a parody mass by tomás luis de victoria · tomás luis de victoria (1548-1611) was a prolific...

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Tomás Luis de Victoria from the 1576 publication Liber Primus. Qui Missas, Psalmos, Magnificat, ad Virginem Dei Matrem Salutationes, aliaque Complectitur. transcribed and edited by Ted Gibson Choral Public Domain Library – http://www.cpdl.org Missa Simile est regnum coelorum a parody Mass by

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Page 1: a parody Mass by Tomás Luis de Victoria · Tomás Luis de Victoria (1548-1611) was a prolific Spanish composer of the late Renaissance. Although he was born in Spain, most of his

Tomás Luis de Victoria

from the 1576 publication

Liber Primus. Qui Missas, Psalmos, Magnificat,

ad Virginem Dei Matrem Salutationes, aliaque Complectitur.

transcribed and edited by

Ted Gibson

Choral Public Domain Library – http://www.cpdl.org

Missa Simile est regnum coelorum a parody Mass by

Page 2: a parody Mass by Tomás Luis de Victoria · Tomás Luis de Victoria (1548-1611) was a prolific Spanish composer of the late Renaissance. Although he was born in Spain, most of his

Tomás Luis de Victoria (1548-1611) was a prolific Spanish composer of the late Renaissance. Although he was born in Spain, most of his music was composed in Rome. Victoria composed a large volume of sacred music in his lifetime, including twenty complete Masses. Missa Simile est regnum coelorum is a parody Mass derived from a motet of the same name by Francisco Guerrero (1528-1599). It was originally published in Victoria’s first collection of Masses in 1576.

This edition of Victoria’s Missa Simile est regnum coelorum was transcribed from a facsimile of the original 1576 publication. Every effort has been made to preserve Victoria’s original intentions. The original clefs have been indicated at the beginning of each movement, and the pitches have been preserved in their original mode (‘G’ mixolydian.) This does not imply that modern choirs must perform the Mass in ‘A’ 440 tuning, since Renaissance pitch was entirely relative. The mixed chamber choir that first performed this edition sang the entire piece down a half step. If boys’ voices are to be used for the superius part and men’s voices on the altus, the director may consider performing the entire Mass down a whole step. In an effort to aid the singers with keeping time, “ ticks” have been added in the place of bar lines. Long note values have been divided and ties added if the note extended into the next “measure.” Bear in mind that these editorial “ ticks” are for keeping time only, and have no influence on the weight or stress of a given note. The weight of each note should be determined by the syllabic stress of the Latin (indicated by accent marks) and the arsis and thesis of each phrase. Tempo should be determined relative to the text. Generally the Gloria and Credo are taken at a faster tempo due to their lengthy text.

- Ted Gibson

[email protected]

tedwgibson.com

Page 3: a parody Mass by Tomás Luis de Victoria · Tomás Luis de Victoria (1548-1611) was a prolific Spanish composer of the late Renaissance. Although he was born in Spain, most of his

&

B

B

B

Superius

Altus

Tenor

Bassus

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w ˙ ˙Ký ri e

„.w ˙

e

∑ wKý

˙ ˙ wléi

˙ ˙ ˙ ˙ri e e léi

∑ wKý

„.w œ œ

˙ w œ œson, e

--

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-

- - - - - -

-

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5

˙ ˙ wri e e

„.˙ œ ˙ ˙

˙ w ˙#léi

˙ ˙ ˙ ˙

w ˙ ˙Ký ri e

˙ ˙ wson,

w ∑son,

w w

˙ ˙ ˙ ˙e léi son, Ký

Ó ˙ ˙ ˙Ký ri e

w w

˙ ˙ ˙ ˙ri e e˙ ˙ w

e léi

w wléi son,

˙ ˙# ww ˙ ˙

son, Ký

Ó ˙ ˙ ˙Ký ri e

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I. Kyrie

Tomás Luis de Victoria (1548-1611)

ed. Ted Gibson

from Missa simile est regnum coelorum 1576 edition

Transcribed from the copy ofLiber Primus qui missas held at theArchivo Capitular de TudelaTudela, Spain

Lord, have mercy

This performance edition has been transcribed directly from the manuscript source. Any suggested musica ficta has been marked with parenthesis '(#)'. Syllabic stress has been indicated with accented vowels 'á'. The editor's text underlay has been italicized. Tempo and dynamics are left to the discression of the director with the understanding that proper Renaissance performance practice will be followed.

4.23.13 - http://www.cpdl.org - Choral Public Domain Library

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10 Ó ˙ ˙ ˙Ký ri e

w ˙ ˙léi son, Ký˙ ˙# wri e e léi˙ ˙ we léi son,

œ œ œ œ we léi

˙ ˙ œ œ œ œri e e léi

w ∑son,

Ó ˙ ˙ ˙Ký ri e

w ∑son,

˙ ˙ ˙ ˙Ó ˙ ˙ ˙

Ký ri eœ œ œ œ ˙ ˙e

∑ Ó ˙Ký

œ œ w œ œœ œ œ œ we léiw w

léi son,

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-

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-

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-

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14 ˙ ˙ œ œ œ œri e e

œ œ ˙ ˙ ˙son, Ký

w wson, Ký

Ó ˙ ˙ ˙Ký ri e

˙ ˙ ˙ ˙léi

˙ ˙ ˙ ˙ri e e léi˙ .˙ œ œ œri e e

œ œ œ œ ˙ ˙e léi

œ œ w ˙a

œ œ# ˙ ww wléi

w w

›son.

›son.

›son.

›son.- -

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- - - - -

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-

- - - -

-

- - -

- -

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18

w ˙ ˙Chri ste e

Ó ˙ ˙ ˙Chrí ste e

˙ ˙ wléi son,

.˙ œ œ .˙ œléi

∑ wChrí

∑ Ó ˙Chrí

˙ .˙ œ ˙˙ ˙ ˙ ˙ste e léi˙ ˙ .˙ œ œste e léi

Ó ˙ ˙ ˙Chrí ste e

˙ œ œ ww ∑

son,.˙ œ ˙ ˙

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2 Kyrie

Christ, have mercy.

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22 .˙ œ œ .˙ œléi

.˙ œ œ œ ˙∑ Ó ˙

Chrí˙ ˙ ˙ œ œ

˙ ˙ w

˙ ˙# ˙ ˙son, Chrí

˙ ˙ .˙ œ œste e léiw w

son,

w Ó ˙son, Chrí

˙ .˙ œ œ ˙ste e

.˙ œ ˙ ˙

Ó ˙ ˙ ˙Chrí ste e

˙ ˙ .˙ œ œste e léi

w ˙ ˙léi son, Chrí

˙ ˙ w

.˙ œ œ .˙ œléi

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- -

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-

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26 ˙ ˙ wson,

˙ ˙ .˙ œ œste e léi

w w

˙ ˙ œ œ œ œ

Ó ˙ ˙ ˙Chrí ste e

.˙ œ ˙ ˙˙ œ œ ˙ ˙˙ œ œ w

›léi

w Ó ˙son, Chri

œ œ œ œ wson,

˙ ˙ ˙ ˙son, Chrí ste e

w ∑son,

˙ ˙ ˙ ˙ste e léi

Ó ˙ ˙ ˙Chrí ste e›b

léi

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-

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30 w ˙ ˙Chrí ste e

.w ˙˙ .˙ œ œ œléi˙ ˙ ˙ ˙son, Chrí ste e

wb wléi

.˙ œ w˙ w ˙#

w wléi

›son.

›#son.

›son.

›son.

.w ˙Ký ri

w we e

w ˙ ˙Ký ri e

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3Kyrie

Lord, have mercy.

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35 ˙ .˙ œ œ œléi

w ˙ ˙e

˙ w ˙

œ œ ˙ wléi

.w ˙Ký ri

.˙ œ œ ˙ ˙son e

w ∑son,

w we e

w ˙ ˙Ký ri e

w ˙ ˙lei

w ˙ ˙Ký ri e

˙ .˙ œ œ œléi

w ˙ ˙e léi

˙ ˙ w

w ˙ ˙e

˙ w ˙œ œ ˙ w

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- -

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40

˙ .˙ œ ˙son, Ký ri e

w wléi

˙ œ œ œ œ ˙

w ∑son,

˙ ˙ ˙ ˙e lei

›son,œ œ ˙ ˙ ˙

w wKý ri

˙ ˙ wson,

Ó w ˙Ký ri

w ˙ ˙son, Ký

w we e

Ó ˙ ˙ ˙Ký ri e

w we e

˙ ˙ wri e e léi˙ ˙ wléi

.˙ œ œ ˙ ˙e

˙ œ œ ˙ ˙˙ ˙ ˙ ˙

son, Ký ri e e

w ∑son,

˙ œ œ ˙ ˙léi son, Ký

œ œ w ˙#léi

w wléi

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- -

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-

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-

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-

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46 ˙ ˙ ˙ ˙ri e e léi

.˙ œ œ ˙ ˙˙ ˙ ˙ ˙

son, Ký ri e e

w ˙ ˙Ký ri e e

œ œ w ˙#

˙ ˙ w˙ œ œ wléi

w wléi

›son.

›son.

›son.

