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    AITIA, ASTRONOMY AND THE TIMING

    OF THE ARRHE PHORIA

    byEfrosyni Boutsikas* and Robert Hannah

    *Department of Classical and Archaeological Studies, University of Kent

    Department of Classics, University of Otago

    This paper deals with the cult and myths of the daughters of the mythical king of Athens,

    Erechtheus, who lived on the Acropolis. The myth, preserved in Euripides tragedy Erechtheus,

    establishes the deceased daughters as goddesses who are owed cult by the Athenians. It furtherequates them with the Hyades, a prominent star cluster in the constellation of Taurus, which

    they form after their deaths. We examine here the possibility that this myth not only narrates the

    placement of the girls after their death in the sky in the form of the Hyades, but also may have

    bound the constellation to certain festivals held on the Acropolis, which through their aetiological

    myths were connected to the daughters of Erechtheus and in which the participation of young

    girls (arrhephoroi) was important. To explicate this cult, we explore its context on the Acropolis

    as fully as possible, through the visual arts, the literary myth, the festival calendar, and the

    natural landscape and night sky, so as to determine whether the movement of the Hyades was

    indeed visible from the Acropolis during the time when the young maiden cult rites were

    performed on the hill. This study investigates for the first time the role of the night sky andastronomical observations in the performance of the nocturnal festival of the Arrhe phoria.

    INTRODUCTION

    In Euripides Erechtheus, Athena proclaims that the souls of Erechtheus daughters have

    not gone to Hades. Instead, she has caused their spirit to dwell in the upper reaches of

    the sky and [she] shall make a famous name throughout Hellas for men to call them the

    Hyakinthian goddesses (Euripides, Erechtheus [Kannicht ] fr. .; Hard

    , ). A scholiast to Aratos identifies these with the star cluster of the Hyades

    (Schol. Aratos, Phaenomena ). This proclamation of the emplacement of the girls

    in the night sky as the Hyades is followed by another proclamation from Athena that

    the girls are from now on to be considered goddesses. The Athenians are to offer them

    annual sacrifices, and choral dances are to be performed by young girls (Euripides,

    Erechtheus [Kannicht ] fr. .; Calame , ). Other sources concur

    The research for this project was funded by a British Academy-Association of CommonwealthUniversities grant for International Collaboration. We would like to thank the British Academy for

    its support. For a discussion of the reason for calling them Hyakinthidai rather than Hyades see Davidsonb, .

    The Annual of the British School at Athens, , page of The Council, British School at Athens

    doi:./S

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    with this myth of the girls death, informing us that it was the result of an oracle from

    Delphi, ordering that one of them had to be sacrificed so that their father, Erechtheus,

    could win the war against the Eleusinian Eumolpos. The youngest daughter of

    Erechtheus was chosen to be sacrificed, but her sisters, who had sworn that they

    should all die together, killed themselves (Apollodoros ..; Euripides, Ion ;

    Hyginus, Fabulae ; Euripides, Erechtheus [Kannicht ] fr. .). The myth

    related by Euripides forms one of the most prominent versions of the catasterism myth

    of the star cluster of the Hyakinthidai or Hyades.

    Epigraphic records have helped in shedding some light on the existence of a cult of the

    Hyakinthidai, but our knowledge of their cult and its location remains frustratingly

    inadequate. A fragment from a fifth-century BC inscription found in the Agora testifies

    that the young girls were indeed offered annual purificatory offerings in Athens (Agora

    I , Face B.), although it has not been possible to reconstruct the month in

    which these rites were performed (Gawlinski , , ). It is because of

    another inscription that we know of the existence of a Hyakinthion in Attica,

    mentioned in a list of restored monuments of the Augustan period (Kirchner ,no. .), but the location of the shrine has, regrettably, not survived.

    We are left, then, with the events which are narrated in the myths as taking place on

    the Acropolis. According to the literary sources, this was the location of Erechtheus

    dwelling (Homer, Odyssey .; Homer, Iliad .), the place where the girls met

    their death, and also Erechtheus burial ground. In this paper we investigate the

    possibility that the catasterism myth of the Hyades may have linked the star cluster to

    certain cult rites held on the Acropolis, in which the participation of young girls

    (arrhe phoroi) was important and which connected the daughters of Erechtheus/

    Erichthonios with the aition myths of those cult rites.

