fn tradef

f

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fff

fff

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fff

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f

ff

f

ff

f

ff

permil

fff

fff

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f tradef

ff trade

ff f

f ff

f

f

fn trade

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fff

fff

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ff

f

ff

f

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fff

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f

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f tradef

ff trade

f

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permil permil

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J

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f

ff

J

f

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ff

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ff

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ff

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ff

ff

f

ff

f

ff

17

Fine

21

mf

25

D C al Fine

29

amp

amp

amp

b

amp

b

amp

b

1

1

5

4

3

b amp

amp

b

1

4

1

4 3

n

amp

b

5

1

3

5

1

2

5

1

2

1

3

1

2

n

f tradef

ff trade

ff f

f ff

ff

fn tradef

f

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ff trade

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f

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ff

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f

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fff

f f

f f

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ff

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ff

f

f

ff

f

ff

f

ff

ff

f

ff

f

ff

17

Fine

21

mf

25

D C al Fine

29

amp

amp

amp

b

amp

b

amp

b

1

1

5

4

3

b amp

amp

b

1

4

1

4 3

n

amp

b

5

1

3

5

1

2

5

1

2

1

3

1

2

n

f tradef

ff trade

ff f

f ff

ff

fn tradef

f

permil

fff

fff

permil permil

fff

fff

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f

ff

f

ff

f

ff

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ff trade

ff f

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ff

f

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f trade

f

J

f tradef

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f

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f

ff

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fff

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ff

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ff

f

ff

f

f

ff

f

ff

f

ff

ff

f

ff

f

ff









(on the repeat)












مقدماتی




34bull Pianist 83


BEGINNERTRACK 4





mf

Allegrettoq = 104

cresc p f

mf

6

8

6

8

amp

3

5

4 2 1 3

5

3

4

2

5 1 3 4 5 4 2 1

amp

3

5

4 2 1 4 2 4 3

5 3 4 5 4 3 2 1

2

1

3

1

2

1

2

1

3

1

2

1

amp

5 5

3 2

amp

3 3 4 2 4 3

5 2

4

1

3

1

2

f permil ff

permil

ff

permilf

fpermil

ff permil f

fpermil

f ff

tradetrade

ff

permil

f

f

permil

ff

permil

f

f

permil

f

f

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f

f

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ff

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f

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ff

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f

f

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permil

f

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f

J

ff

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ff

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ff

permil

ff

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ff

tradetrade

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tradetrade

ff

tradetrade

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permil

ff

permil

ff

permil

ff

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ff

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permilf

fpermil

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permil

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f

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f

permil

f

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permil

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J

ff

ff

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ff

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ff

permil



































mfespressivo

Allegretto



9


13


3

4

3

4

amp

b

b

2 1

Siciliano

b

b

54

2

1

2

1

54

2

1

amp

b

b

1 2

b

b

54

2

5 3

12

1

3

amp

b

b

23

1 2

5

b

b

53

12

1

35

3

2

amp

2 1

amp

b

b

5

rit

4

b

b

5

3

25

5

3

2

amp

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J

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مقدماتی


20

mf

a tempo

17


21


25



wwwPianoHouseir

p

29


amp

b

b

2

amp

b

b

5 4 2

amp

b

b

22

amp

b

b

5 3 2 5 3 2

amp

b

b

5

2

b

b

5 3

1

2

54

2

amp

b

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b

b

5

3

25 3

12

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13

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مقدماتی





















مقدماتی

Pian

oStre

et

بعمن




34bull Pianist 83


BEGINNERTRACK 4





mf

Allegrettoq = 104

cresc p f

mf

6

8

6

8

amp

3

5

4 2 1 3

5

3

4

2

5 1 3 4 5 4 2 1

amp

3

5

4 2 1 4 2 4 3

5 3 4 5 4 3 2 1

2

1

3

1

2

1

2

1

3

1

2

1

amp

5 5

3 2

amp

3 3 4 2 4 3

5 2

4

1

3

1

2

f permil ff

permil

ff

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fpermil

ff permil f

fpermil

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tradetrade

ff

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f

f

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ff

permil

f

f

permil

f

f

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f

permil

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permil permil

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ffn

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f permil ff

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permilf

fpermil

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j

permil

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mfespressivo

Allegretto



9


13


3

4

3

4

amp

b

b

2 1

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b

b

54

2

1

2

1

54

2

1

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b

b

54

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5 3

12

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3

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23

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53

12

1

35

3

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20

mf

a tempo

17


21


25



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p

29


amp

b

b

2

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b

b

5 4 2

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b

b

22

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b

b

5 3 2 5 3 2

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b

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5

2

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1

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54

2

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3

25 3

12

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13

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مقدماتی





















مقدماتی

Pian

oStre

et

بعمن




mfespressivo

Allegretto



9


13


3

4

3

4

amp

b

b

2 1

Siciliano

b

b

54

2

1

2

1

54

2

1

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5 3

12

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23

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53

12

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20

mf

a tempo

17


21


25



wwwPianoHouseir

p

29


amp

b

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2

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b

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5 4 2

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b

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1

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