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MastertheAccordionWorkshops PHBook2‐Session14
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*slee@shelialee.com
1
Palmer&HughesBook2–Session14
InstructionandCompanionMaterial
PresentersSheliaLee&MarkRopel
MastertheAccordionWorkshops
Sponsoredby
5013(c)NonProfit
MastertheAccordionWorkshops PHBook2‐Session14
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*slee@shelialee.com
2
Session14Duringoneofyourpracticesessionseachweek–pleaseGRABatleastoneormoredrillsANDoneormoreScales.Thisway–youwon’thavetodoallthedrillseverypractice–butwillHITthematleastonceeachweek.
ReviewofDrillso Full“AllWhite”block&Arpeggios(1+3+5+1)o Full“AllMAJOR”block&Arpeggioso C,G,F,D,A,&BbScale–FullOctaveso MajorthenMinorChords–AllWhite.Blocktheminrhythmic
pattern.RolltheminrhythmicpatternSong#14PHBook2–MerryWidowCompanionSongs:
1. SeaChanty2. HavaNagila3. Miserlou4. Sunrise,Sunset5. Minka6. TimeinaBottle
PHIntrotoMinorLHChords12fingeringforrapidrepeatednotesMoreLeadLineWork
Let’sGetStarted: Step1.PlayFirst
Perform3favoritesongstowarmup PlayatperformancespeedwithNOSTOPSFORBOO‐BOOs
Step2.Theory–IntrotoMinorChords&SpeedDrill3• ReviewPHMinorChordsExercise
• SpeedDrill#3o Playevenanddetachedfirst–thenlegato
• PlayMinka
o Playdetachedandevenly
MastertheAccordionWorkshops PHBook2‐Session14
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*slee@shelialee.com
3
MastertheAccordionWorkshops PHBook2‐Session14
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*slee@shelialee.com
4
MastertheAccordionWorkshops PHBook2‐Session14
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*slee@shelialee.com
5
Step3.NewSongTechniqueBlock/Absorb/Vertical
o MerryWidowWaltz KeyofF–allBbs MiddleReedshift
IntrotoAbsorb• PlayFMajorScale• PlayChordsforeachBass
o FM,CM,BbM,Dm,Gm,&AM
Block• Noticethatthereareslurmarks–thissongshouldbeplayedALLLEGATO
• BlockoutHandpositions• Dynamics–youshouldcrescendointothephraseanddiminuendoattheendandstillliftyourhand.Watchformf,p,&F
Vertical• NO8thnoteordottedquarternotes• Legato–holdbeyondbassvalueandliftatendofslur
• WATCHBbanddoublenotes• Glissando–holdnotefullvaluethenslide
Startatlast4measures• PlayLegato• Adda”basssolo”FACbeforeglissando
NowBackuptoPdynamicmeasure
• Practicebassfirst• WatchBbbassandjumptoAbass&MinorBasses
• WatchDynamicchanges
MastertheAccordionWorkshops PHBook2‐Session14
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*slee@shelialee.com
6
MastertheAccordionWorkshops PHBook2‐Session14
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*slee@shelialee.com
7
Step3.NewSongTechniqueBlock/Absorb/Vertical
o Miserlou KeyofD(notnotedinkeysignature) Absorb–PlayblockchordsforallBasses
• LearnEbbassandEbRHBlockChord• PlayDMajorScale(F#&C#)• PlayChromaticScale
MiddleReed BLOCKHandPositions
• ReviewBasses–Notice8thnotepattern‐chords• NoticeChromaticruns
Vertical• Lookfor8thnotesanddottedquarternotes• Playinhandseparatefirst
Step2.TechniqueDrill#14
o TechniqueDrill#14 LearntoRapidlyrepeatanoteusing1&2 Practiceevenlyanddetached Parkthumband2onthesamenote
Step4.ReadNewSong(SightRead)
o HavaNagila BLOCK(KeyofE&Am)
• Blockouthandmoves Absorb
• PlayRHChordsforeachBass• BlockMajorChordforallbassesnotedas7thchord(wewilllearn7thRHchordssoon)
Vertical• PracticeBassSoloandLetterDrepeatednotes
MastertheAccordionWorkshops PHBook2‐Session14
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*slee@shelialee.com
8
&?
