master the accordion workshops ph book 3 ‐ session 12...
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MastertheAccordionWorkshops PHBook3‐Session12
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*slee@shelialee.com
1
Palmer&HughesBook3–Session12
InstructionandCompanionMaterial
PresentersSheliaLee&MarkRopel
MastertheAccordionWorkshops
Sponsoredby
5013(c)NonProfit
MastertheAccordionWorkshops PHBook3‐Session12
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*slee@shelialee.com
2
Session12ReviewofBK3SKILLS:Duringyourpracticesessionseachweek–pleaseGRABatleastoneormoredrillsANDoneormoreScales.Thisway–youwon’thavetodoallthedrillseverypractice–butwillHITthematleastonceeachweek. ReviewofDrills
o Fullblockchords&Arpeggios(1+3+5+1)o Full“AllMAJOR”block&Arpeggios(Black&White)o C,G,F,D,A,Bb&EbScale–FullOctaveso LeftHandMajorScale&BassSoloExerciseso PracticeMovingbetweentheIIVV7chordinthekeyofCGF
Song#12PHBook3–MexicanHatDanceCompanionSongs:
1. WildBlueYonder2. ZemerAtik3. REPRISE–WhentheSaints&InHeavenThereisNoBeer
Today’sTheoryFinishChampagnePolkaMoreonKeyChanges(LabelI,IV,V7)BassStylesfor6/8time
Let’sGetStarted: Step1.PlayFirst
Perform3favoritesongstowarmup PlayatperformancespeedwithNOSTOPSFORBOO‐BOOs
Step2.Theory–ALLMajorChordsChromatically• PracticeALLArpeggios–BlockthenRoll
o Whenyougoup–RollUpthendowno Whenyougodown–Rolldownthenup
• TwoOctaveso ChangeOctavebyyourkeyboardlayout
MastertheAccordionWorkshops PHBook3‐Session12
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*slee@shelialee.com
3
Step2.Theory
o WhentheSaints&InHeaventhereIsNoBeer KeyofC–CScale–BothHands PlayChordsOnly PracticeFormingMajor,Minor,&7thChords
o PencilExercise LabelALLCHORDS
• KeyofC‐I–CM,IV–FM,V7‐G7• KeyofF–I–FM,IV–BbM,V7–C7• KeyofG–I–GM,IV–CM,V7–C7
o ChangeKeys
UsingtheI–IV&V7notation ChangeEachSONGtoanotherkey Last2counts–changetoV7chordofnewkey
MastertheAccordionWorkshops PHBook3‐Session12
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*slee@shelialee.com
4
&
?
44
44
..
..
Œ! œ œ œOh,
C
when
E
the
F
"
wsaints
G
œ œ œ œCM
œ œ œ œgo
C
march
E
ing
F
œ œ œ œwin.
G
œ œ œ œ˙ œ œ
When
E
the
F
œ œ œ œ-
&
?
6
˙ ˙saints
G
go
E
œ œ œ œ˙ ˙
march
C
ing
E
œ œ œ œw
#
in.
D
œ œ œ œG 7
œ œ œ œOh,
E
how
E
I
D
œ œ œ œ-
&
?
10
.˙!
œwant
C
to
C
œ œ œ œCM
˙ œ œbe
E
in
G
that
G
œ œ œ œœ
#
.˙num
G
ber,
F
œ œ œ œFM
˙ œ œWhen
E
the
F
œ œ œ œ-
&
?
..
..
14
˙!
˙saints
G
go
E
œ œ œ œCM
˙ ˙march
G
ing
D
œ œ œ œG 7
1.
w#
in,
C
œ œ œ œCM
œ œ œ œOh,
C
when
E
the
F
œœ Œ Œ Œ
2.
w#
in.
C
œ œ œ œCM
œ Œ œ ŒC
œœ Œ œœ Œ-
When the Saints Go Marching InGospel Folk Tune
© 2010 So Good Productions
arr. by Shelia Lee
MastertheAccordionWorkshops PHBook3‐Session12
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*slee@shelialee.com
5
&
?
c
c
..
