portfolio jaime sheehan 2016
Post on 30-Jul-2016
217 Views
Preview:
DESCRIPTION
TRANSCRIPT
Jaime SheehanCONTACTArchitecture graduateBarcelona (Spain); January 6th, 1993Nationality: Spanish and American
Calle Ayala 43, Madrid, 28001
j.sheehan.tejero@gmail.com
+34 649 075 375
MISCELLANEOUSArchitecture and Design Academy (Spain) 2008 - 2011
Exchange program with Italy and Canada 2009 - 2010
Camps in France Summer 2005/ 2007/ 2009
Camp in San Francisco Summer 2008
Stays in Milan, Genoa and Turin (Italy) Summer 1993 - 2015
EDUCATIONIllinois Institute of Technology - IIT (Chicago) 2015 - 2016 Bachelor of Architecture Exchange Program · Fifth year
Universidad Politécnica de Madrid (Spain) 2011 - 2017 Bachelor of Architecture · Four years · Member of the Student Council · School board member
Penn State University (Pennsylvania) Summer 2010 College Credit Program · Course of “Introduction to Architecture” · Course of “Introduction to Painting”
I.E.S. Ramiro de Maeztu de Madrid (Spain) 2008 - 2011 · High school diploma on Science & Technology
· Academic award
PROFESSIONAL EXPERIENCECBD Architects (Chicago) Jul 2016 - Dec 2016 Architecture associate
EM&A (Spain) Summer 2015 Internship in an architecture studio
Moneo Brock Studio (Spain) Summer 2014 Internship in an architecture studio
InstantHouse (Italy) 2012 International architecture contest 4th edition · Honorable Mention
Sika (Spain) 2012 Architecture contest, 17th edition
Dolores Escribano (Spain) 2008 Art and design contest, 2008 edition
SpanishNative
EnglishFluent
ItalianAdvanced
FrenchAdvanced
PROFILEI am an architect who excels in his dedica-tion and willingness to work hard. I am moti-vated and can adapt easily, allowing me to respond in an organized and responsible way to high-pressure deadlines.
I have a particularly strong 3D modeling and rendering skills. I am proficient in many com-puter programs and can learn quickly new ones. I am specialized in the construction and graphic design, as well as document layouts.
REFERENCESGeorge Koukourakis 2016 Project manager at CBD architects · gpkoukourakis@gmail.com
Alphonso Peluso 2016 Professor at the IIT · peluso@iit.edu
Andrew Tinucci 2015 Studio professor at the IIT · atinucci@iit.edu
Fernando Espinosa de los Monteros 2015 Architect, Co-founder of EM&A · espinosadelosmonteros@ema-arquitectos.com
COMPUTER SKILLSAutocad
SketchUp
Rhinoceros
Grasshopper
Revit
Vray
ArcGis
InDesign
Photoshop
Illustrator
Climate Consultant
Microsoft Office
LANGUAGES
STUDIO IXProfessor: José Glez. GallegosLocation: Madrid, SpainProgram: Social condenser
Foodies: people passionate about any-thing related with food or drink. They are devoted to find out all about new restau-rants and latest culinary trends.As cars are disappearing in Madrid, new free spaces are created ready for occu-pation. The proposal colonizes an old car’s infrastructure. The building serves not only to satisfy the palate, but also to have the best views of Madrid, allowing the foodies to share their experience on social networks.The building stands with matrix of light col-umns in the Bailén’s bridge and allows to distinguish the previous bridge. The spaces inside the building are formed by modular platforms. All this is sewn by a vertical path that joins the spaces creating the “Prome-nade” along the building.
Main Elevation
Model pictures
Model pictures
Level 11
IPE 300
Tramex of 35 x 35 mm
Frosted glass
EPDM’s joint
Column of 30 x 30 mm
Sliding window
Constructive Section
Level 1
Level 3
Level 5
Level 7
Level 9
Level 11
Level 2
Level 4
Level 6
Level 8
Level 10
Level 12
Axonometric view
STUDIO VIIIProfessor: Lluis OrtegaLocation: Buenos Aires, ArgentinaProgram: Interior renovation
With a carving system we generate new spaces in a conventional building. This creates a three-dimensional network of communications. To do so a path is generated from each entry point and goes up parallel to the facade. These spaces create a series of projections in-side the building offset to a lower level and allowing a diagonal vision. After the projections generate the maximum number of connections to create the largest possible routes. This layout tries to fit in the structure’s frame.In the system they can be distinguish different spaces. They need no walls or any type of enclosure, as they are de-fined by the ramps, stairs and holes. This generates highly diverse areas that en-rich the building.