44
44
..
...œ jœb œ# œ
1 2 3 1
œœ
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A
.œ Jœb œ# œ2
œœ
œœ
w2
œœ œ
œœDM
w
œœ œ
œœ
&
?
5
.œ jœb œ# œ
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w2
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w3
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&
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B
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œw#
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œ Œ œ œb œ# œ1 2 3 4
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œœ
&
?
..
..
13
œ œ œ œ œ#5
œ œ œœ
œœ# œb œ œ œ3
œbœb œ œb œEbM
1.
˙ œ œb œ# œ
œœ œ
œœDM
.˙ Œ
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Miserlou
© 2010 So Good Productions
arr. by Shelia Lee
from Motion Picture "A Swingin Affair" released in 1963
Music by Nicholas Roubanis
Introduced to American Rock N Roll by Dick Dale and the Del Tones in 1962.
The Beach Boys recorded the song for the album Surfin' USA from 1963.
Opening Song for Motion Picture "Pulp Fiction"
MastertheAccordionWorkshops PHBook2‐Session14
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*slee@shelialee.com
9
&
?
17 2.
w
œœ œ
œœDM
œ œ œ# œ œ# œ œ œ#1 2 1 2 1 2 3
œœ
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w4
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C
˙ œ# œ3 4
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œ
&
?
21
w5
œ œ œ œ œFM
˙ œ œ2 1
œ œ œ œ œ
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˙# œb œ4 3 4
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w5
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-
&?
26 .˙ Œ3
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D œ œ œ œ œb4 2
œ œ œœ
œw1
œœ œ
œœDM
.˙ Œ
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œ œ œœ
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&
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32
œ œ œ œ œ#4 2
œ œ œœ
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&
?
..
..
36 1.
˙ œ œb œ# œ
œœ œ
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w
œœ œ
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2.
œ Œ Œ œœœœ# œœœœ
œ Œ Œ œœ
œœ
œœœœ# Œ Óœœ Œ Ó
Miserlou2
MastertheAccordionWorkshops PHBook2‐Session14
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*slee@shelialee.com
10
&?
44
44œ œ œ œ œ œ œ œ2 1 2 1 2 1 2 1
œ œœ
œGM
A
œ œ œ œ œ œ œ œ2 1
œ œœ
œCM
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&?
4
œ œ œ œ œ œ œ œ2 1 1
œ œœ
œGM
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œ œœ
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&?
œ œ œ œ œ œ œ œ2 1 2 1 2 1 2 1
œ œœ
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B
œ œ œ œ œ œ œ œ
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&?
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C
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&?
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D
œ œ œ œ œ œ2 2 1 2 2 1
œ œ œ œFMCM
œ œ œ œ Œ2 2 1 2
œ œ œœ ŒGM CM
Technique Drill #14
© 2010 So Good Productions
arr. by Shelia LeeIntro to Fingering for Rapidly Repeating Notes
MastertheAccordionWorkshops PHBook2‐Session14
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*slee@shelialee.com
11
&?
44
44Œ œœœ# Œ œœœ
Intro
œ œ œ œEM
Œ œœœ# Œ œœœ
œ œ œ œ
œœœ# Œ Ó
œœ œ œ# - œ# -&?
..
..
4
œ Œ ˙Ha va
œ œ œ œEM
A
œ œ# œ œna gi la
œ œ œ œœ# Œ ˙
Ha va
œ œ œ œœ œ œ œ#
na gi la
œ œ œ œ- - - - - -
&?
..
..
8
œ Œ ˙Ha va
œ œœ
œA m
œ œ œ œna gi la
œ œœ
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œ œ œ œEM
wcha.
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- - - - -
&?
..
..
12
œ# ˙ œHa va n'
œ œ œ œEM
B
œ œ ˙ra n' na
œ œ œ œœ ˙ œ
Ha va n'
œœ
œœD m
œ œ ˙ra n' na
œœ
œœ- - - - -
Hava NagilaAbraham Z. Idelsohn
© 2010 So Good Productions
arr. by Shelia Lee
Traditional Hebrew
2B 4C#
2D#
1 4
5 2 2
4
MastertheAccordionWorkshops PHBook2‐Session14
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*slee@shelialee.com
12
&?
