1 Analysis drawings

2 Touchable model

3 project_1

4 project_2

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−Architecture for blindness based on study of Scandinavian Architecture-

「自ら環境に繰り返し働きかけることによって得られる反応から、必要な情報だけを抽出する認識方法」アフォーダンスを提唱したジェームズ・ギブソンの言葉を借りるなら、環境の中には人間が持つ能力で知覚し得

る資質が埋め込まれている。誰もが本来的に共有可能な五感体験を動員することで建築を社会へと開いていった文化圏として北欧が挙げられる。デンマークの建築家、ラスムッセンの著書『経験としての建築』

（ 1 9 5 7 ） ( f i g . 1 ) では、五感を動員した北欧建築の体験の豊かさが記されている。 ( f i g . 2 ) こうした「図面にあらわれない豊かさ」を「視覚以外の五感で認知されうる経験としての豊かさ」であると仮定した時、それ

は目の不自由な祖父の認知にも作用し得る豊かさなのではないだろうか。本提案は実際に北欧建築を実測し、体験を記述することからはじまった。リサーチを背景に目の不自由な祖父のための２つの建築を提案する。

1 . 図書館 /音と光の十字路 2 . 作業小屋 /音と光の入れ子(fig.1)EXPERIENCING ARCHITECTURE /S.E.Rasmussen (1959) (fig.2)『聴く建築』としての天井面 Alva.Alto vivorg library

behind | 500mm

right | 500mmleft | 500mm

front | 500mm

behind | 1500mm

right | 1500mmleft | 1500mm

front | 1500mm

UnknownKnown1

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16 M

■Personal space of vIisually impaired person ■Personal space of non-handicapped person

Cealing hight of

room intersection

Sense of equilibrium Abandon Wall

Hard → Soft floor

T junction continuous wall to destination

Little gap

Typology 2 : Sence of touch + Sence of light

Typology 3 : Sence of hearing + Sence of smell

Soft→ Hard floor hard wall →white cane

texture→memorable

Charcteristic of Wall consecutive Farniture

Rain water sound

smell of dining Green flavor navigates to derection

Curved walldelay of sound

Walkable Slope Wind indicats the dirrection

Design of the part of wall

water sound navigate to destination

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＝ ＝＝

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Memorable layoutDistinct spacestay and move

1 2 3

90°interior wall　

Rectangle is betterthan squaire room

Subdevision of long wall

Shine and shade→heat distrbution

change of shade→sense of time

<Summa ry o f d i a l ogue w i t h t he expe r i ence o f a g rand fa the r>

• When t he g rand fa the r o f t he house I moved t o my pa r en t s , b eg i nn ing even p i l l a r s and

s t eps t ha t had h i t h i s head and body , had i t b ecome no rmal When you have l i ved .

→ a rch i t e c tu r e doe s no t change . → the re i s a need t o i nco rpo ra t e t he da i l y t ran s i ence ,

t h e conc lu s ion t ha t .

· Kagoami had woven bamboo we l l a l o t o f boxe s a s a hobby , no t ou t t oo much

mot iva t i on t ake s t ime t o p repa r e i t f rom ge t t i ng i nv i s i b l e .

Ba s i ca l l y spa t i a l g ra sped i n te rm s c an no t . Even t hough a un iv e r s a l space , w ide space

can no t be recogn i zed a s a space .

-Si t t i ng a re pee l ed down . Some t ime s wa lk down t he ha l l t o go t o t he t o i l e t .

F l ow l i ne f rom d i sappea r i ng migh t sa id t o be speak ing ex t r eme " cha i r and t he co r r i do r " ,

o r a "po in t and l i ne" .

· The road I r emember i n t he numbe r o f t ime s t ha t t he ben t .

· Cu rved wa l l do no t know.

· L igh t o f l i gh t and bu lb o f t he sun i s d i f f e ren t a t a l l . The s un i s wa rm .

-Morn ing , t he sound o f t he f l ow o f t h e c a r i s h ea rd I f you open t he w indow, f ee l t he

t ime i n t he amoun t o f c a r . (S i n ce no t a lways have a wa t ch , we w i l l f o l l ow t h e ou t s i de o f

t he sound . )

S t a i r s i s i nconven i en t and wa lkab l e t o be a pa r t i cu l a r l y na r r ow s t a i rway no t , c an be bu t

i s w i t h in t he i nconven i ence t o move f r ee ly because i n

AKA R I - even i n a p i t ch -da rk when t he n igh t t o go t o t he t o i l e t w an t .

• The box o f med i c ine t o c rea t e a l a rge pa r t i t i on wa s a sked t o t o be seen and t ouched by

hand t he t ype o f med i c ine and t ime t o d r i nk a day .