Paths formation
Axonometric view inside
Levels
Levels
INTERIOR BESTIARYIllinois Institute of Technology
Professor: Lluis OrtegaCollaboration with Ciro Najle and Anna Font, Universidad Torcuato di Tella
FirstName JAIME SHEEHAN TEJEROCARVING MOVEMENT: AN ALTERNATIVE CIRCULATION SYSTEM
Spring 2016
Interior view 1
Interior view 3
Interior view 2
Interior view 4
Main Section
Studio VIIProfessor: Andrew TinucciLocation: ChicagoProgram: Hotel
The hotel emerges at the riverfront. Through an organic shape it simulates growth of a root and generates a con-nection to the landscape.Due to the lack of green areas in Down-town, the project has a greenhouse. To get a better relationship with nature, each plan has its own green areas, in-cluding bedrooms, creating barriers be-tween the inside and outside.The wood-structure, consists of prefab-ricated panels facades and 4 internal ribs. The facade opens holes that lets in light and create a similar atmosphere like a forest. The curved shape allows the facade of the tower end up being the greenhouse covering; while the ribs of the other tower down forming the hearth.Terrain Render
Level -2 Level -1
Level 0 Level 1
Level 5 Level 15
Nombre: JAIME SHEEHAN TEJERO Nº de expediente: 11391 Asignatura: PROYECTOS 5 Grupo: P U.D.: BLANCA LLEÓ ESCUELA TÉCNICA SUPERIOR DE ARQUITECTURA
SAMURAIVivienda tipo
SAMURAIVivienda tipo
Planta de cubiertas
Planta principal 0 51/50m
Esquema de la pastillade escaleras
Axonometríaconstructiva
Sección fugadaVivienda tipo
Alzados principales0 51/75m
3D sectionSpatial organization
House plan
Housecollage
STUDIO VIProfessor: Blanca LLeóLocation: JapanProgram: Samurai village
Based on Akira Kurosawa’s movie The 7 Samurai, I project a Social Condens-er for 3x7 Samurai. I start analyzing the movie’s scenario, and after that I project my own Samurai’s village. The community is organized in small groups of residences that share a Sa-murai activity: horse riding, katana, bow, martial arts, ninja, zen, and arts & crafts. The village consists of two axes. The first axis is parallel to the existing roads and the second is per-pendicular to the slope. I classify the Samurai’s family into 7 different types, and to each type I create a house. All residences are based on the same module and it’s combination creates the Social Condenser.
STUDIO VProfessor: Ruiz CabreroLocation: Monegros desert, SpainProgram: Train platform
For an annual music festival in Mone-gros’ desert we have designed a new train station between Madrid and Bar-celona.As the train station is used only once a year, we placed it near a footpath, previously blocked by the railway tracks.The station is composed of two under-ground tunnels divided by a steel grid. The first tunnel goes under the railway tracks and connects with footpath, and the second one is the subterra-nean access to the platforms. Each one has a different type of natural roof lighting that emphasizes each space and gives a dramatic meaning to the whole design.
Location plan Tunnel image
Tunnel plan
STUDIO IVProfessor: Ruiz CabreroLocation: Barcelona, SpainProgram: Cultural program
The exercise proposes to investigate the construction of a public space in the sea of Barcelona, from punctual actions related to the production of artistic and cultural events. It will be a restructuring of to gain the “edge of the sea” as place for the public use.Using Voronoi’s geometric formula we generate a set of perfectly piled up rocks and producing an abstrac-tion of them we optimize the system opposite to that of the breakwater, connected one to the other. An orga-nizational phenomenon is elaborated then across the geometry of the rocks by a variety of scales and natural forms.
Design process
Main section
INSTANTHOUSE CONTESTLocation: Milan, ItalyProgram: Hall of residence
Through savings and sustainability, we pro-pose a space disconnected of common architecture and lifestyles; encouraging to be the place which the user considers the most comfortable and interesting. By controlling different factors such as heat, noise, lightning, the user is invited to inter-pret his own space. There are many differ-ent skins, giving rise to different sensations depending on the space occupied. It is built mostly of wood and organized by a module with the intention of a cheap and easy construction.The project has the ability to create unex-pected situations for the user and dump-ing all the experiences to the huge public spaces that will create a better environ-ment of creativity and production for the scientists who are living at the “Patchwork home”.
s k i n s e l e c t i o n
light noise heat
stim rain climbing plant shelves wood shaving folding screen wire netting wood glass plants
Interior collage
Types of layer
=
<3m
2
= (3+3+2)m
2
= (3+3+3+2+2)m
2
ground floor plan
T h r o u g h s a v i n g s a n d
s u s t a i n a b i l i t y , w e p r o p o s e a
s p a c e d i s c o n n e c t e d o f c o m m o n
a r c h i t e c t u r e a n d l i f e s t y l e s ;
e n c o u r a g i n g t h e r e s i d e n c e t o
b e t h e p l a c e w h i c h t h e u s e r
c o n s i d e r s t h e m o s t
c o m f o r t a b l ec o m f o r t a b l e a n d i n t e r e s t i n g .
