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Madrid. 1969. (T. 2. p. 54).

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J. Molino, J. Tamine Introduction a {'analyse linguistiquede la poesieed. P.U.F. Paris 1982 (p. 12). (2)

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.(32^) 1974 oj^ .^^i ;j^| jb .oUl Up .j^ >,>il_Up (1)La theorie de la signification, publication de la faculte des lettres de Rabat. 1982. p. 47.

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i^i oV^;jL oUiiJij aJU ^^jJl ^^j ^ s^LJL ,4iJu^^ J>.(1)

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Oj3 l^ ^^1 s/:aJU As^\y Uj c L^^l l^U^ JiUJVl V- J--^ : JjVl

iJ^i j.Ui o^ v^l ^^1 Jj denotation vy> ;]^^ ^.U j^ Jj^l ^JUJl ^ Lj!

-'^JjJ'b^ol^y Jjij connotation aJUoI

b\ Jyi\ <U>] oi^_ ^:>U]! ^ jlk^ -^ydJ! .IkJ! J^l. J oil ^j.))

^>"^1 o^ *-^^t >-^_ ^i ^ -^t ^1 signification ^^JL U^^c.^^ Li U^

.329 /(^>JI ^ (1)

.330 /^>J1 ^U- (2)

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ie.il>tlj LUJI

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(2) uJl ^ JJjJl illSU;l ^bi.N -kitAi! Jlp

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JJoJl of j^_ l^\M\ y^JL U»xll of i^ .^l Uj! oIJUL oX_ N cSiW-Ji

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.356 /^liiJ) (2)

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.357 l^^\ (1)

.357 /^UUt (2)

.357 /^liUi {3)

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^r^^l J^UaiJ'

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Semantique de la melaphore et de la nietonyniie. p. 53.1(4)

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.377- 376 /^bUl {])

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.378 /rUiJl (2)

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Semantique de la m^taphore et de la metonymie (p. 18-19). (2)

^^Jj^^ j>^ .bjL>tL>o T-^^l

^'^'-^Ij ^^^y ijl (T^^^^ ^-^-^^ fj^^^™^ c-^ ^^^Ji ^Ji£L^\

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^^-JcS N i_.^ J_5 c:^! L^^LJji! o._iJl ^-j^l liSj

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.333-332 /,yi~=UJl (2)

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.143^ SyÛ3l._H^ :Ul^ '<^ .OjÛJl ^Îj J^* -JJ-^ -^-^ -^ to

:^L« JS^ 1^1^">U ojjj ^:>«-iJi ljj^\ Jj^ j»_^>o y^j tjy^j

(1)„

'^'-^' Jif iijh jt ^\jj ,i,^l i^^g.1 J ^iU! ij^\ ^i^\ jij^

jjoij jU IJA ^j .<;JJ1 U^i ^ JlUlj ^_^) ^j^ <>^l j,LJl uJ5^! ^

^^^l jij-^l j-^ 0^ 0^>i^' of UiJl ^.y,^! cJjl^ U^ 4jl J>J| ^j„

^^1 J^j\ cJU>Jl (.^..^ ^ v"^ ijj3 ^ U Lf Vj c^,^! v-^-Jl

ki^- ^ U Jl ^^ ^ U^ ^^1 J ^UJ ^^1 .,UJ! jUJJl ...^^

JjU; Sj^l jl .o^Ui;^l ^ ^L^j^l ^^t 3j^j ,^^\ ^y^j^\ ^p

^h^^ jli^ d\ 3>^. j^\ ^j .jj^\ ^1 ^ly^Vl ;k^l_^ ji>^; ^^1 ^^1 j^

. ]44 ^_j^ jj^^UJl :.UJlj AaJl (1)

26-25^ S^UJl ^,,.A- iji^ IsS^ 1 7. ^yjJi _Uj (j^,.rii.11 jjlJJI .jj-u.* j.<k:>o> . .i (2)