..
..
16
˙ .œ jœHa va n'
œœ
œœ
œ œ ˙ra n' na
œœ
œœ
˙# œ œ œv' nis m'
œ œ œ œEM
1.
w#cha.
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2.
w#cha.
œ œ œ# - œ# -- - - - - -
&?
21
wU
œ œœ
œA m
C
wru
œ œœ
œ˙ ˙u ru
œ œœ
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œ œœ
œ- - -
&?
25
œ œ œ .œ Jœu ru a chim b'
œ œœ
œA m
D
œ œ œ œlev sa me ach
œ œœ
œœ œ œ .œ Jœu ru a chim b'
œ œœ
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lev sa me ach
œ œœ
œ- - - - - - - -
&?
29
œ œ œ .œ Jœu ru a chim b'
œ œ œ œE7
œ œ œ œlev sa me ach
œ œ œ œ
œ œ œ .œ Jœur ru a chim b'
œ œ œ œ
œ œ œ œlev sa me ach
œ œ œ œ- - - - - - - -
&?
33
œ œ œ ˙u ru a chim
œ œ œ œ
œ œ œ ˙u ru a chim
œ œ œ œœ œ œ œ œ œ#
b'lev sa me
œ œ œ œ.˙ Œ
ach.
œ œ œœ ŒA m- - - - - -
Hava Nagila 2
5
5 1
1
1 2 1 4 1 2 1 13 2 1 2
1
2 1 1 2 1
1 2 1
MastertheAccordionWorkshops PHBook2‐Session14
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*slee@shelialee.com
13
Step4.ReadNewSong(SightRead)
o SeaChanty BLOCK(KeyofDm)
• Blockouthandmoves Absorb
• PlayRHChordsforeachBass• PlayRHChordsalongwithBass(CompStyle)
Vertical• PracticeRepeatednotefingering
Step4.ReadNewSong(LeadLineStyle)
o Sunrise,Sunset BLOCK(KeyofGm)
• RelativeMinorforBbMajor• PlayBbMajorScale(Bb&Eb)• Blockouthandmoves
Absorb• PlayRHChordsforeachBass(PlayMfor7th)
Vertical• Watchfor8thnotelineupwithbasses
Step4.ReadNewSong(LeadLineStyle)
o TimeinaBottle BLOCK(KeyofDm&DM)
• DmisRelativeMinorforFMajor• PlayFMajorScale&DMScale• Blockouthandmoves
Absorb• PlayRHChordsforeachBass• Dm/CmeanstoplayDmchordwithCBass(4thfingeronCBass)
• PlayRHChordsalongwithBass(CompStyle) Vertical
• PracticeRepeatednotefingering
MastertheAccordionWorkshops PHBook2‐Session14
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*slee@shelialee.com
14
&
?
44
44
œ œ œ œ œ œWhat shall we do with the
œœ
œœD m
œ œ œ œdrunk en sai lor,
œœ
œœ
œ œ œ œ œ œwhat shallwe do with the
œ œ œ œCM
œ œ œ œdrun ken sai lor,
œ œ œ œ- - - -
&
?
5
œ œ œ œ œ œwhat shallwe do withthe
œœ
œœD m
œ œ œ œdrun ken sai lor
œœ
œœ
œ œ œ œear ly in the
œ œ œ œCM
˙ ˙mor ning?
œœ
œœD m
- - - -
&
?
9
˙ .œ jœHur ray and
œœ
œœD m
œ œ œ œup she ri ses,
œœ
œœ
˙ .œ jœhur ray and
œ œ œ œCM
œ œ œ œup she ri ses,
œ œ œ œ- - - -
&
?
13
˙ .œ jœhur ray and
œœ
œœD m
œ œ œ œup she ri ses,
œœ
œœ
œ œ œ œear ly in the
œ œ œ œCM
˙ ˙mor ning.
œœ
œœD m
- -- -
Sea ChantyTraditional
© 2009 So Good Productions
arr. by Shelia Lee
2 1 2 3 22 2 1 2 2 12 1
2 3 4 3 2 1 2
2 3
4 2 1 2 2 11
2 2 1 2 1 2 3 2 2 1 2 1 2 3
4 2 1 2 3 4 3 2 1 2 1
MastertheAccordionWorkshops PHBook2‐Session14
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*slee@shelialee.com
15
& bb 43 .. œ œ œ1 2 4G mA
œ œ œ# œ3 1 3
D 7
.˙2
G m
.˙1
œ œ œ œ œ œ# œD 7
& bb7
.˙G m
!
