master the accordion workshops ph book 2 ‐ session 16...

MastertheAccordionWorkshops PHBook2‐Session16

HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*slee@shelialee.com

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Palmer&HughesBook2–Session16

InstructionandCompanionMaterial

PresentersSheliaLee&MarkRopel

MastertheAccordionWorkshops

Sponsoredby

5013(c)Non­Profit

MastertheAccordionWorkshops PHBook2‐Session16

HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*slee@shelialee.com

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Session16Duringoneofyourpracticesessionseachweek–pleaseGRABatleastoneormoredrillsANDoneormoreScales.Thisway–youwon’thavetodoallthedrillseverypractice–butwillHITthematleastonceeachweek. ReviewofDrills

o Full“AllWhite”block&Arpeggios(1+3+5+1)o Full“AllMAJOR”block&Arpeggioso C,G,F,D,A,&BbScale–FullOctaveso MajorthenMinorChords–AllWhite.Blocktheminrhythmic

pattern.Rolltheminrhythmicpatterno LeftHandMajorScale&BassSoloExercises

Song#16­PHBook2–Scheherazade&ArkansasTravelerCompanionSongs:HOEDOWNTIME!

1. KumbayaMyLord2. TheGirlIleftBehind3. TurkeyintheStraw4. Soldier’sJoy

ReviewChordsontheBlackNotesLearnDroanBassStyleMoreLeadLineWork

Let’sGetStarted: Step1.PlayFirst

Perform3favoritesongstowarmup PlayatperformancespeedwithNOSTOPSFORBOO‐BOOs

Step2.Theory–IntrotoUpperLegerLines&SpeedDrill4• PHSpeedDrill#4

o Legato&Detached

• ReviewofUpperLegerLineso Seediagramo Play2OctaveCMajorScale

MastertheAccordionWorkshops PHBook2‐Session16

HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*slee@shelialee.com

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MastertheAccordionWorkshops PHBook2‐Session16

HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*slee@shelialee.com

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Step3.NewSongTechnique­Block/Absorb/Vertical

o Scheherazade KeyofF–allBbs MiddleReedshift

Absorb• PlayFMajorScale• PlayChordsforeachBass

o FM,Dm,Gm,CM,BbM,AM,

Block• Noticethatthereareslurmarks–ALLLEGATO• Liftateachphraseending• BlockoutHandpositions• Dynamics–youshouldcrescendointothephraseanddiminuendotowardthe.

• EntiresongisMarkedasSOFT

Vertical• Watchdottedquarternotes&8thnoterunonpg2

• Rubato–amusicaltermmeaning“rob”fromthebeat.Youcanholdsomenoteslongerandsomeshorter–justkeeptheforwardmovementgoing.ThisaddsSOMUCHFEELING!

Startatlast4measures• PlayLegato• Playthe“doublevoice”bass­putbassdown–leaveitdownandplaythechordslikenormal

NowBackup8measures

• Practice8thnoterunfirst• WatchGmandjumptoBbbass

Keepbackingup

MastertheAccordionWorkshops PHBook2‐Session16

HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*slee@shelialee.com

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MastertheAccordionWorkshops PHBook2‐Session16

HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*slee@shelialee.com

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MastertheAccordionWorkshops PHBook2‐Session16

HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*slee@shelialee.com

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&

?

44

44

..

..

Œ Œ œ œKumKum ba

!

.œ jœ ˙yahsing

mying

Lord,Lord,˙ ˙CM

˙ œ œkum ba

˙ œœ œœFM

wyah.

wwCM

˙ œ œKumSome

baone's˙ Ó

- --

- - --

-

&

?

6

.œ jœ ˙yahsing

mying

Lord,Lord,˙ ˙CM

˙ œ œkum ba

˙ œœ œœG 7

wyah.

ww

˙ œ œKumSome

baone's˙ Ó

-- - - -

&

?

10

.œ jœ ˙yahsingyah my

ing,Lord,Lord,˙ ˙CM

˙ œ œkum ba

˙ œœ œœFM

wyah.

wwCM

˙Oh

˙ ˙FM-

- -

&

?

..

..

