2012 hsinchu city international glass art festival
DESCRIPTION
2012 Hsinchu City International Glass Art FestivalTRANSCRIPT
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CONTENTS
Preface by the Mayor
Preface by the Director
Introduction Of International Art Pavilion
Traditional Glass Art
Applied Glass Art
Surrealistic Glass Art
Contemporary Glass Art
Innovative Glass Panel
Biographies of Artists
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132
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2012
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Glass craft is the best carrier of integrated high-tech and artistic creation. There is rarely any workmanship better than glass craft in presenting wonderful ideas and creativity. Among these crystal clear glass works, magical craftsmanship of art masters is most beautifully rendered. Glass is regarded as a distinguishing feature in the development of local culture in Hsinchu, showing that City of Hsinchu deserves the reputation of Culture-Science City.
In order to promote cultural and creative glass industries, culture, technology, green energy, beauty are taken as the main shaft of the 2012 Hsinchu City International Glass Art Festival. It aims to combine resources of culture and tourism in order to demonstrate cultural originality. Apart from providing support in upgrading Hsinchu glass industry, this annual event also continuously expands the global view of artistic exchanges for the general public and the industries at home and abroad to take part in this festival and to understand the creativity and application of glass arts.
There are diverse and rich contents planned for the event this year. Four major themed pavilions are designed to hold exhibitions and special activities, including the International Glass Art Pavilion, Glass Technology Art Pavilion, Children Glass Experience Pavilion and Glass Art Creativity Pavilion. Many Taiwan glass artists are invited to join the exhibition. Works of Golden Glass Award winners also are part of the exhibition.
In addition to static exhibitions, dynamic performances also are planned, including Glass Art Street, outdoor glass installation arts, live demonstration by glass master, International Glass Art Forum and Glass Culture Tour. The festival not only provides the general public with leisure and entertainment but also cultivates sensibility of the general public for glass arts in order for Hsinchu to take root in glass culture and to market urban characteristics.
By continually holding this international festival, it is hoped that this event is able to provide a chance for domestic and foreign glass artists as well as glass industry to observe and interchange ideas with each other in order to enrich the energy of glass arts. In addition, this event allows the participants to experience not only the practicability of glass but also the plentiful artistic and cultural atmosphere contained in glass works, making glass industry of Hsinchu have more brilliant and sustainable development.
Mayor, Hsinchu City
Preface by the Mayor
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Director, Bureau of Cultural Affairs, Hsinchu City
Preface by the Director
The 9th Hsinchu City International Glass Art Festival not only extends its existing spirit but also covers the aspects of localization and internationalization, theory and practicability, usefulness in daily life and arts. This event provides an opportunity for glass artists and industry to fully demonstrate their artistic style and aesthetics.The exhibition spindle of the event this year includes the International Glass Art Pavilion Glass artists from 14 countries, including countries in Europe and the U.S., are invited to exhibit 65 masterpieces at the Glass Museum of Hsinchu City with five themes, which are Traditional Glass Art, Applied Glass Art, Surrealistic Glass Art, Contemporary Glass Art and Innovative Glass Panel, by combining with the concept of art history in order to expand global vision, carry out city diplomacy and promote cultural exchanges among international countries.
The Taiwan Masters Exhibition held at the old weather station presents 50 pieces of glass works created by domestic glass artists using different techniques and 37 winning works designed by the Golden Glass Award winners. At the old BCC station, the Glass Technology Art Pavilion this time invited Japanese, Russian, Australian, Canadian and the Taiwan 9 group of artists, take tells you a secret to connect the entire hall exhibition region as the main spirit.Using the glass is the medium, the union science and technology and the creation fresh idea, penetrates the new media creation (Digital Art), presents the video and music interaction art and equipment art. The Children Glass Experience Pavilion is built at the Vision Hall of Hsinchu City exhibiting 30 works in interactive operations with a combination of animation elements.
Apart from exhibiting a variety of artistic glass works, a forum discussing glass related theory and practices is also held. Furthermore, there are also other activities filled with spectacular contents, such as the diverse performances suitable for parent-child to enjoy and the live demonstrations of glass kilns blowing production process and thermoplastic techniques performed by glass artists. Through a series of static and dynamic exhibitions and performances, this festival provides all participants with an opportunity to get closer to glass arts in order for them to experience and understand the superb performances of glass involved in different aspects of industry, craftsmanship, arts, technology, academia, etc.
In the end, I would like to thank all glass artists and industries continuously contributing efforts to glass arts and presenting wonderful performances. I also would like to show my gratitude to people of glass industry, scholars and staff of the event for their efforts in organizing the festival and rendering successful activities and performances.
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2012
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Traditional Glass Art
Livio Seguso
Dino Rosin
1977
Applied Glass Art
Elena Graure Manta
11
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Surrealistic Glass Art
Giorgio de ChiricoSalvador Dali
Joan Miro
Luigi bona
Contemporary Glass Art
20
ExpressionismCubismFuturism
DadaismAbstract Expressionism
Pop ArtOp Art
MinimalismConceptual Art
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Innovative Glass Panel
20
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Maestro Narcissus Quagliata
20
Berengo Fine Art
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Introduction Of International Art Pavilion
The splendid International Glass Art Pavilion, centre piece of the 2012 Hsinchu City International Glass Festival, presents a selection of contemporary artworks specifically curated to challenge traditional ideas about glass art. Featured are 28 artists from 14 countries: Italy, Britain, Germany, Iceland, Austria, Spain, Poland, Lebanon, America, Australia, France, Holland, Japan and China. 65 pieces of the selected glass artwork has been created in accordance with the artists own style and creative sensibility with glass serving as the main medium and inspiration.
The Hsinchu International Glass Art Festival aims to promote contemporary glass art through the spirit of international cultural exchanges and the introduction of new techniques. This year the International Glass Art Pavilion exhibition introduces glass art through an art historical perspective, featuring five categories: Traditional Glass Art, Applied Glass Art, Surrealistic Glass Art, Contemporary Glass Art and Innovative Glass Panel. The concepts presented in each exhibition area not only draw on the aesthetic linkages between different historical periods but they also showcase rich imagination and artistic freedom that is beyond the conventional framework of glass-making.
TRADITIONAL GLASS ART
In his work the esteemed Italian artist Livio Seguso combines glass with marble to create elegant and delicate geometric forms. By using different materials Seguso has developed a unique style, which integrates Cubist Minimalist aesthetic into an exciting new vocabulary. Dino Rosin makes richly coloured, fine glass art as meditations on the beauty of the natural environment and the vast universe that surrounds us.
Dino Rosin combines handmade craft with a unique technique called calcedonia. Calcedonia is a precious and rare mineral composed of quartz and moganite. In Italy it was used as early as the 15th century though its application was later lost. In 1977 Rosin rediscovered the formula by which to mix the unique chemical component of the calcedonia and incorporate it in the creation of magnificent fine art glass. Although the secret family recipe has been carefully guarded and passed on from one generation to the next it has also had far-reaching influence in the glass art world.
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APPLIED GLASS ART
In modern life we display personal taste through the choices we make about where we dine, the clothes we wear, the holidays we enjoy. The expression of individual aesthetic style also finds an outlet in the appreciation of beautifully made art objects with an utilitarian function.
