OTTO HAAS

September, 2013

THE TOURIST’S GALOP

1) ANSCHUEZ, Joseph Andreas (1772-1855): Walzes arranges pour le Piano-forte,

composes & dediées à Madame de Lezay-Marnesia par J.A. Anschuez. Nro:

4. à Bonn:

chez N. Simrock, [1810]. Score: 19 pp., oblong folio, engraved, plate number 701.

Disbound, sewn. £175

Not in BL or SBB.

2) ARNOLD, Friedrich Wilhelm: “Sie sollen

ihn nicht haben!” Volksgesänge der deutschen

Männer und Frauen, gedichtet von Nic. Becker

und Julie Koelsch, in Musik gesetzt für eine

Singstimme jeden Umfanges mit Begleitung des

Pianoforte von F.W. Arnold und Jos. Klein.

Coeln: bei Eck & Comp., [ca. 1845]. Score: 7

pp., folio, lithographed by C. Eck. Sewn in blue

plain contemporary wrappers. Ornate title-page

printed in red and green. £80

Not in BL or SBB.

3) [BACH, Johann Sebastian (1685-1750)] FORKEL, Johann Nicolaus (1749-1818):

Ueber Johann Sebastian Bachs Leben, Kunst und Kunstwerke. Fuer patriotische

Verehrer echter musikalischer Kunst von J.N. Forkel. Mit Bachs Bildniss und

Kupfertafeln. Leipzig: bey Hoffmeister und Kuehnel (Bureau de Musique), 1802. x, 69

pp., 3 plates, octavo. Original plain boards, front cover detached, backstrip worn away.

Excellent internally. £2,400

First edition. Hirsch 2137. The first biography of J.S. Bach and a monument of

musicology. This book is the model for all later biographies of great composer as it is the

first scholarly biography in music history. Complete copies are extremely rare as many

lack the fine frontispiece engraved by Friedrich Wilhelm Nettling after the portrait of

Bach by Elias Gottlob Haussmann (1695-1774); the frontispiece is worded 'Sebastian

Bach' below the image, in between the words of which is an engraving of a full-length

male figure in classical robes (Apollo) playing a lyre, seated on a cloud, with radiant

beams encircling his head.

4) BEETHOVEN, Ludwig van

(1770-1827): Variations pour le

Piano-Forte, Composeés [sic] par

Louis van Beethoven. No. 9 [WoO

65]. à Mayence: chez Charles

Zulehner, [ca. 1807]. Score: 16 pp.,

folio, engraved, plate number 90.

Plain original card covers with

manuscript label. £300

Kinsky-Halm p.513, second version.

Not in BL, COPAC or San José.

Collection complete des Oeuvres de

musique pour le Piano Forte,

composées par Louis van Beethoven,

Cahier VIII.

5) BERBIGUIER, Antoine Tranquille (1782-1838): Dix-huit Exercices ou Etudes

dans tous les Tons pour la Flûte, a fin de se former au Mécanisme de toutes les petites

Clefs, Extraits de la Méthode de T. Berbiguier. à Paris: Chez Janet & Cotelle, [1818?].

Score: 1 f. (title), pp.196-217, folio, engraved, plate number 1030. Sewn as issued, some

browning. Complete extract of the eighteen studies from a larger work and containing

pp.252-255 entitled “Solo ou exercice pour le double-coup de langue ordinaire”. £60

6) BRAHMS, Johannes (1833-1897): Zwei Quartette für 2 Violinen, Bratsche und

Violoncell, seinem Freunde Dr. Theodor Billroth in Wien zugeeignet von Johannes

Brahms, Op. 51. Partitur. No. 1, C moll. In Berlin: N. Simrock, 1873. Score: 39 pp.,

octavo, lithographed, plate number 7378. Folded as issued, two slight chips to outer fold.

£100 First edition, second issue. McCorkle (Brahms) p. 210. Hofmann (Brahms) p. 107.