14

œ .˙Lord,

wwCM

˙ œ œkum ba

˙ ˙G 7

1.

wyah.

wwCM

˙ œ œSome one's

˙ Ó

2.

wyah.

wwCM

˙ Ó˙ Ó

- - -

Kumbaya My Lord Traditional African-

American Spiritual

© 2010 So Good Productions

arr. by Shelia Lee

1 2 4

3 1 1 2

2 1 2 1 2

MastertheAccordionWorkshops PHBook2‐Session16

HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*slee@shelialee.com

8

Step3.NewSongTechnique­Block/Absorb/Vertical

o KumbayaMyLord KeyofC–PlayCMajorScale Absorb–PlayblockchordsforallBasses

• Put5thfingeronC• FindFingeringforCM,FM,&GMchords• PlayChordsonlyfirst

MiddleReed(suggested) BLOCKHandPositions Vertical

• Lookfor8thnotesanddottedquarternotes

Step3.NewSongTechnique­Block/Absorb/Vertical

o ArkansasTraveler KeyofC–PlayCMajorScale Absorb–PlayblockchordsforallBasses

• Put5thfingeronC• FindFingeringforCM,FM,&GMchords• PlayChordsonlyfirst

Middle&BottomReed BLOCKHandPositions

• Practicein2measuresections Vertical

• Lookfor8thnotes

MastertheAccordionWorkshops PHBook2‐Session16

HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*slee@shelialee.com

9

MastertheAccordionWorkshops PHBook2‐Session16

HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*slee@shelialee.com

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Step4.ReadNewSong(Sight­Read)

o TheGirlILeftBehind BLOCK(KeyofA–3Sharps) Absorb–PlayblockchordsforallBasses

• Put5thfingeronA• FindFingeringforAM,DM,&EMchords• PlayChordsonlyfirst(ReadCuedBass)

HighReed(suggested) BLOCKHandPositions LefthandStyle–Drone

• Lineupyourfingers–4onA,3onEand2onB–thentake2acrosstoCounterbassofB

• ThisEXACTfingeringwillbeusedwhenyouputyour4onDandonEfortheotherbasses

• IntrotoGraceNotes–arethelittlenotesjustbeforeeachbass.TheyarePLAYEDATEXACTLYTHESAMETIME

Vertical• Lookfor8thnotesandallSharpNotes• Practice2measuresatatime

Step4.ReadNewSong(LeadLineStyle)

o TurkeyIntheStraw BLOCK(KeyofG)PlaytheGMajorScale Absorb–PlayblockchordsforallBasses

• Put5thfingeronG• FindFingeringforGM&DMchords• PlayChordsonlyfirst(ReadCuedBass)

Vertical• Watchfor8thnotelineupwithbasses

MastertheAccordionWorkshops PHBook2‐Session16

HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*slee@shelialee.com

11

&?

# # #

# # #44

44....

Œ Œ Œ œ œ5 4

!

œ œ œ œ3 1 3 1

jœ# ..˙ ŒA

œ œ œ œ œ œ œ2 3 2 1 2 1 2

jœ ..˙ ŒD

&?

# # #

# # #

4

œ œ œ œ œ œ3 1 2 3 1

jœ# ..˙ ŒA

˙ œ œ œ2 1 5

jœ# ..˙ ŒE7

œ œ œ œ3 1 3 1

jœ# ..˙ ŒA

œ œ œ œ œ œ2 1 2 4

jœ ..˙ ŒD

&?

# # #

# # #....

..

..

8

œ œ œ œ œ3 5 1 2 3

jœ# ..˙ ŒE7

1.

˙ œ œ œ4 1 5

jœ# ..˙ ŒA

2.

˙ œ œ œ4 1

jœ# ..˙ ŒA

œ œ œ œ3 1

jœ# ..˙ ŒA

&?

# # #

# # #

12 œ œ œ œ4 1 2 1

jœ# ..˙ ŒA

œ œ œ œ œ œ œ œ2 1 2 3

jœ# ..˙ ŒA

˙ œ œ œ4

jœ# ˙ jœ# œœ ŒE

œ œ œ œ2 1 3 1

jœ# ..˙ ŒA

&?

# # #

# # #....

16

œ œ œ œ œ œ2 2 4

jœ ..˙ ŒD

œ œ œ œ œ3 5 1 2

jœ# ..˙ ŒE7

1.

˙ œ œ œ4 1

jœ# ..˙ ŒA

2.