    FESTIVALS AND TIMING

    Two myths narrate the death of maidens on the Athenian Acropolis: one is that

    mentioned by Euripides (discussed above), of the sacrifice of the young daughters of

    Erechtheus. The second is the myth of the three daughters of Kekrops (Aglauros,

    Herse and Pandrosos), also of young age (Apollodoros, Library ..; Philochoros

    [Jacoby ] F ), who were entrusted by Athena with the box containing the

    newborn Erichthonios (Euripides, Ion ). The girls threw themselves from theAcropolis in a frenzy of madness sent upon them by Athena as punishment for

    disobeying her orders not to open the box (Apollodoros, Library ..; Pausanias

    ..). As both Kekrops and Erechtheus/Erichthonios were mythical kings of Athens

    believed to have lived with their families on the Acropolis, the myths of the maidens

    deaths are also associated with the same location. The presence of these young girls on

    the Acropolis was in a sense commemorated by the Athenians through the office of the

    arrhe phoroi, young girls at the service of Athena, who also dwelt on the Acropolis

    There are other versions of the catasterism myth of the star cluster of the Hyades/Hyakinthidai

    (see for example Kearns,; Apollodoros..). On the active role performed by Euripides,and his contemporary Sophocles, in populating extensive areas of the night sky with newconstellations derived from catasterised characters in Greek mythology see Hannah .

    EFROSYNI BOUTSIKAS AND ROBERT HANNAH

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    ( . . . [Pausanias ..]). The

    arrhe phoroi were associated with the weaving of Athenas peplos (robe) (Hurwit ,

    ) and played a significant role in at least three Acropolis cults: the Kallynteria, the

    Plynteria, and the Arrhephoria.

    The Kallynteria (held on Thargelion), a small nocturnal purification rite, were

    associated with the east part of the Acropolis. The rite involved the cleansing of the

    Athena Polias shrine, and the relighting of the eternal flame of the goddess. Photios

    also links the festival with Aglauros (a daughter of Kekrops and the first priestess of

    Athena), who was the first to adorn the gods (Photios, Lexicon s.v.

    , cf. Parker , , ). A few days later (on the night of

    Thargelion), the purification rites continued with the Plynteria, which involved the

    stripping of the cult statue of the goddess, the removal of its jewellery, and

    the wrapping (Plutarch, Alkibiades .; Xenophon, Hellenika ..) and carrying of

    the xoanon in a night procession to the seashore, to bathe and purify it in running

    (salt) water, while also washing its robe (Burkert , ). The participation of

    maidens (called or ) in this procession was essential, as they werethe ones performing the ritual bathing (Aristophanes, frag. : Photios and

    Hesychios, s.v. ). The statue was then returned to the Acropolis, clothed with

    the clean peplos and adorned with jewels. Apart from the participation in this festival

    of young maidens, who were drawn from the clan of the Praxiergidai (Mansfield ,

    ), it is believed that the rite commemorated the death of Aglauros, as the sacred

    vestments of Athena were now washed for the first time during the Plynteria, a year

    after Aglauros death (Hesychios, s.v. ; Photios, Lexicon s.v.

    ; Philochoros [Jacoby ] , F ; Lexeis Rhetorikai, s.v.

    [Bekker , .]). The association of the festival with the death of

    Aglauros makes it apparent that the way the cult statue of Athena was treated duringthis festival was as if it were the dead Aglauros, since several aspects of the rite

    resemble Greek funerary practices (Mansfield , ). These similarities with the

    treatment of the dead are confirmed and epitomised by the ancestral sacrifices that

    were offered by the Praxiergidai either during or a day before the Plynteria (Kirchner

    , no. .). That this day was a day of mourning is also confirmed by

    For further discussion of the myths of the daughters of Kekrops and Erechtheus, in thecontext of their artistic iconography, see Shapiro and Kron . Or, according to Mansfield, the adorning of Athenas statue, as Photios derives the word from