-^\j h^ ilb.Ni ^\j . jUl Ji ^Ux:Nl ^b ^>- U of Nl.^%J1 c^i-^

;Jji. .y^Nl y W" ".r^ li-^* 'iJ;^

« ii%Jl jl^l)) J> JWÎ y.UllJ^ iÛ^j ii-îi.^ iL> oUljJ ^,_^

("„-_::^U..^I j^)) A.15 ^ UiiU

^5/„Jl J!A* ^t Jli-i ^ 0=^^^ r^^. J^

jl Juo «;ey-i »J^» =^—'1 ^-^> ^^-^' °-^ ^I^Nl ^i ^3^/ ^j^\ J^

. luy^l ;j^l JU^ ^ v^'"^' ^^. 1.5^=^1 °>^ >^. 'j-9-^ 'j^ '-^ £•-'

[ . . . ]>uj\ u^^ ^ ^yi ^1 -y-i > -^ c5-iii .^1 ^j,.

IIa ^j u(^jU::; j>Jb oi^'':Jb ^l.r^''^l >J!». : v J>. -^ y^ -^ J

(2)„ . ' \i ;\.<.JI» 4_<v„j U> oXUiiII^..o^ljl jjSLJI)) V—d ^-^^

Js. f.>.-^ ^>JI IIaj La synesthesie ^^^-oyJl Xi:- ^_^^- Ji\j ^1^1 V-!^-? J-'i

.40-39 ^ *;^j v'V (')

.41-40 j^ 4;>ij wJiVl (2)

J^. • i>=^"^

ti—Ii.l4-_iJlj oljlxu-^llj oljU^l <=rji c/"'-^^^^ < '^^ -^ yJ^ '^JJ ))

l^JO. ^j i^U ol.l^U o.litl JjUj jUl Jbi^l Jl jj-o ^1 oil IK*

A^ oUl JU^ ^ ^JJs-vxJl II* JU^^ ((i>j)i j^l 0^t,-^!

1-^ *;-—' L>

Sj^U ^iLcLjl ^^1 »I* J^ Jl ^.-iiJl ^ >; dUi ^ lUU .^1

io Jl iJ-ASLiJl ,51 ii-'>Ul (C^UJI (.1) :.->L. -oj\J~._ ^~^^i^J>b i^jr^ ^L,l

41 ^ A—i^ (1)

j^UII J^oiJI

((X^iiJt ^y^l^l jA ^jjiJJS oj^^\ »

1-U ^^jSIij îî a-jaJsi^Î Ajjlj ^ tt^yiî *^t_y-^l r'^' -^-i^ poietique tLiJ*^!

<:^^1^V! ^jj^^o^j-^ (r-^l l-j^ j^^^ ^ Lucien Goldman uUjJjp oL^^jJ ^i^L^ ^^ji ^^ ^bJN

l^ ALs^ *^U-Pl La ^,.ii>*l^! .oUtJ"*^! IJla j^ ^^;;^ (.Al;^^ CjIpU-^ ^

introduction ^ I'analyse linguistique de la poesie (p. 10- 11). (0

^.j^l ^.jbU iji^l oJl5 aii ,'^/i\ Jl^Vl iJ:A^i-l ipj^j tr^^/l i^^j^ i^ljJu

4,.^^^ ^j^\ J-A ^^JlSi ^^^ *Jj . L^ ^y^ jl <; iSioJ! J5LlJ1j CU)Ju>JI x.*i>^I

^^^--iiJ! )) J *'\t4jj:5j ^iVl)) :AfS ^ AjycJJl Sjj-vaii 4^^^SLJi j^yS'^^.vxJ i La jj.^aJ 1j

^_jilSLJl JJC^I jlJL^ y^j . . .4jy*^l a:uaj» aJ j^" y^UJl ipLiJ jlJL^

. 1968 ji-xAs- .^yJl /^l jb .Aiyij ^iVt -.J^j^U-I ^^_aS! ^ .:. (1)