7) BRAHMS, Johannes (1833-1897): Zwei Quartette für 2 Violinen, Bratsche und

Violoncell, seinem Freunde Dr. Theodor Billroth in Wien zugeeignet von Johannes

Brahms, Op. 51. Partitur. No. 2, A moll. In Berlin: N. Simrock, 1873. Score: 43 pp.,

octavo, engraved, plate number 7379. Folded as issued in publisher’s wrappers of which

the edges chipped and the outer fold reinforced with sellotape. £160

First edition, first issue. McCorkle (Brahms) p. 210. Hofmann (Brahms) p. 107.

8) CAMIDGE, Matthew (1764-1844): Six Concertos for the Organ or Grand Piano

Forte, Composed & Dedicated with the greatest Respect to his much Esteemd [sic]

Friend William Shield Esqr. By Matthew Camidge, Op. 13. London: Printed & Sold by

Preston, [wm 1813]. Keyboard part: 1 f. (title), 35 pp., folio, engraved. Unstitched, outer

fold with paper reinforcement. £225

First edition. RISM C575 citing just one copy.

9) [CATALOGUES], BREMNER, Robert (fl.1757- d. 1789): A Catalogue of Vocal &

Instrumental Music, Printed & Sold by R. Bremner opposite Somerset House strand,

London. London: R. Bremner, [ca. 1775]. Single sheet folio, engraved. Disbound. £150

The catalogue is printed in five columns comprising sections of music relating to

chamber music, single instrument music, Scots music, Treatises and English vocal music.

With a small clipping from a dealer’s catalogue of about 1950.

10) PLATTS, James (fl. ca. 1790-1834): Platts’s Popular and Original Dances for the

Piano Forte, Violin, &c.. London: Printed & sold at his Magazine for Harp Music, [inter

1816-1820]. 2 ff., affixed back to back. £100

The catalogue is printed in five columns comprising the listings of the first four volumes,

up to the end of the first column on the second folio.

11) WELCKER, John (fl.1775-1780):

A Catalogue of Vocal and Instrumental

Music, printed & sold Wholesale &

Retail by John Welcker at his Music

and Instrument Warehouse, No. 10

Haye Market opposite the Opera

House, London. London: John

Welcker, [1778?]. Single sheet folio,

engraved. Sewing holes at margin.

Decoratively bordered title with

cherubs at head playing horns and

pipes. £175

The catalogue is printed in four

columns comprising sections of music

relating to Keyboard music, Concertos,

Military music, Quartets, Trios, Duets,

Solos, English and Italian vocal music,

Minuets and Cottillons, and for the

Guitar.

12) CRAMER, Johann Baptist (1771-1858): Studio per il Piano Forte, Consisting of

Forty Two Exercises, Intended to facilitate the Progress of those who study that

Instrument, Composed and the leading fingers marked to each Passage By J.B. Cramer.

New Edition. Vol. [I]. London: Published by J.B. Cramer, Addison & Beale / S.

Chappell / F. T. Latour / Clementi & Co., [1828]. Score: 1 f. (title), 75 pp., oblong folio,

engraved by W. Coutts, plate number 638. Quarter leather, very worn and backstrip

partly missing, hinges weak, with marbled boards. £90

13) FESCA, Friedrich Ernst (1789-1826): Grand Quatuor pour Deux Violons, Alto &

Violoncelle, composé et dedié a Monsieur Ign. Schuppanzigh par F.E. Fesca, Oeuv. 4me

.

Vienne: chez S.A. Steiner & Comp., [1816]. Parts: 1 f. (title), 9, 8, 8, 8 pp., folio,

engraved, plate number S.et C.2473. Disbound. £180

First edition. Not in BL.

14) GABLER, Christoph August (1767-1839): VI Allemandes, Composées et

arrangées pour le Piano-Forte par C.A. Gabler, Oeuvre 18, Cahier I. Leipsic: en

commission chez Breitkopf & Härtel, [ca. 1805]. Score: 6 pp., oblong quarto, engraved.