B y c o n t r o l l i n g d i f f e r e n t
f a c t o r s s u c h a s h e a t , n o i s e ,
l i g h t n i n g , t h e u s e r i s i n v i t e d
t o i n t e r p r e t b y h i m s e l f h i s
o w n s p a c e . T h e r e a r e m a n y
d i f f e r e n t s k i n s , g i v i n g r i s e
t ot o d i f f e r e n t s e n s a t i o n s
d e p e n d i n g o n t h e s p a c e
o c c u p i e d . I t i s b u i l t m o s t l y
o f w o o d a n d o r g a n i z e d b - - - y a
m o d u l e w i t h t h e i n t e n t i o n o f a
c h e a p a n d e a s y c o n s t r u c t i o n .
T h e p r o j e c t h a s t h e a b i l i t y t o
c r e a t e u n e x p e c t e d s i t u a t i o n s
f o r t h e u s e r a n d d u m p i n g a l l
t h e e x p e r i e n c e s t o t h e h u g e
p u b l i c s p a c e s t h a t w i l l c r e a t e
a b e t t e r e n v i r o n m e n t o f
c r e a t i v i t y a n d p r o d u c t i o n f o r
t h et h e s c i e n t i s t s w h o a r e l i v i n g
a t t h e “ P a c h w o r k h o m e ” .
v i s i b i l i t y c o n f o r t h e a t n o i s e p r o m e n a d e p r i v a c y
s k i n s e l e c t i o n
light noise heat
stim rain climbing plant shelves wood shaving folding screen wire netting wood glass plants
Building section
3D construction section Floor plan
JAIME SHEEHAN TEJERO, Nº: 11391PRÁCTICA 11
Capa aislante
Escala: 1 / 10m
Cercha de madera
Teja L=30cm
Rastrel de madera 3x3cm
Remate de madera barnizada
Canalón
Bovedilla, h=14cm
Ladrillo Pastelero 3x25x25cm
Baldosín catalán
Rastrel galvanizado
Tablero chapado hidrófugo
Voladizo L<70cm
SKILLS INDEX
THE CITY & THE ENVIRON-
MENT
DIGITALFABRICATION
ADVANCEDMODELING
ENERGYCONSCIOUS
DESIGN
CONSTRUCTION TECHNOLOGY
III
CONSTRUCTION TECHNOLOGY
I
The city and the environmentProfessor: Ester HiguerasLocation: Tielmes, SpainProgram: Landscape analysis
The main objective of the course is to understand, analyze and evalu-ate the relationship among the city, the country, the environment and the landscape; a comparison be-tween the anthropic environment and the territorial medium will be es-tablished to discuss the most appro-priate uses for each one. The target is to define a criteria of bioclimatic suitability and improvement of the urban landscape, through prop-er planning of public spaces and buildings.
Functional analysis
Hydrographical map
Sunlight and shade map
Hypsometric map
Vegetation map
Radiation map
Geotechnical and geological map
Vocation of use of the soil
Advanced modelingProfessor: Alphonso PelusoLocation: -Program: 3D modeling, Grasshopper
This course focus on 3D modeling of complex geometric components in architecture and design. Concepts explored concentrate on the ad-vancement of digital design as an iterative process. Various modeling types covered are Explicit Modeling, Nurbs Surface Modeling, Parametric Modeling, and Generative Com-ponents and Response Modeling. Output will utilize digital fabrication methods as support of the iterative design process.
3D printed models Digital modelsGrasshopper files
Construction Technology IIIProfessor: Ramón AraujoLocation: -Program: Construction project
The practice involves the develop-ment of an architectural construction project for an entire building to a lev-el as close as possible to the project implementation. The goal is to design a building based on the consistency between design and construction. The course aims to give advanced constructive solutions to be applied in any building. Therefore, the project is about a reformulation of the Cocoon House of Paul Rudolph. The project is designed to be radical in its construc-tion. All components have been mod-ulated and prefabricated. This reduc-es the cost of the building, simplifying and speeding up the construction.