. 1981 oj^ .l:>y^\ j\:> . w-^^bU ^^1 ^™-iJl :JpU^1 o^-^t ^^^ -^ (2)

1967 .SybUJi .^lJIj ipLkJJ ^yJl ^"1531 jb . ^^U^l ^^l yc-tJl :J^^^^\ Oi-^l i^ ••> (3)

. 124 ^ ..i-i; (4)

'Ujj J^LtJl 11a J_d ^jU^ (...) 0J15 OyJ! S-U.:^ cAr-j-J* J^^'

iû'UJlj i^j^îj 5:ijJuhÎ A^jUJl Lx^JaJI kjl_î ^^ APj^>j>tL^ JSwJl iJu ^^ JU; Ui ^^1 ^ J^L" ilU dj^_ ui Ju N Ai! ^_^_-X. (...) ij -jA

.^^^({ifsA^j ^jJd\ '^jx^ ^J2]i

^UJl ^ Jiw tba;>^ Uj-.^_j^ t^^yxJl !Jla J^

H" -• —

iajl^l Ui fU^sAJ oUUjj jl oVU-iJl tL5y>-i <^ />^_9 t<>jJ«J Ij1j-^1 t*U:>- -y* t4.?-lJ

<3UJlj c>-i:i^ t^lJlj^^l Jj^ ^^..axL^_ K^^)) ^ ^Lil ai*; U ^ JlP Sj^U iJu ?U^

Xj:. «Jj_-l>-» ^^^ 6lS lilj i^UjiJI JLp [(l^)) ^\y J^iCjJl 11^ 6ij U^^-sO^

Sj>jJ>«J| VrjW K^r^c?^! LJi_^l)) ^ J_puJl ^ :>ltw. Jl.A>J| IJLA ,j^ c^'A>^I

^y J^>-^ Jy^^ ji t^_yVvjJl J::5LtJl IIa 61 Ji ^y 4^'UJlj Uiy LuijyJlj

t^L ^;fS\ Ji j^_JuJ! -bUi 61^ liU c^UJl ^1 ^ ji»x. ajI U5 ^^,-UJl ^1

dUi ^^_ 6i .cijUU J>^. N[ ?EJL^1 ^ JJU y. U5 >Jl IJla^ Jju «^!

. 126-125 .^ ^UJl ^_^1 ^t (1)

" '^ *'

= = ' \ ""

L^ytJ Li^ Aj ybjJ>Jl y*-tJi C-jIjL^ JLp J 4-4^ '^^ 4_<kj-lAj| oJ^./?d)i CjLi-aI ^ g..^NlA," —1

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lil tJ^^SLtxJl IIa jl .V^ cUjOil -u^ Ai>^l olii:^^y.i J~r.-»: Jl aj^I

j! a.^JlS' jl IJjÎj li^^:>- jjSi? Ji Li-^ ^j^ AjlijJ jljSo LijiJ îJJiij A^ÂÎ iJuJLJl

J '^l ^t^- cA-'' c>^- J^ J*^' c^ C->^- c/J-^' Ji^JljJl 11a jl .<^-L

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:>^lj c^>:iJl jl Jl>-I^1 c^l J^b ^1 j!/:Jl 3X^ j^ ^ Ul . oL! <^ j' j! ^'tA.'

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^'^^' °-^-^'

Rhetorique die la poesie 37(n

yfe U jt jil ^cv^; lis:!* . oUi^U cJN JSLl. JuJlj o>Jl ^^ v j^^ . ^_<

:^LiJ! Jy- JjVl ^>J1 Jll. c^t jt

:Uuj y^UJl Jji Jlx]i ^jJl Jli^j

(.1—^1 J^ :>L_>Jl V^j ^L_vxJl Jl^ j>iL_^l

k4 ** I /* ^B^^

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^^^;JlL^ J-^ Ocd>^—^-'l ij^ J^>^ Ajy^-iJl ^JUiJi of (.f-JJC U-o (.oil ii;^t>^