›son.- - - - -

- -

- - - - - - -

- - - - - - -

- - -

4 Kyrie

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VTenor Incipit – – – – – – – –- – – ‚ ‚ –Gló ri a in ex cél sis Dé o.- - - - -

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B

B

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.˙ œ ˙ ˙Et in tér ra

.w ˙pax ho

.˙ œ ˙ ˙Et in tér ra

.˙ œ ˙ ˙mí ni

˙ ˙ ˙ ˙pax ho mí ni

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4 w .˙ œbus bó ne

˙ w œ œbus bó

∑ .˙ œBó ne

˙ ˙ wvo lun tá

˙ w ˙#ne vo lun

˙ ˙ .˙ œvo lun tá

w Ó ˙tis. Lau

.˙ œ œ ˙ ˙tá

œ œ .˙ œ ˙

.˙ œ ˙ ˙Bó ne vo lun

˙ ˙ wdá mus te.

w Ó ˙tis. Lau

˙ ˙ ˙ ˙tis. Lau

˙ ˙ ˙ ˙tá tis. Lau

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II. Gloria

Tomás Luis de Victoria (1548-1611)

ed. Ted Gibson

from Missa simile est regnum coelorum 1576 edition

Transcribed from the copy ofLiber Primus qui missas held at theArchivo Capitular de TudelaTudela, Spain

This performance edition has been transcribed directly from the manuscript source. Any suggested musica ficta has been marked with parenthesis '(#)'. Syllabic stress has been indicated with accented vowels 'á'. The editor's text underlay has been italicized. Tempo and dynamics are left to the discression of the director with the understanding that proper Renaissance performance practice will be followed.

Glory be to God on high.

Superius

Altus

Tenor

Bassus

And on earth peace, good will towards men.

We praise thee.

4.23.13 - http://www.cpdl.org - Choral Public Domain Library

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8 Ó ˙ ˙ ˙Be ne dí

˙ ˙ ˙ ˙dá mus te. Be˙ ˙ wdá mus te.˙ ˙ wdá mus te.

.˙ œ ˙ ˙ci

˙ ˙ œ œ œ œne dí ci

Ó ˙ œ œ œ œBe ne

Ó ˙ ˙ ˙Be ne dí

˙ ˙ ˙ ˙mus

œ œ w ˙#mus

˙ ˙ ˙ ˙dí ci mus˙ ˙ wci mus

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11 w wte. A

w ∑te.

˙ w ˙te. A do

˙ w ˙te. A do

˙ ˙ ˙ ˙do rá mus

∑ ÓA

.˙ œ ˙ ˙#rá mus.˙ œ ˙ ˙rá mus

w Ó ˙te. Glo

˙ ˙ .˙ œdo rá›

te.

w Ó ˙te. Glo

˙ ˙ .˙ œri fi cá

˙ ˙a w

mus te.

∑ Ó ˙Glo˙ ˙ .˙ œ

ri fi cá

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- - -

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15 ˙ ˙ .˙ œ

∑ wGlo

˙ ˙ .˙ œri fi cá˙ ˙ ˙ ˙

mus te. Glo

˙ .˙ œ ˙

˙ ˙ ˙ ˙a

ri fi cá mus

˙ ˙ .˙ œ

˙ ˙ ˙ ˙ri fi cá mus

˙ ˙ wmus te.

›te.

˙ ˙ wmus te.

w Ó ˙te. Grá

.w ˙Grá ti

∑ wGrá.w ˙

Grá ti˙ ˙ wti as

w was á

˙ ˙ ˙ ˙ti as áw w

as áw wá

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6 Gloria

We bless thee.

We worship thee. We glorify thee.

We give thanks to thee

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20 ˙ ˙ ˙ ˙gi mus tí

˙ ˙ ˙b œ œgi mus tí˙ ˙ ˙ ˙gi mus tí

˙ ˙ ˙ ˙gi mus tí

œ œ w ˙#

˙ ˙ ww w

wb w

›bi.

›bi

˙ .˙ œ ˙bi pró pter má

˙ .˙ œ ˙bi pró pter má

-

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23 „

Ó .˙ œ ˙pró pter ma

˙ ˙ ˙ ˙gnam gló ri am˙ ˙ ˙ ˙gnam gló ri am

˙ ˙ ˙ ˙gnam gló ri am

.˙ œ œ œ ˙tú.˙ œ ˙ ˙tú

Ó ˙ ˙ ˙Dó mi ne

›tú

˙ œ œ w

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- -

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26 w ˙ ˙Dé us, Rex

˙ ˙ ˙ ˙am. Dó mi ne

w ∑am.

w ∑am.

˙ ˙# ˙ œN œce lé

w ˙ ˙Dé us, Rex

w ˙ ˙Rex ce lé

w ˙ ˙stis, Dé

˙ ˙ wce léw ˙ ˙

stis Dé us

Ó ˙ ˙ ˙Dé us Pá

˙ ˙ .˙ œus Pá

˙ ˙ ˙ ˙stis, De us Pá

˙ w ˙#Pá˙ ˙ w

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7Gloria

for thy great glory.

Lord God, heavenly King, God the Father Almighty.

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30 ˙ ˙ wter om

˙ ˙ wter om˙ w ˙

ter om ní

w wter om

.w ˙ní po

˙ œ œ ˙ ˙ní poœ œ w ˙#

po.w ˙ní po

w Ó ˙tens. Dó

˙ ˙ ˙ ˙tens. Dó mi new wtens. Dó

w wtens. Dó

˙ ˙ wmi ne Fí

.˙ œ ˙ ˙Fí

˙ ˙ wmi ne Fí˙ ˙ wmi ne Fí

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-

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34 ˙ w ˙li u ni

w wliw Ó ˙

li u›li

˙ ˙ ˙ ˙gé ni te, Jé

Ó w ˙u ni

˙ ˙ .˙ œni gé

˙ ˙ .˙ œsu Chrí

˙ ˙ wgé ni te,

˙ ˙ ˙ œ œni te,

∑ Ó ˙u

- - - - -

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37 œ œ œ œ ˙ ˙

Ó w ˙Jé su

w Ó ˙Jé

˙ ˙ ˙ ˙ni gé ni

˙ ˙ ˙ ˙ste, Jé su Chrí

˙ w ˙#Chrí

˙ œ œ ww wte, Jé

˙ œ œ ˙ ˙

.˙ œ w

˙ .˙ œ ˙su Chrí

›su

œ œ w ˙

w Ó ˙ste. Dó

˙ œ œ w

›Chrí

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8 Gloria

O Lord, the only-begotten Son,

Jesus Christ.

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41 ›ste.

˙ ˙ œ œ œ œmi ne De

˙ ˙ ˙ ˙ste. Dó mi ne

˙ ˙ ˙ ˙ste. Dó mi ne

∑ Ó ˙Á

œ œ .˙ œ ˙œ œ œ œ ˙ ˙Déœ œ œ œ ˙ ˙Dé

˙ w ˙gnus Dé

˙ ˙# ˙ ˙us, Á

w ˙ ˙us, Áw wus,

w w

w .˙ œgnus Dé

˙ w ˙gnus Dé

Ó ˙ wÁ gnus

- - - - -

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45 w Ó ˙i, Fí

œ œ w ˙

w w.˙ œ ˙ ˙

˙ ˙ ˙ ˙li us Pá

˙ ˙ ˙ ˙i, Fí li us

w ∑i,

˙ ˙ ˙ ˙i, Fí li us

œ œ w œ œ

˙ œ œ wPá tris,

∑ Ó ˙Fíw w

Pá tris.

˙ ˙ ˙ ˙tris, Fí li us

Ó ˙ ˙ ˙Fí li us˙ ˙ .˙ œ

li us Pá

w ∑

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49 ˙ œ œ ˙ ˙Pá tris, Fí

w wPá tris,œ œ w ˙#

˙ ˙ ˙ ˙li us Pá

.˙ œ ˙ ˙Fí li us Pá˙ ˙ ˙ ˙tris, Fí li us

w ˙ ˙Fí li us

œ œ w ˙a

˙ ˙ w˙ œ œ wPá

w wPá

›tris.

›tris.

›tris.

›tris.

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- - - - -

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9Gloria

Lord God, Lamb of God,

Son of the Father.

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53 „

w ˙ ˙Qui tól lis

∑ wQui

w ˙ ˙pec cá ta

˙ ˙ wtól lis pec

.˙ œ œ œ ˙mún

˙ ˙ .˙ œcá ta mún

.˙ œ ˙ ˙Mi se ré re

˙ œ œ w

w w

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57 ›nó

.˙ œ ˙ ˙Mi se ré re

w ∑di,

˙ w ˙di, mi se

w ∑bis,

.w ˙no

.˙ œ ˙ ˙mi se ré re˙b ˙ wré re nó

.˙ œ ˙ ˙mi se ré re

.˙ œ œ œ ˙

.w ˙nó›bis.

›nó

˙ œ œ w›

Ó ˙ ˙ ˙Qui tól lis

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61 w ∑bis,

˙ ˙ ˙ ˙bis. Qui tól lisw Ó ˙bis.. Quiw ˙ ˙pec cá ta

w ˙ ˙pec cá ta

˙ ˙ wtól lis pecw w

mun di,

.˙ œ œ œ ˙mún˙ ˙ .˙ œcá ta mún

.w ˙sú sci

˙ ˙ ˙ ˙di, sú

w wdi,

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10 Gloria

Thou that takest away the sins of the world,

have mercy upon us.