Disbound, sewn. £175

Not in BL, COPAC or SBB. RISM G7 citing two copies.

15) GALLIARD, John Ernest (ca. 1675-1747): The Hymn of Adam and Eve, out of the

Fifth Book of Milton’s Paradise-lost; Set to Musick by Mr. Galliard. [London: ca. 1735].

Vocal score: 1 f. (title), 30 pp., oblong quarto. Disbound, sewn, brown spot on final leaf.

Manuscript copy, in brown ink, on hand-ruled paper, being a copy of the first edition.

£250 Cantata for two voices.

16) GILDON, John: Le Coucou. A Divertimento, for the Harp, or Piano Forte,

Composed & Inscribed to Miss Emma Hodson, by J. Gildon, Op. 28. London: Printed by

Goulding, D’Almaine, Potter & Co., [wm 1811]. Score: 1 f. (title), 5 pp., folio, engraved.

Disbound. £35

17) GLUCK, Christoph Willibald (1714-1787): The Overture to Iphigenie with the

Trio ['Que d'attraits'], Composed by The Chevalier Gluck & Arranged for the Piano-

Forte by MR. Edelman. London: Printed by Longman and Broderip, [ca. 1785]. Score: 1

f.(title), 7 pp., folio, engraved. Disbound, sewn. £125

RISM G2760 citing just two copies. BUC p. 386. The trio with an added treble part, in

score.

18) GLOVER, Stephen (1813-1870): Little Red Riding-Hood. Ballad by Charles

Jefferys. Sung by the Infant Marie. London: Jefferys, [1849]. Score: 1 f. (title), 9 pp.,

folio, engraved. Disbound, sewn, inner edge reinforced with old white paper tape.

Coloured pictorial title-page of Red Riding Hood, extreme edges a little chipped and

stained, upper outer corner excised without loss of text. £35

Text by Charles Jefferys (1807-1865). Note: “As this ballad contains several melodies it

is suggested that portions may be delivered by different singers, much dramatic effect

may thus be given to it”.

19) GOW, Niel (1727-1807): A Second

Collection of Strathspey Reels, &c., With

a Bass for the Violoncello or

Harpsichord, Dedicated (By Permission)

to the Noblemen & Gentlemen of the

Caledonian Hunt By Neil Gow, at

Dunkeld. Edinr and London: Printed by

Corri, Dussek & Co., [1792?]. Score: 1 f.

(title), 36 pp., folio, engraved. Disbound,

sewn. £240

RISM G3250. BUC p. 392. This imprint

not in BL.

20) HANDEL, George Frideric (1685-1759): A New Edition of Six Concertos For the

Harpsicord or Organ, Compo’s By MR. Handel [HWV 289-294]. London: Printed for H.

Wright, [ca. 1785]. Keyboard part: 48 pp., folio, engraved. Disbound, sewn. £180

RISM H1215. BUC p. 441. Smith2 no.17 (pp. 227-228).

21) HAYDN, Joseph (1732-1809): Die Worte des Erloesers am Kreuze, in Musik gesezt

von Joseph Haydn [Hob. XX/2]. in Leipzig: Bey Breitkopf & Härtel, [1801]. Vocal

score: 2 ff. (title, introduction), 68 pp., large quarto, typeset. Publisher’s orange

decoratively bordered wrappers, backstrip worn, lower outer corner missing and of title.

Title-leaf with line engraved depiction of two angels. £250

First edition of the vocal score. Hoboken vol. 2, p. 6. RISM H2519.

22) HAYDN, Joseph (1732-1809): The Celebrated Grand Overture, Composed by Sigr.

Hayden, Capitally adapted for the P: Forte or Harpsichord by Mr. Giordani [Hob. I/53].

Dublin: Publishd [sic] by Anne Lee, [probably 1783, but inter 1783-1788]. Score: 11 pp.,

folio, engraved. Disbound, sewn. £250

Not in Hoboken, BUC, BL or COPAC. RISM H4259 citing just one copy (France).