German designer Elena Graure Manta is inspired by the fun application of glass-making techniques combined with everyday object designs such as ladies handbags, clothing, shoes, etc. She incorporates low-temperature fusing method of melting and moulding glass by which to create colourful pieces for the fashionable ladies. The objects are in fact decorative table lamps that bring an artistic refinement and personal whimsy to everyday objects. The artworks present creative thinking that surpasses traditional notions of glass art, revealing its malleability and fine quality.
SURREALISTIC GLASS ART
The period of the early 20th Century art was characterised by creative explorations influenced by states of subconscious contradictions arising in the human psyche. Known in art history as the Surrealist movement, the artworks created during this period display contradictory juxtapositions of real world imagery with humorous or exaggerated symbols that can only be found in dreams and free play imagination.
Surrealistic glass artists use the liquid properties of glass to make objects that are pure fantasy: sometimes grotesque, sometimes magical but always pushing the boundaries of the medium into new directions of creative and poetic expression. The glass slipper works of artist Luigi Bona are made in vibrant colours out of recycled Coka Cola bottles. Their surreal and irrational forms look like something from an Alice in Wonderland world: fantastical and without any practical function.
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Introduction Of International Art Pavilion
CONTEMPORARY GLASS ART
Although an ancient medium and a traditional art form, glass art has changed and evolved over the centuries, and today it can reflect as some of our modern day living as it can preserve classical aesthetics and techniques. In this sense, developments in contemporary glass art are inseparable from the many and diverse forms of contemporary art genres such as Pop Art, Minimalism, and Conceptual Art. Each has its own unique aesthetic vocabulary and style that directly or indirectly has influenced the practice of many glass artists.
INNOVATIVE GLASS PANEL
The origins of mosaic stain glass art can be traced back to the Middle Ages, when in European it was used to decorate the windows of cathedrals and churches. The light passing through the large stain glass windows would ornate with its colourful Christian imagery the interior architecture, symbolically illuminating the souls of worshipers.
Italian-American Maestro Narcissus Quagliata designed 30 meter in diameter glass installation for the Formosa Boulevard Station of Kaohsiungs Metro, titled Dome of Light. The images describe the story of creation; the exchanges between human communities, Heaven and Earth, and our relationship with the four elements of life: water, earth, fire and light. The panels incorporate traditional stained glass and glazing combined with innovative techniques of painting and drawing on glass, and glass etching. The final effect is that of a symphony of glass fusion of ancient and modern imagery, leading us into a vortex of expansive time, space and imagination.
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Following hundreds of years of evolution of the glass art, the exhibits in this years
festival aim to show how exquisite glass art has evolved from its ancient tradition of
handmade techniques, the experimentations of 20th century masters to present
day innovations. It showcases how classical glazing can be integrated into the
whole new system of creative process, showing a variety of glass art forms, and
delighting the viewer with new aesthetic experiences.
Finally, I would like to express my sincere thanks to the City Government of Hsinchu
and the Bureau of Cultural Affairs for appointing me as the curator of this significant
event. And further thank the Berengo Fine Art and the team of Bureau of Cultural
Affairs who supported the successful realisation of this exhibition.
CuratorShelley Wang
President of Star Gallery
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Traditional Glass Art
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20
Livio Seguso
Italy
RISONANZA
33 x 20 x 58 cm
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21
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22
VISIONE DEL MONDO
15 x 12 x 57 cm
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23
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24
GIOCO DI FORME
29 x 14 x 50 cm
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25
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26
EMBRIONE SOMMERSO
16 x 18 x 37 cm
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27
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28
FORME SOVRAPPOSTE
30 x 14 x 54 cm
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29
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30
LE DUE LUCI 2
14 x 14 x 79 cm
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31
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32
CONVERGENZA
14 x 12 x 6.5 cm
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33
TRICUSPIDE
16.5 x 14 x 6 cm
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34
COERENZA ARMONICA
17.5 x 12.5 x 6.5 cm
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35
EURITMIA
15 x 15.5 x 8 cm
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36
VEGA
12 x 11.5 x 7 cm
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37
GEOMETRIA STRUTTURATA
22 x 22 x 7.5 cm
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38
TRIADE
12 x 11.5 x 5 cm
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39
PEGASO
10 x 10 x 6 cm
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40
Dino Rosin
Caledonia glass
Italy
Electric Guitar
32 x 22 x 110 cm
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42
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43
Pyramid with Flower
23 x 23 x 40.5 cm
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44
Composition
H 114 cm
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45
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46
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47
Stingray
46 x 51 x 33 cm
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48
Turtle
46 x 46 x 22 cm
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49
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50
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51
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Applied Glass Art
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Elena Graure-Manta
Fused glass
Germany
54
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55
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56
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57
Nr.118-Lampe 1S
24 x 9 x 48 cm
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58
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59
Nr.10-Lampe
36 x 8.5 x 46 cm
Nr.103-Lampe
35 x 9 x 43 cm
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60
Nr.119-Tasche
46 x 9 x 34 cm
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62
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63
GT 19 portrt gelb schwarz
26 x 10 x 49 cm
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64
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Tasche-128 1S
36 x 9 x 28 cm
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67
2.1
Kunst Geometrie 2.1
40 x 7 x 27 cm
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68
3.1 Kunst Geometrie 3.1 24 x 8 x 40 cm
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69
4.1 Kunst Geometrie 4.1 30 x 7 x 31 cm
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70
Nr.126-Lampe 37 x 9 x 40 cm
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71
GT 09 gelb schwarz 33 x 11 x 34 cm
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73
Schach 1
29 x 9 x 37 cm
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Surrealistic Glass Art
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Fire Goddess
45 x 32 x 58 cm
Ivan lee mora
USA
76
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Hand Goblet
35 x 12 x 45 cm
Michel van overbeeke
Holland
77
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Surprise
32 x 15 x 28 cm
Robert Zeppel-Sperl
Austria
79
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80
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Mouse
45 x 20 x 25cm
Huang Yongyu
China
Centaure
45 x 12 x 58 cm
Claude venard
France
81
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Stars
40 x 40 x 20 cm
Nabil nahas
Lebanon
El Perro
41 x 14 x 30 cm
Juan Ripolles
Spain
82
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83
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Getting along
35 x 28 x 48 cm
Wouter Stips
Holland84
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You and me and the apple
38 x 18 x 40 cm
Wouter Stips
Holland
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Traverse
31 x 7 x 46 cm
James Coignard
France
86
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Lieben
25 x 17 x 59 cm
Elvira Bach
Germany
87
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Coca cola shoes
25 x 10 x 15 cm
Luigi bona
Italy
88
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89
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The Boxer
12 x 33 x 88 cm
Allan James Mcintosh
Australia
90
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91
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Contemporary Glass Art
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94
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Floral Core Series #125
32 x 20 x 44 cm
Richard Ritter
USA
95
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96
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Floral Core Series #136
42 x 33 x 21 cm
Richard Ritter
USA
97
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98
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Floral Core Series #135
39 x 30 x 18 cm
Richard Ritter
USA
99
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Flute
30 cm
Hario Co. Ltd.
Japan
100
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Violin
24 x 17 x 68 cm
Hario Co. Ltd.
Japan
101
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102
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Guzheng
166 x 32 x 13 cm
Hario Co. Ltd.