5.252.80 2.80
0.20
0.40
0.60
Digital fabricationProfessor: Alphonso PelusoLocation: IIT campusProgram: Carbon fiber facade
We explore the design and fabri-cation of components in contem-porary practice. We investigate through the design and prototyping of a custom component. Behavioral models of components using simula-tion and analysis tools (flow, system dynamics, etc.). Use of CAD tools to model components for production (modeling for CNC considering tool-paths and jigs). Use of CAD tools to analyze properties of components. Material properties and related fab-rication constraints. Current fabrica-tion processes. All this to produce a carbon fiber facade in a 1/1 scale.
Digital file Carving the mold Molding the carbon fiber Preparing the carbon fiber Working model
Facade processFinal model
Energy Conscious DesignProfessor: Matthew HermanLocation: Houston, TXProgram: Carbon fiber facade
We studied Houston climate through diverse software (Grasshopper, Lady-bug) and we tested 27 energy model variations in addition to the baseline through eQuest. We got a building with a 24% of energy savings and that has an affect on the money and marketing of it. lt is also more conscious with the environment while it is complying with all the current standards. The building provides a comfortable space far both clients and workers as well. The target is to learn useful skills for fu-ture designs ad understand better all the energy concepts. Also to develop the tools to change a building’s ener-gy con suption and how to get savings in every single design.
Dry bulb temperature
Direct normal radiation
Heating degree hours
Cloud cover
Dew point
Diffuse horizontal radiation
Cooling degree hours
Standard effective temperature
Relative humidity
Sun path
Radiation rose
Wind rose
Wind speed
Precipitation
Thermal stress
24% savings
Construction Technology IProfessor: Juan C. PalaciosLocation: -Program: Construction details
Knowledge of the basic principles of architectural construction and building systems: support system (foundations and structures), and external building envelope (walls and roofs), highlighting the rela-tionship between form, materials and processes necessary to de-fine constructively an architectural idea, applied to the architecture of the graphic lifting techniques at all stages.
JAIME SHEEHAN TEJERO, Nº: 11391PRÁCTICA 11
Capa aislante
Escala: 1 / 10m
Cercha de madera
Teja L=30cm
Rastrel de madera 3x3cm
Remate de madera barnizada
Canalón
Bovedilla, h=14cm
Ladrillo Pastelero 3x25x25cm
Baldosín catalán
Rastrel galvanizado
Tablero chapado hidrófugo
Voladizo L<70cm
JAIME SHEEHAN TEJERO, N: 11391PRÁCTICA 9
HA /20
Alfeizar corto con goterón
Bovedilla, h=14cm
Estrivos para esfuerzo cortante ø12cm
Armadura superior, ø12cm
Redondo de negativos, ø12cm #10cm
Mortero ignífugo
IPE 140
Escala: 1 / 10m
Placa de Pladur
L 100x60x8
SHS 50x4
Cajón de persiana
Carpintería de madera
Capa aislante
Ladrillo Pastelero 3x25x25cm
Ladrillo L.C.V. Palau
Varilla de acero soldada
Ladrillo L.C.V. Palau
Solería general prensadaLadrillo 14 x 28 x 2 cm
Enlucido de yeso
Vidrio de doble hoja
Revoco de mortero
JAIME SHEEHAN TEJERO, Nº: 11391PRÁCTICA 10
Sumidero
Ladrillo hueco 12 x 18 x 25 cm
Mortero ignífugo
Capa aislante
Ladrillo Pastelero 3x25x25cm
Junta de dilatación
IPE 140
Escala: 1 / 10m
Bovedilla, h=14cm Mortero de agarre
Ladrillo Plt 14
Plots
Baldosa armada antideslizante (40x40x3cm)