▶Typo logy f o r b l i nd depe nd s o n sen se

▶Pas t r e sa rch /Compa r i son o f P e r so na l space

P r o c e s s B | P e r c e p t i o n o f b l i n d

abstract process_A　 case study　　　　　 typology_1　　　　　

process_B typology_2 site analysis

project_1 conceptcompositiondrawingsscean

project_2 conceptcompositiondrawingsscean

500M0

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32°55′53″ N.L /129°38′E.L

500m

→Direction　1000m

| Ja n | F eb | M a r | Ap r | May | Jun | J u ly | A ug | Se p | Oc t | No v | De c |

S i t e ｜ N a g a s a k i O s e t o d i s t r i c t

■ Local material / Onjaku Stone

Rosemary

Periwinkle

Ivy (Hedera)

Rosa banksiae

Plumbago

Spiraea

Hiperikamu Hidcote

Hagoromo Jasmine

Forsythia

Pyracantha scan

■ fixing possible ivy in retaining wall plant

reference wind direction=100 times　reference wind speed=5.0m/s　Observation point=6.5,m

January February March April May June

July August September October November December

Wind rose | Nagasaki Oseto district

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site B / Working shedsite A/ Library

Concept :Architectures supporting grand father’ s daily life

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abstract process_B typology_2 site analysis

project_1 conceptcompositiondrawingsscean

project_2 conceptcompositiondrawingsscean

process_A　 case study　　　　　 typology_1　　　　　

Li s t o f c a se s tudy

01. “Regional Library of Lapland” 1965 / Alvar Aalto

02. “Säynätsalo Town Hall” 1949 / Alvar Aalto

03. “Alvar Aalto Museum” 1973 / Alvar Aalto

04. “University of Jyväskylä” 1951–1971 / Alvar Aalto

05. “ Church of the Three Crosses” 1958 / Alvar Aalto

06. ” Vyborg Library “1918 -1940 - 44 / Alvar Aalto

07. “Alvar Aalto Studio” 1954–56 / Alvar Aalto

08. “Academic Bookstore” 1969 / Alvar Aalto

09. “ Finlandia Hall” 1962–1971 / Alvar Aalto

10. “Auditorium of AaltoUniversity” 1949–66 / Alvar Aalto

11. “Pakila church” 1950 / Juha Leiviskä

12.” Myyrmäki Church” 1984 / Juha Leiviskä

13. “ ” 1991 / Juha Leiviskä:

14.” Stockholm Public Library” / Gunnar Asplund

15.” Skogskyrkogården church ” / Gunnar Asplund

16.” Skogskyrkogården cemetery” / Gunnar Asplund

17. “Church of St. Mark” 1956 / Sigurd Lewerentz

18. “Stavnsholt charch” 1981 / Johann Otto von Spreckelsen

19. “Vangede charch” / Johann Otto von Spreckelsen　

20. “St. Nicolai charch” / Johann Otto von Spreckelsen

21. “Bagsværd Church” 1968 /Jorn Utzon

22. “Thorvaldsens Museum” 1848 / Gottlieb Bindesbøll

23. “Utzon Center” 2005 /Jorn Utzon

24.” Skagen Odden Nature Center “1988 /Jorn Utzon

Johann Sp r ecke l sen ( 1929 -19 87)

Jo rn U t zon (1918 - 2008 )

E r i k Gunna r Asp lund

(1885 – 1940 )

S igu rd Leweren tz ( 1885 -1975)

Alva r Aa l to (1898 -1976 )

Juha l e iv i skä ( 1936 -）

Denmark SwedenFinland

18- 25 .Copenhagen

Sweden

Finland

Baltic Sea

Helsinki

Jyväskylä

14 - 17 . Stockholm

7 -13 . Helsinki

2-4 . Jyväskylä

1. Rovaniemi

Denmark

5-6 . Imatra and Vipuri

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■term: 9 Sep 2014 - 28 Nov 2014■study methods: Skeching with module /Describing phenomenal effects / Mapping shadow distribution■study areas: Denmark ( Copenhagen ) / Finland ( Helsinki, Rovaniemi, Jyväskylä,Imatra) / Sweden ( Stockholm) / 3 countries , 6 cities■study objects: 27 works and 98 spaces are as stated figure with locaton

P r o c e s s A ｜ S t u d y o f S c a n d i n a v i a a r c h i t e c t u r e

abstract project_1 conceptcompositiondrawingsscean

project_2 conceptcompositiondrawingsscean

process_A　 case study　　　　　 typology_1　　　　　

abstract process_B typology_2 site analysis

process_A　 case study　　　　　 typology_1　　　　　

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01.

Regional Library of Lapland1965 Alvar Aalto

09.

Finlandia Hall1962–1971 Alvar Aalto

16.

Church of St. Mark1956 Sigurd Lewerentz

02.

Säynätsalo Town Hall1949 Alvar Aalto

03.

Muuratsalo Experimental House 1952-54Alvar Aalto

04.

University of Jyväskylä” 1951–1971Alvar Aalto

05.