    , meaning to make splendid or adorn (Mansfield , , ). Mansfieldinterestingly argues that the idea that the Kallynteria were associated with the cleaning ofAthenas shrine and the relighting of Athenas lamp is mistaken. He argues that if the fire wasrenewed every year when the new oil became available, then this should have happened in thewinter, not at midsummer (Mansfield , and n. ). Priestess of Athena: Hesychios, s.v. . (Latte ); Philochoros (Jacoby)

    F. There appears to be no explicit evidence of a similar association between certain Athenian

    families and the Kallynteria or the Arrhephoria. On the festival being initially founded in honour of Aglauros, see also Connelly , ;

    Harrison, ; Valds Gua , n. . Mansfield discusses, for example, the similarities between the closing of the temple (Plutarch,

    Alkibiades .) and the closing of the house of the deceased, the bathing of the statue and itswrapping in a shroud (Xenophon, Hellenika ..; Plutarch, Alkibiades .) (to be transferredto the sea shore) and the similar preparation of the deceaseds body, etc.

    AITIA, ASTRONOMY AND THE TIMING OF THE ARRHE PHORIA

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    Plutarch, who states that no Athenian would venture the undertaking of important

    business on the day of the Plynteria (Plutarch, Alkibiades .), and by other writers,

    who state that on the day of the Plynteria the sanctuaries were closed (Polydeukes,

    Onomastikon Attikon .; Phanodemos [Jacoby] F).

    The Arrhephoria, associated with the north to northeast part of the Acropolis, were a

    secret fertility rite held in honour of Pandrosos and Athena (Herrington , ). The

    rite took place in Skirophorion (Burkert , ; Mikalson , ) and was the

    re-enactment of the myth of Athena entrusting newborn Erichthonios to the three

    daughters of Kekrops. On the night before the day celebrating the festival, the priestess

    of Athena gave the arrhe phoroi (young girls in the service of Athena) baskets with

    unknown contents to take to the sanctuary of Aphrodite through a secret passage,

    descending from the north slopes (Pausanias ..; Broneer , ; Hurwit ,

    ). The girls were to leave the baskets they were carrying, pick up some new ones

    from the sanctuary of Aphrodite (again with unknown contents) and bring them back

    to the Acropolis. A steep staircase has been unearthed in the area of the north slopes,

    which during Mycenaean times would have led to a spring, thought to have been theone used by the arrhe phoroi (Broneer , , ; Broneer , ; Broneer

    , ). Archaeologically, the rite that was eventually named Arrhephoria (which

    started and ended on the Acropolis) seems to have been either resumed or initiated in

    the eleventh century BC, when the Mycenaean stairway appears to have been restored

    (Broneer, ; Burkert , ).

    The conversion of ancient Athenian calendar months to our Gregorian calendar can

    be achieved only with an accuracy of within three to four weeks because of the nature of

    the Athenian calendar. This is because New Years Day in the Athenian calendar was

    similar to Christian Easter and Jewish Passover, in being tied to both a lunar

    phenomenon of variable date and a solar event of more or less fixed date in the caseof Easter and Passover to the first full moon after the spring equinox, and in the case

    of ancient Athens, to the first new moon after the summer solstice. As a result, New

    Years Day in Athens, Hekatombaion, could shift from one year to the next by about

    three weeks, and over a period of years by as much as four weeks between the earliest

    occurrence of New Years Day and the latest. The date Hekatombaion would fall

    generally in mid to late July, but in some years it would occur earlier, in late June to

    mid-July. Consequently, Thargelion, two months earlier, could start in mid to late

    May in some years, but as early as late April or the first half of May in others.

    Therefore, since the festival of the Kallynteria was celebrated towards the end of

    Thargelion, it would often take place around our end of May

    beginning of June.