Japan
103
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Green dog
48 x 20 x 36 cm
Marta Klonowska
Poland
104
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105
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Ecriture
23 x 9 x 31cm
Riccardo Licata
Italy
106
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Beatus Vir on carton
41x 20 x 35 cm
Luigi Benzoni
Italy
107
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108
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The colorful of purple and red
10 x 33 x 45 cm
Zachary Gorell
USA
109
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Deeply love 38 x 20 x 20 cm Zachary Gorell USA
110
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The peacock 42 x 18 x 18 cm Zachary Gorell USA
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Innovative Glass Panel
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114
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115
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Dome of Light
101.5 x 131.7 x 4 cm
Painted stained glass, drawing, printing
Narcissus Quagliata
Italy
116
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117
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118
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Dome of Light
101.5 x 131.4 x 4 cm
Narcissus Quagliata
Italy
Dome of Light
101 x 131.4 x 4 cm
Narcissus Quagliata
Italy
119
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Black Magic
149.2 x 103.2 x 3.4 cm
Stained glass
Leifur Breidfjord
Iceland
120
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121
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122
Detail Church in Wiesbaden
128.2 x 188 x 3.8 cm
Etching, drawing, Stained glass
Graham Jones
United Kingdom
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123
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124
Detail Shopping Mall Stockport, GB Manchester
99.3 x 182.2 x 3.8 cm
Etching, drawing, Stained glass
Graham Jones
United Kingdom
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125
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126
Detail Projekt Brger
66.8 x 101.8 x 3.8 cm
Etching, drawing, stained glass
Tobias Kammerer
Germany
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127
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128
Detail of project Cultural Center Neubrandenburg
69.3 x 84.8 x 2.6 cm
Printing, drawing, black mirrored glass
Thomas Kuzio
Germany
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129
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130
SDG 16/2002/GB
94 x 121 x 4 cm
Drawing, stained glass
Johannes Schreiter
Germany
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131
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Livio Seguso
1930
1942
1940
1970
1980
Ca Pesaro
The god of
Murano
2008
2007 Casa dei Carraresi
Habatat
2006 Orie
2005 Bugno
2004 Vidrio de Alcorcon
1997 Sanske Galerie
1993
1992
1991 CCAA Glasgalerie
Bugno & Samueli
1990
1988 Szekesfhervar Museo Re Stefano
1987
1984 Trujen
Il Traghetto
1983
Frauenauer
1981
1980 Ca' Pesaro
1974
2009 53
2008
2001
2000 Museo del Vidrio
1995
Percorsi del gusto
1991
1990
1989
1985
1982
1973
1972 XXXVI
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SOLO EXHIBITION
2008 National Museum of History, Taipei,
Taiwan R.O.C.
2007 Casa dei Carraresi, Treviso, Italia
Habatat Galleries,Michigan,USA
2006 Orie Gallery, Aoyama Tokyo,Japan
Ukai Museum, Kanagawa, Japan
2005 Bugno Art Gallery, Venezia, Italia
2004 Museo de Arte e Vidrio de Alcorcon
,Madrid, Spain
1997 Sanske Galerie, Zurich, Switzerland
1993 City Gallery of Art, Limerick, Ireland
1992 Visual Arts Centre , Hong Kong, Hong Kong
1991 Habatat Gallery, Detroit, U.S.A
CCAA Glasgalerie, Kln, Germany
Bugno & Samueli Art Gallery, Venezia, Italia
1990 The Glass Art Gallery, Toronto, Canada
1988 Museo Re Stefano, Szekesfhervar, Hungary
1987 The Glass Art Gallery, Toronto, Canada
1984 Galerie Trujen, Brema, Germany
National Gallery, Praha, Chech Rep.
Galleria dArte Il Traghetto, Venezia
1983 The Glass Art Gallery, Toronto, Canada
Frauenauer Glasmuseum, Frauenau, Germany
1981 Palazzo Ducale di Mantova, Mantova, Italia
1980 Museo dArte Moderna Ca Pesaro, Venezia
1974 Galerie dArt du Crdit Communal du
Belgique, Namur, Belgium
JOINT EXHIBITION
2010 "Malipiero e Livio Seguso : a ciasucun artista
il suo sogno", Valmore StudiodArte, Vicenza Italia
2009 53 Esposizione Internazionale dArte La
Biennale di Venezia, PortodArti, Venezia
2008 Art Singapore2008, Singapore
2005 The 33rd International Glass Invitational,
Habatat Galleries, Royal Oak, Michigan, USA
2002 Dennos Museum Center, Traverse City, Michigan
2001 Museum of Fine Art, Shang hai, China
2000 Museo del Vidrio, Monterrey, Mexico
1995 46 Esposizione Internazionale dArte
Percorsi del Gusto, Galleria
1992 Arte Expo, Miami, Florida,USA
1991 International exhibition of contemporary
glass, Muses de Rouen, Rouen, France
1990 Arte Fiera, Stockholm, Sweden
1989 Sculptures contemporaines en cristal et en
verre dEurope, Liege, Belgium
1985 Kunstsammlungen der Veste Coburg,
Coburg, Germany
1982 Hokkaido Museum of Modern Art, Sapporo,
Japan
1973 Rassegna del vetro europeo, Kln, Germany
1972 XXXVI Biennale dArte di Venezia,
Padiglione Venezia
133
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19451963
19731977
1991
1993
2000
""""
Japan Glass Art Society
1945
1963
1974
1984
1985 120
1989 GLASS ART MIYAZAKI
1991
1993
1994
1995
1996
.
1997
1998
98
98
1999
2000
2001,
20022002
200340
()
2004.
2005
2006
.
2007
...
2008
200910(
..)
2010
2011
2012
KUNIAKI KUROKI
134
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135
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194812
Barovier e Toso1963
Loredano Rosin
1988
Pilchuck
William Morris
1991
Calcedonia
Calcedonia
1977
Born in Venice on May 3Oth 1948, Dino Rosin
was taken by his family while still an infant to
live on Murano, the glassproducing island in the
Venice lagoon. On leaving school at the age of
12, Dino began work straight away with much
passion and dedication as an apprentice at one
of the isle 's oldest and most renowned glass
factories, 'Barovier e Toso His love for glass
working gave him the chance to quickly earn a
reputation, his energetic spirit letting him express
his enthusiasm when modeling this unique material.
In 1963 joined his brothers, Loredano and Mirco,
already owners of the giass studio 'Artvet'. Then
15 years old, Dino started working with his brother
Loredano, who was gaining success as a new
master glassworker It was then that Egidio
Costantini, owner of the renowned Fucina degli
Angeli (Angels' Furnace), suggested that they
came to collaborate with the rnost famous artists
of the time: Picasso, Chagall, Jean Cocteau and
Le Corbusier to mention only a few of the leading
names who frequented his furnace-workshop.
For Dino, the feeling he experiences when working
with glass is one of pleasure: the giving of form
to his own ideas and the consolidating of his
creative talent into objects that can be admired
and touch ed. In 1988, together with Loredano
and the American glass artist Wiiliam Morris,
he was invited to demonstrate his WOV at working
molten glass at the 'Pilchuck Glass School' in
Washington State. It Is a collaboration that Dino
has kept up with the school ever Since.