˙ œ Œ

jœ# ..˙ ŒA

The Girl I Left Behind

© 2010 So Good Productions

arr. by Shelia Lee

From 1810 Pocket Book for

the German Flute or Violin(Brighton Camp)

High Reed

Both Hands

4A

3E3A

4D

3B

4E

##

#

#

##

# # #

#

## #

## # # #

#

#

#

##

#

#

#

#

#

# #

Play lead line style with Bass &

Chord OR Put 4th Finger on Bass

name and play 3rd finger above it with

2nd playing counterbass grace note "above"

MastertheAccordionWorkshops PHBook2‐Session16

HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*slee@shelialee.com

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& # 44 ..Œ Œ Œ œ œ5

œ œ œ œ œ œ œAs I was a goin' on

2 1 2GA

œ œ œ œ œ œ œdown the road, with a

3 3 3

-

& #4

œ œ œ œ œ œtired team and a

œ œ œ œ œhea vy load, I

D 7

œ œ œ œ œ œcrack'd my whip and the

3 2G

-

& # ..7

œ œ œ œ œ œ œlea der sprung,

3 3 1

œ œ œ œ œ œ œI says day day to the

42 1

1.

œ œ œ œ œwag on tongue.

5D 7

G

- -

& #102. œ œ ˙mother in law.

D 7 G

Jœ œ Jœ œ œTur key/in the straw,

Chorus2GB

Jœ œ Jœ ˙Turkey/in the hay.- - - -

& #13

Jœ œ Jœ œ œTurkkey/in the straw,

1C

Jœ œ Jœ œ œ œTurkey/in thehay.

3 œ œ œ œRoll 'em/and twist/'em up./A

G

- -

& #16

œ œ œ œ œ œ œhigh tuck a haw. And

3

Verse 1As I was a-goin' on down the road,With a tired team and a heavy load,

I crack'd my whip and the leader sprung,

I says day-day to the wagon tongue.

Verse 2Went out to milk, and I didn't know how,I milked the goat instead of the cow.

A monkey sittin' on a pile of straw,

A-winkin' at his mother-in-law.

Verse 3 Met Mr. Catfish comin' down stream.Says Mr. Catfish, "What does you mean?"Caught Mr. Catfish by the snout,

And turned Mr. Catfish wrong side out.

Verse 5Did you ever go fishin'_On a warm summer day_When all the fish_Were swimmin' in the bay_With their hands in their pockets_And their pockets in their pantsDid you ever see a fishie_Do the Hootchy-Kootchy Dance?

D 7

œ œ œ œ œ œ œ œtwist 'em up a tune called

Verse 4Came to the river and I couldn't get across,So I paid five dollars for a big bay hoss;Well he wouldn't go ahead, and he wouldn't stand still,

So he went up and down like an old saw mill.

Verse 6Oh I jumped in the seat and I gave a little yellThe horses ran away, broke the wagon all to hellSugar in the gourd and honey in the horn

I never been so happy since the day I was born.

G œ œ œ œ œTurkey in/the straw.

D 7 G

-

Turkey in the Straw Folk tune formerlyNatchez Under the Hill

© 2009 So Good Productions

(Virginia Reel) arr. by Shelia Lee

MastertheAccordionWorkshops PHBook2‐Session16

HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*slee@shelialee.com

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Step4.ReadNewSong(LeadLineStyle)

o Soldier’sJoy BLOCK(KeyofD–2Sharps)PlayDMajorScale Absorb–PlayblockchordsforallBasses

• Put5thfingeronD• FindFingeringforDM&AM&GMchords• PlayChordsonlyfirst(ReadCuedBass)

MiddleReed(suggested) BLOCKHandPositions Practice2measuresataTime

MastertheAccordionWorkshops PHBook2‐Session16

HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*slee@shelialee.com

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& # # 44 ..Ó Œ œ œ2 3

œ œ œ œ œ œ œ œ4 2 1 2 3 2DA

œ œ œ œ œ3 5 5 5 4

œ œ œ œ œ œ œ œ3 2 1

& # #5

œ œ œ œ œ3 1 1 2 3

A 7

œ œ œ œ œ œ œ œ4 2 1 2 3 2D

œ œ œ œ œ3 5 1 1 2

& # # ..8 œ œ œ œ œ œ œ œ3 5 3 1 2 4 2 1

A 7 1.

œ œ œ œ œ2

5 5 2 3D 2.