J o.-s/SJl (C oJL^.'w'W J'^

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^ j^U J^U-^-l ^jJl j^ ol Tw^ljj t OjSC "y j\ L^ o__^ ol L«i ^-iv^jJl ol

ilL* ot UJII:> ciiwiJl ^ x; ix^^U SjiU J\ t4.>_ ^ Jy>o- ^1 oV t._^^_^l 11a

ol .^^^tUl ("1^ '='JJ-^ (^ z*--*^^ O^ ^JuJl y^LiJl ot ^y ^JlIIa -^ J^^

. 273/ 4 ^^1 0I^.:> r^ (1)

. 274/ 4 ^1 jl^.. ^^ (2)

.276 / 4 ^! d\ji:> ^^ (3)

uju* ^_ji]\ j^iti\ d\s J^ Njj :jij^\^\ Js- Uij^ i^\ j-Ui; J^ ^j>Ji

(i)aijL^ y,jJI ^\ iy^ oJli lil i^JUUi ;ljj 0^ "^1 ^-iil L.'J"

îil 4^ jJÛ .LiVi (*Ui;j Ûa. L. iJb. ui . L^Û (*I^L .Li^l JiJ

jLs-xJ! ji ?cj^l L^^ Uit«s

.14/2 ^^1 oi^.i ^P (1)

. 344 ^ 1971 oj^ .S:._^i j!^ .L^L-Ji ^ jJb 6!^_i :^LJl /Li jX (2)

^1 V ^. ^M (.L^N/lj Ji.jJ^ \s:^^\

J^- ^1 cy o-J '^y b^ cSj^^ ^_^| iju L^L. u _L^ -^k^..^.^^

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:J^_ ({^"1^1 ^U}) ^ La;

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i^U It^ ^1 .LiVl

JlkL^)) ^^ ^u c^:SUl o^wiil :o^ J^ (^op ^t jo^

Structure du langage poetique - 40*

127 ^^ ^^UJl ^yJl yuJl((l)

^'\3j^^ cr^ <^j-- ck^ J^^^^^^^ 4 i^-

^1 ;^!> s,^^ 4,1 .ui ^^ss:^ ^A ^j ^^^\ ^V^^ LJi

.Lit 9)LxpU

J (î ^ Ji i-J) Li; '\Jis (.oii jU .^l ^ Jc^lc-i iÂ -/ ^r -^ 'î

Ji Aji^waj J U J JJij t ^»-dJI (»if- i>o-^ *^;""^">-r

IkiJl^j-ui ^y>-^ «ji~-*i. t--^w^ ^ J-"-; <.,j— (.— ij— —_--^ - . . ty (^

jt \Jjydl ^ ^o-^' J ^^'^' ^-'^- ^^^ ^'^ ^' '^^' ^ "^^-^

.^ L]^ a;!^ . l^ 1^1 v^j JlS^^lj ol^^l •!* ^. JiUl5.^Li)i

y yi--w-J ai' O^ ^J ^jj^J »

Structure du langage poetique - 38 - 39.(1)

130-129 ^ ^Ul O.A J^^ (2)

)^ i^Uj^l II* Ol ^J .'dJu^ A^\J\ 4i^| of (J^j caJ C-._^

^1^- ^1 sa,aJ,l oU^UJl .1* ji Jp [ . . . ] Sjlj^' J-4 U^MU-y^j J^l l^Lio v^^ S^k^ ^^>. oluJl j! y^LiJl 1^1 J^^

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: i 'j^-Am

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cc^ aj^l oWy ApUpj <>^ t J:^!c-t od-Jl i^ U^-^. ^i ^Ij'V! oJUt. ol

:S-L^I ^ ^.o^.^j^UJIx* Ji ^f ^1^1 ;^L:^ i]u c™Jj c<J ,>^N «t^

._IiJl '^j ;îj oui J jî ^ jû-i Aî ^^ »