    THE ASTRONOMICAL MOVEMENT OF THE HYADES AND AURIGA

    Table shows a correlation between the timing of the above rites associated with the

    young girls (the arrhe phoroi, and the daughters of Kekrops and Erechtheus) and the

    movement of the Hyades, the star cluster believed to be the catasterism of some of

    these mythical young girls. As seen in Table , the Kallynteria, which marked the

    commencement of three consecutive rites timed within three weeks of one another

    (Kallynteria, Plynteria and Arrhephoria), were timed at the time of, or very close to,

    the most astronomically significant period of the Hyades and the constellation of

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    Auriga. Auriga was, for the Greeks, the stellar representation of Erechtheus/Erichthonios

    (Eratosthenes, Katasterismoi; Hyginus, Astronomica .).

    The heliacal rising of the star cluster of the Hyades would have taken place between

    our and June in the years between and BC(calculated through reconstructions

    of the ancient night sky, and using Aldebaran, Tauri, as the focal star in the cluster).

    The heliacal rising marks the reappearance of the star cluster in the night sky, seen to

    rise in the east, approximately an hour before dawn, after its annual invisibility period,

    which started on April. Until the time of the heliacal rising, the star cluster had beenrising (and for much of this time setting) during the day and was therefore invisible at

    night. The star cluster became visible again for the first time for a few minutes before

    dawn. It would be seen to rise in the east approximately one to two hours before the

    glare of the rising sun made it invisible at dawn. From that date on and for the next

    few months, the Hyades would rise earlier and earlier every night until the following

    April/May, when they climbed above the horizon just after sunset, while it was still too

    bright for them to be visible. The rising Auriga is located in the northeast part of the

    night sky, in the section of the horizon visible between the Erechtheions north porch

    and the entrance to the sanctuary of Athena Polias. Between and BC, Aurigas

    heliacal rising occurred between and June and its invisibility period started on

    May. In the years when the month would have started earlier, the heliacal rising of the

    Hyades ( June) may not have been visible during the Kallynteria, but it would have

    Table . Calendrical correlation between festivals involving young girls and the movements of the

    Hyades and Auriga, visible from the Acropolissouth, southeast, east and northeast horizons, in the

    years BC.

    Gregorian months Attic months Festivals Hyades Auriga

    JulyAugust Hekatombaion Panathenaia

    AugustSeptember Metageitnion

    SeptemberOctober Boedromion Genesia -th

    OctoberNovember Pyanepsion Weaving of

    peplos starts

    Acronychal rising

    (Oct)

    Cosmical setting

    (Nov)

    Acronychal rising

    (October)

    November

    December

    Maimakterion Cosmical setting

    (Nov)

    DecemberJanuary Poseideon

    JanuaryFebruary Gamelion

    FebruaryMarch Anthesterion

    MarchApril Elaphebolion Heliacal setting

    (April)

    Heliacal setting

    (April)

    AprilMay Mounychion Invisibility period

    (April)

    MayJune Thargelion Kallynteria

    (nd)

    Plynteria

    (th)

    Invisibility period

    (June)

    Heliacal rising

    (June)

    Invisibility period

    ( MayJune)

    Heliacal rising

    (June)

    JuneJuly Skirophorion Arrhephoria

    (rd?)

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    been visible at the very latest by the time of the Arrhephoria in the following month of

    Skirophorion.

    This phenomenon of the heliacal rising, which is culturally the most significant in theannual movement of a star or constellation, took place very close to the time of the

    celebration of the aforementioned three festivals associated with young maidens on

    the Athenian Acropolis. In addition, not only were these festivals nocturnal, but they

    also took place in the eastern part of the Acropolis, from where the rising Hyades

    would have been seen best.

    The Hyades are seen to rise in Greece in the east part of the sky, almost due east (at

    azimuth). This part of the sky is visible from the Athenian Acropolis if one is standing

    in front of or near the entrance of the Parthenon, the Great Altar and the Athena Polias

    shrine (Fig. ). This eastern horizon visible from the east part of the Acropolis is not

    particularly high. Its outline is formed by Mt Hymettos across the east and with MtLykabettos rising sharply at a much closer distance in the east-northeast (Fig. ).