Thou that takest away the sins of the world,

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65 ›pe

˙ ˙ wsci pe

∑ wsú.w ˙

sú sci

Ó w ˙sú sci

.w ˙su sci

˙ ˙ wsci pe˙ w ˙

pe sú sci

w .˙ œpe de pre

w .˙ œpe de pre

w .˙ œde pre

w .˙ œpe de pre

˙ ˙ wca ti ó

˙ ˙ ˙ ˙ca ti ó nem

˙ ˙ ˙ ˙ca ti ó nem

˙ ˙ ˙ ˙ca te ó nem

- - - - - - -

- - - - - -

- - - - - - -

- - - - - - - - -

- -

-

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69 w wnem nó

›nó

œ œ w ˙#nó

.˙ œ wnó

›stram.

˙ ˙ wstram. Qui sé

w Ó ˙stram. Qui

˙ ˙ wstram. Qui sé

˙ ˙ wdes ad déxw ˙ ˙sé des ad˙ ˙ wdes ad déx

-

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72 „

˙ ˙ ˙ ˙ter am Páw wdéx ter˙ ˙ ˙ ˙ter am Pá

œ œ w ˙w w

am Pá˙ ˙ w

.w ˙Mi se

w wtris, mi

w ∑tris,

w ∑tris,

˙ ˙ ˙ ˙ré re no

˙ ˙ ˙ ˙se ré re

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- - -

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-- - - -

11Gloria

receive our prayer.

Thou that sittest

at the right hand of God the Father, have mercy upon us.

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76

œ œ w ˙

˙ ˙ wnó

›bis.

w ∑bis,.w ˙mi se

∑ wmi

.˙ œ ˙ ˙mi se ré re

˙ ˙ ˙ ˙ré re nó˙ ˙ ˙ ˙

se ré re

∑ Ó ˙Quó

˙ ˙ wnó

œ œ w ˙

˙ ˙ wnó

- - -

- - - - - - -

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- - - - - - -

-

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80 ˙ ˙ ˙ ˙ni am tu

˙ w ˙bis. Quó ni˙ w ˙bis. Quó ni

w Ó ˙bis. Quó

˙ ˙ wsó lus Sán

˙ w ˙am tu só

w ∑am.˙ ˙ ˙ ˙

ni am tu

w ˙ ˙ctus. Tu

˙ .˙ œ ˙lus Sán

„˙ ˙ wsó lus Sán

˙ ˙ .˙ œsó lus Dó mi

˙ ˙# wctus.

∑ wTuw ˙ ˙ctus. Tu

- - - - - -

- -

- - -

- - - - -

-

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-

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84 w ∑nus.

Ó ˙ ˙ ˙Tu só lus

.˙ œ ˙ ˙#só lus Dó mi.˙ œ ˙ ˙só lus Dó mi

w wTu só

.˙ œ ˙ ˙Dó mi nus. Tu›nus.

˙ ˙ .˙ œnus. Tu só

˙ ˙ .˙ œlus Al tís

w ˙ ˙só lus Al

Ó ˙ ˙ ˙tu so lusœ œ ˙ w

lus

œ œ .˙ œ ˙

˙ ˙ wtís si mus

˙ ˙ ˙ ˙Al tísw ˙ ˙

Al tís

- -

- - - - - -

- - - - - - -

- - - - - - -

- - - -

12 Gloria

For thou only art holy. Thou only art Lord

You alone are most high,

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88 ˙ ˙ wsi mus

∑ Ó ˙Je˙ ˙ w

si mus˙ ˙ wsi mus

›Jé

˙ œ œ w›Jé

›Jé

w wsu Chrí

w wsu Chríw# wsu Chríw wsu Chrí

- - - - -

- - - - - -

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91 w Óste.

w Óste.w Óste.w Óste.

(h =h)* ˙ ˙ ˙Cum Sán cto

˙ ˙ ˙Cum Sán cto˙ ˙ ˙Cum Sán cto˙ ˙ ˙Cum Sán cto

˙ wSpi ri

w ˙Spí riw ˙Spí riw ˙bSpí ri

-

- - -

-

- - -

- -

- -

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94 ˙ ˙ ˙ ˙tu, in gló ri

w ∑tu,

˙ ˙ ˙ ˙tu, in gló ri˙ ˙ ˙ ˙tu, in gló ri

(h =h)*w Ó ˙a in

Ó ˙ ˙ ˙in gló ri

˙ ˙ ˙ ˙a Dé i Pá

˙ w ˙a Dé i

˙ ˙ wglo ri a

˙ ˙ ˙ ˙a Dé i Pá

˙ ˙ ˙ ˙tris, in

˙ ˙ wPá tris.

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- - -

- - -

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-

- -

13Gloria

Jesus Christ.

With the Holy Spirit,

in the glory of God the Father.

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97

w ˙ ˙Dé i Pá

˙ ˙# œ œN

œ œ˙ ˙ ˙ ˙

glo ri a Dé

œ œ œ œ w

w wœ œ w ˙

i

Ó ˙ ˙ ˙in gló ri

˙ ˙ ˙ ˙tris, in gló ri

›tris.

.˙ œ ˙ ˙Pá

˙ w ˙a Dé i

˙ w ˙a Dé i

Ó .˙ œ œ œA

w wtris.œ œ œ œ w

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- - - - -

-

- - - - - -

- - -

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101 w ˙ ˙Pá tris. A

˙ œ œ œ œ ˙Ó .˙ œ œ œ

A

›tris.

œ œ w ˙a

œ œ ˙ ww w

w wA

›mén.

›mén.

›mén.

›mén.

-

- - - - - -

- - - - - - -

- - -

- - - -

14 Gloria

Amen.

* The note values in time have been halved from the manuscript original in an effort to better

represent proportional equality of the note values in time.

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VTenor Incipit – – – – – – .–Cré do in ú num Dé um,- - -

&

B

B

B

&

&

V?

w ˙ ˙Pá trem om

∑ wPá

˙ ˙ .˙ œni po tén

˙ ˙ ˙ ˙trem om ni po

˙ w ˙

.˙ œ wtén

∑ wFac

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- - - - -

-

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&

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4 ›tem,

˙ ˙ ˙ ˙tem, fac to rem

˙ ˙ wtó rem coé

w ˙ ˙Fac tó rem

.˙ œ ˙ ˙coé

˙ .˙ œ œ œli et

w ˙ ˙coé li et

˙ ˙ wli et tér

˙ w ˙tér

œ œ ˙ wtér

.˙ œ ˙ ˙vi si bí li

˙ .˙ œ ˙rae, vi si bí

w .˙ œrae, vi si

w .˙ œrae, vi si

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III. Credo

Tomás Luis de Victoria (1548-1611)

ed. Ted Gibson

from Missa simile est regnum coelorum 1576 edition

Transcribed from the copy ofLiber Primus qui missas held at theArchivo Capitular de TudelaTudela, Spain

This performance edition has been transcribed directly from the manuscript source. Any suggested musica ficta has been marked with parenthesis '(#)'. Syllabic stress has been indicated with accented vowels 'á'. The editor's text underlay has been italicized. Tempo and dynamics are left to the discression of the director with the understanding that proper Renaissance performance practice will be followed.

I believe in one God,

Superius

Altus

Tenor

Bassus

the Father almighty,

Maker of heaven and earth,

4.23.13 - http://www.cpdl.org - Choral Public Domain Library

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8 ˙ .˙ œ ˙um óm

˙ ˙ ˙ ˙li um óm ni

˙ ˙ wbí li um˙ ˙ wbbí li um

œ œ w ˙ni

w Ó ˙um et

w wóm ni.˙ œ ˙ ˙óm

w .˙ œum et in

˙ ˙ ˙ ˙in vi si

w .˙ œum. Et in

˙ ˙ wni um.

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11 ˙ ˙ ˙ œ œvi si bí

˙ .˙ œ ˙bí˙ ˙ ˙ ˙ú num Dó mi

˙ ˙ wli um.

˙ ˙# ˙ ˙li um. Et

›num

∑ wEt

.˙ œ ˙ ˙Et in ú num

˙ w ˙in ú num

„˙ w ˙in ú num

˙ ˙ wDó mi num

˙ ˙# wDó mi num

∑ Ó ˙Jé˙ ˙ w

Dó mi num

- - - - - - -

- - - -

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-

&

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15 ›Jé

›Jé

˙ w ˙sum Chrí

w wJé sum

w wsum Chrí

w wsum Chrí

œ œ w ˙w w

Chrí

›stum,

w Ó ˙stum, Fí

˙ ˙ ˙ ˙stum, Fí li um

˙ ˙ ˙ ˙stum, Fí li um

˙ ˙ ˙ ˙li um Dé

›Dé›bDé

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16 Credo

and of all things visible and invisible.

And in one Lord,

Jesus Christ, Only begotten Son of God,

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19 .w ˙u ni

˙ w ˙i u ni

˙ w ˙i u ni˙ w ˙i u ni

wb wgé ni

w wgé ni

˙ w ˙#gé ni

w wgé ni

›tum,

.˙ œ œ wtum,

˙ w ˙tum, Et ex

˙ w ˙tum, Et ex

∑ Ó ˙an

˙ ˙ wPá tre ná˙ ˙ wPá tre ná

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23 Ó .˙ œ ˙an te óm

˙ ˙ ˙ ˙te óm ni

˙ .˙ œ ˙tum an te óm˙ .˙ œ ˙tum an te óm

˙ ˙ wni a saé

w .˙ œa saé˙ ˙ œ œ œ œni a saé˙ ˙ wni a saé

˙ ˙ ˙ ˙cu

œ œ w ˙#cu

˙ ˙ ˙ ˙cu˙ ˙ ˙ ˙cu

w Ó ˙la. Dé

˙ ˙ ˙ ˙la. Dé um de

˙ w ˙la. Dé um

w Ó ˙la. Dé

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27 ˙ w ˙um de

˙ ˙ Ó ˙Dé o, Dé˙ ˙ w

de Dé

˙ ˙ ˙ ˙um de Dé

w wDé o,

˙ w ˙um de

w Ó ˙o, lu.˙ œ w

w ∑

›Dé

˙ œ œ ˙ ˙men

˙ w ˙o, lu men

-

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- - - -

- - - - - -

-

-

17Credo

Begotten of his Father

before all words.