23) HAYDN, Joseph (1732-1809):

Grande Sestetto per due Violini, due

Viole, Violoncello primo e

Violoncello secondo o contra Basso,

ridotto d’una Sinfonia del célèbre

Maestro Gius. Hayden [Hob. I/53].

A Vienna: Nel Magazino C.R. priv.

Stamperia chimica [1808]. Parts: 6,

6, 6, 5, 6, 5 pp., folio, lithographed,

plate number 663. Folded as issued,

outer fol of cello second (with title)

reinforced. £250

Hoboken vol. 1, p. 227. Not in BL

or COPAC. RISM H4133.

24) HUMMEL, Johann Nepomuk (1778-1837): Taenze für Zwey Violinen und Bass

mit Viola ad libitum, componirt für den Apollo Saal von J.N. Hummel, fürstl.

Esterhazyschem Concertmeister von ihm selbst arrangirt. No. [1]. Wien und Pesth: Im

Kunst und Industrie Comptoir, [1810?]. Parts: 1 f. (title), 10, 10, 10 pp., folio, engraved,

plate number 610. Disbound, with old marbled paper backstrip reinforcements, some

staining. £175

Op.27 Zimmershied p. 51. From just after the first edition which appeared in February.

25) HUMMEL, Johann Nepomuk (1778-1837): Ballet Hongrois suivi du Qtto

. des

Nègres dans Paul et Virginie. Musique Composée et Arrangée Pour le Piano par J.N.

Hummel, Oeuv. 23. A Paris: Chez Richault, [1823?]. Score: 1 f. (title), 10 pp., folio,

engraved, plate number 698R. Disbound. Signed by the publisher. £80

Not in BnF. This edition not listed in Zimmershied.

26) KALKBRENNER, Friedrich Wilhelm Michael (1785-1849): Variations

Brillantes, avec Introduction et Finale Sur la Marche de l’Opéra du Franc Chasseur,

Musique de Carl Marie de Weber. Composées Pour le Forte-Piano et Dédiées à Miss

Courtoy par Frédéric Kalkbrenner, Opéra 71. A Paris: chez Ignace Pleyel, [1824?].

Score: 1 f. (title), 15 pp., folio, engraved, plate number 1672. Green leather, gilt, some

browning and general wear.

Bound with: Introduction et Rondeau Brillant pour le Piano avec Acct. d’Orchestre (ad

libitum), Dédiés à Son Excellence Monsieur le Comte Appony, Ambassadeur de S.M.

l’Empereur d’Autriche, etc, par F. Kalkbrenner, Opéra 101. Piano solo. A Paris: chez I.

Pleyel & Cie., [1830]. Score: 1 f. (title), 17 pp., plate number 2594. £80

Neither work in BL.

27) KELZ, Johann Friedrich (1786-1862):

Introduction u. Fuge f r ei Violinen, Bratsche

und Violoncello ber den amen: FESCA,

componirt und dem Freunden und Verehrern des

verstorbenen Grosherzogl. Badenschen

Concertmeisters Herrn Friedrich Ernst Fesca

zugeeignet von J.F. Kelz, Op. 108. In Berlin: In

Commission bei T. Trautwein, [1828]. Score: 15

pp., octavo; parts: 3, 2, 2, 2 pp., folio, engraved,

plate number 206. Folded as issued, some light

browning and dust-staining. £225

A musical representation of the notes F E♭ C A

follows Fesca on the title-page.

28) LEOPOLD, Bernardo: The Tourist’s Galop.

Composed by B. Leopold. Glasgow: Swan & Pentland,

[1869]. Score: 1 f. (title), 5 pp., folio. Chromo-

lithographed pictorial title-page centre depiction of a

boat sailing through caves, with blue and gilt lettering

surround. £35

29) LOUET, Alexandre (1753-1817): Variétés Lyriques: Journal, dédié aux Amateurs,

Composé de Sonates de Piano-forte, de Romances et d'ariettes. Paroles françoises [sic]

et italiennes, avec Accompagnement par MR. Louet, Oeuvre 10. A Paris: chez M

r.