Church of the Three Crosses1958Alvar Aalto

06.

Vyborg Library1918 -1940 - 44 Alvar Aalto

07.

Alvar Aalto Studio1954–56 Alvar Aalto

08.

Maison Louis Carré1960 Alvar Aalto

10.

Auditorium of AaltoUniversity1949–66 Alvar Aalto

11.

Pakila church1950 Juha Leiviskä

12.

Myyrmäki Church1984Juha Leiviskä

13.

Paimio sanatorium1991 Juha Leiviskä:

14.

Stockholm Public Library 1928

Gunnar Asplund

15.

Skogskyrkogården church Gunnar Asplund

17.

Stavnsholt churchJohann Otto von Spreckelsen

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Koldinghus Castle1972-1992Johannes exner　

19.

Trapholt museumJohann Otto von Spreckelsen

20.

Bagsværd Church1968 Jorn Utzon

21.

Thorvaldsens Museum1848 Gottlieb Bindesbøll

22.

Utzon Center2005 Jorn Utzon

23.

Skagen Odden Nature Center 1988 Jorn Utzon

roof _ picture analysis floor_ picture analysis wall_picture analysis

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Building nameYear Architect

picture

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plan/section plan/section plan/section

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1.High side light（sense of light）　 　2.Free ceiling（sense of hearing）　　 3.Free texture（sense of touch）　 　4.horizontal wall（accessibility）　 5.Partial garden（sence of smell,touch）　　

abstract process_B typology_2 site analysis

project_1 conceptcompositiondrawingsscean

project_2 conceptcompositiondrawingsscean

process_A　 case study　　　　　 typology_1　　　　　

▶Results / 5 principles of unseen richness

▶Project1_Library_Crossing experiencing box

The site is enclosed various environment such as sea and road and forest. These different environments are coexists together.Also the location is center of the town and faces port where is the most reasonable way he could come center of town. Because he usually drive his car when he go out. Therefore the site is most accessible his own life and has possibility to use a lot of people who lie in the town. About design part it is necessary to consider about not only him but also the other visitor. Program is library and community center as alternative way of existing typical library around there.

54000

2700

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2700 8100 10800

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2700 2700 2700

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10800 10800

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X8 X12 X14X13

5400 2700

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5400540054005400 54005400

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54000

2700

X11X2 X3 X5 X6 X9

2700 10800

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2700 2700 2700

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540054005400 2700

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Y3Y5Y6Y9

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5400 5400270054005400

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2700

winter solsticesummer solstice

section d-d’

section e-e’

section f-f’

Acoustic figure

time0 20 40 60 80 100 120 140 160 180 200 1/1000s

position of sound source sound receiving point

section a-a’

time0 20 40 60 80 100 120 140 160 180 200 1/1000s

position of sound source sound receiving point

section b-b’

time0 20 40 60 80 100 120 140 160 180 200 1/1000s

position of sound source sound receiving point

section c-c’

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2700

section a-a’

section b-b’

section c-c’

▶Study of sound reflection _ grasshopper_acousticshoot▶A.aalto _ Charch of three crossProcess_A:Ceiling for sound

0 1 2 4 8M 16 32M

0 1 2 4 8M 16 32M

0 1 2 4 8M 16 32M

0 1 2 4 8M 16 32M

0 1 2 4 8M 16 32M

0 1 2 4 8M 16 32M

0 1 2 4 8M 16 32M

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0 1 2 4 8M 16 32M

54000

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section d-d’

section e-e’

section f-f’

Shadow distribution

0 1 2 4 8M 16 32M

0 1 2 4 8M 16 32M

0 1 2 4 8M 16 32M

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1.Foyer

2.Information

3.Meeting room

4.Bath room

5.Deck

6.library

7.Study room

8.Court yard

9.Hall

10.Yard

11.Parking

12.Green park

plan and zoning _shade at 22 Sep.

0 1 2 4 8M 16 32M

west elevation

0 1 2 4 8M 16 32M

south elevation 0 1 2 4 8M 16 32M

West elevation

time0 20 40 60 80 100 120 140 160 180 200 1/1000s

position of sound source sound receiving point

sound reflection a-a’ 1/50

Deck： Dirt fllor of sound from void

Steel column next to entrance

as the object of memory

Bath room

The only room that has changed the location before .

Existing shed/steel＋wood

The local carpenter built 35years ago.

Usually used for storage and bedroom.

Zinc roof

first floor 1/100 second floor 1/100

N N

middle floor 1/100

N

6300

900 5400

6300

4500

1800

a a’ 6300

6300

900 54005400900

6300

900 54005400900

bb’

summer solstice | PM12:00

winter solstice | PM12:00

Site plan 1:400

Plants

Main house

Site

Sound of canal

Park and port

Sound of mountain

Bridge

sign

circulation

N

autumnal equinox|12:00