Dino Rosin
136
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1956
1991 Design Elena
NRW
1981
1975
2011
2008
2007 Jan van der Togt
1991
1984
2011
2010
2009
2009 -10
2008
2004, 2006, 2008 5
1995
1989, 1993
1988
1985
Elena Graure Manta
1956 was born in Germany, was a female glass
artists, the most representative of the creative use
of molds combined the gluing technology with
low-temperature melting glass to create a real size,
colorful clothing glass sculpture, large andbright
glass bag. Because the dazzling spectacular glass
device makes "fashion" theme fermentation, and
to attract a huge vision. Artists she analytic form
of the performance of the the creation subject of
realistic, and create between the imagined and the
real space for dialogue. These shoes, bags, clothes,
etc. is fragile, colorful, and perfectly clear.
1991 founding her own studio in Design Elena company
1981 Studies at the Academy of Performing Arts in Cluj
1975 Art school in Brasov
Solo Exhibitions
2011 Rheinbach Museum of Glass, Rheinbach,
Germany
2008 Taschen museum Hendrijke, Bags and
Purses
2007 Museum Jan van der Togt, Glass,
Amstelveen, Netherland
1991 Moss Gallery F 15, Oslo, Norway
1984 Gallery Sirius, Sibiu, Romania
Exhibitions
2011 Art`pul, Pulheim, Germany
2010 Womens Museum Art Fair, Bonn, Germany
2009 Museum of Glass, Dsseldorf , Germany
2009 Museum of Glass, Immenhausen, Germany
2008 Exhibition of Applied Art, Stadt Museum,
Kiel, German
2004/ 2006 / 2008 Munster, Lneburger
Heide,5. Internationale Exhibition
Glass sculpture and garden-Tubbergen
(NL), Glasrijk
137
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1953
1970
(Newcastle)
19801990
Budgewoi
Old Sydney Town
Aisha
Aisha
35
1992-1998
2005
2010
2011 Si of Love
2012
Alan James Mcintosh
Allan MCINTOSH was born in Sydney ,Australia in
1953. He learned blacksmithing from his grandfather
and his father from a very early age. Throughout the
80s and 90s he ran his own blacksmith studio at
Budgewoi on The Central coast of New South Wales
from where he sold his artwork and performed
general blacksmithing. He also worked at Old Sydney
Town as a blacksmith and on set design. It was at this
time that he was first invited to come to Taiwan to
work at Leo Foo Village as a resident Blacksmith
artist. He met his wife, Aisha, who is also an artist.
The artist and his wife both love the play of light that
only glass can demonstrate as well as the ductile
forms that can only be achieved through
blacksmithing. 35 years experience in metal art and
woodworking Specializing in blacksmithing
techniques allied to architectural design and
sculpture art. He and his wife are currently resident
artists at National Hsin Chu Educational University.
1992-1998 Resident artist at Leo Foo Village and set
design.
2005 Second prize in social group of Tao Yuan plastic
Art Creation competition in Taiwan.
plastic Art Creation Art show at National Tsing
Hua University College Technology
Management Tenth year Anniversary
Exhibition.
2010 Guest blacksmithing instructor at Kaosiung
Municipal Jhong Jeng Senior High School
2011 Si of love ~Allan James MUCHTOSH & Tai
Chiu Mei A joint Glass art
Exhibition by Husband and wife at Hsin Chu
glass art museum
2012 His art work Dryad had been collected by
Hsin Chu glass art museum
138
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1947
-:
2008
2008, 2009
2009
2008, 2009, 2010 LINEART GENT
Luigi bona
Born in Venice on June 21st, 1947. Luigi Bona
became famous for his ability to turn bottles of
Coca Cola, which is a real icon of our time, into
sculptures with a fascinating aesthetic impact.
He is the only Italian artist of pop art that has
received the authority of the Coca Cola Company
to use their bottles and bring a real artistic project
to such an important level.
FIERE D'ARTE CONTEMPORANEA -
INTERNATIONAL ART FAIR
2008 2009 2010 LINEART GENT
2009 AAF PARIGI
2008 AAF BRUSSELS
2008 2009 AAF AMSTERDAM
139
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Claude venard
1913 1999
86 17
1936
1936
1947
Venard was born in 1913 in Burgundy to a family
of the French bourgeoisie. At 17, he knew he
wished to become a painter and he started
attending evening painting classes at the Ecole des
Arts Appliqus in Paris. In 1936, after six years of
study, he started working as an art restorer for the
Louvre Museum, an experience which would
enable him to perfect his artistic training and
acquire great skills. In 1936, abstract painting was
the most widespread genre. That same year a
group of young painters, including Venard, held a
show sponsored by the Billet-Worms Gallery, and
the critic Waldemar George coined the term Forces
Nouvelles for the new movement. Very soon,
however, the artists that had initially made the
group famous distanced themselves from the
movement and began working individually, as did
Venard, who had become estranged from the
extremism and radicalism of the new members. In
1945, owing to his friendship with Gruber and
Marchand, Venard shared in their success. Until
the end of his career, he would remain stylistically
faithful to Post-Cubism, although he gradually
increased color contrasts through the use of sharp
colors which he often spread on the canvas using
small putty knives instead of a paintbrush.
Venards artistic career was marked by success and
punctuated by numerous one-man shows in Paris,
New York, Chicago, Munich, Buenos Aires, and
Tokyo. His works are part of the collection of great
museums worldwide, including the Muse
National dArt Moderne in Paris, the Muse de
Grenoble, the Tate Gallery in London, and the
Kunstmuseum in Basel.
Museums
Modern Art Museum Paris
Tate Gallery London
Tokyo Museum
Metropolitan Museum New York
140
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1949
1971
1973
1980
2002 25
2009 Tanit
2010 FIAF
2011
Nabil Nahas nasce a Beirut, in Libano, nel 1949.
Nabil Nahas nasce a Beirut, in Libano, nel 1949.
Nabil Nahas nasce a Beirut, in Libano, nel 1949.
Attualmente vive e lavora tra New York e la sua
citt natale. Grazie alla sua formazione ed
educazione, in parte libanese ed egiziana ed in
parte americana, sin dagli esordi Nahas tocca con
la sua pittura vari filoni estetici, coniugando
lastrattismo occidentale con la ricchezza dei colori
e delle forme tipici della cultura estetica orientale.
La natura e la cultura islamica sono le sue
principali fonti di ispirazione che, grazie alla
ricerca, lartista trasforma in simboli e immagini
iconiche. Negli anni Settanta la sua pittura
prevalentemente geometrica e si caratterizza per
una sovrapposizione di forme, che nel loro insieme
creano dei pattern decorativi simili a quelli
caratteristici della cultura orientale. Negli anni
Ottanta, invece, in concomitanza con la guerra
civile libanese, i suoi dipinti diventano
rappresentazione di ampie distese di pittura
materica nera, intervallata solo sporadicamente da
strisce verticali di colore. Successivamente e quasi
per caso inventa un nuovo modo di dipingere,
utilizzando la ripetizione di irregolari forme
circolari distribuite in modo disordinato sulla tela,
dando vita cos ai Circle Paintings.