God of God,

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30 Ó w ˙lú men

w ∑o,

˙ ˙ ˙ ˙de lú mi

˙ ˙ ˙ ˙de lú mi

˙ w ˙de lú

›lú

˙ w ˙bne, lú men

w ∑ne,

˙ ˙ ˙ ˙

.w ˙men de

˙ ˙ ˙b ˙de lú mi

˙ ˙ ˙ ˙mi ne, Dé

˙ ˙ ˙ ˙lú mi ne, Dé

w Ó ˙ne, Dé

∑ Ó ˙Dé

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-

-

-

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34 ˙ ˙ wum vé

˙ ˙ wum vé

˙ ˙ wum vé

˙ ˙ wum vé

˙ ˙ ˙ ˙rum de Dé o

˙ ˙ ˙ ˙rum de Dé o

˙ ˙ wrum de Dé

˙ ˙ ˙ ˙#rum de Dé o

˙ .˙ œ ˙vé

˙ ˙ wvé

˙ ˙ ˙ ˙o vé

˙ ˙ ˙ ˙vé

˙ ˙# ˙ ˙ro. Gé

w wro.

w wro.

w wro.

- -

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-

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-

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38 ˙ ˙ ˙ ˙ni tum, non

.˙ œ ˙ ˙Gé ni tum, non

w wfác tum,

˙ ˙ ˙ ˙fác tum, con

.˙ œ ˙ ˙con sub stan ti

˙ ˙ ˙ ˙sub stan ti.˙ œ ˙ ˙

Con sub stan ti

˙ ˙ wá lem Pá

˙ ˙ wá lem Pá˙ ˙ œ œ œ œá lem Pá

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-

18 Credo

light of light,

very God of very God.

Begotten, not made, being of one substance with the Father:

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42 w .˙ œtri: per quem

w Ó ˙tri: per˙ ˙ ˙ ˙tri: per quem óm

Ó w ˙Per quem

˙ ˙ ˙ œ œóm ni a fá

˙ .˙ œ ˙#quem óm ni a

œ œ ˙ ˙ ˙ni a fá cta

˙ ˙ ˙ ˙óm ni a fá

œ œ w ˙#cta

w wfá cta

w ∑sunt.˙ ˙ ˙ ˙

cta

˙ ˙ ˙ ˙sunt. Qui pró pter

˙ ˙ ˙ ˙sunt. Qui pró pter

Ó ˙ ˙ ˙Qui pró pter

›sunt

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- -

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-

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&

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46 ˙ w ˙nos hó mi

w ˙ ˙nos hó miw ˙ ˙nos hó mi

w ∑nes

˙ ˙ ˙ ˙nes et pró pter

˙ ˙ ˙ ˙nes et pró pterw ˙ ˙et pró pter

˙b .˙ œ ˙nó stram saw ˙ ˙no stram saw ˙ ˙no stram sa

Ó ˙ ˙ ˙de scén dit

˙ ˙# ˙ ˙lú tem de

w wlú temw ˙ ˙lú tem de

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&

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50 ˙ .˙ œ ˙de coé

˙ ˙ ˙ ˙scén dit de

Ó ˙ ˙ ˙de scén dit

˙ ˙ wscén dit de

œ œ w ˙a

›coé

w wde coé

w wcoé

w ∑lis.

w ∑lis.

w ∑lis.

w ∑lis.

›Et

›Et

›Et

›Et

w win car

w win car

w win car

w win car

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- - - -

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19Credo

by whom all things were made.

Who for us men and for our salvation

came down from heaven. And was incarnate

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55 .w ˙ná tus

.w ˙ná tus.w ˙ná tus

.w ˙ná tus

w west de

w Ó ˙est de

›est

›est

w ˙ ˙Spí ri tu

˙ ˙ ˙ ˙Spí ri tu Sán

w wSán cto

˙ ˙# wcto

.w ˙ex Ma

∑ .˙ œex Ma

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- -

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-

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59 w Ó ˙Et

w ∑

˙ ˙ ˙ ˙rí a Vír gi

˙ ˙ ˙ ˙rí a Vír gin

w whó mo

w ˙ ˙Et hó mo

˙ ˙ wne: Et hó

˙ ˙ ˙ ˙ne: Et hó mo

.w ˙fá ctus

.˙ œ ˙ ˙fá ctus

˙ w ˙mo fá ctus

.˙ œ ˙ ˙fá ctus

w ∑est.

˙ .˙ œ ˙est. Cru ci fíx

w .˙ œest. Cru ci

w .˙ œest Cru ci

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-

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63 „

˙ ˙ ˙ ˙us é ti am

˙ ˙ ˙ ˙fíx us é ti˙ ˙ ˙ ˙fíx us é ti

˙ ˙ wpro nó˙ ˙ ˙ ˙

am pro nó˙ ˙ wam pro nó

w ˙ ˙sub Pón ti

˙ w ˙bis sub Pónw ∑bis

w ∑bis

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20 Credo

by the Holy Spirit

of the Virgin Mary: And was made man.

And was crucified also for us

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66 ˙ ˙ .˙ œo Pi lá

˙ ˙ ˙ ˙ti o Pi lá

Ó ˙ ˙ ˙#sub Pón ti

˙ œ œ w

œ œ w ˙#˙ ˙ wo Pi lá

∑ Ó ˙pás

w ∑to:

w Ó ˙to: pás

˙ w ˙to: pás sus,˙ ˙ ˙ ˙

sus, et se

Ó w ˙pás sus,

˙ ˙ ˙ ˙sus, et se

˙ ˙ ˙ ˙et se púl tus

.˙ œ ˙ ˙púl tus

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70 ˙ ˙ wet se púl

.˙ œ œ œ ˙púl

w .˙ œest, pás sus

›est,

˙ ˙ ˙ ˙tus est, pás

˙ ˙ ˙ ˙tus est, pás

˙ ˙ ˙ ˙et se púl

w wpás sus

˙ ˙ ˙ ˙sus, et se

˙ ˙ ˙ ˙sus, et se.˙ œ œ œ ˙

w wet se

.w ˙púl tus

w wpúl tus

œ œ w ˙#tus

w wpúl tus

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74

w Óest.

w# Óest.

w Óest.

w Óest

(h =h )*˙ ˙ ˙Et re sur

˙ ˙ ˙Et re sur

˙ ˙ ˙#Et re sur

˙ ˙ ˙Et re sur

w ˙réx it

w ˙réx itw ˙réx it

w ˙réx it

.˙ œ ˙ ˙tér ti a dí

.˙ œ ˙ ˙tér ti a dí.˙ œ ˙ ˙tér ti a dí

∑ Ó ˙se

(h =h )*

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- - - -

- -

- -

21Credo

under Pontius Pilate:

suffered, and was buried.

And on the third day He rose again

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78 w ∑e,

˙ ˙ ˙ ˙e, se cún dum

˙ ˙ ˙ ˙e, se cún dumw ˙ ˙

cún dum Scrip

∑ Ó ˙Et

˙ w ˙#Scrip tú

w wScrip tú.˙ œ w

w wa scén

w Ó ˙ras. Et

˙ ˙ ˙ ˙ras. Et a scén

w ∑ras.

˙ ˙ œ œ œ œdit in coé

w wa scén

˙ ˙ œ œ œ œdit in coé

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82 ˙ w ˙#

˙ ˙ wdit in coé˙ ˙ ˙ ˙

˙ ˙ ˙ ˙lum: sé det ad

›lum:˙ ˙ ˙ ˙lum: sé det adw ˙ ˙Sé det ad

˙ ˙ ˙ ˙déx ter am Pá

„˙ ˙ ˙ œ œ

déx ter am Pá˙ ˙ ˙ ˙déx ter am Pá

œ œ œ œ œ w

∑ Ó ˙Etœ œ w ˙#

˙ ˙ ˙ ˙

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-

- - - - - - - - -

- - -

- - -

- - -

&

&

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86 ˙ ˙ .˙ œtris. Et í ter

˙ ˙ wí te rumw ∑

tris.

˙ ˙ .˙ œtris. Et í ter

˙ ˙ ˙ ˙um ven tú rus

˙ ˙ ˙ ˙#ven tú rus

∑ Ó ˙Et˙ ˙ ˙ ˙

um ven tú rus

w Ó ˙est cum

.w ˙est cum

˙ ˙ .˙ œí te rum ven

w west cum

˙ ˙ ˙ ˙gló ri a ju

.˙ œ ˙ ˙gló ri a ju

˙ a ˙ ˙tú rus est cum˙ ˙ wgló ri a

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- - - - - -

22 Credo

according to the scriptures. And ascended into heaven,

and sitteth at the right hand of the Father.