Bligny, [1791?]. Score: 12 pp., oblong folio, engraved by M. Vanglenne. Disbound.

Bordered title-page. £325

RISM cites only Oeuvres 7 and 9. Not in BL or BnF. Comprising Sonata XIV in D

major, Andante de la Simphonie d’Hayden (La Reine de France), Duo de la Cosa rara

(‘Pace caro mio sposo’).

30) MAFFRE, J.: A New Set of

Quadrilles, for the Piano Forte,

Composed, Arranged & Dedicated With

Permission to Miss Linwood by J. Maffre,

Leader to His Grace the Duke of

Rutland’s Band. Leicester: Published and

Sold by the Author, [wm 1825]. Score: 1

f. (title), 7 pp., folio, engraved. Disbound,

sewn. Signed by the composer. £75

The quadrilles are names La Viotti, La

Beethoven, La Pieltin, La Charmante, La

Maffre and the Leicester Waltz.

31) MARTINI, Johann Paul Aegidius (1741-1816): Overture to Henry IV, Arranged

for Two Performers on the Piano Forte or Harpsichord by M. Martini. London: Printed

by Longman and Broderip, [ca. 1790]. Score: 1 f. (title), 17 pp., folio, engraved.

Disbound, sewn. £75

RISM M1084 citing just one copy. Not in BUC.

32) [MENUHIN, Yehudi (1916-1999)],

GERARDIN, Marthe Antoine (1884-

1968): Yehudi Menuhin, Dec. 4. 1929,

Amsterdam. Marthe Antoine Gérardin,

Amstel Hotel. Amsterdam: 4 December,

1929. 327 x 239 mm. Single sheet of cream

coloured paper. Superb pencil drawing of

the famous violinist at the age of thirteen,

depicting his head and shoulders in profile;

signed by the artist. £1,200

33) [MINUET]: Dodici Minuetti novissimi A Doi Stromenti. Dal Vari Virtuosi. A

Paris: Chez Bignon, 1776. Score: 13 pp., oblong octavo, engraved. Sewn as issued. £350

Not in RISM or BUC, BL or BnF. Comprising two minuets each by Antonio Nazari (a

pupil of Tartini), Baldassare Galuppi (1706-1785), Gaetano Pugnani (1731-1798),

Angiola Colona, Luwig Wenzel Lachnith (1746-1820) and Santo Trento (ca. 1691-after

1766).

34) MORANDI, Pietro (1745-1815): Sinfonia con Violini, Viola, Oboe, Corni, e Bass

o, Del Sigr. Pietro Morandi. [Italy: ca. 1775]. Parts for oboes, horns and basso: 1, 1, 1,

1, 2 ff., oblong quarto, folded as produced. Manuscript copy (“Per uso del Illmo

. Sig. D.

Franco

. Grilli”), in brown ink, on 10-stave paper, the oboe parts in a different but

contemporary hand. Symphony in three movements (Allegro – Andante – Allegro) in B-

flat major. £475

The Italian OPAC lists several manuscripts by Morandi but not a symphony; RISM

Series A cites Morandi’s published symphony in D major but not one in E-flat. A

seemingly unique, albeit incomplete, source.

35) MOZART, Wolfgang Amadeus (1756-1791): 2 Sonaten f r’s Pianoforte auf 4

Hände von W.A. Mozart. Zwanzigstes Heft [KV 497, 594]. Wien: bei S.A. Steiner und

Comp., [1818]. Score: 1 f. (title), 53 pp., oblong folio, engraved, plate number S: u: C:

2720. Plain card covers with cloth backstrip. £80

Saemmtliche Werke für das Clavier mit und ohne Begleitung von W.A. Mozart, 20tes

Heft. Comprising a piano duet arrangement of the Adagio & Allegro for a mechanical

clock and the piano duet sonata in F major, KV 497.