Nabil Nahas
141
-
1995-1999
1999 HospitalField
2013 GLASSTRESS
2012 Bortolami
Vue Prive
Berengo
2010
2007 Gumps
SF
MICHAELA
2006
I am an Artist with multiple disciplines. I create
sculptures of hot sculpted glass, High Fashion
Artifacts, Custom Lighting, and Branded Fashion
Jewelry for Mass Market Retailers. I pride myself
on the ability to collaborate with creative teams in
order to produce influential work. I have been
sculpting statement glass art for popular
nightclubs and restaurants for over 10 years. It
has also been my privilege to create glass
installation for luxury residential properties. I
have invented unique Wearable Art Glass for
Fashion Couture that has received world-wide
press. The jewelry I design for leading Fashion
Designers and Brands has become basic
replenishment in major Department Stores around
the world. I live to create and aim to produce
unique work that provokes thought.
EXHIBITIONS
Upcoming Exibition: GLASSTRESS collateral
event of Venice Biennale 2013
2012 mitation of Christ, Bortolami Gallery, NY
Vue Prive Gallery, Singapore
Berengo Gallery, Venice, Italy
2011 Imitation of Christ, New York, NY
2010 Steuben Gallery, New York, NY
2007 Gumps Gallery, San Francisco, CA
SF Design Center. San Francisco, CA
MICHAELA GALLERY, San Francisco, CA
2006 PUBLIC GLASS, San Francisco, CA
Ivan lee mora
142
-
1932
6
Pablo PicassoJoan
MirMarc Chagall
1988 Grenade
1990 Bosquet 90
1992
1993 Maastricht93
1995 Lausanne
1998 Alkmaar
2000 Fischerplatz
Palacio del Almudin
2001 1990-2000,
2002 Bellas Artes
2003
2006
2007
Juan Ripolls was born in September 1932 in
Castelln, Valencia, in Spain. Juan Ripolls was
initially closer to painting, creating highly
imaginative and very successful works; next he
made original engravings, developing new
techniques. Finally he discovered the world of
sculpture and consequently that of glass. The
bronze and glass sculptures by this artist with his
unmistakable signature communicate joy and fun.
They are works made with the heart and not with
the brain, and all of them want to amuse and not
get lost in vain intellectualisms. The artist
emphasizes his figures enormous heads set on
miniscule bodies, underscoring the four senses
that reside in the head: hearing, smell, taste and
sight. In short, the center of the human being is
here; then the heart completes the poem.
Selected Exhibition
1988 Madraza Palace, Grenade, Spain
1990 Art Fair 90, Bosquet Gallery, Stockhold,
Sweden
1992 Spanish Paviliion, Stockholm, Sweden
1993 The International Art Fair 93, Maastricht,
The Netherlands
1995 Paul Vallotton Gallery, Lausanne,
Switzerland
1998 Kunstbeurs Artiade, Berengo fine arts,
Alkmaar, The Netherlands
2000 Kunst Koln, Fischerplatz Galerie, Koln,
Germany Palacio del Almudin,
Valencia, Spain
2001 Berengo Collection 1990-2000, Ten Years of
Art in Glass, Palacio delle
Prigioni Nuove, Venice, Italy
2002 Museo de bellas artes, Berengo Collection,
Castellon, Spain
Juan Ripolls
143
-
Michel Van Overbeeke
1942
1970
1980
Michel Van Overbeeke was born in 1942 in The
Hague, Holland, where he attended a graphics art
school. Van Overbeekes work is characterized by
great versatility, especially in the use of materials.
In the mid-1970s, he began to work as a graphic
designer, painter and draftsman. An obsessive
and compulsive artist who is pushed by his restless
nature to create, he has explored new disciplines
and various materials and techniques over the
course of his artistic career. In addition to his
two-dimensional works, he has also created
monumental sculptures in ceramic, marble and
synthetic materials. At the end of the 1980s he
began a complex plan to combine and blend
different media like sculpture, painting, video and
photography Michel Van Overbeeke is a
multi-faceted artist whose starting point for his
experimentation is the mind and a way of thinking.
His works are on display in private galleries and
public institutions, especially in the countries of
northern Europe.
144
-
Robert Zeppel-Sperl
1944
1966
Robert Zeppel-Sperl was born in Leoben, Austria
in 1944. He lived in Vienna and Bali in Indonesia
where in 2005 he died prematurely. Robert
Zeppel-Sperls animals and figures have much in
common with the surrealist movement. Either
representative or figurative, his art does not copy
any other living creature that is referable to any
real category; it proceeds by surprising and
unusual combinations. His figures give life to a
monstrous, anthropomorphic family; each
sculpture and painted image associates various
elements that clash with each other, bringing
ambiguous beings to life without any
sentimental or psychological connotations. The
artists works reveal a corrosive and cruel humor.
In fact, his works are more upsetting and
disturbing than they seem. His simple and ironic
art betrays a tortured spirit: his works could be
interpreted as miniature self-portraits that make
the hidden and unconscious associations emerge
from the artists mind.
145
-
1925 2008 83
Henri MatisseMarc Chagall
80
1956 Malmo
1957 Galerie Ferrero
1959 Galreie Drouant
1961
1982
1983-2000
2002 Lucette Herzog
RonE. C. E.
2003 SOFA
Den Hagg
APARTE
French painter, sculptor, engraver, James
Coignard was born in Tours in 1925. He lived and
worked in Antibes, in the Maritime Alps, and he
died in March 2008. Coignard began his studies
in 1948 at the School of Fine Arts in Nice;
however, his journey as an artist began in the Cte
d'Azur, where he settled. In fact, Coignard
traveled a lot, living for a period from 1985 to 1988
in New Orleans. His artistic career was marked by
collective and personal exhibitions both in France
and abroad (Sweden, Switzerland, the United
States), where he enjoyed fame and recognition.
Up til the 1960s, his artistic development was
characterized by an expressionistic style; then
Coignard found himself moving towards an
abstract one with random spots, regular shapes,
typographical characters, and mixed media
backgrounds.
He was a painter but also a sculptor, who
experimented with bronze and with glass. His
work as an engraver was also quite well-known.
James Coignard created his first glass sculpture in
the 1970s at the Fucina degli Angeli. Only later,
after meeting Adriano Berengo, did his creations
in glass become richer and more organic. He was
fascinated by glass and its ability to capture light
and by the world that revolved around the magical
interrelation of the material, the artist, and the
hands of the master glassmaker During his career,
Coignard made his talent available to many poets,
with whom he loved to undertake the adventure of
creating a book.
James Coignard
146
-
1940
1959
1980
1980
1969 300
Penland22
40
300
2011/11
1984
2000-2001
1998
HONORS:
1984 National Endowment for the Arts Fellowship
Grant
2000-2001 North Carolina Artist Fellowship Grant
1998 North Carolina Governors Award for
Volunteer Service
2007-2011 North Carolina Arts Council by
appointment of the Governor
2011 Designated North Carolina Living Treasure
November
SELECTED EXHIBITIONS:
2012 North Carolina Glass 2012 Fine Art
Museum, Western Carolina University
2012 Evolution Revolution The Naples Art
Museum, Naples Florida
2009 Blown Away, International Glass of the 21st
Century Flint Institute of the Arts, Flint
Michigan
2008-2010 Tradition Innovation: American
Masterpiece of Southern Craft and
Traditional Art Travelling Exhibition
2008 Voices of Contemporary Glass: The
Heineman Collection, Corning Museum of Glass
1996 The First Ten Years of Contemporary Glass
Glasmuseum, Ebeltoft, Denmark
1995 Himsinche Cultural Center International
Glass Exhibition, Taiwan
1993 Tiffany to Ben Tre: A Century of Glass,
Milwaukee Art Museum, Milwaukee Wisconsin
1992 Cristalomancia Art Contemporaneo en Vidrio,
Rufino Tamayo Museum, Mexico City Mexico
1987-2011 New Art Forms- Sculpture Objects
Function Art Chicago Annual Exhibitions
1982 World Glass Now Hokkaido Museum of
Modern Art, Sapporo, Japan
1971 National Glass Show, Bloomfield Art
Association, Birmingham Michigan
Richard Ritter
147
-
1929 1946
Gino Severini
Licata
1962-1989
1990
10-20
1998
1999
Hotel Cipriani
Making art with Glass
2000 diVilla
2002
2003
2011
Born in Turin, Italy. Painter, engraver, sculptor
and set designer, he first began to exhibit in 1949
with the group of young abstract painters in
Venice. In 1951 he had his first one-man show in
Venice; since 1952 he has participated in the
biennials of Venice, Sao Paolo in Brazil, Tokyo,
Paris, Ljubljana, Alexandria in Egypt, as well as in
the Rome Quadrennial and the Milano Triennial.
