Analogie VII.

• Sauh III & IV (for four female voices) - 1973;

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• Pranam II (for nine instruments) - 1973*;

• Voyages (2 pieces; for cello) - 1974*;

• Et maintenant c'est à vous de jouer (for cello and double bass) - 1974;

• Kshara (for two double basses) - unknown;

• To the master "Two improvisations" (for cello and piano) - 1974;

• Manto "per quattro" (for voice, flute, trombone and cello) - 1974;

• In Nomine Lucis (2 pieces; for electric organ) - 1974*;

• Aitsi (for electronically prepared piano) - 1974*;

• (version as String Quartet No. 5) - 1985*;

• Le réveil profond (for double bass) 1977;

• Pfhat "A flash... and the sky opened!" (for mixed choir and large orchestra) - 1974*;

• Maknongan (for low-voice instrument: double bass, contrabassoon, etc.) - 1976*;

• Dharana (for Cello and Double Bass) - 1986*;

• Ho "Four Songs" (for soprano voice) - 1960;

• Wo-Ma (for bass voice) - 1960;

• Hurqualia "A Different Realm" (for large orchestra, with amplified instruments) - 1960*;

• String Quartet No. 2 - 1961*;

• Aion "Four Episodes in one Day of Brahma" (for orchestra) - 1961*;

• Taiagaru "Five Invocations" (for soprano voice) - 1962;

• Lilitu (for female voice solo) - 1962;

• Riti "Ritual March" (version for Achilles, for four percussionists) - 1962;

• (version for Alexander, for tuba, double bass, contrabassoon, electric organ & percussion) - 1962;

• (version for Carl the Great, for cello and 2 percussionists) - 1967;

• Khoom "Seven episodes of an unwritten tale of love and death in a distant land" (for soprano voice, horn, string

quartet & percussion) - 1962*;

• 20 Canti del Capricorno (for soprano) - 1962–72*;

• String Quartet No. 3 - 1963*;Duo (for violin and cello) - 1965*;

• (version for violin and double bass) - 1977;

• Anahit "Lyric Poem on the name of Venus" (for violin and 18 instruments) - 1965*;

• Anagamin "The one who is faced with a choice between going back and refusing to" (for 11 strings) - 1965;

• Ko-Lho (for flute and clarinet) - 1966*;

• Elegia per Ty (for viola and cello) - 1958/66*;

• Ohoi "The Creative Principles" (for 16 strings) - 1966;

• Uaxuctum "The Legend of the Maya City which destroyed itself for religious reasons" (for 4 vocal soloists, ondes

martenot solo, mixed choir and orchestra) - 1966*;

• Ko-Tha "Three Dances of Shiva" (for guitar) - 1967;

• (version for double bass) - 1972;

• (version for six-string cello) - 1978*;

• Manto I, II, III (for viola and female voice) - 1967;

• Ckckc (for soprano voice and mandolin) - 1967;

• Natura renovatur (for 11 strings) - 1967;

• Tkrdg (for 6-voice male choir, electric guitar and percussion) - 1968;

• Okanagon "Okanagon is like a rite, or if you will, like grasping the heartbeat of the Earth" (for harp, tamtam &

double bass) - 1968*;

• Konx-Om-Pax "Three aspects of sound: as the first motion of the immovable, as creative force, as the syllable

'om'" (for mixed choir, and orchestra) - 1969*;

• Il est grand temps (for voice) - 1970;

• Même si je voyais (for voice) - 1970;

• Three Latin Prayers (for voice) - 1970*;

• Hymnos (for large orchestra) - 1963*;

• Chukrum (for string orchestra) - 1963*;

• Xnoybis "The ability of energy to ascend to the spirit" (for violin) - 1964*;

• String Quartet No. 4 - 1964*;

• Yliam (for female choir) - 1964;