..
Ó Œ œIn
!
q=160
œ ˙ œHea ven there
œ œœ
œCM
˙ ˙is no
œ œœ
œC 7
wbeer.
œ œ œ œFM
˙ Œ œ(NO BEER!) That's
œ œ œ œ-
&
?
6 .˙ œwhy we
œœ œ œG 7
˙ ˙drink it
œœ œ œG 7
where.
œ œœ
œCM
˙ Œ œAnd
œ œœ
œ
&
?
10 .˙ œwhen we're
œ œœ
œ
˙ ˙gone from
œ œœ
œC 7
where,
œ œ œ œFM
˙ œ œAll our
œ œ œ œ
˙ œ œfriends will be
œ œœ
œCM
&
?
..
..
15 .œ Jœ œ œdrink ing all the
œœ œ œG 7
wbeer.
œ œœ
œCM
1.œ Œ Œ œIn
œœ Œ ÓCM
2.œ Œ Œ Œ
œœ Œ ÓCM
-
In Heaven There is No Beer
© 2010 So Good Productions
arr. by Shelia Lee
MastertheAccordionWorkshops PHBook3‐Session12
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*slee@shelialee.com
6
Step3.NewSong–ZemerAtik
o Block
KeyofAm(RelativeMinorofCM) PlayChordsOnlyCM,FM,GM,(Am,EM) Practiceaddingchordstothehalfnotes
o Vertical
2/4Meter TwoCountsinameasureandQuarterNoteget1count Read–justlike4/4time–with8thnotegetting1count Treat16thnotejustlike8thnote
o Absorb
LookatChordStructure LookatRhythmicpattern
o Playveryslow
Play4bassestoeachmeasure(8thnotes) DottedQuarternotewillget3counts
MastertheAccordionWorkshops PHBook3‐Session12
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*slee@shelialee.com
7
& 42 œ œCM œ œ œ œ œ œGM œ œ œ œ œ œ œ# œA m
EM
˙A m
& .. œ# œ œ œ œ œ œ œG# G#
EMA
˙ œ œ œ œ œ œ œ œ ˙ œ œ œ œ œ œ œ œ
&10
œ œ œ œ#FM EM
œ# œ œ œ œ œ œ œG# G#
˙1
œ œ œ# œ œ œ œ œ#3 4 1 3 4 œ œCMB
&14 œ œ œ œ œ œ
GM .œ œ œA m
œ œ œ œEM œ œCM œ œ œ œ œ œ
GM
&19
œ œ œ œ œ œ œ œ#A m EM
˙A m
œ# œ œ œ œ œ œ œG# G#
EMC
˙ œ œ œ œ œ œ œ œ
&24
˙ œ œ œ œ œ œ œ œ œ œ œ œ#FM EM
œ# œ œ œ œ œ œ œG# G#
&28
˙œ œ œ# œ œ œ œ œ# œ œCMD œ œ œ œ œ œGM
.œ œ œA m
& ..32
œ œ œ œEM œ œCM œ œ œ œ œ œ
GM
œ œ œ œ œ œ œ# œA mEM
˙A m
Zemer Atik Hebrew Dance
© 2010 So Good Productions
arr. by Shelia LeeRepeat 5 Times
Slow Down for last 4 measures
Key Am
MastertheAccordionWorkshops PHBook3‐Session12
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*slee@shelialee.com
8
MastertheAccordionWorkshops PHBook3‐Session12
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*slee@shelialee.com
9
MastertheAccordionWorkshops PHBook3‐Session12
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*slee@shelialee.com
10
Step3.NewSong(KeyofC&G)–MexicanHatDance
o (IChord)PlayCScale2octaves–doArpeggio&Chord FingeringRule–1231224
o (IVChord)PlayFMScale–2octaves–doArpeggio&Chord
o BOTHHANDS(4thfingeronBb)
o (V7Chord)PlayGMajor2octaves–doArpeggio&Chord Locate7thtoneandflatitfor7thChord
o OtherKey–GM–PlayDMScale(2sharps–F#&C#)
o Absorb Style‐ALLDETACHED Crescendos&Diminuendos Fermatabeginning&ending
o Vertical 6/8Meter–CompoundMeter TwoCountsinameasureandDottedQuartergets1count
Treat8thnotelikeTriples(1lale,2lale)
o WorkSongBackwards
MastertheAccordionWorkshops PHBook3‐Session12
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*slee@shelialee.com
11
& 86 ..Allegro q = 120
....œœœœUæ
‰ œ œ#G 7
A œ œ œ# œ œ œC
Jœ œ ‰ œ œ œ œ œ œ œ œ Jœ œ ‰ œ œG 7
& ..6 œ œ œ# œ œ œ# Jœ œ ‰ œ œ œ œ œ œ œ œ 1.