And he shall come again with glory

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90 ˙ ˙ wdi cá

˙ .˙ œ œ œdi cá

˙ ˙ ˙ ˙gló ri a ju˙ ˙ .˙ œju di cá

w ˙ ˙re ví

w ˙ ˙re víœ œ ˙# ˙ œ œ

di cá re víw wre

˙ ˙ ˙ ˙vos et mór

œ œ œ œ ˙ ˙vos et

œ œ ˙ ˙ ˙vos et

Ó ˙ ˙ ˙ví vos et

œ œ w ˙#tu

˙ ˙ wmór tu os:

˙ œ œ ˙ ˙mór tu

˙ ˙ wmór tu os:

- - - -

- - - - - - -

- - - - - - - -

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94

˙ w ˙os: Cú jus

w wCú

˙ ˙ ˙ ˙os: Cú jus ré

Ó w ˙Cú jus

w wré gni

w wjus ré

œ œ w ˙w wré

w ˙ ˙non é rit

›gni

w ∑gni

˙ ˙ ˙ ˙gni non é rit

˙ ˙ ˙ ˙fi

„w ˙ ˙

non é rit˙ ˙ ˙ ˙fi

- - - -

- -

- -

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- - -

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98

˙ ˙ ˙ ˙#nis, non é rit

Ó ˙ ˙ ˙non é rit

˙ ˙ ˙ ˙fi

˙ ˙ ˙ ˙nis, non é rit

œ œ œ œ œ œ ˙fi

˙ ˙ ˙ ˙fi nis, non

˙ ˙ œ œ œ œnis, non é

˙ ˙ wfi

œ œ ˙ w

˙ ˙ ˙ ˙#é rit fi˙ ˙ w

rit fi

˙ ˙ w

˙ œ œ wnis.

›nis.

›nis.

›nis.

››

- - - - - - -

- - - -

- - -

- - - - - -

23Credo

to judge the living and the dead:

His kingdom shall have no end.

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103 .˙ œ ˙ ˙Et in Spí ri

∑ .˙ œEt in

Ó w ˙Et in

w wtum Sánc

˙ ˙ ˙ ˙Spí ri tum Sánc˙ ˙ ˙ ˙Spí ri tum Sánc

w wtum Dó

˙ .˙ œ ˙tum Dó

˙ w ˙tum Dó

˙ ˙ ˙ ˙mi

˙ œ œ ˙ ˙mi˙ ˙ w

mi num,

Ó ˙ wEt vi

- - - -

- - - - - - -

- - - - -

-

- - -

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107

w Ó ˙num, et

˙ œ œ wnum,

„˙ ˙ .˙ œvi fi cán

˙ w ˙vi vi fi

w ∑

w wet viœ œ ˙ w

›cán

w wet vi˙ ˙ .˙ œvi fi cán

w wtem:

˙ ˙ .˙ œvi fi cán

œ œ .˙ œ ˙

∑ wQui

- - - - - - - -

- - - - -

- - -

- - - - - -

-

- - -

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111

w Ó ˙tem: Qui

œ œ .˙ œ ˙˙ ˙ w

tem:

w wex Pá

w wex Pá

˙ ˙ ˙ ˙tem: Qui

∑ wQui

w Ó ˙tre, qui

˙ w ˙#tre, qui ex

˙ .˙ œ ˙ex Pá˙ ˙# w

ex Páw wex Pá

-

-

- -

- - - - - -

- -

24 Credo

And in the Holy Spirit, Lord

and giver of life:

Who proceedeth from the Father and Son.

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114 ˙ ˙ .˙ œPá tre, Fí li

˙ ˙# ˙ ˙tre, Fíw ˙ ˙tre, Fíw Ó ˙

tre, Fí

w wó que

œ œ ˙ ˙ ˙li ó que pro

œ œ ˙ ˙ ˙li ó que pro

œ œ ˙ ˙ ˙li ó que pro

w wpro cé

˙ ˙ wcé˙ w ˙#cé

˙ ˙ wcé

w wdit. Qui

w wdit. Qui˙ w ˙dit. Qui cumw wdit. Qui

- - - - - -

- - - - -

- - - - - - -

- - - - -

- - -

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118

˙ ˙ wcum Pá

w wcum Pá

˙ w ˙Pá

w wcum Pá

˙ ˙ ˙ ˙tre, et Fi li

˙ ˙ ˙ ˙#tre, et Fi li

˙ ˙ ˙ ˙tre, et Fi li

w ∑tre,

w .˙ œo si mul

w .˙ œo si mul

˙ w ˙o si mul

Ó w ˙si mul

˙ ˙ wa do rá

˙ ˙ wa do rá

˙ ˙ wa do rá

˙ ˙ wa do rá

- - - - - - -

- - - - - - -

- - - - - - - - -

- - - - -

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122 w ∑tur,

w ∑tur,

˙ ˙ .˙ œtur, et con glo

˙ ˙ ˙ ˙tur, et con glo

„˙ ˙ ˙ ˙ri fi cá˙ ˙ .˙ œri fi cá

.˙ œ ˙ ˙Qui lo cú tus

˙ œ œ w

˙ œ œ œ œ ˙est per

.˙ œ ˙ ˙Qui lo cú tus

˙ w ˙tur: Qui lo

w .˙ œtur: Qui lo

- -

- -

- - - - -

- - - - - - - - -

- - - -

25Credo

Who with the Father and Son together

is worshiped and glorified: Who spake by the Prophets.

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126 ˙ ˙ œ œ ˙Pro phé

˙ .˙ œ œ œest per

˙ ˙ ˙ ˙cú tus est per˙ ˙ ˙b ˙cú tus est per

œ œ w ˙#

˙ ˙ wPro phé

˙ ˙ wPro phé˙ ˙b wPro phé

˙ ˙ ˙ ˙#tas. Et ú nam,

.˙ œ ˙ ˙tas. Et ú nam,

w Ó ˙tas. Et

˙ ˙ ˙# ˙tas Et ú nam,

w ˙ ˙sánc tam, ca

w ˙ ˙sánc tam, ca

˙ ˙ wú nam, sánc

w ˙ ˙sánc tam, ca

- - - -

- - - - -

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130 ˙ œ œ ˙ ˙#thó li

.w ˙thó li˙ ˙ ˙ ˙tam ca thó li

œ œ œ œ ˙ ˙thó li

›cam.

w Ó ˙cam et

˙ ˙ .˙ œcam et a po

˙ ˙ .˙ œcam et a po

.˙ œ ˙ ˙a po stó li

˙ ˙ ˙ ˙stó li cam Ec˙ ˙ ˙ ˙stó li cam Ec

˙ ˙ .˙ œcam Ec clé siœ œ w ˙clé si

˙ ˙ ˙ ˙clé si

- -

- - - - - - - - -

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134 Ó ˙ .˙ œCon fí te

˙ ˙ ˙ ˙am. Con fí te

w ∑am.w ∑am.

˙ ˙ ˙ ˙or u num bap

˙ ˙ ˙ ˙or u num bap

œ œ w ˙tís

œ œ œ œ œ wtís

∑ .˙ œIn re

w ∑ma.

w ∑ma.

˙ ˙ wmis si ó

.˙ œ ˙ ˙In re mis si

- - - - - - - -

- - - - - - - -

- - - -

- - -

26 Credo

And in one holy

catholic and apostolic church.

I acknowledge one baptism

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138 „

˙ ˙ ˙ ˙nem pec ca tó

˙ ˙ œ œ œ œó nem pec

w wEt ex

∑ Ó ˙Et

œ œ w ˙

˙ ˙ wca tó

w wpéc to

˙ w ˙ex péc

˙ ˙ w#rum. Et ex

˙ ˙ wrum. Et ex

œ œ w ˙#w w

pécw wpéc to

- -

-

- - - - - - -

- - - - - -

- - -

&

&

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142 Ó .˙ œ œ œre sur rec ti

w Ó ˙to re˙ .˙ œ œ œto re sur rec ti

Ó .˙ œ œ œre sur rec ti

˙ ˙ wó nem mor

œ œ œ œ ˙ ˙sur rec ti ó nem

˙ ˙ wó nem mor

˙ ˙ .˙ œó nem mor

w wtu ó

.˙ œ wmor tu ó

˙ w ˙tu ó

˙ ˙ wto ó

›rum.

w ∑rum.

˙ ˙ ˙ ˙rum. Et ví tam

˙ ˙ ˙ ˙rum. Et ví tam

- - - - - - - -

- - - - - - - -

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146 ∑ Ó ˙Et

Ó ˙ ˙ ˙Et ví tam

œ œ œ œ ˙ ˙ven tú riœ œ œ œ ˙ ˙ven tú ri

˙ ˙ œ œ œ œví tam ven

œ œ œ œ œ œ œ œven

˙ ˙ wsaé cu li,˙ ˙ wsaé cu li,

˙ ˙ ˙ ˙tú ri saé cu

˙ ˙ ˙ ˙#tú ri saé cu

∑ wet

›li,

.˙ œ œ ˙ ˙li, et

˙ ˙ œ œ œ œví tam ven

w ˙ ˙et ví tam

- - - - -

- - - - - - -

- - - - - -

- - - - -

27Credo

for the remission of sins. And I look

for the resurrection of the dead.

And the life of the world to come.

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150 ∑ Ó ˙et

˙ ˙ ˙ ˙ví tam ven tú

˙ ˙ œ œ œ œtú ri saé

œ œ œ œ ˙ ˙ven tu ri

˙ ˙ ˙ ˙ví tam ven tú

˙ ˙# ˙ ˙ri saé cu

˙ ˙ ˙ ˙cu li. A

˙ ˙ wsaé cu li.