J^o: Sjj^j <V^ c> "^j 5>,>j 4^ Ji^ ^ij ^^^«:^ Jp Ai^ L^ c^ A^(3)„: t-

. J:,pI^I ^_aJ1 JP Xp U y1 Jp ^ N

Jl ^_^1. Jij ..iUi^j o^lj A.b53tj oMb SjUi^^lj A^15 cA^^Ul jv^Lio

. 133 ^ ^Uil ^yJl y^t (1)

. 132 ^ ^Ull ^yJl ^1 (2)

. 60 ^ iP>Ul jlP(3)

J u,,w^ oi lilt jii j^^^ e^- ^ '-^ ^j>-^' "^^ ^''^^"^ '^'^* ^^ ^^

.;jj^ >_iiydl lift

dJj_, .y^lj Allegoric J^b I'ojU^^lj i^l - Oi»> o-. V^^' > f>'

^^j^y\\}j^ oV .0>--jlJJl -i-'J '^^> J^ ^ ^ ^-^ ^^' -^•^' ]-^

Uj ..Uj^Ij Oi^^' Or-j'-^> 0^. ^^ ia^ ^ '-i* ^' J-V.J ^H^.^^> >

:<!y Reverdy ^^j^.j ^ Ji:^ a^I .C^-^^ V^l c>i^^' -^ °^->^r 'hj^^

[. . .] ^ lib • -^^J il^ -^l J jUjU^Oi^ljOi^ii-OH ^t-Jr' 0^

F. Moreau: L'imagelitteraire. socicte d'edition d'enseignement supeheur; paris 1982. (p. 16). 0)

Introduction a I'analyse lingiiistique de la poesie - 169.(2)

CJIS- JJI jlS" 1^ OiV^l c;^^ -^VJl o^j 01^,^1 oo .iL.l lil lis:*

i^jVl ^05^ <!)! Jl l^is:. d\Sj ^>l U ^^1 cJlS-j .^.^f ^^<^>«vyf

• rt

Jp j( ^1 j\ ^^l\ oj:. ^1 J! ^^^ U^ jUi! ut [S ,Lp^ i.^^1 J^ of

-^^ Ic^ -i^ji j' -kjj J! (v^i>-. Uxi. j^L ^1 l^_y_ cJ^pI^I ^.aJl;p jl

•cf-^l J-t^h ky^^ hj-^\ -5

. 134 - 133 ^ t^Uil ^^1 y^! (1)

. 116 ^ Xp^UI jI^I (2)

. 308 ^ 1981 .UlJI J\J^\ .oUtJl jli .Jj^'^l .oU^ (»ii (3)

Ou^ -^^> cib ^r-^ - jj^^i ^^ *M o^J ))

. (^)«dijjj lii-i^ u >.^i i^ J Jb>; ii;u

yj\j deplacement i>-ljNlj Condensation uiJ^^l (*^li« ^ J-*3 \^ LajJ^^^*

%^\j symbolejy^

aJjj-—« \>* (ki>*^^ ci ^J J»l -l?^ (V^Ul! oJu> j-U2-« ^j^ CU^wail OlS' Ujj

J.^1^1

4Ja::53.l jj.,^ii oyiilli ^^^ SX-^a.!! ©i^ J oj^l]i» TtJ'j

d^y) eJJLP ajjÛ tlÛ^ ^^ aJJ^- J^ %iii IfU^ J diÔ-J Jj^^ hj-^ \

*.iU-i IJU ^j^ya i.<A^\ i^JJ oX.si23

^^ Mj-^ U-^ u^ "^^ ^-.SLja till l^ oii^ JU U

'- 116 o^ ^ibU ^f J,S-l! (1)

. 94 o^ .^iSU ^ ^-ii (2)

S-92ur^

^ ^-11 (3)

. 94 >-^ . ^^ ,,.^1 . n-ll (4)