Hormigón expandido
Rasilla (3cm)
Baldosín catalán
Tabiquillo palomero
Grava
Papel de traza
JAIME SHEEHAN TEJERO, N: 11391PRÁCTICA 8
L 100x60x8
Bovedilla, h=14cmArmadura inferior, ø20cm
Estrivos para esfuerzo cortante ø12cm
Armadura superior, ø12cm
Redondo de negativos, ø12cm #10cm
Ladrillo hueco 12 x 18 x 25 cm
Mortero ignífugo
Capa aislante
HA-25/P/30/Ia
Placa de Pladur
Ladrillo Pastelero 3x25x25cm
Albardilla cerámica prensada, p=5%
Soldadura
IPE 140
Enlucido
Escala: 1 / 10m
Escala: 1 / 10m DETALLE EN PLANTA
Escala: 1 / 10m
Escala: 1 / 10m Escala: 1 / 10m
Escala: 1 / 10m
Cámara ventilada
Placa cerámica hueca
Ladrillo L.C.V. Palau
SHS 50x4
RHS 100x50x4
Bovedilla, h=14cmLosa de Piedra e=3cm
Mortero de agarre
UPE 140
Placa de anclaje
Chapa metálica
JAIME SHEEHAN TEJERO, N: 11391PRÁCTICA 8
L 100x60x8
Bovedilla, h=14cmArmadura inferior, ø20cm
Estrivos para esfuerzo cortante ø12cm
Armadura superior, ø12cm
Redondo de negativos, ø12cm #10cm
Ladrillo hueco 12 x 18 x 25 cm
Mortero ignífugo
Capa aislante
HA-25/P/30/Ia
Placa de Pladur
Ladrillo Pastelero 3x25x25cm
Albardilla cerámica prensada, p=5%
Soldadura
IPE 140
Enlucido
Escala: 1 / 10m
Escala: 1 / 10m DETALLE EN PLANTA
Escala: 1 / 10m
Escala: 1 / 10m Escala: 1 / 10m
Escala: 1 / 10m
Cámara ventilada
Placa cerámica hueca
Ladrillo L.C.V. Palau
SHS 50x4
RHS 100x50x4
Bovedilla, h=14cmLosa de Piedra e=3cm
Mortero de agarre
UPE 140
Placa de anclaje
Chapa metálica
9,00
3,00
6,00
12,00
3,00 5,85
3
3,15
2 41
32 41 32 41
32 41
0,30
0,80
0,30
0,80
Zuncho
Escala: 1 / 10m
Bovedilla
Vigueta
Pilar
Viga
Planta Baja Cimentaciones
Segunda Planta Tercera Planta
Zapata
HA-25/P/30/Ia
Ladrillo L.C.V. Palau
Escala: 1 / 5m
Capa aislante
Armadura inferior, ø20cm
Estrivos para esfuerzo cortante ø12cm
Ladrillo Pastelero 3x25x25cm
Armadura superior, ø12cm
Redondo de negativos, ø12cm #10cm
IPE 140Bovedilla, h=14cm
Manta de fibra de vidrio, e=50 mm
Armadura ø16mm
Mortero ignífugo
Escala: 1 / 150m
HA-25/P/30/Ia
Bovedilla, e=25cm
Redondo de negativos, ø12cm #10cm
Estrivos para esfuerzo cortante ø12cmArmadura superior, ø12cm
IPE 160Viga mixta (Acero y HA)
IPE 220
Cabeza de apoyo
Escala: 1 / 10m
Escala: 1 / 10m
Estribos ø12mm
Bovedilla, l=54cm
Vigueta
Armadura ø16mm
Fase deHormigonado
JAIME SHEEHAN TEJERO, Nº: 11391PRÁCTICA 10
Sumidero
Ladrillo hueco 12 x 18 x 25 cm
Mortero ignífugo
Capa aislante
Ladrillo Pastelero 3x25x25cm
Junta de dilatación
IPE 140
Escala: 1 / 10m
Bovedilla, h=14cm Mortero de agarre
Ladrillo Plt 14
Plots
Baldosa armada antideslizante (40x40x3cm)
Hormigón expandido
Rasilla (3cm)
Baldosín catalán
Tabiquillo palomero
Grava
Papel de traza
9,00
3,00
6,00
12,00
3,00 5,85
3
3,15
2 41
32 41 32 41
32 41
0,30
0,80
0,30
0,80
Zuncho
Escala: 1 / 10m
Bovedilla
Vigueta
Pilar
Viga
Planta Baja Cimentaciones
Segunda Planta Tercera Planta
Zapata
HA-25/P/30/Ia
Ladrillo L.C.V. Palau
Escala: 1 / 5m
Capa aislante
Armadura inferior, ø20cm
Estrivos para esfuerzo cortante ø12cm
Ladrillo Pastelero 3x25x25cm
Armadura superior, ø12cm
Redondo de negativos, ø12cm #10cm
IPE 140Bovedilla, h=14cm
Manta de fibra de vidrio, e=50 mm
Armadura ø16mm
Mortero ignífugo
Escala: 1 / 150m
HA-25/P/30/Ia
Bovedilla, e=25cm
Redondo de negativos, ø12cm #10cm
Estrivos para esfuerzo cortante ø12cmArmadura superior, ø12cm
IPE 160Viga mixta (Acero y HA)
IPE 220
Cabeza de apoyo
Escala: 1 / 10m
Escala: 1 / 10m
Estribos ø12mm
Bovedilla, l=54cm
Vigueta
Armadura ø16mm
Fase deHormigonado
top related