˙ ˙# ˙ ˙ri saé cu

˙ .˙ œ œ œli. Aœ œ ˙ ˙ ˙

men,w wA

˙ .˙ œ œ œli. A

˙ œ œ œ œ ˙œ œ œ œ ww Ó ˙

men, A

- - - - -

- - - - - - - -

- - - - - -

- - - - - -

-

-

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154

˙ .˙ œ ˙

˙ ˙ ˙ ˙.w ˙

A

˙ ˙# ˙ ˙

œ# œ w

›˙ œ œ w

›men.

›men.

›men.

›men.

- - - - - -

- - - - - -

- - - - - -

- - - - - -

28 Credo

* The note values in time have been halved from the manuscript original in an effort to better

represent proportional equality of the note values in time.

Amen.

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B

B

B

Superius

Altus

Tenor

Bassus

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∑ .˙ œSán

›Sán

œ œ .˙ œ ˙.w ˙

˙ ˙# .˙ œN

˙ ˙ ˙ ˙

- - - - -

- - - - - - -

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4

›Sán

˙ œ œ ˙ ˙˙ œ œ ˙ ˙

.w ˙

˙ œ œ ˙ ˙ctus, Sán

˙ .˙ œ ˙ctus, Sán

˙ ˙ w

œ œ ˙ ˙ ˙

˙ ˙ wctus,

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- - - - - - -

IV. Sanctus

Tomás Luis de Victoria (1548-1611)

ed. Ted Gibson

from Missa simile est regnum coelorum 1576 edition

Transcribed from the copy ofLiber Primus qui missas held at theArchivo Capitular de TudelaTudela, Spain

This performance edition has been transcribed directly from the manuscript source. Any suggested musica ficta has been marked with parenthesis '(#)'. Syllabic stress has been indicated with accented vowels 'á'. The editor's text underlay has been italicized. Tempo and dynamics are left to the discression of the director with the understanding that proper Renaissance performance practice will be followed.

Holy, holy, holy,

4.23.13 - http://www.cpdl.org - Choral Public Domain Library

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7 ›ctus,

˙ œ œ w

∑ .˙ œSán

›Sán

˙ ˙ ˙ ˙ctus, Sánœ œ .˙ œ ˙

.w ˙

Ó ˙ ˙ ˙Sán

˙ .˙ œ ˙˙ ˙# w

˙ ˙ w

.w œ œ

˙ ˙# wctus,˙ ˙ ˙ ˙

ctus, Sánw ∑ctus,

- - - - - - - -

- - - - - - -

- - - - - - -

- - - -

&

&

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11

.˙ œ œ œ ˙

˙ ˙ ˙ œ œSán

˙ .˙ œ œ œ

w wSán

œ œ w ˙#

œ œ ˙ ˙ ˙˙ ˙ w

˙ ˙ ˙ ˙

˙ ˙ w

˙ w ˙#›

ctus,

›ctus,

w Ó ˙ctus, Dó

Ó ˙ ˙ ˙Dó mi nus

›ctus,

- - - - - - -

- - - - - - -

- - - - - - -

- - - - - - -

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15 ∑ wDó

˙ ˙ wmi nus Dé

w ˙ ˙Dé us Sá

˙ ˙ wmi nus Dé

˙ .˙ œ œ œus Sá

œ œ œ œ ˙ ˙ba

Ó ˙ ˙ ˙Dó mi nus

w Ó ˙us Dó

œ œ w œ œœ œ œ œ wothw ˙ ˙Dé us Sá

˙ ˙ wmi nus Dé

w .˙ œw ∑œ œ œ œ ˙ ˙

- - - - - -

- - - - - - - -

- - - - -

- - - - - -

30 Sanctus

Lord God of Hosts.

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19

˙ .˙ œ œ œus Sá

˙ w ˙#ba

Ó ˙ ˙ ˙Dó mi nus˙ œ œ ˙ ˙

ba

œ œ œ œ œ œ œ œ

˙ ˙ ˙ ˙oth, Sá ba

w ˙ ˙Dé us Sá

w Ó ˙oth, Dó

w wba

œ œ ˙ woth,

œ œ œ œ œ œ ˙

˙ ˙ wmi nus Dé

- - - - - - - -

- - - - - - -

- - - - - - -

- - - - - -

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22

›oth.

Ó ˙ ˙ ˙Dó mi nus

˙ œ œ ˙ ˙

˙ .˙ œ œ œus Sá

w ˙ ˙Dé us Sá

.˙ œ ˙ ˙

˙ ˙ ˙ œ œ

w ˙ ˙Plé ni sunt

˙ ˙ ˙ ˙ba oth. Plé

˙ ˙ wba oth.

˙ ˙ wba oth.

w wcoé li,

˙ ˙ ˙ ˙ni sunt coé

∑ wPléw ˙b ˙

Plé ni sunt

- -

- - - - - - -

- - - - - - - -

- - - - - - -

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26 w ˙ ˙plé ni sunt

w ˙ ˙li et

˙ ˙ wni sunt coé.˙ œ ˙ ˙

coé li

w ˙ ˙coé li et

œ œ œ œ ˙ ˙tér

˙ ˙ ˙ ˙li, plé ni sunt

œ œ œ œ œ œ ˙et

˙ ˙ wtér ra,

˙ ˙ Ó ˙ra, etw ˙ ˙

coé li et˙ ˙ wtér ra

w ˙ ˙et tér

˙ ˙# ˙ ˙tér

˙ ˙ ˙ ˙tér ra et

∑ Ó ˙et

- - - -

- - - - - -

- - - -

- -

31Sanctus

Heaven and earth

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30 w ˙ ˙ra gló

w wra

˙ ˙ wtér ra

˙ ˙ wtér ra

˙ ˙ ˙ ˙ri a tu

w ∑

Ó ˙ ˙ ˙gló ri aw ˙ ˙

gló ri a

œ œ w œ œ

∑ Ó ˙gló

˙ œ œ wtuw wtu a

˙ ˙ ˙ ˙a, gló ri a

˙ ˙ .˙ œri a tú

˙ ˙ ˙ ˙a, gló ri a

w ∑

- - - - - - - - - -

- - - - -

- - - - - - - -

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34 ˙ œ œ ˙ ˙tú a, gló

œ œ w ˙#w wtú

˙ ˙ ˙ ˙ri a tú

.˙ œ œ ˙ ˙˙ ˙ ˙ ˙a, gló ri a

w ˙ ˙gló ri a

œ œ w ˙#

˙ ˙ w˙ œ œ wtú

w wtú

›a.

›a.

›a.

›a.

- - - - - - -

- - - - - - - -

- - - - - - - -

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38

˙ ˙ ˙O sán na

(h =h )*w ˙in ex

˙ ˙ ˙O sán na

.˙ œ ˙cel

w ˙in ex

˙ ˙ ˙O sán na

w Ósis.

.˙ œ ˙cél

w ˙in ex

˙ ˙ ˙O sán na

˙ ˙ ˙O sán na

w Ósis.

.˙ œ ˙cél

w ˙in ex

- - - - - -

- - - -

- - - -

- - -

32 Sanctusare full of your glory.

Hosanna in the highest.

* The note values in time have been halved from the manuscript original in an effort to better

represent proportional equality of the note values in time.

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43 w ˙in ex

˙ ˙ ˙O sán na

w Ósis.

.˙ œ ˙cél

.˙ œ ˙cél

w ˙in ex˙ ˙ ˙O sán na

w Ósis.

w Ósis.

w ˙cel

w ˙in ex˙ ˙ ˙O sán na

œ œ œ œ ˙˙ œ œ œ œcélw ˙in ex

˙ ˙ ˙O sán na

w Ósis..˙ œ ˙

.˙ œ ˙cél

w ˙in ex

˙ ˙ ˙O sán na

w Ósis.w Ósis.

- - - -

- - - - - - - -

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- - - - -

-

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49 .wcél

˙ œ œ œ œin ex

˙ ˙ ˙O sán na˙b ˙ ˙O sán na

w Ósis.

.˙ œ ˙

w ˙in exw ˙in ex

˙ ˙ ˙O sán na

.˙ œ œ œcél

.wcél

.˙ œ œ œcél

w ˙in ex

.˙ œœ˙w Ósis..˙ œ ˙

˙ wcél

˙ ˙ Ósis.˙ ˙ ˙

O sán na˙ w

w Ósis.

˙ ˙ ˙O sán na

w ˙in ex.wsis.

- -

- -

- - - - -

- - -

-

-

- - -

- - - - - -

- - - - -

-

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55

˙ ˙ ˙O sán na

˙ w#in ex

˙ wcél

.˙ œ ˙in

.˙ œ ˙cél

˙ ˙ ˙sis. O sán

˙ ˙ ˙O sán na

w ˙ex cél

.˙ œ ˙

˙ .˙ œna in

.˙ œ ˙in

˙ w

w ˙#˙ wex cél

˙ wex cél

.wsis.

.wsis.

.wsis.

.wsis.