G 7
œ œ œ1 2 4C m
œ œ œn œ3G 7
.˙2C m
.˙1
& bb13
.˙A
.˙A 7
.˙D 7
.˙ œ œ œ1 2 4G m
B
œ œ œ# œD 7
& bb19
.˙G m
.˙ œ œ œ œ œ œ# œD 7
.˙G m
!
G 7
& bb25
œ œ œ1 2 4C m
œ œ œn œG 7
.˙2G m
.˙# 3A 7 .˙4D .˙D 7
& bb31 .˙D .˙D 7
Œ œ œ3 4G mC
œ œ œC m
Œ œ œG m œ œ œ2
C m
Sunrise, Sunset
© 2010 So Good Productions
arr. by Shelia Lee
Music & Words by
Jerry Bock, Sheldon Harnick
(G A Bn)
(D E F#)
(G A Bn)
Bass Solos are notated
in brackets below measure
(D E F#)
MastertheAccordionWorkshops PHBook2‐Session14
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*slee@shelialee.com
16
& bb37
Œ œ œ3G m
œ œ œG m C mC m .˙5G m .˙3G 7 œ œ œ4
C mD œ œ œ œF 7
& bb43 .˙3Bb.˙1 œ œ œ3
A m7
œ œ œ œD 7
.˙G m
.˙
& bb Œ œ œ3 4G mE
œ œ œC m
Œ œ œG m œ œ œC m
Œ œ œG m
œ œ œG m C mC m
& bb55 .˙5G m .˙3G 7 œ œ œ4C m œ œ œ œD 7 .˙3G m
.˙1C 7
& bb ..61 œ œ œ3
C m
œ œ œ œ3D 7
1.
.˙1G m
.˙2.
.˙G m
.˙
Sunrise, Sunset 2
(D E F#)
(G A Bn)
(G A Bn)
Verse 1:
Is this the little girl I carried?
Is this the little boy at play?
I don't remember growing older
when did they?
When did she get to be a beauty?
When did he grow to be so tall
Wasn't it yesterday when
they were small?
Chorus:
Sunrise, sunset. Sunrise, sunset
swiftly flow the days
Seedlings turn overnight to sunflowers
blossoming even as we gaze
Sunrise, sunset. Sunrise, sunset
swiftly fly the years.
One season following another
Laden with happiness and tears.
Verse 2:
Now is the little boy a bridegroom
Now is the little girl a bride.
Under the canopy I see them
side by side.
Place the gold ring around her finger
share the sweet wind and break the glass
Soon the full cirlce will have
come to pass
MastertheAccordionWorkshops PHBook2‐Session14
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*slee@shelialee.com
17
& b 43 ..Œ Œ œIf
.œ Jœ œI
I
could
could
save
make
D mA
˙ œ œtime
days
in
last
a
for
œ ˙bot
ev
tle
er
D m/C
-
-
& b5
˙ œthe
if
œ œ œfirst
dreams
thing
could
that
make
G m
œ œ œI'd
wish
like
es
to
come
.˙do
true
A
-
& b9
˙ œ œis
I'd
to
A 7
˙ œ œsave
save
ev
ev
r'y
ry
D m
˙ œ œday
day
til
like
e
a
D m/C œ œ œter
treas
ni
ure
ty
and
G m
-
-
- -
-
-
& b13
œ œ œpass
then
es a
a
˙ œ œway
gain
just
I
to
would
D m
œ œ œspend
spend
time
them
with
with
G m
.˙you
you
A
- -
-
& b .. n# #17 1.
˙ œIf
2.
