文藝復興. i. 緒論 1. 「文藝」復興 ? 2. 全才藝術家 ? 3. art: 藝術還是技術 ?...

文藝復興

I. 緒論1.「文藝」復興 ?2. 全才藝術家 ? 3. Art:藝術還是技術 ? 機械技術 (arts méchaniques)自由技術 (arts libéraux)

II. 藝術與科學的結合

新柏拉圖主義

Botticelli 1484 Venus

Da Vinci 1492 selon

Vitruve

Bramante 1502

Tempietto

Bramante st peter's plan

佛羅倫斯大教堂與新的藝術目標

Ghiberti vs. Brunelleschi

Florence cathedral

Ghiberti 1401 Issac

Brunelleschi 1401

abraham

Ghiberti 1401-1425 North door

Ghiberti 1425-50 Porte de

Paradis

Ghiberti 1425-50 Porte de Paradis Essau

Ghiberti 1425-50 Porte de Paradis

Selfportrait

Florence cathedral dome

Florence cathedral plan

III. 數學性的繪畫法則：線性透視 (Linear perspective)的「發明」 (再發現 ?)perspective ← perspicio

★Giotto★Brunelleschi的實驗

Giotto 1303-1306 Chapel Arena

Giotto 1303-1306chapel Arena

Brunelleschi Perspective

Brunelleschi perspective

Masaccio 1428 Trinity perspective

Masaccio 1427 Eexpulsion

Perspective 1435 Alberti

perspective 1435 Alberti

透視的功能與意義

Uccello 1450 Battle san Romano

Da Vinci 1484 Virgin

Da Vinci 1495-98 Last Supper

Da Vinci -refectory-supper

Della Francesca 1460 Flagellation

Della Francesca schema

Della Francesca schema

Fouquet 1458 Entrée Charles IV à St. Denis

Da Vinci 1485 Codex Atlanticus

Holbein1533Ambassadors

IV.古典主義：米開朗基羅 (1475-1564)

Statue de Miche-ange

Michel-ange 1498-99 Pietà

Enguerrand Quarton 1455-1460 Pietà de Villeneuve-lès-Avignon

Michel-Ange 1501-04 David

Donatello 1432 David

Bernini 1623-24 DavidMichel-ange 1501-04

Michel Ange 1513-1515

Moise

Michel-ange 1508-1512 Sixtine Ceiling

The Erythraean Sibyl

Zechariah

Isaiah

The Delphic Sibyl

Joel

Jeremiah

Ezekiel

V. 矯飾主義：

Michel-Ange 1532-34 victory

Michel-Ange 1536-1541

Last Judgment

St Peter

Jean the Baptist

St. Lawrence

St Bartholomew

The Elect

Last Trumpet

Soul Ascending to Heaven

Soul carried downTo Hell

Charon’s Bark

Minos, King of Hell

Sistine Chapel

Pieta with self-portrait1547-55

結論：米開朗基羅之後

Bronzino St.

Lawrence

Parmigianino 1534 Modonna of long

neck

FIN