- - - - - -

- - - - - -

-

- -

- --

- -

-

33Sanctus

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B

B

B

Altus

Tenor

Bassus

&

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„.w ˙

Be ne

w wdí

.w ˙Be ne

˙ ˙ ˙ ˙ctus qui vé

- -

- - - - - -

&

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4

w wdí˙ ˙ ˙ ˙

˙ ˙ ˙ œ œctus qui véœ œ .˙ œ ˙

w ˙ ˙nit, qui˙ œ œ .˙ œ

.w ˙Be ne

˙ ˙ wvé˙ w ˙

w wdí

- - - - - - -

- - -

- - - - - - - - -

&

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8

w Ó ˙nit, qui

˙ ˙ ˙ ˙nit, qui vé

˙ ˙ ˙ ˙ctus qui vé

˙ ˙ ˙ ˙vé

˙ ˙ ˙ ˙˙ ˙ w

.w œ œ˙ ˙ w

nit

˙ w œ œnit, qui

.˙ œ ˙ ˙w Ó ˙

Be˙ w ˙#vé

- - - - - - -

- - - - - -

- - - - -

V. Benedictus

Tomás Luis de Victoria (1548-1611)

ed. Ted Gibson

from Missa simile est regnum coelorum 1576 edition

Transcribed from the copy ofLiber Primus qui missas held at theArchivo Capitular de TudelaTudela, Spain

This performance edition has been transcribed directly from the manuscript source. Any suggested musica ficta has been marked with parenthesis '(#)'. Syllabic stress has been indicated with accented vowels 'á'. The editor's text underlay has been italicized. Tempo and dynamics are left to the discression of the director with the understanding that proper Renaissance performance practice will be followed.

Blessed is he who comes

4.23.13 - http://www.cpdl.org - Choral Public Domain Library

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12

˙ w ˙nit, Be ne˙ ˙ w

ne dí

.˙ œ œ œ ˙

w wdí ctusw ˙ ˙

ctus qui

˙ w ˙nit, Be ne

Ó ˙ ˙ ˙qui véœ œ w ˙#

vew wdí

w Ó ˙nit, qui˙ ˙ ˙ ˙nit, qui vé

˙ ˙ ˙ ˙ctus qui vé

- - - -

- - - - - - -

- - - - - - - - -

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16

˙ ˙ wvé˙ ˙ ˙ ˙#˙ ˙ w

˙ ˙ ˙ ˙nit in nó miœ œ œ œ w

nit

w Ó ˙nit in

œ œ œ œ ˙ ˙ne Dó

„˙ ˙ œ œ œ œnó mi ne

˙ .˙ œ ˙Ó ˙ ˙ ˙

in nó mi˙ .˙ œ ˙Dó

- - - - - -

- - - - - -

- - - - - -

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20

˙ ˙ ˙mi

œ œ œ œ ˙ ˙ne Dó˙ ˙ ˙ ˙

w Ó ˙ni, inœ œ œ œ .˙ œ

.˙ œ œ œ ˙

˙ ˙ œ œ œ œnó mi ne

œ œ w ˙miœ œ œ œ ˙ ˙mi

- - - - - -

- - - - - - -

- - - - - - - - -

35Benedictus

in the name of the Lord.

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23 ˙ .˙ œ œ œDó

w Ó ˙ni, in

›ni,

˙ ˙ wmi ni,

˙ ˙ œ œ œ œnó mi ne

Ó ˙ ˙ ˙in nó mi

∑ Ó ˙in

˙ ˙ ˙ ˙Dó

œ œ œ œ ˙ œ œne Dó

˙ ˙ œ œ œ œnó mi ne

œ œ w ˙mi

œ œ œ œ ˙ ˙mi

- - - -

- - - - - - -

- - - - - -

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27

˙ .˙ œ œ œDó

˙ ˙ ˙ ˙ni, in nó mi

w Ó ˙ni, in

˙ ˙ wmi ni,

œ œ œ œ ˙ ˙ne Dó mi˙ ˙ œ œ œ œnó mi ne

Ó ˙ ˙ ˙in nó mi

˙ ˙ ˙ ˙ni, in nó mi˙ œ œ œ œ œ œ

- - - - - -

- - - - - -

- - - - -

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30

œ œ œ œ ˙ ˙ne Dó

œ œ œ œ wnew ˙ ˙

œ œ w ˙#mi

w wDó mi

œ œ ˙ ˙ ˙mi

›ni.

›ni.

›ni.

- - - - -

- -

- - - - - - -

36 Benedictus

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33

w ˙ ˙O sán na

∑ wO

˙ ˙ ˙ œ œin ex cél

›O

˙ ˙ ˙ ˙sán na in ex

˙ w ˙sis. O sán

.w ˙sán na

.˙ œ œ ˙ ˙cél sis.

w ˙ ˙O sán na

- - - -

- - - -

- -

- - - - - -

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36 ˙ ˙ ˙ ˙na in ex

˙ ˙ win ex cél

Ó w ˙O sán

˙ ˙ .˙ œin ex cél

.˙ œ œ œ ˙cél

w wsis.˙ ˙ œ œ œ œ

na in˙ ˙ .˙ œ

˙ w ˙

Ó ˙ ˙ ˙O sán na

˙ ˙ .˙ œex cél

œ œ ˙ wsis.

˙ ˙ .˙ œ

.w œ œin

œ œ ˙ œ œ œ œ

∑ Ó ˙O

- - - -

- - - - - - -

- - - - - - -

- - - - - - - - -

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40 ˙ ˙ Ó ˙sis. O

˙ ˙ ˙ ˙ex cél

œ œ œ œ ˙ ˙

˙ w ˙sán na

˙ w ˙sán na

˙ w ˙#œ œ œ œ w

˙ ˙ win ex cél

œ œ œ œ œ œ œ œin

w .˙ œ

˙ w ˙sis. O sán

w wsis.

œ œ w ˙#ex

œ œ œ œ œ w˙ ˙ .˙ œ

na in ex

∑ Ó ˙O

- - - - - - - - -

- - - - - - - -

- - - - -

- - - -

37Benedictus

Superius

Altus

Tenor

Bassus

Hosanna in the highest.

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44 ˙ ˙ wcél sis.

w Ó ˙sis. O

˙ ˙ ˙ ˙cél sis, in˙ w ˙

sán na

∑ Ó ˙O

˙ ˙ .˙ œsán na in ex

˙ w ˙ex.˙ œ ˙ ˙

in ex

˙ w ˙sán na

˙ ˙ ˙ ˙cél sis. O

w ˙ ˙cél sis, in

w wcel sis,

›in

˙ w ˙sán

œ œ œ œ œ œ ˙

.˙ œ œ œ ˙in

- - - - -

- - -

- - - -

- - -

-

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48 ›ex

w ˙ ˙na in ex

˙ .˙ œ ˙ex célœ œ œ œ ˙ ˙ex

›cél

›cél˙ œ# œ w›cél

›sis.

›sis.›sis.

›sis.

- - - - - - -

- - - - - - -

- - - - - - -

- - - -

38 Benedictus

The Osanna section of the Benedictus movement was transcribed from the original 1576 publication.Victoria later republished the Missa Simile est regnum coelorum in his 1583 Missarium libri duo, in which he replaced this Osanna with the instructions "Osanna ut supra" (Hosanna as above) intending that the Osanna from the end of the Sanctus should be repeated at the end of the Benedictus.

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B

Superius

Altus

Tenor

Bassus

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›Á

„.w ˙

gnus

∑ wÁ

˙ ˙ wDé

˙ ˙ ˙ ˙gnus Dé

∑ wÁ

„.w œ œ

˙ w œ œi, Á

-

- - - - - - -

- - -

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5

w w

„.˙ œ ˙ ˙

˙ w ˙#gnus Dé

˙ ˙ ˙ ˙gnus Dé

.w ˙Á gnus

œ œ œ œ w

w Ó ˙i, Á

w w

˙ ˙ ˙ ˙Dé i, Á

w ∑i,wb w

gnus Dé

˙ œ œ ˙ ˙

˙ œ œ ˙ ˙

∑ wÁ

w ∑i,

- - - - - - - - -

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- - -

VI. Agnus Dei (I et II)

Tomás Luis de Victoria (1548-1611)

ed. Ted Gibson

from Missa simile est regnum coelorum 1576 edition

Transcribed from the copy ofLiber Primus qui missas held at theArchivo Capitular de TudelaTudela, Spain

This performance edition has been transcribed directly from the manuscript source. Any suggested musica ficta has been marked with parenthesis '(#)'. Syllabic stress has been indicated with accented vowels 'á'. The editor's text underlay has been italicized. Tempo and dynamics are left to the discression of the director with the understanding that proper Renaissance performance practice will be followed.

Lamb of God,

4.23.13 - http://www.cpdl.org - Choral Public Domain Library

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9

w .˙ œ

˙ ˙# .˙ œNœ

gnus Dé

.w ˙gnus

∑ wÁ

˙ ˙ wi

˙ w ˙˙ ˙ wDé

˙ ˙ ˙ ˙gnus Dé

∑ wqui

w ∑i,

.w œ œ

˙ w œ œ

˙ ˙ wtól lis pec

Ó ˙ ˙ ˙qui tól lis

˙ ˙ w˙ ˙ w

- - - - - -

- - - - - -

- - - - - - - - -

- - - - - - -

&

&

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13 ˙ ˙ œ œ ˙cá ta mún

w ˙ ˙pec cá ta

w ∑i

w ∑i

˙ ˙ .˙ œ œ

w wmún di,

w ˙ ˙qui tól lis

∑ wqui

˙ ˙ wdi,

∑ wqui

w ˙ ˙pec cá ta

˙ ˙ wtól lis pec

Ó ˙ ˙ ˙qui tól lis

˙ ˙ wtól lis pec

˙ .˙ œ ˙mún

˙ ˙ wcá ta mún

- - - - - - -

- - - - -

- - - - -

- - - -

&

&

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17 œ œ œ œ wpec

˙ ˙ .˙ œcá ta mún

˙ ˙ œ œ œ œ

w wdi

w wcá ta

˙ œ œ œ œ ˙˙ œ œ œ œ ˙

w wmún di

˙ ˙ ˙ ˙˙ ˙ ˙ ˙

Ó ˙ wmi se

∑ wmi

w ∑di˙ œ œ w

di˙ ˙ .˙ œré re nó

- - - -

- - - - - - -

- - - - - - - -

- - - - - -

40 Agnus Dei

who takest away the sins of the world,

have mercy on us.