He has had one-man shows in important cities
both in Italy and around the world.
Of particular importance are his large 1990
traveling show in Spain curated by Enzo di
Martino and his retrospective exhibition at
Venices Ca Pesaro Museum of Modern Art. His
works are found in museums of modern art in
Chicago, Milan, Florence, Mulhouse, New York,
Paris, Warsaw, Stockholm, Vienna and, of course,
Venice. His work has been profoundly influenced
by regularly attending musical events like those at
Teatro la Fenice or the Venice Biennials Festival
Of Contemporary Music.
1980 Mostra antologica Unesco, Paris, France
1981 Palais de lEurope, Touquet, France
1984 Atelier dArt, Evreux, France Biennale
dellincisione di Riva del Garda, Tenno, Italy
1988 Ensba, Medaglia Chevalier Ordre, Arts et
Lettres, Paris, France Stockholm art fair,
Galerie Scremini, Stockholm, Sweden
1989 Art Forum, Hamburg, Germany
1994 Museo storico della citta Gorizia, Italy
1995 Museo Civico, Cortina, Italy
1998 Made in Murano, making art with glass,
Berengo fine arts, Hotel Cipriani, Venezia, Italy
2000 Museo Nazionale di Villa Pisani, France
2003 Miart, Milan Italy
Riccardo Licata
148
-
1956 1976
1992
1999
2000
Kunst Rai
2001
ST Art
2002
Rohsskg
SOFA
Waterford
SOFA
2003 SOFA
Strasbourg St Art
Sthlm
Luigi Benzoni was born in Clusone in the province
of Bergamo, Italy. Among the most important
exhibitions in which he has taken part are: The
Secret of Murano, Het Paleis Museum, The
Hague, Netherlands (1997), A Choice of European
Glass Artists, Mostly Glass, New York, USA
(1998), Made in Murano-Making Art with Glass,
Hotel Cipriani, Venice, Italy (1999), Interationell
Samtidskonst I Glas, Halstadtsgruppens
Museum, Halmstad, Sweden (1999), Made in
Venice, Rhsska Museum for Design and Applied
Art, Goteborg, Sweden, Innuendo, Palazzo delle
Prigioni, Venice, Italy, XI Biennial of Sacred Art,
Stauros Museum of Sacred Art, Isola del Gran
Sasso dItalia, Abruzzo, Italy (2004).
Benzonis work both pictorial and sculptural is
characterized mainly by his experimentation with
the human face. His glass faces immobile
hieratic icons are related to the drawings and
paintings he has created using various techniques.
After a short detour into abstraction that helped
him learn how to intuit the strength of line and
color, his painting production with stern,
elemental faces became almost monochromatic.
The impenetrable look on these faces with just two
slits for the eyes invite the observer to look
beyond.
Benzonis glass heads made of glass paste with
an image in gold-leaf inside are veritable human
simulacra. All of Benzonis works reveal one
general characteristic: his profiles and their
outlines seem imprinted with simplicity but are
actually the result of a decisive power and a
resolute determination.
Luigi benzoni
149
-
1964
1999
2002 Akerby
Skulpturpark
2011
Geschpfe2011 2011
Marta Klonowska was born in Warsaw in 1964.
She currently lives and works in Dsseldorf.
Already during her studies at the Academy of Fine
Arts in Wroclaw, Poland, and later at that of
Dsseldorf, glass had become her preferred artistic
medium. Today she is known for her numerous
canine sculptures that depict the four-legged
companions of important historical figures,
capturing their natural poses in colored glass. For
the subjects of her works, the artist finds
inspiration in the paintings of the great masters, in
which pets mostly dogs are side by side with
the subjects, acting almost like prestigious objects
that are exhibited as synonyms for wealth and
power. Thanks to her work, the artist succeeds in
telling the secondary stories of these ancillary
characters. Marta Klonowska calls attention to the
interplay of historical and artistic references
reproducing each painting (usually in the original
size) in a single color that matches the color of the
glass chosen for the sculpture. To construct these
works, she starts with a metal skeleton that is then
carefully covered with sharp shards of glass, as in
The Morning Walk (2006). She has received such
important awards as the 1999 "Artist in Residence"
at the Cit International des Arts in Paris and the
2002 "Artist in Residence" at the Akerby
Skulpturpark in Sweden. She was also a finalist in
the 2006 Bombay Sapphire Prize in London.
Among her most recent exhibitions are: And
Domestic Animals at the Finnish Glass Museum in
Riihimki (2009) and t.b.a. (2011), and Geschpfe
(2011) at the Lorch + Seidel Galerie in Berlin.
Since 2011, one of her works has been on display at
the Corning Museum of Glass for the Ben W.
Heineman exhibition at the Sr. Family Gallery of
Contemporary Glass in New York.
Marta Klonowska
150
-
1924
12
14
1960
1978
Born in 1924 in Fenghuang County, Hunan
Province, Huang never went to a regular art school
but he had talent and worked hard. He studied art
and literature by himself and learnt from friends,
society and life. Perhaps this is why he shows such
initiative and vitality in his works without any set
pattern.
When he was young, Huang was famous for his
prints, which used bold lines and an unconstrained
style. Until the 1960s he devoted himself mainly to
woodcuts. The period from the late 1950s to the
middle 1960s marked the golden age of his
woodcuts. His color woodcut prints, such as
Ahshima and Spring Tide, were pleasant surprises
to fellow artists with their strong folk flavor,
pronounced ethnic characteristics and refreshing
style. Since the seventies, Huang has produced an
abundance of colored ink paintings depicting
landscapes, flowers and birds using freehand
techniques. There are also human figures and
scenes with humorous messages or historical
allusions. His fresh themes, bold strokes and
dripping colors combine to make an original style
in contemporary Chinese painting; while his
unique style of using traditional Chinese painting
techniques helped contribute to his fame. His
caricatures and canvas paintings are also
recognized as excellent.