SiUJU ^i5 ^^! 015 lilj .^1 jLi l^b ^^^1 JJ^>^ U_^j^ jOiJ SOwiiJl

:Jji^ T. Todorov 'Jijjj:>y o\z^^ \ j^\A\ ^_^'UJ*yi LA^^.-a3^

oIpj^ 4i:=^U J^ ^y^ ^\ ui^- 4J5 J^ Jx^ [^ijy t^!] AJl ))

vol ^JLS" ol TcJ'i^lj) ^^^<C'est !e premier vol de I'aigle* a^^I ojLJl s^jJl

tjîil j_^tj -ia-J^ jj-^ jLviîJLÎ (J <^;-^L-'il Alis^ tV-^J r'i^*-'^ ))

. (5)((a^lj JljJ Ji^^lj J^^Ju. ^ J^i :s_^j (5^1 SjLo jt (• • •) «u^l-'^l AJa^!^

. 4.-^ iaii! ^_^j»^ ^ J^l Jl^l (^1

jwdl J:>-V diijjj J5I ^_j--J oUJJau^! J ^^ ^*^>* 1-^ J^ oil))

c((^/dl ^k_o!^ J-UjJ1)) iJu Jl Livil131J .<pI_^L L-J.1 jUllj -ojUu-Nl

jj-vaii Jl^l ^y> 4_j^ A^"^ :)JU*2j jji^ ((*u«izJl)) j coLkJl -yt

T. Todorov. Theorie du symboleed. Seui!. Paris 1977 (p. 291). (1)

Ibid - 292.

Theorie du symbole - 292.

Ibid -293.

Ibid - 294.

J^ <.-iJ OJJL^ (^-^1 JUdi ji ^J^> >M ^^ ^-^.J> "-^^ l/^ >>* ^

.jc^J ,i.y^l.) ^>. ,|i3l cJ^'l j Ail .g.\lb ^t :c3ii-^l :^ '^^ J^.

;>j-i o/i -bj iJj^u. i>JL--l 'UoiJi *>-bi iiit^i iJ (^

^rJ-^^J

^^^1 J J^l^l .IJdl J^-^; ol_^ ^^^Uli j^Jrl l-i* J 'Ji^J d\

ailo-JJ

II;. ^ ^ i^U .^j,ail ^^>1 J J^l-,>J i>^ c(.lWl II* o^. of

«b >J1

jj^ ^ ^i^Ni Jl M^ ,i- .1^ >- ji i-j^i ol* c-aa^ t5y ^- J*i

JC-«-j

J:)U -^ ^JJij J^W-l Oi-^l ^ Jti ^-c^' ^^ Jl ^'^' J^. AjiJjii

I U^^Jl-^- ^ ^oJi ji^L ^^U- .L-ip ^1 ^^L:^' ))

:.- ^3> J e5>^^ ^ ^M L^ ^^*^^ ^>^^ ^-^ '""^ ^^^^^"

*'^(44r j! ^-iJ^-^^ oL-:!^ 4JL5 AJu^ oLJUp ^ jj^-^--J.l c^j

. 95 ^ ^.SO ^t jwi^il (1)

uiî iJJ^)) h>^ l^L uu uîj APî jp J^lc-i ^_î y> jAj6

(i)(((^jj^Ji^i

^1 U^J -SO^^Î J (50.^^1 ^JJÎ ^y^j JJU? (jJi^ jp ^1 î,^

Sjj^ 5^J5:j Jjjl ^l {(hy^ \jy^))^ J^lr-'l ^,-^\ y- 4Jlp ^_^ U jl ii;^^!