.œ ‰ œ œ#C2.
.œ ‰ œ œC
& ..B
11 œ œ œ œ œ œD 7
Jœ œ ‰ œ œG œ œ œ œ œ œD 7
Jœ œ ‰ œ œG œ œ œ œ œ œD 7
& ..16 œ œ œ œ œ œG œ œ œ œ œ œ
D 7 1.
.œ ‰ œ œG2.
.œ ‰ œ œ#G
&C
20 œ œ œ# œ œ œC
Jœ œ ‰ œ œ œ œ œ œ œ œ Jœ œ ‰ œ œG 7 œ œ œ# œ œ œ#
& 4325
Jœ œ ‰ œ œ œ œ œ œ œ œ q»¡!™œ ‰ ." Rœ .œ œC
& ..D28 .œ œ .œ œ .œ œC œ
‰ . Rœ .œ œ .œ œ .œ œ .œ œ œ‰ . " œ œ œb
C 7
&32
œ. œ. œ.F
œ> ‰ . Rœ .œ œ œ. œ. œ.C
œ> ‰ . rœ .œ œ
El Jarabe TapatioTraditional Mexican Folk Dance
© 2009 So Good Productions
(Mexican Hat Dance)
arr. by Shelia Lee
MastertheAccordionWorkshops PHBook3‐Session12
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*slee@shelialee.com
12
& ..36
œ. œ. œ.G 7
œ> ‰ . rœ .œ œ .œ œ .œ œ .œ œ1.
œ.‰ . Rœ .œ œC
2.
œ>œ> ŒC
& ..E
41 .œ œ .œ# œ .œ œC œ. >̇ .œ œ .œ# œ .œ œ œ. >̇G 7 .œ œ .œ œ .œ œ
& .. 8646 œ. >̇ 1.
.œ œ .œ œ .œ œ œ. >̇C 2.
.œ œ .œ œ .œ œG 7 œ.Allegro q = 120
‰ ‰ œ œC
& ..F
51 œ œ œ Jœ œC .œ œ œ œ œ œ œ Jœ œD 7 .œ œ œ œG
& .. 4255 œ œ œ Jœ œG 7 .œ Jœ œ œ œ œ œ œ œ 1.
.œ ‰ œ œC2. œ œ œ œ
C
&G
60 .œ Jœ œ œ œb œC 7
œ œ œ œF .œ jœG 7
œ œ œ œ œ œ œ œC
&66 .œ> Jœ œ œ œb œC 7
œ œ œ œF
© 2009 So Good Productions
.œ jœG 7
œ œ œ œ œ œ œ#C
&H
72 œ œ œ#C œ œ œ œ œ œ œ œ œ œG 7 œ œ œ œ œ œ
&78 œ œ œ œ œ œ œ#C œ œ œ# œ œ œ œ œ œ œ œ œ œG 7
2El Jarabe Tapatio
MastertheAccordionWorkshops PHBook3‐Session12
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*slee@shelialee.com
13
&84 œ œ œ œ œ œ œ œ œ œ œ œ œ œC œ œC
Ritardando . . . . . . . . . . . . . . . . . .
