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1 Richard Allen and Murray Smith (eds.), Film Theory and Philosophy, 1997, OxfordUniversity Press.

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Film Studies| The Film Theory That Never Was: ANervous ManifestoGregory Currie2 3 |moving picture|(a)(b)(c)

2 Frege: An Introduction to His Philosophy, 1982, Harvester Press.3 An Ontology of Art , 1989, Macmillan; The Nature of Fiction, 1990, Cambridge

University Press; Image and Mind: Film, Philosophy, and Cognitive Science, 1995,Cambridge University Press.

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realistic|represent|||Noel

Carroll| Fiction, Non-ction, and the Film of PresumptiveAssertion: A Conceptual Analysis the creative treatment ofactualitya lm of presumptive assertion|

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| suppositionallyimagine||

4 Tom Gunningclarity and argument

4 Theorizing the Moving Image, 1996, Cambridge University Press. Interpreting theMoving Image, 1998, Cambridge University Press.

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5 | A BA B C

5 Ray Privett and James Kreul, \The Strange Case of Noel Caroll: A Conversation withthe Controversial Film Philosopher" (http://www.sensesofcinema.com/contents/01/13/caroll.html).

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motion picture motion picture

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6 lm of presumptiveassertion

6 W.D.Hart, \Clarity" inD.Bell and N.Cooper (eds.), The Analytic Tradition, 1990, Basil Blackwell, pp.197{222.

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1 + 2 + : : :+ n =n(n+ 1)

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n = 1 n = k n = k + 1

1 2 . . . n 1 nn n 1 . . . 2 1

n+1 n n(n+1)1 nnn

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klar

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