Sjj^l oL5j ctiy^l y.>v^l^ oi^^^ ^^' ^^^^ J J^^l '^ 1^ ^^y^ ij^

ol . i^_JUJl v^^Jl olj/'yij V-^ j^UJL l^ d\^yi ulS" asCi^l oJla jl ^1^1

U;f ^ 4>^lj .jUJl ^ gu ,U^ NL..c^i ^...,0^^ ol^l oi b.^" oij:>'Vl oJu

.^ ^l j.>Jl L.U1 .^_ jf ^^j JJu^- yJl /U-l^l Uly! JjjLp Ji ^yJl J ^„^^Ull Oir^^U! jl U^ <-rij^^j

jJ^_j .hy^\ IjyalS JJJJI Ui^j]\ J^V 5JJ1 l^^L. j^ ^\jJ^y6 lcXk}\ '^^\

li^ J^ ^y^'i!lj .^1_^1 ^yiAj, J MUi* -^^J tjJj j;vJ^ "^^ Ijiii '^J^r^^ ^iliJl i^l

1^ cLUij ^^gi 0^ J^ ap!>U1 ^U« ^v::^*^ ycjJl jJ^ dyi J jj>-^--^ '^Ic^ t>JL. ji

Ob^-î jl ^yij «?î dj^)) J ^^1 «^jj,) jjU ^-i^î J ^_ î ?;i.:>ui

. (>!A;>-'y! Jlp a^Jxo UjIj Ujulp y*-^l i^ljjJ ^.^.^-jiiU*

. 95 ^ .^:>bO ,^1 jwi:Jl (1)

C. Metz. Le signifiant imaginaire. Union generale d'edition Paris 1977.'

. 121 ^ c^^bU ,^1 j^\ (3)

jjJUaJi J Ull* j\ l^-X^ ^y^, ^ V^ »

^J:r]l ^ SAw^i U3_^jj ^_y^i Sjj-^* r^^ J^' ^^C"^-^*-^'*

hjy^ N ;:-l3i U^ oJi>-' ^ cy^ '•k^j^. o\ - J^l j^^ j^j -y^^

cr^-;^j:)U -^ cjis j^u--i ae^*>^ ^^ rf

Jbj^^^An-^

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122 ^ ^^bu ^1 j^-^f (1)

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Pierre Guiraud Las^mantique. P.U.F. (Que Sais - je) Paris 1975 (p. 20). U)

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T. Todorov. «Synecdoques» in Semantique de la poesie. ed. duseuil. Paris. 1979. (p. 19). (1)

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in Semantique de la metaphore et de la metonymie (p. 39). WS^mantique dc »a metaphore et de la mctonymie (p. 40). ^ >

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Elementos de reforica literaina (p. 212).

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«Tout ce qui pent servir de cfomparaison avec un objet ou un processus n'apparait pas dans le reve

comme un symbole de cet objet ou processus».

S. Freud. Introduction ^ la psychanalyse Payoi. Paris. 1962. (p. 134).

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Traite d'histoire des religions, payol. Paris. 1983. p. 94-99. : J jLJl L-,^ KpS U oUi^^l o-U p^A^-I (2)

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(p. 374).

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F. Fordham Introduction a la psychologic de Yung, ed. Imago petite bibliolheque payot Paris 1979 (1)

(p. 57-58).

Traite d'histoire des religion^^ 222 .

Traite d'histoire de reHgion/223.

lbi(V223.

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Traite d'histoire des rtligions/ 349.

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Traite d'histoire des religion^ 363. (0

.5 219

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Ibid. p. 116. (3)

Anatomie de la critique/ 95

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Introduction a I'analyse linguistique de la poesie 170. (3)

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Structure du langage poetique/107.

Elementos de retorica iiterari^/118

20 ^ i^^AJl jl^I (3)

. 28 ^ ^^ (4)

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Semantique de la nietaphore et de la metonymi^57.

J. F. Lyotard Figure, Discours klincksieck. Paris 1971 {p. 252)

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Manual de retorica literaria 11/66.

Cradus/lU4.(1)

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Dictionnaire de poetique et de rhetorique /720. (1)

. 147 ^ i^iVt 5jj-^l (2)

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. 474 ^ ^UJl /U jjj o\jii (2)

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Michel Simonsen Le conte populaire fran/ais P.U.F. (Que sais-]e?) 1981. (p. 88). (i)

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^^^j^ ^j^j^ Cj^ his

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123 ^^J>5* -i^ SjUx^^l ^_ja; J\ \:>^ _

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