œ# œD 7 ˙G 7 ˙ "
&I
92 œa tempo
œ œ œ œC œ œ œ œ œ œG 7 C œ œ œ œ œC œ œ œ œ œG 7 C
&96 œ œ œ œ œC œ œ œ œ œ œG 7 C œ œ œ œ œC œ œ œ œ œG 7 C
&J
100
œ œ œ œG D 7
œ œ œG œ œ œ œG D 7
œ œ œG
&104
œ œ œ œG D 7
œ œ œG
œ œ œ œG D 7
œ œ œG
&K
108 œ œ œ œC œ œ œ œ œ œG 7 C œ œ œ œ œ œ œ œ œ
G 7 C
&112 œ œ œ œC œ œ œ œ œ œ
G 7 C œ œ œ œ œ œ# œ œ œœœnæ
G 7 C ˙̇̇Uæ
3El Jarabe Tapatio
MastertheAccordionWorkshops PHBook3‐Session12
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*slee@shelialee.com
14
Step4.SightReadingRules
o WildBlueYondero KeyofC
RunScalesandChordsforEachKey Lookat“SLUR”style Count2Countspermeasure
• Countonly“onthebass”
Step3.NewSongRuleso ChampagnePolka
MasterFingeringIssues BlockRunsections
• Playruns–liketheyareCHORDS Technique–detachallnotes–playevenly Worknewpage‐BACKWARDS
MastertheAccordionWorkshops PHBook3‐Session12
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*slee@shelialee.com
15
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MastertheAccordionWorkshops PHBook3‐Session12
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*slee@shelialee.com
16
Step5.CoolDownSection
o Play3EasyTones–canbesame3youstartedwitho Endeachsongwithauniqueendingo AddabasssoloatphraseendingortheendwithaArpeggioo Startaddingchordsonlongernotes
Remembertofollowthesestepsforeachofyourpracticesessions:1. WarmUp‐Starteachpracticesessionwithyourfavorite3songs2. TechniqueBuilder–doadrillor23. WorkonNewSongs–practiceassignedsongs4. SightReadingreadanewsongor2(sight‐read)5. CoolDown–withyourfavorite3songs
MusicNotebookYouwillhaveover60SongsinyourEASYTUNEsectionofyourRingBinderandyoushouldbepracticingthemALLforyourFUTUREWARMUPorCOOLDOWNTUNES.PatrioticDixieAmericaAmericatheBeautifulGodBlessAmericaWildBlueYonderGermanDoudlebskaPolkaFrauleinHappyWandererTheWaltzingCuckooZillertallerSchurzenjagerInternationalAmorAnnieLaurieCielitoLindoGalwayBayTheGirlIleftBehindIrishWasherwomanIt’saLongWaytoTipperaryMexicanHatDanceSantaLuciaYellowBirdYoursZacatecasZemerAtik
SacredSwingLowSweetChariotWilltheCirclebeUnbrokenPop/RockAllAloneAmIAllMyLovingDon’tBeCruelHappyDaysHeyJudeHoundDogM.A.S.H.ThemeRockin’RobinDreamonTeenAngelWalkLikeAManCountryBlueEyesCryingintheRainCottonFieldsRidingontheRangeSendMethePillowthatYouHeyGoodLookin’
Standard/FolkAlouetteEmperorWaltzFascinationHappyDaysareHereAgainHome,Sweet,HomeLadyofSpainLittleBrownJugPolkaOhSusannaWaltzingMatildaWilliamTellOvertureVolgaBoatmanChristmasHereComesSantaClausGrandmaGotRunOverbyaReindeerIHeardtheBellsonChristmasDayJingleBellRockLetItSnow!OChristmasTreeRudolphtheRed‐NosedReindeerSilentNight
MastertheAccordionWorkshops PHBook2‐Session16
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