日本のモダンジャズ

16
東京藝術大学音楽学部 紀要 第34集 抜刷 平成 21年3月 日本のモダンジャズ、現代音楽、フリージャズの接点 ―― 草月アートセンターと新世紀音楽研究所の活動を例に ――

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Modern Jazz in Japan

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  • 34 21

  • 1960

    20

    1900

    1908

    1930-1

    19201924

    1917

    1918

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    1930

    1945

    1948

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    189

  • 20

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    192

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    200292

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    LPThe Coach With The Six Insides

    200

  • ESPESP102960

    ESP

    46

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    LPJazz Abstractioncomp,condg

    AtlanticSP13651960

    10 CDSTZ58

    11 1960

    12 60

    2002152

    13 SAC

    No.181961

    14

    15 1971151

    16 LPSchool Dayssaxtb

    bpercEMANEM3316

    17 No. 151988

    1959Lydian Chromatic Concept of Tonal Organization for Improvisa-

    tion1961

    18 195911

    65

    19 LPJazz of The Forties:Hot vs CoolTOSHIBA

    CR-8084

    20 CDmusic of group ONGAKUHEAR002

    21 CDThinkSPFJ0101963

    22 CD Sound 3OUOADM0601

    1963

    23 LPNew York Art Quartetastb

    bdsvoiceESP

    ESP10041964

    24 SACNo.31960

    201

  • 25 1985469

    26 19621964

    Vol.121969

    27 20022223

    28 CDThree Blind MiceTBM-91963

    29 ?>

    1975

    30

    31 200276

    32 78-9

    33 LPPalladiumExpressEP-80041969

    34 LPWe Now CreateVictorSMJX-100651969

    35 LPDancing1969

    36 LPIndependenceUPSUPS-2010-J

    37

    197719

    38 19688270

    AA

    200670

    2007

    39 1969

    200822002300TOKYO

    FMJAZZSound

    Cafe dzumiFree Music Archive at Sound

    Cafe dzumiLP

    202

  • Seeking a point where Modern Jazz,Contemporary Music

    and Free Jazz meet in Japan:Instances from the Activities in Sogetsu Art Center

    and New Century Music Institute(Shinseiki Ongaku Kenkyujo)

    WATANABE Miho

    The aim of this paper is to examine how jazz music and academic contemporary music

    related each others in the 1960s Japanese avant-garde music scenes. Especially we focused on

    the activities of the two music scenes, 1) experiments of the Modern Jazz music by the

    Contemporary music composers at Sougetsu Art Center,the mecca of the avant-garde art scenes

    in 1960s Japan,and 2)references of the contemporary music method in New Century Music

    Institute(Shinseiki Ongaku Kenkyujo),one of the basic point of the Japanese free jazz scene.

    220