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21

˙ w ˙se ré re

w wmi se

w ∑œ œ ˙ w

›nó

˙ ˙ .˙ œré re nó

w wmi se

w wbis,

œ œ .˙ œ ˙˙ ˙ wré re nó

∑ wmi

w Ó ˙bis, mi

˙ ˙ wbis

˙ .˙ œ ˙

w wse re

- - - - - - - -

- - - - - - - -

- - - - - - -

- - - - - -

&

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25 w ˙ ˙se ré re

Ó ˙ wmi se

˙ ˙ w

w wre nó

.w ˙nó

˙ ˙ wré re nó

˙ ˙ ˙ ˙bis, mi se ré

w ˙ ˙bis, mi

.˙ œ ˙ ˙

˙ .˙ œ ˙˙ ˙# ˙ ˙

re nó bis,w wse ré

w Ó ˙bis, mi

˙ ˙# œ œN œ œbis,

Ó ˙ ˙ ˙mi se réw .˙ œ

re nó

- - - - - - - -

- - - - - - - -

- - - - -- - - -

- - - - -

&

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29

˙ w ˙se ré re

w Ómi˙ ˙# .˙ œN

re nóœ œ ˙ wbis,

w ˙ ˙nó

˙ w ˙#se ré re

œ œ ˙ .˙ œ

w wmi se

œ œ w ˙#

˙ ˙ wnó

˙ ˙ w

˙ ˙ wré re nó

›bis.

›bis.

›bis.

›bis.

- - - - - - -

- - - - - -

- - - - - - -

- - - - - -

41Agnus Dei

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&

B

B

?

&

B

B

?

Superius 1

Altus 1

Tenor 1

Bassus 1

Superius 2

Altus 2

Tenor 2

Bassus 2

&

&

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&

&

V?

.w ˙Á gnus

›Á

›Á

.w ˙Á gnus

.˙ œ œ œ ˙Dé

›gnus

›gnus

.˙ œ œ œ ˙Dé

˙ œ œ w

›Dé

›Dé

›i,

w ∑i,

›i,

›i,

.w ˙Á gnus

›Á

›Á

.w ˙Á gnus

.˙ œ œ œ ˙Dé

›gnus

›gnus

.˙ œ œ œ ˙Dé

- - - -

- -

- -

- - - -

- -

-

-

- -

VII. Agnus Dei (III)

Tomás Luis de Victoria (1548-1611)

ed. Ted Gibson

from Missa simile est regnum coelorum 1576 edition

Transcribed from the copy ofLiber Primus qui missas held at theArchivo Capitular de TudelaTudela, Spain

This performance edition has been transcribed directly from the manuscript source. Any suggested musica ficta has been marked with parenthesis '(#)'. Syllabic stress has been indicated with accented vowels 'á'. The editor's text underlay has been italicized. Tempo and dynamics are left to the discression of the director with the understanding that proper Renaissance performance practice will be followed.

Lamb of God

4.23.13 - http://www.cpdl.org - Choral Public Domain Library

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6 Ó w ˙Á gnus

Ó w ˙Á gnus

˙ œ œ w

›Dé

›Dé

.˙ œ œ œ ˙Dé

.w ˙Á gnus

.˙ œ œ œ ˙Dé›Á

›i,

w ∑i,

›i,

›i,

˙ œ# œ wa

.˙ œ œ œ ˙Dé

œ œ œ œ ˙ ˙›

gnus

›i

˙ œ œ w

›Dé

Ó w ˙Á gnus

Ó w ˙Á gnus

›i

›i

›i

.˙ œ œ œ ˙Dé

.w ˙Á gnus

.˙ œ œ œ ˙Dé›Á

w ∑

˙ œ# œ wa

.˙ œ œ œ ˙Dé

œ œ œ œ ˙ ˙›

gnus

- - - -

- - - -

- - - - - -

- -

- - - - - -

- - -

- - - - -

- - -

43Agnus Dei

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12 Ó ˙ wqui tól

∑ Ó ˙qui

∑ wqui

∑ Ó ˙qui

›i

˙ œ œ w

›Dé

˙ ˙ ˙ ˙lis pec cá ta

˙ ˙ wtól lis pecw ˙ ˙tól lis pec

w ˙ ˙tól lis pec

›i

›i

›i

.˙ œ œ œ ˙mún

w wcá ta

˙ ˙ wcá ta mún

w wcá ta

w ∑

˙ œ œ w

›mún

˙ œ œ w

›mún

Ó ˙ wqui tól

∑ Ó ˙qui

∑ wqui

∑ Ó ˙qui

›di

›di

›di

›di

˙ ˙ ˙ ˙lis pec cá ta

˙ ˙ wtól lis pecw ˙ ˙tól lis pec

w ˙ ˙tól lis pec

w ∑

.˙ œ œ œ ˙mún

w wcá ta

˙ ˙ wcá ta mún

w wcá ta

- - - - - -

- - - -

- - - - - -

- - - -

- - - -

- - - - -

- - - - - -

- - - -

44 Agnus Dei

who takest away the sins of the world

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18 „

Ó ˙ ˙ ˙dó na nó

∑ wdó

˙ œ œ w

›mún

˙ œ œ w

›mún

w wdó na

˙ ˙ .˙ œ œbis pá

.w ˙dó na

˙ .˙ œ œ œna nó

›di

›di

›di

›di

˙ ˙ wnó bis pá

˙ w ˙#˙ ˙ wnó bis pá

˙ ˙ wbis pá

w ∑

›cem,

›cem,

›cem,

›cem,

Ó ˙ ˙ ˙dó na nó

∑ wdó

w wdó na

˙ ˙ .˙ œ œbis pá

.w ˙dó na

˙ .˙ œ œ œna nó

∑ Ó ˙dó

˙ ˙ wnó bis pá

˙ w ˙#˙ ˙ wnó bis pá

˙ ˙ wbis pá

- - - -

- - - -

- - -

- - -

- - - - -

- - - - -

- - - - -

- - - -

45Agnus Dei

grant us peace.

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24 ˙ ˙ .˙ œna nó

w wdó na

Ó .˙ œ ˙dó na nó

.˙ œ ˙ ˙dó na nó bis

›cem,

›cem,

›cem,

›cem,

œ œ w ˙bis

.w ˙nó bis

˙ .˙ œ ˙bis pá

.˙ œ ˙ ˙pá

›pá

›pá˙ œ# œ wa

∑ Ó ˙dó

›cem,

›cem,.˙ œ œ ˙ ˙

›cem,

˙ ˙ .˙ œna nó

w wdó na

Ó .˙ œ ˙dó na nó

.˙ œ ˙ ˙dó na nó bis

w ∑cem,

œ œ w ˙bis

.w ˙nó bis

˙ .˙ œ ˙bis pá

.˙ œ ˙ ˙pá

- - - - -

- - -

- - - - - - -

- - - - - -

- -

- -

- - -

- - -

46 Agnus Dei

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29 Ó w ˙dó na

∑ wdó

›pá

›pá˙ œ# œ wa

˙ ˙ .˙ œnó bis pá

Ó w ˙dó na

˙ ˙ wna nó

.w ˙dó na

›cem,

›cem,.˙ œ œ ˙ ˙

›cem,

œ œ .˙ œ ˙

w wnó bis

˙ .˙ œ ˙bis pá

w wnó bis

w ∑cem,

˙ œ# œ wa

›pá

w wcem,

›pá

Ó w ˙dó na

∑ wdó

›cem,

›cem,

Ó w ˙dó na

›cem,

˙ ˙ .˙ œnó bis pá

Ó w ˙dó na

˙ ˙ wna nó

.w ˙dó na

- - - - - - -

- - -

- - - - - -

- - -

- - - -

- -

- - - - - -

- - -

47Agnus Dei

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34 ›

›.˙ œ ˙ ˙

nó bis

œ œ .˙ œ ˙

w wnó bis

˙ .˙ œ ˙bis pá

w wnó bis

Ó w ˙dó na

∑ wdó

›Pá

∑ wdó

˙ œ# œ wa

›pá

w wcem,

›pá

w wnó bis

˙ w ˙na nó bis

w Ó ˙cem, dó

˙ w ˙na nó bis

›cem.

›cem.

Ó w ˙dó na

›cem.

›pá

›pᜠœ w ˙

na nó bis

›pá

›.˙ œ ˙ ˙

nó bis

›cem.

›cem.

Ó œ œ œ œ ˙pá

›cem.

››pá

›U

›U

œ œ œ œ wUcem.

›U

›U

›U

›Ucem.

›U

- - -

- - -

- - -

- - -

- - -

- -

- - - -

- -

- -

48 Agnus Dei