    The catasterisms of Erechtheus/Erichthonios and his daughters would become visible

    on the eastern horizon of the Acropolis, in front of the Parthenon, the Great Altar and the

    Athena Polias cella, at the time when the nocturnal Kallynteria, Plynteria, and

    Arrhephoria rites would be coming to completion, at the end of the night around that

    part of the Acropolis. The Great Altar in particular was the focus of cult rites

    performed on the Acropolis; with the exception of the sacrifices offered to Athena

    Hygeia and those to Athena Nike, all sacrifices were offered on the Great Altar

    (Herrington , ). The chthonic character of the Kallynteria, Plynteria, and

    Arrhe

    phoria and their association with the death of the maidens has been argued hereand elsewhere. This period is marked by the reappearance of the virgin Hyades and

    Auriga in the night sky during their heliacal rising.

    A similar astronomical association occurs at the time when the weaving of Athenas

    peplos would have commenced, in Pyanepsion (OctoberNovember). This is the time

    when the acronychal rising (the star cluster is seen to rise at dusk just after sunset)

    ( October) and the cosmical setting (the star cluster is seen to set just before

    dawn) ( November) of the Hyades would have occurred. Between and

    Fig. . Panoramic view of the horizon if standing near the entrance of the

    Parthenon, and the Athena Polias shrine and the Great Altar (photo: E. Boutsikas).

    Hannah (, , and , ) has argued that the use of a parapegma and/or the

    -year Metonic Cycle could have helped to regulate the Athenian lunar festival calendar and soto keep the festivals within reasonable bounds in the seasonal year. See note above.

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    October the acronychal rising of Auriga would have also been visible (Table ). The

    peplos was offered to the goddess nine months later, during the Panathenaia upon thearrival of the Panathenaic procession to the Acropolis. The Parthenons west frieze

    the location from which the Hyades would have been seen to set at the time the

    weaving was starting has been interpreted as depicting either the preparations for the

    procession, at the end of which the peplos would have been dedicated to Athena

    (Nagy , ; Root , , , Stillwell , , ), or the

    commemoration of Eumolpos military threat which led to the sacrifice of Erechtheus

    daughters (Connelly , ). Whether the weaving of the peplos by the arrhe phoroi

    was a symbolic re-enactment of the role of the two sisters in weaving the funeral cloth

    for the one to be sacrificed (Connelly, ), or whether it was the new robe of the

    goddess who catasterised the Hyades, the mythological and ritual association between

    the young girls, their death and Athena, is strengthened further at a temporal level by

    the timing of this weaving.

    THE EASTERN LANDSCAPE

    The Kallynteria, Plynteria, and Arrhephoria were nocturnal rites and with the exception

    of the Plynteria, which involved at some point a trip from the Acropolis to the sea for the

    cleansing of the cult statue all of these rites were performed in the north and

    northeastern part of the Acropolis, from where the heliacal rising of the Hyades would

    have also been visible. At the bottom of the east slope of the Acropolis rocks, a small

    Fig.. Heliacal rising of the Hyades over the Hornsof Mt Hymettos, as seen from

    the east end of the Parthenon in Athens, BC. Auriga is already risen and sits over

    Mt Lykabettos to the northeast (Voyager ., with Athenian horizon incorporated

    by R. Hannah).

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    cave-sanctuary dedicated to Aglauros has been discovered (Dontas; Hurwit,

    ), probably commemorating her and her sisters deaths (Fig. ). It is possible that the

    location of this sanctuary was not accidental, but instead was believed to have marked

    the spot where the young girls died after jumping from the east part of the Acropolis.

    Interestingly, part of the festival celebrated in honour of Aglauros and her two sisters

    in Aglauros sanctuary also had a mystical character and included a night-long

    pannychis (Lexeis Rhetorikai, s.v. w [Bekker , .]; Athenagoras,

    Legatio .; Dontas , and n. ). Even though the cave of Aglauros is located at

    a considerably lower altitude, at the foot of the Acropolis hill, the eastern horizon is

    still visible, as the ground in front of the cave slopes sharply (also visible in Fig. ). At

    the time of the festival of Aglauros the rising Hyades would therefore have still been

    seen over the horizon which the cave faces.