36) OGINSKY, Michel (1765-1833): Vier National Polonaisen für das Piano-Forte

componirt vom Grafen Oginsky. Wien: bey A. Diabelli et Comp., [1822?]. Score: 7 pp.,

oblong folio, engraved, plate number C. et D. No. 784. Disbound, sewn. £80

Not in BL.

37) OUSELEY, Frederick Arthur Gore (1825-1889): War, Wine & Harmony. A

Twelve part song, composed by The Revd Sir F.A.G. Ouseley Bar

t. [Tenbury: ca. 1885].

Score: 1 f. (title), 14 pp., folio. Folded as issued, outer fold separated. £25

The three SATB groups are split into “Warriors”, “Minstrels” and “Bacchanals”.

38) PEROTTI, Giovanni Domenico (1761-1825): Io vi lascio, e in tale istante. Scena,

e Rondò del Sigr. Gio. Domenico Perotti Accademico, Filarmonico di Bologna. [Italy]:

1789. Score: 8 ff., oblong quarto, sewn as produced. Manuscript copy (“Per uso di

Costanza Mauri”), in brown ink, on 10-stave paper. £350

Perotti “studied with Fioroni in Milan before 1779 and with Martini and Mattei in

Bologna in late 1780 and early 1781. In March 1781 he was admitted to the Accademia

Filarmonica there and from sometime later that year until his death was maestro di

cappella at Vercelli Cathedral. Despite this rather insular career he had several operas

performed, two at important theatres: Agesilao re di Sparta at the Teatro Argentina,

Rome (1789), and La vittima della propria vendetta at La Fenice, Venice (1808). Two

other opera scores are in the Dresden Landesbibliothek: Zemira e Gandarte (Alessandria,

1787) and Bianca di Melfi” (New Grove Online).

39) PROBST, Charles (): Quatuor brilliant pour 2 Violons, Viola, et Violoncelle,

compose et dédié à Monsieur Louis Spohr par son Eléve Charles Probst, Oeuv. 1. à

Leipsic: Chez Breitkopf & Härtel, [1818?]. Parts: 11, 6, 6, 6 pp., folio, engraved, plate

number 2712. Folded as issued. £220

Not in BL, COPAC or SBB. We have been unable to find the composer indexed in

Grove, MGG, Eitner, Fétis or Clive Brown’s critical biography of Spohr.

40) REICHA, Antoine (1770-1836): 2e. Quintette, Op. 88. [Versailles?: ca. 1830].

Score: 12 ff., oblong folio. Stitched in plain blue wrappers. Neat manuscript, in black

ink, on 16-stave paper in the hand of M. Mathieu: “mis en partition et copié par M.

Mathieu, ex-maitre de Chapelle de St Louis à Versailles, certifié Mathieu fils”. £450

The quintets, Op. 88, for flute, oboe, clarinet, bassoon and horn were composed in the

period 1811-17 and first published in 1817 in Paris. Jean-Baptiste Mathieu (1762-1847)

was Maître de Chapelle at Versailles Cathedral for thirty years.

41) SACCHINI, Antonio (1730-1786): Ouverture, Arier og Duetter af Arvire og

Eveline. Klaveerudtog. Kiobenhavn: Tryst og forlagt af S. Sonnichsen, [1799?]. Vocal

score: 1 f. (title), 34 pp., oblong folio, typeset. Limp marbled covers with calf backstrip,

generally used. Old paper label with manuscript title to front cover. £250

RISM S91 citing three copies (Denmark, Sweden).

42) SALTER, Philip (d.1834): Kyrie Eleeson & Creed / P Salter. [Exeter?: ca. 1820].

Vocal score: 12 pp., oblong folio, sewn in plain wrappers. Manuscript, in black in, on

12-stave paper; watermarked paper of 1812. Scored for SATB and organ, in E-flat

major. £150

Ownership note by James Martin “Given him by Mr Salter, March 8, 1823”. There is a

white tablet monument to the lay vicar Philip Salter in Exeter Cathedral.