œ œ œ œ œ21 1 1 2D

& # # .. œ œ œ œ œ œ œ œ3 3 5 4 3DB

œ œ œ œ œ œ œ œ2 1 2 1 2 3 4 2

A 7

œ œ œ œ œ œ œ œ3 3 5 4 3D

& # #14 œ œ œ œ œ œ œ2 1 3 2 1 1A 7 œ œ œ œ œ œ œ œ3 2 4 3 2

D

œ œ œ œ œ œ œ œ1 2 1 2 3 4 5 2A 7

& # # ..17 œ œ œ œ œ œ œ œ3 5 3 1 2 4 2 1

D A 71.

œ œ œ œ œ21 2D

2.

œ œ œ ŒD

Soldier's Joy

© 2010 So Good Productions

arr. by Shelia LeeTraditional Fiddle Tune

MastertheAccordionWorkshops PHBook2‐Session16

HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*slee@shelialee.com

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Step5.CoolDownSection

o Play3EasyTones–canbesame3youstartedwitho EndonesongwithaGlissandotoaMajorChord(1­3­5)o EndAnotherwithaRollOverorRollingArpeggioso AddabasssoloatphraseendingortheendwithaArpeggio

CONGRATULATIONS!LookatwhatyouhaveLEARNED!

Remembertofollowthesestepsforeachofyourpracticesessions:1. WarmUp‐Starteachpracticesessionwithyourfavorite3songs2. TechniqueBuilder–doadrillor23. WorkonNewSongs–practiceassignedsongs4. SightReadingreadanewsongor2(sight‐read)5. CoolDown–withyourfavorite3songs

MastertheAccordionWorkshops PHBook2‐Session16

HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*slee@shelialee.com

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MusicNotebookYouhave80SongsinyourEASYTUNEsectionofyourRingBinderandyoushouldbepracticingthemALLforyourFUTUREWARMUPorCOOLDOWNTUNES.

German

1. BeerBarrelPolka(Chorus)2. BlueSkirtWaltz(Chorus)3. EinProsit4. JulidaPolka(Chorus)5. MussIDenn(WoodenHeart)6. AufWiedersehen(leadLine)7. Du,DuLiegstMirImHerzen8. InHeaventhereisNoBeer9. Hofbrauhaus10. Edelweiss

International11. LonelyAccordion12. LaDonnaEMobile13. VieniSulMar14. WearingoftheGreen15. TheWildColonialBoy16. BambooFlute17. HavaNagila18. Miserlou19. Minka20. SeaChanty

OldiesbutGoodies21. QueSera,Sera22. OhMyPaPa23. TheLittleCafébytheHarbour24. MacktheKnife25. Don’tBeCruel26. NorwegianWood27. Sugartime28. PufftheMagicDragon29. Smile30. TimeinaBottle31. Sunrise,Sunset

Sacred32. WhentheSaintsGoMarchingIn33. AmazingGrace34. You’llNeverWalkAlone35. KumbayaMyLord36. JesusLovesMe37. WingsofaDove38. YouAreMySunshine

Patriotic(&Texas)39. TexasOurTexas40. MarinesHymn41. CaissonsGoRollingAlong42. I’mAYankeeDoodleDandy43. TheGirlIleftBehind44. ThisLandisYourLand45. DeepintheHeartofTexas46. YellowRoseofTexas47. TheEyesofTexasareUponYou

Christmas48. WhiteChristmas49. BlueChristmas50. JingleBells51. AwayinaManger52. WeWishYouaMerryChristmas53. ISawMommyKissingSantaClaus54. Rockin’AroundChristmasTree55. AuldLandSyne

SouthoftheBorder56. DeColores57. CavallitoBlanco58. Chiapanecas59. LosMachetes60. LasMananitas61. SenoraSantana62. ElCondorPasso63. ElTambordelaAlegria

Country64. Ramblin’Rose65. ElPaso66. RockyTop67. Jambalaya68. WaltzAcrossTexas69. OvertheWaves

Folk&Standards70. PutYourLittleFoot(CountyFair)71. CamptownRaces72. BigParade73. ViveL’Amour74. GoldenSlippers75. CountryGardens76. MerryWidow77. ArkansasTraveler78. Soldier’sJoy79. TurkeyintheStraw80. Scheherazad

MastertheAccordionWorkshops PHBook2‐Session16

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