guerino mazzola (fall 2015 ): introduction to music technology iiacoustic reality ii.6 (m sept 30)...

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Guerino Mazzola (Fall 2015 © ): Introduction to Music Technology f = f 0.2 o.3 q.5 t log(2) log(3) log(5) frequency for c below middle c (132 Hz) o, q, t rationals, i.e. fraction numbers p/r of integers, e.g. 3/4, -2/5 pitch(f) ~ log(f) = log(f 0 ) + o.log(2) + q.log(3) +t.log(5) ~ o.log(2) + q.log(3) +t.log(5) ~ o.log(2) + q.log(3) +t.log(5) o, q, t are unique for each f prime number factorization! 132 =

TRANSCRIPT

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IIII Acoustic RealityAcoustic Reality

II.6 II.6 (M Sept 30) (M Sept 30) The Euler Space and TuningsThe Euler Space and Tunings

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De harmoniae veris principiis per speculum musicum repraesentatis(1773)p.350

Tentamen novae theoriae musicae ex certissismis harmoniae principiis dilucide expositae(1739)

The Euler Space and TuningsThe Euler Space and Tunings

1707-17831707-1783

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ogy f = ff = f00.2.2oo.3.3qq.5.5t t

log(2)log(2)log(3)log(3)

log(5)log(5)

frequency for c below middle c (132 Hz)frequency for c below middle c (132 Hz)

o, q, t rationals, o, q, t rationals, i.e. fraction numbers p/r of integers, e.g. 3/4, -2/5 i.e. fraction numbers p/r of integers, e.g. 3/4, -2/5

pitch(f) ~pitch(f) ~ log(f) = log(flog(f) = log(f00) + o.) + o.log(2)log(2) + q. + q.log(3)log(3) +t.+t.log(5)log(5) ~ o.~ o.log(2)log(2) + q. + q.log(3)log(3) +t.+t.log(5)log(5)

o, q, t are o, q, t are uniqueunique for each f for each f prime number factorization!prime number factorization!

132 = 440.2 132 = 440.2 -1-1. 3 . 5 . 3 . 5 -1-1

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(o/12).log(2), o = integers (o/12).log(2), o = integers f = ff = f00.2.2o/12o/12

(3/12).log(2)(3/12).log(2)

o, q, t = 1, 0, 0o, q, t = 1, 0, 0

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frequency ratios in 12-tempered tuningfrequency ratios in 12-tempered tuning

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very old: frequency ratios in Pythagorean tuning (2-, 3-based)very old: frequency ratios in Pythagorean tuning (2-, 3-based)

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frequency ratios in just tuning (2-, 3-, 5-based)frequency ratios in just tuning (2-, 3-, 5-based)

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frequency ratios in Pythagorean tuning (2-, 3-based)frequency ratios in Pythagorean tuning (2-, 3-based)

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log(2)log(2)log(3)log(3)

log(5)log(5)

Euler spaceEuler space

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consonances <—> dissonances!consonances <—> dissonances!

d = 5 c + 2⨉d = 5 c + 2⨉

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a?

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5/4

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f

g

a

b

mean-tone tempered scalemean-tone tempered scale

c ➡ d ➡ e → f ➡ g ➡ a ➡ b → c’

f

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a

b

5/4 5/4

=

c’

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frequency ratios in mean-tone tempered scalefrequency ratios in mean-tone tempered scale

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Gioseffo Zarlino (Gioseffo Zarlino (1517 - 15901517 - 1590): major and minor): major and minor

180o

pitch classes in just tuningpitch classes in just tuning

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pitch classes in just tuningpitch classes in just tuning

b♭

b♭

1 third (+2 octaves) – 4 fifths= third comma= syntonic comma= -21.51 Ct

12 fifths – 7 octaves= fifth comma= Pythagorean comma= 23.46 Ct

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calculating and hearing commatacalculating and hearing commata

third comma, syntonic comma1 third (+2 octaves) – 4 fifths ~ 5/4 × (2/1)2 × (3/2)-4

= -21.51 Ct2-21.51/1200 = 0.987652

fifth comma, Pythagorean comma12 fifths – 7 octaves ~ (3/2)12 × (2/1)-7

= 23.46 Ct223.46/1200 = 1.01364

pitch(f) = 1200/log(2) × log(f) + const. [Ct], Take log-basis = 2:pitch(f) = 1200 × log2(f) + const. [Ct]

pitch(f/g) = 1200 × log2(f/g) [Ct]

f/g = 2pitch(f/g)/1200 [Hz]

440 Hz 446.003 Hz ⇒

440 Hz 434.567 Hz ⇒

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pitch classes in 12-tempered tuningpitch classes in 12-tempered tuning

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Ÿ12

Ÿdd = 5 = 5 xx kk +2 +2

unique formulaunique formulathat exchanges that exchanges consonancesconsonances

and and dissonancesdissonances of counterpoint! of counterpoint!

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