    We have then a spatio-temporal association which links the mythological narratives

    used asaitiaof cults on the Acropolis with the optimal location from which the relevant

    astronomical observations could be visible during the rites; a case where time and space

    entwine. In addition to the spatial association, the rites were timed on the occasion of themost astronomically significant phases of the same stellar bodies. This cosmic association

    between, on the one hand, the myth of the death of the young maidens, the timing of

    religious rites in which these girls were commemorated, and the location where the

    rites would have taken place, and, on the other hand, the astronomical observations,

    would have come together once a year, at the precise moment in time when the

    cosmos would transition from night to day. This transition between night and day is

    also depicted on the Parthenons east pediment, where Selene is seen to dive in her

    Fig.. Southeast corner of the Athenian Acropolis. The cave of Aglauros dominates

    the lower east slope to the right (photo: R. Hannah).

    EFROSYNI BOUTSIKAS AND ROBERT HANNAH

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    chariot below the base of the pediment and, on the opposite corner, Helios is depicted as

    climbing above the horizon.

    A further link may be seen in the surviving sculptural decoration of the Parthenon.

    The Parthenons east frieze depicts a larger number of maidens than any other

    sculptural decoration on the Acropolis. Here, over maidens are depicted, while the

    place of prominence in the frieze is occupied by the depiction of three girls and a

    woman, who may represent either the daughters of Erechtheus (Connelly , ), or

    the arrhe phoroi (Hurwit , , ). The narration of the eastern sculptural

    decoration of the Parthenon is therefore linked by projecting ones field of view from

    the east frieze to the east horizon, where the Hyades would have been visible.

    At the end of the Erechtheus, Athena instructs the wife of Erechtheus, Praxithea, to

    establish a temenos at the place where her daughters were buried and to build a stone

    peribolos around her husbands precinct (sekos) in the middle of the Acropolis

    (Euripides, Erechtheus [Kannicht ] fr. ., ff). Two locations have been

    proposed as containing tombs on the Acropolis: the Erechtheion and its peribolos as

    Erechtheus precinct, and the area occupied by the Classical Parthenon as the burialground of his daughters. This last idea has been argued on the basis of other tombs

    of heroic maidens being located close to the temples of the goddesses with whom they

    were associated (Connelly , ), such as Iphigeneias tomb at the sanctuary of

    Artemis at Brauron (Euripides, Iphigeneia at Tauris ). Early literary evidence

    may support this idea: Euripides tells us that the sacrificed daughter was buried at the

    place of her sacrifice and that her sisters were buried in the same tomb (Euripides,

    Erechtheus [Kannicht ] fr. .). In support of this argument could also be

    taken the Roman inscription (first century BC) referring to the Hyakinthion (Kirchner

    , no. .) mentioned above, which was found on the Acropolis. If the

    hypothesis of the girls tomb on the Acropolis is accepted, it is possible that the westroom of the Parthenon the remains of which show that both in the Classical

    structure and in its predecessor the room was accessible only from the west (Fig. )

    rested atop the tomb of the virgins, the parthenoi, just as the tomb of Erechtheus may

    have been believed to rest under part of the Erechtheion (Connelly , ). If the

    word was initially used as a locality referring to several parthenoi, such as the

    maidens quarters or the place of the maidens (Connelly , ), then the west

    section of the Parthenon would have been associated with Erechtheus daughters.

    Appealing as this interpretation seems, it is not possible to conclude with certainty that

    this was the location where the young girls were buried. In any case, however, this part

    of the Parthenon can (like the eastern part) be linked with the constellation of theHyades: the heliacal setting of the Hyades would have been visible from this location, a

    month before the Kallynteria and their cosmical setting at the time when the weaving

    of the peplos would have started (Table ).

    Cosmic themes of the Parthenons east pediment and the north metopes, in both of which theevents depicted take place at dawn, have been discussed elsewhere (Davidson b, ). A number of other locations have been considered for the tombs of the girls: on a hill called

    Hyakinthos at Sphendonai (?) (Phanodemos [Jacoby] F ); or at the tomb of the Kyklops

    Geraistos (Apollodoros, Library..); or on the slopes of Aigaleos, the hill which lies betweenAthens and Eleusis and which is crossed by the Sacred Way (Davidson b, n. ). For a more extensive discussion in favour of this idea see Connelly, .