Huang yongyu
151
-
1978
2001
Superior Hot Glass
Penland
2009 Penland Eddie Bernard
2006 Penland Eddie Bernard
2004 Rock & Roll Hall of Fame 'GuitarMania'
Art Metro Gallery 'Winter Invitational'
2005 Pavanna Gallery Superior Glass'
'NEO Show'
Burning River Glass Gallery 'Chandelier Show'
2006 Spaces Gallery Shag n Stripes
2008 Philadelphia Buyers Market
Artist Archive of Western Reserve 'May Show'
2009 Bender
Feinberg Gallery 'Under One Roof'
Philadelphia Buyers Market Goreel
2011
Zac Gorell started his career as a glass artist in his
hometown of Cleveland, Ohio where he currently
resides and works at Superior Hot Glass. His work
has been exhibited in numerous galleries and
museums throughout America and also held by
many private collectors. Over the years his work
has constantly reached into the outer limits of his
imagination to come back with fanciful and
enticing forms. His work tends to focus on growth
and the evolution of the idea. He doesn't set out to
produce art about one subject or another and is
never without a sketchbook to constantly draw out
a new idea. Recently he has taken his talents
around the globe traveling to Europe with the
Corning Museum of Glass and now to Asia to teach
the art of glassblowing and start a new series of
work focusing on color properties in glass.
Education2006- 2009 Penland School of Crafts
Furnace Building Workshop w/ Eddie Bernard
Exhibitions2004 Rock & Roll Hall of Fame 'GuitarMania'
2004 Art Metro Gallery 'Winter Invitational'
2005 Pavanna Gallery Superior Glass'
2005 Cleveland Museum of Art 'NEO Show'
2005 Burning River Glass Gallery 'Chandelier Show'
2006 Spaces Gallery Shag n Stripes'
2008 Philadelphia Buyers Market Gorell
Glassworks
2008 Artist Archive of Western Reserve 'May Show'
2009 Bender Gallery ongoing
2009 Feinberg Gallery 'Under One Roof'
2009 Philadelphia Buyers Market Gorell
Glassworks
2011 Corning Museum of Glass Celebrity Solstice
Zachary Gorell
152
-
1951
19671970Hadamar
1981
29
VII
Elvira Bach was born in 1951 in Neuenhain,
Germany. Despite the idea of conceptual,
analytical and rational art being dominant at that
time in the artistic world, she continued to paint in
an energetic and sensual way, using an expressive
language and gaudy colors. The central theme of
her artistic journey has been women and
femininity. All the faces she portrays have the
same physiognomy because they are in reality
self-portraits of the artist. Bach always depicts
herself adorned with accessories that accentuate
her femininity and become symbols of a universal
woman. In her works. It was the beginning of a
new artistic period marked by the explicit use of
numerous erotic elements. Elvira Bach, however,
is not just a painter but also a talented sculptor
who is especially fascinated by the possibilities of
glass. She currently lives and works in Berlin.
Elvira Bach
153
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HARIO produced physical and chemistry utensilat
first, and then turned to field of customer glass.We
are carrying out production activities in the plant
surrounded by the natural environment to provide
a healthy and rich life to all the people on the
earth. HARIO places the highest value on quality
and produce high-quality products with excellent
design and function. Therefore, we has gained the
Good design Award several years in a row for
product design. Our glass instrumentsare the
result of skills inherited and improved among
experienced craftsmen of HARIO since 1921.
In September 2012,Taiwan glass cooperateswith
HARIO to set up HARIO TG, a joint venture
company,in charge of the sales and marketing of
HARIO products.
ART AND TECHNOLOGY OF HARIO GLASS
INSTRUMENTS
Besides continuing to improve and preserve the
legacy of handmade glass forming techniques,
HARIO has also been exploring the possibilities of
heat-proof glass and art glass techniques. In 2003,
HARIO successfully completed the worlds first
violin made of glass, followed by the glass viola,
the glass cello, and even traditional Japanese
musical instruments such as Chinese harp, flute,
and Taiko (drum). Hario glass musical
instruments are not only exquisite art glass, but
also excellent instruments that play wonderful
music.
HARIO192191
Good Design
2003
20129
HARIO
HARIO
HARIO
2003HARIO
HARIO
Hario Co. Ltd.
154
-
155
-
1944
1995 80
2005
Selasar
Den Bosch
Memisa//
50
Leolux
Kuhlmey
/
Wouter Stips studied graphic design at the
Academy of Fine Arts at Rotterdam and went on to
work in various visual media and forms of applied
art. He contributed to television programmes,
designed record covers and stage sets, gave
lectures and published various books, theatre and
screenplays. In 1995 he returned to his first love
and profession: painting. Since Stips started
painting in 1995 more than 80 different serials
graphic art where successfully published and sold
in Europe. Wouter Stips had over 50 exhibitions
at renowned gallerys and musea in a.o. the
Netherlands, France, England, Scandinavia, Spain
and the Far East. He also initiated several projects
for children. At the end of 2004 he started to
make bronze and ceramic sculptures. His book
Love you this much published in 2005, was
accompanied by pop-rock music cd for which Stips
wrote the songs, sung by well known dutch
pop-artists. From 2005 he joined the Berengo
glas-sculpture collection in Murano, Italy.
Exhibitions:
Bandung, Selasar Art Centre, Indonesia
De Galerie, Den Haag, Netherlands
Art Festival Den Bosch, Netherlands
Galerie Stills, Nijmegen, Netherlands
Memisa Foundation / Art for Aids Project, Zambia
/ Africa
Noord Holland Grafiek, Warmenhuizen,
Netherlands
Haarlem Art & Circus Festival 50 years
contemporary-art and circus, Netherlands -
Krefeld, Germany Leolux Art Centre, Germany
Galerie Stima,Breda, Netherlands
Gallery Oliver Kuhlmey, Berlin, Germany -
film/documentary Wouter Stips in Africa;
"Through the eyes of an artist"
Wouter Stips
156
-
Maestro Narcissus Quagliata, an Italian and a US
citizen, was born in Rome, Italy in 1942 where he
studied painting with the metaphysical painter
Giorgio De Chirico. At the age of 19, Narcissus
moved to the United States and studied at the San
Francisco Art Institute receiving both a bachelor
and a master degree in painting and graphics.
Soon after graduation, he began working in glass
and continues to use it as his principle form of
artistic expression. Narcissus Quagliata has
receives twice, grants from the National
Endowment for the Arts for his work in US. Over
the span of his career he has worked in Europe, the
US, Mexico and Asia. His fine art works, in glass
and watercolors, have been exhibited and collected
by major museum and private collections
internationally. During the 70s and 80s and early
90s Narcissus executed over a hundred
commissions primarily in private residences, but
starting from the mid 80s he also began to
integrate his work in public spaces.
Museum Collections
Italy National Museum
Smithsonian Museum, DC.
Metropolitan Museum, NY.
Oakland Museum, CA.
Corning Museum, NY.
Museo Italo Americano.
Franz Mayer Museum .
Yokohama City Museum.
Tokyo Glass Institute etc...
1942
Georgio De Chirico1966
1968
90
1990
1152
30
660
Franz Mayer
Narcissus Quagliata
157
-
Graham Joness works spans the architectural
divide from medieval Westminster abbey to major
corporation headquarters, such as Smithkline
Beecham, ICI and Shell Oil. Throughout this
variety of work he constantly strives for the
original response that each commission should
elicit. This, he believes is the great challenge of
architectural art. He has become an authority in
the technical process in all forms of decorations in
glass. His love of glass and his insistence that art
must not be dictated by the glass and his insistence
that art must not be dictated by the medium has
led him to push the boundaries of convention with
great glass workshops of Europe. Yet beneath all
the technical processes in Joness work lies the
soul of an emotive painter. Educated at Swansea
College of Art in Wales from 1977 to 1980. He won
the major prizes for stained glass students and
completed his first commissions.