˙ œ œbut there
%œ œ œ œ
nev er seems to
DB
œ œ œ œ œbe e nough time to
D/C
- -
& # #21
œ œ œ œdo the things you
œ œ œ œ œwant to do once you
D/A
œ ˙find them
G
˙ œEm
Time in a Bottle
© 2010 So Good Productions
arr. by Shelia Lee
3
2 1
2 3 2 1 3
Words & Music Jim Croce
MastertheAccordionWorkshops PHBook2‐Session14
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18
& # #25
œ œ œI've
A
œ œ œ œlooked a round e
D
œ œ œ œnough to know that
D/C
œ œ œ œyou're the one I
D/B
- -
& # # nnb29
œ œ œ œwant to go thru
D/A
œ ˙time with
G
.˙D
˙ œEm7
To Coda fiœ œ œ œ
If
A
& b ˙ œ œI had a
D mC
˙ œ œbox just for
D m/C
œ ˙wish es
˙ œand
D m/B
-
& b38
˙ œ œdreams that had
G m
œ œ œnev er come
.˙true
A
˙ œthe
A 7
-
& b42
˙ œ œbox would be
D m
œ œ œemp ty ex
D m/C œ œ œcept for the
G m
œ œ œmem ry of- - -
& b n# #46
˙ œ œhow they were
D m
œ œ œan swered by
G m
.˙you
A D.S. al Coda
˙ œ œbut there-
& # #50
fiCoda
œ œ œA
.˙D
.˙
Time in a Bottle2
2 3 1 2 1 2
5 4 3 2 1 2 1 2 3 1 3
MastertheAccordionWorkshops PHBook2‐Session14
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*slee@shelialee.com
19
Step5.CoolDownSection
o Play3EasyTones–canbesame3youstartedwitho EndonesongwithaGlissandotoaMajorChord(135)o EndAnotherwithaRollOverorRollingArpeggioso AddabasssoloatphraseendingortheendwithaArpeggio
CONGRATULATIONS!LookatwhatyouhaveLEARNED!
Remembertofollowthesestepsforeachofyourpracticesessions:1. WarmUp‐Starteachpracticesessionwithyourfavorite3songs2. TechniqueBuilder–doadrillor23. WorkonNewSongs–practiceassignedsongs4. SightReadingreadanewsongor2(sight‐read)5. CoolDown–withyourfavorite3songs
MastertheAccordionWorkshops PHBook2‐Session14
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20
MusicNotebookYouhave66SongsinyourEASYTUNEsectionofyourRingBinderandyoushouldbepracticingthemALLforyourFUTUREWARMUPorCOOLDOWNTUNES.
German 1. BeerBarrelPolka(Chorus)2. BlueSkirtWaltz(Chorus)3. EinProsit4. JulidaPolka(Chorus)5. MussIDenn(WoodenHeart)6. AufWiedersehen(leadLine)7. Du,DuLiegstMirImHerzen8. InHeaventhereisNoBeer9. Hofbrauhaus10. Edelweiss11. OvertheWaves
International12. VieniSulMar13. WearingoftheGreen14. TheWildColonialBoy15. BambooFlute16. HavaNagila17. Miserlou18. Minka19. SeaChanty
OldiesbutGoodies20. QueSera,Sera21. OhMyPaPa22. TheLittleCafébytheHarbour23. MacktheKnife24. Don’tBeCruel25. NorwegianWood26. Sugartime27. PufftheMagicDragon28. Smile29. TimeinaBottle30. Sunrise,Sunset
Sacred31. WhentheSaintsGoMarchingIn32. AmazingGrace33. You’llNeverWalkAlone34. JesusLovesMe35. WingsofaDove36. YouAreMySunshine
Patriotic37. MarinesHymn38. CaissonsGoRollingAlong39. I’mAYankeeDoodleDandy40. ThisLandisYourLand41. DeepintheHeartofTexas
Christmas42. WhiteChristmas43. BlueChristmas44. JingleBells45. AwayinaManger46. WeWishYouaMerryChristmas47. ISawMommyKissingSantaClaus48. Rockin’AroundChristmasTree
SouthoftheBorder49. DeColores50. CavallitoBlanco51. Chiapanecas52. LosMachetes53. LasMananitas54. SenoraSantana55. ElCondorPasso56. ElTambordelaAlegria
Country57. Ramblin’Rose58. ElPaso59. RockyTop60. Jambalaya
Folk61. CamptownRaces62. BigParade63. ViveL’Amour64. GoldenSlippers65. CountryGardens66. MerryWidow
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