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    The astronomical movement of the Hyades coincides with rites associated with the

    arrhe phoroi and the parthenoi. The association of the heliacal rising of the Hyades with

    the Arrhe phoria is also consistent with the identification of the rite as a possible

    fertility rite (Herrington , ). The heliacal rising of the Hyades, just like that of

    the Pleiades, marked the time of harvesting and their setting the beginning of the

    ploughing season (Hesiod, Astronomia fr. MW; Hesiod, Works and Days ;

    Hannah , ). Although the worship of the moon and the sun may have been

    considered a barbarian practice during the Classical period (Davidson a, ), the

    divinity and worship of stars was proclaimed and is testified in the literary sources

    (Euripides, Erechtheus [Kannicht ] fr. .; Plato, Timaeus de, b;

    Chrysippus,Stoicorum Veterum Fragmenta , , ). It is also confirmed

    in Athenas statement in the Erechtheus that the Hyades should be worshipped as

    goddesses (Euripides, Erechtheus [Kannicht ], fr. .).

    Observing the heliacal rising of stars and constellations was common practice in

    Greece from at least the time of the Iliad (Homer, Iliad. for Sirius). Evidence

    for the use of stellar observations for the timing of religious festivals in Greece can be

    dated to at least as early as the fourth century BC. Exemplifying such a practice are the

    Keans, who anticipated the heliacal rising of Sirius and offered sacrifices to the star

    (Apollonius, Argonautica .). Watching the movement of stars during the

    Fig. . Plan of the Athenian Acropolis (drawn by L. Bosworth).

    But when from heaven Sirius burned the Minoan islands, and for a long time there was no

    remedy for the inhabitants, then by the command of the Far-Shooter they summoned a

    protector from the plague. And at his fathers command he left Phthia and settled in Keos,

    gathering together the Parrhasian people who are of the race of Lykaon, and he made a greataltar to Zeus Ikmaios, and duly offered sacrifices on the mountains to that star Sirius, and to

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    course of religious rites is explicitly recorded in early, as well as later, sources. Alkman in

    his Partheneion (middle of seventh century BC), for example, describes a ritual that was

    taking place just before dawn at the time of the heliacal rising of the Pleiades (Alkman,

    Partheneion , ; Boutsikas and Ruggles , ) and Euripides seems to

    describe Helen watching Hyakinthos, i.e. the constellation of Orion (Euripides, Helen

    ; Davidson a, ; Davidson b, ). Similarly, Aristophanes times

    the beginning of the fifth day of the Eleusinian Mysteries, when the hiera would be

    returned to Eleusis, to the sighting of the morning star (the light-bearing star of our

    nocturnal rite, Aristophanes, Frogs ). In view of this evidence, it is possible that

    when Athena declares the divinity of the young girls after their death and their

    placement in the sky, and orders that sacrifices should be made to them, it is assumed

    that the sacrifices and festival would take place at the time of the heliacal rising of the

    Hyades. In this way, rites and sacrifices would be offered to the stars in

    commemoration of their once mortal existence.

    CONCLUSION

    Although the content and interpretation of the sculptural elements of the Acropolis

    structures (especially for the Parthenon) have been widely debated and discussed, the

    role of the surrounding landscape, and the timing of festivals in relation to the local

    sky and horizons, have been absent from studies of Athenian religion and cult

    performance. In this paper we argue that the structures and their architecture, the

    cult rites with their timing and foundation myths, were all tightly interwoven in

    expressing a religious and cosmological narrative and context. This study would have

    benefited immensely from definitive answers on the exact location of the Hyakinthion

    in Attica and the month in which the rites to the Hyakinthidai mentioned in the Agora

    inscription took place, but even in the absence of such evidence it is possible to

    conclude that there was an astronomical relationship between the cults of young girls

    on the Acropolis and the movement of the star cluster of the Hyades.

    [email protected]

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    AITIA, ASTRONOMY AND THE TIMING OF THE ARRHE PHORIA