43) SARTI, Giuseppe (1729-1802): Recivo. è Cavatina, Lungi da te ben mio Del Sig.

Giuseppe Sarti. [Italy: ca. 1790]. Score: 6 ff., oblong quarto, sewn as issued.

Manuscript copy, in brown in, on 10-stave paper. Scores for strings (including two

violas), bass and voice (written in soprano clef); watermark of three crescent moons and

various initial letters. £250

According to the Ufficio Repertorio di Fondi Musicali there are ten early manuscript

sources of this aria held in Italian libraries and all each refers to Sarti’s Le gelosie villane;

however, this aria does not appear in any scores of the opera and it is likely that Sarti

composed it for the singer Luigi Marchesi when he appeared in Russia in 1785-1787.

From 1784 Sarti worked as court composer in St Petersburg.

44) SCHUBERT, Franz (1797-1828): Grosses Quartett (D-moll) für 2 Violinen, Viola

und Violoncell von Franz Schubert, Op. posth. Neue Ausgabe, Revidirt, genau

bezeichnet und herausgegeben von Ferdinand David. Partitur. [D 810]. Leipzig:

Bartholf Senff, [1867]. Score: 1 f. (title), 63 pp., octavo, engraved, plate number 583.

Publisher’s wrappers, head and foot of backstrip a little torn. £80

Edited by Ferdinand David (1810-1873).

45) SCHUBERT, Franz (1797-1828): Serenade (Ständchen) med Accompagnement for

Pianoforte elle Guitarre af Franz Schubert. [D 921]. Kjöbenhavn: Forlagt af P.W.

Olsen, [1858]. Score: 5 pp., folio, engraved. Sewn. Decoratively bordered title-page.

Water-stained. £20

German and Danish text.

46) STRAVINSKY, Igor (1882-

1971): Rossignol. Conte lyrique en

trios actes de I/. Strawinsky et S.

Mitousoll d’après Andersen.

Traduction française de M.D.

Calvocoressi. Réduction pour chant et

piano par l’auteur. Berlin, Moscou:

Édition Russe de Musique, 1914.

Vocal score: 93 pp., folio, plate number

R.M.V.241. Publisher’s wrappers,

edges a little worn, small stain at ower

edge, head and foot of backstrip

missing. £2,000

Inscribed “Pour Monsieur H. Prunières

sympathique souvenir de l’auteur, Paris

9/II 1920”.

47) VERDI, Giuseppe (1813-1901). Lo

Spazzacamino. Romanza con accomp. di piano-

forte. Poesia di S.M. Paggioni. Musica de

Giuseppe Verdi. Milano: presso Francesco

Lucca, [1846]. Score: 1 f. (title), 6 pp., folio,

engraved, plate number A5643A. Disbound.

Decorative title-page. Text in Italian and

German (“Der Rauchfangkehrer”). £125

Hopkinson (Verdi) 22B.

48) [VIOLIN]: Raccolta di Valtz ed altri balli da sala per Violino solo, Con accto

. di 2o

Violino e Basso. Milano: Presso Fr. Lucca, [1829]. Parts: 3, 1 f. (title), 3, 3pp., octavo,

engraved, plate number 214. Sewn together, light water-staining. The first violin part

contains nos 1, 13 and 3 [i.e. missing 2 and 4, and with plate number 214 215 on p. 2].

£150

49) WEBER, Carl Maria von (1786-1826): Ouverture de l’Opera Abu Hassan,

Composèe [sic] et arrange [sic] pour le Piano-Forte par C.M. von Weber. Bonn &

Cologne: chez N. Simrock, [1819]. Score: 7 pp., oblong folio, engraved, plate number

1661. Disbound, sewn, dusty. £50

50) WELLESZ, Egon Joseph (1885-1974): String Quartet No. 5, Op. 60. Miniature

Score. London, Leipzig: Schott & Co., [1948]. Score: 1 f. (title), 25 pp., small octavo,

plate number S&C.5370. Publisher’s wrappers. £20

First edition. List compiled by Colin Coleman