2000 Holmes Place London Health Club
2001 British Gas HQ London Board Room
2002 Stained Glass Window Oswestry Wales
2005 Sculpture,tained Glass
Derix
Smithkline BeechamICI Shell
1977 1980
Swansea
2000
2001
2002
2005
Graham Jones
158
-
1930
2005
1993
1981
1979
1977
1973
1971
1963
1960
1930 Johannes Schreiter was born in Germany, is
quite influential contemporary architectural glass
artist. Mainz and Berlin learning drawing and
painting artists early in Mnster, Germany, the
United States. Johannes Schreiter as an
architectural glass artist, his paintings and
sculptures, which already won for him numerous
awards, he established a prestigious reputation,
known as the father of German glass art. Johannes
Schreiter through their own cultural background,
application glass casting with inlaid unique artistic
look, philosophical temperament of the German
nation accentuates artists pure lines, colors and
texture of the detailed requirements, more people
admire the hand-made artist proud standards and
dignity ecological level and the philosophy of art
literacy.
2005 Honorary Doctorate from the University of
Heidelberg
1993 Visiting seminar at the Academy of
state-building. Arts Stuttgart
1981 Ehrenmedaillle "Small Graphic Forms" in
Lodz / Poland
1979 Federal Cross of Merit
1977 Philip Morris Prize
1973 winner of the exhibition "European graphic
of the present" in Salzburg
1971 Rector of the University of image. Arts
Frankfurt / Main
1963 Professor at the University of Fine Arts in
Frankfurt / Main
1960 Head of Department at the state-space art
school in Bremen
Johannes Schreiter
159
-
Born 24.June 1945
Leifur Breidfjord was born 1945 in Reykjavik,
Iceland. 1968 Bulai Jie was established in
Reykjavik own glass studio, where he completed
most of the work of the artist; addition, many
large-scale architectural glass works, workshop
production in Germany Derix . Wide range of
types of artists, including oil paintings,
watercolors, pastels and sculptures, his wife the
Sigridur Johannsdottir is a Art of weaving artists,
and they have two sons.
EDUCATION
The Icelandic College of Art 1962 -66
The Edinburgh College of Art 1966 68
Burleighfield House England with Patrick
Reyntiens 1973 and 1975
INDIVIDUAL EXHIBITIONS / SELECTION
1975 The Nordic House, Reykjavik, Iceland
1982 The Municipal Library, Akureyri, Iceland
1984 The National Art Gallery, Reykjavik, Iceland
1989 Galleri Borg, Reykjavik, Iceland
WORKS IN OFFICIAL COLLECTIONS
The National Gallery, Reykjavik, Iceland
Reykjavik Municipal Art Museum, Reykjavik,
Iceland
The University of Iceland Art Collection,
Reykjavik, Iceland
Kopavogur Art Museum, Gerdarsafn, Kopavogur,
Iceland
Konstmuseet Arkiv for Dekorativ Konst, Lund,
Sweden
Smith Museum of Stained Glass Windows,
Chicago, U.S.A.
Kurhaus, Freudenstadt, Germany
1945 67
1968
Derix
1973-1975
1966-1968
1962-1966
1990 The Broste Optimist
1983 Fragile
1978 Fragile
1975
1982
1984
1989
Leifur Breidfjord
160
-
Thomas Kuzio was born in 1959, and is a
prominent German glass artists, dedicated to the
art and design of the stained glass windows. His
glass paintings in ancient religious buildings inside
reflect the abstract expressionism of the new
century has come from the tradition-oriented,
given the historic old buildings new life. Thomas
Kuzio in large glass painting extraordinary
achievement, these glass paintings pendulum
placed in the windows of public buildings, and
more directly so that the viewer can feel the
creativity and craftsmanship of the artist in the
form of a glass painting. Thomas Kuzio trying to
become the focus of attention of the visual
sensuality, color glass paintings and glass
paintings on the twelve-tone spectrum not only
almost comparable to the modern movement, and
also show the artist's work is as graceful as modern
music diversification.
SOLO EXHIBITION
2004 Gallery Neustrelitz
2003 Arts Society Zachow
1999 Gallery Mhlentor, Greifswald, Kleine
Galerie, Teterow, Deutsche Welle, Berlin
1998 Gallery Kunst und Kledage, Rostock,
Kunsthalle Khlungsborn
1995 Kleine Galerie, Wismar
1994 Gallery in the amber museum,
Ribnitz-Damgarten, Arts Center
Khlungsborn ,Medihaus, Neubrandenburg
Monastic Church Verchen
1993 Plaza, Schwerin, Picture in the Delay,
Veranstaltungszentrum, Neubrandenburg
1992 Gallery Mecklenburger Kunsthof, Malchin ,
Gallery Zopf, Rheinsberg Laurentiuschurch
Rheinsberg, Stadthauptmannshof, Moelln.
1959
2004
2003
2001 Park KatzowMonastic
Friedlnder
Tor
1999 Mhlentor
1998 Kunst und KledageKunsthalle
Khlungsborn (K)
1997 Friedlnder Tor
1995
1994 KhlungsbornMonastic
1993 Neubrandenburg
1992 Mecklenburger Kunsthof
Thomas Kuzio
161
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1968 1986 1992
1992-1993
1992 Magister atrium
1986-1992
2000 Papl
1997 Karl-Miescher, Duisberg
1992
1989 Theodor Korner
1987 Arik Braue r
2000
1999
1998
1992 Rottweil
1991
1989
Tobias Kammerer 1968 was born in Rottweil,
Germany, from 1986 to 1992 at the Vienna
Academy of Fine Arts to study painting and
sculpture skills at the same time, also completed
during another Master of Arts degree, is an
internationalwell-known and respected artists.
Paintings energetic brush pen lines, always full of
vitality, under the bold strokes, still did not forget
the picture overall sense of harmony, so that works
showing a rich layering. Painting of the artist, an
expression can not explain the emotions,
therefore, can not accept the size of his paintings
hinder Thus, this could explain why he likes the
combination of large-scale works of art and
construction. The artist said: "I'm ready to go in
any direction, as long as it is moving forward. To
forward in the direction of progress and harmony
can be felt by the public works create. "Application
he learned to make these large glass art lively,
cheerful and always give people pleasure, to the
overwhelming new areas and training to expand
into new areas and creation can be felt by the
public works. Tobias Kammerer has published
many books, many churches in Germany saw his
large glass creation.
Awards
2000 Political Medal, Papl Academy, the Vatican
1997 Karl-Miescher, Duisberg
1992 Master Student Award, Academy of Fine
Arts, Vienna
1989 Theodor Korner Award, Vienna
1987 Arik Brauer Award, Vienna
Tobias Kammerer
162
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0935007533www.stargallery.tw
163
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.2012:
/.--:,101.12
; 21 X 29.7
ISBN 978-986-03-4761-6 ()
1. 2.
968.1 101024002
Hsinchu City Intl Glass Art Festival 2012 Internat ional Glass Ar t Pavi l ion
151
03-5319756
10112
450
04-24378010
02-25180207
http://www.govbooks.com.tw
GPN 1010103075ISBN 978-986-03-4761-6