543

Chapter 1

Example 1.1: Handel, Suite in F minor (1720), Allemande

[ ]

[ ]

VordersatzFirst ritornello cycle

EpilogSecond ritornello cycleFortspinnung 1

Fortspinnung 2

Epilog

Third ritornello cycleEpilog Fortspinnung

1 1

Fortspinnung

Fortspinnung

9

3

6

544

continued

14

16

18

21

24

27

Example 1.1 : Handel, F minor Allemande(continued)

[ ]

*

Some editors prefer D to D in bar 22. *

545

Exam

ple

1.2:

Han

del,

F m

inor

Alle

man

de, b

ars 1

–13

(the

first

repr

ise)

C

ontra

punt

al re

duct

ions

a) b)

Bas

ic p

ace

redu

ctio

n

Bar

s

(

)

(

)

1 2

3 4

Bas

ic p

ace

cont

ract

sB

asic

pac

e ex

pand

s

1

Rep

etiti

ons,

enla

rgem

ents

, and

con

tract

ions

of c

–

a

(som

e tra

nspo

sed)

11

12

Enla

rgem

ent o

f c

– a

–

g –

f /

a

Bar

sFigu

ral p

ace

redu

ctio

n

1 2

3 4

Bas

ic p

ace

Figu

ral p

ace

and

cont

ract

ed b

asic

pac

eLe

gend

:

Obb

ligat

o pa

ce a

nd e

xpan

ded

basi

c pa

ce

cont

inue

d

6

7

5

10

6

7

6

7

6

7

6

7

6

7

6

10

10

10

10

10

10

(

)

21

(

)

546

cont

inue

d

Rep

etiti

ons,

enla

rgem

ents

, and

con

tract

ions

of c

2 –

a 1 (s

ome

trans

pose

d)

Enla

rgem

ents

of c

2 –

a 1 –

g1

– f

1 / a

1

Exam

ple

1.2:

Han

del,

F m

inor

Alle

man

de, c

ontra

punt

al re

duct

ions

Bar

s

(

)

Bas

ic p

ace

resu

mes

Expa

nded

bas

ic p

ace

5 6

7 8

9 9

(con

tinue

d)

ab

1a

12

2

1 b

cd

g1 b

Bar

s5

6 7

8 9

9 a

b

(

)

a) b)

Bas

ic p

ace

redu

ctio

n

Figu

ral p

ace

redu

ctio

n(con

t.)

(con

t.)

cont

inue

d

547

2

Exam

ple

1.2:

Han

del,

F m

inor

Alle

man

de, c

ontra

punt

al re

duct

ions

Bars

(

)

(con

tract

ion)

Dou

ble

sequ

entia

l exp

ansio

n,no

ness

entia

l at h

ighe

r lev

els

Bars

9

9

(

)

10

11 12

13

10

11 12

13

mid

-bar

disp

lace

men

t )

(

(

)

Dou

ble

sequ

entia

l exp

ansio

n,es

sent

ial a

t the

fore

grou

nd le

vel

(inne

r voi

ce)

(

)

(

)

()

()

(inve

rsio

n an

d co

ntra

ctio

n)

Inve

rsio

n, e

nlar

gem

ent a

nd m

id-b

ar d

ispla

cem

ent

CB

A

Dou

ble

sequ

entia

l exp

ansio

n,no

ness

entia

l at h

ighe

r lev

els

10

11 m

id-b

ar d

ispla

cem

ent )

(

(

)

2 d1

be

2 2 c

e2

2 c

(con

tinue

d)

a)Ba

sic p

ace

redu

ctio

n(c

ont.)

b)Fi

gura

l pac

e re

duct

ion

(con

t.)

(

)

548

continued

Example 1.3: François Couperin, , Ordre 8: Gavotte

a) Score

Pièces de clavecin

Tendrement.

2

2

petite reprise 12

8

4

549Example 1.3: François Couperin, Pièces de clavecin, Ordre 8, Gavotte

b) Bar

s

Bar

s

Exam

ple

1.3:

Cou

perin

, Ord

re 8

: Gav

otte

(con

tinue

d)

Pace

redu

ctio

n

2 2

1 3

5 7

9 11

13

15

Com

posi

tepa

cing

:B

asic

pac

e la

rgel

yla

rgel

y

Bas

ic p

ace:

larg

ely

larg

ely

Com

posi

tepa

cing

:

(

pace

atte

mpt

s

rea

sser

tion)

( p

ace

agai

nat

tem

pts r

eass

ertio

n)

550

b) Bar

s

Bar

s

Exam

ple

1.3:

Cou

perin

, Ord

re 8

: Gav

otte

(con

tinue

d)

Pace

redu

ctio

n

2 2

1 3

5 7

9 11

13

15

Com

posi

tepa

cing

:B

asic

pac

e la

rgel

yla

rgel

y

Bas

ic p

ace:

larg

ely

larg

ely

Com

posi

tepa

cing

:

(

pace

atte

mpt

s

rea

sser

tion)

( p

ace

agai

nat

tem

pts r

eass

ertio

n)

Exam

ple

1.3:

Cou

perin

, Piè

ces

de c

lave

cin,

Ord

re 8

, Gav

otte

(con

tinue

d)

a)B

ars 1

–5

b)B

asic

pac

e re

duct

ion

Lang

uiss

amm

ent

Exam

ple

1.4:

Cou

perin

,

, O

rdre

3: “

Les R

egre

ts”

Pièc

es d

e cl

avec

in

c)

a

Figu

ral p

ace

redu

ctio

n

B

asic

pa

ce:

Fi

gura

l pa

ce:

551

Example 1.5: Handel, F minor Allemande, principal chords, bars 1–2

Bars

Bars

Example 1.6: Handel, F minor Allemande, principal chords, bars 4–5 a

65

( ) ( )

4 5

1 2

IVIV

VII

6V7

V I IV6V6 VIII4 3 I

552

Bar

s

Exam

ple

1.7:

Han

del,

F m

inor

Alle

man

de, d

urat

iona

l pro

files

, bar

s 1–1

3

Bas

icpa

ce:

a)B

ars 1

–4b)

Bar

s 5–9

c)B

ars 9

–1

3ba

an

dan

d

1 2

3 4

5 6

7 9

9 11

12 1

3

Bas

ic p

ace

cont

ract

s,th

en e

xpan

ds in

pr

epar

atio

n fo

r bar

s 5–6

Bas

ic p

ace

expa

nds,

then

resu

mes

Bas

ic p

ace

expa

nds f

urth

er, t

hen

resu

mes

and

als

o co

ntra

cts

= pa

ttern

s

=

Exam

ple

1.8:

Han

del,

F m

inor

Alle

man

de, p

oint

s of f

ores

horte

ning

Bar

s

a)B

ars 2

–3

b)B

ars 6

–7

c)B

ars 1

1 –

13

2 3

6 7

12

( )

ba

ba

ba

ba

prep

arat

ion

for

and

real

izat

ion

of

fore

shor

teni

ngs

ba

ba

1 1

,

,

and

b

553

Exam

ple

1.9:

Han

del,

F m

inor

Alle

man

de, b

ars 1

–13

Rec

ompo

sitio

n of

bar

s 2 –

3

Exam

ple

1.10

: Han

del,

F m

inor

Alle

man

de, g

row

ing

tess

itura

Bar

s2

3 6

7 12

b

a

ba

Bar

s

a)Fi

rst r

itorn

ello

cyc

leb)

c)

1 3

5 7

9 b10

and

6 –

7 i

n b

ars 1

1 –

12

ba

ba

[

]

Bar

s

Seco

nd ri

torn

ello

cyc

le

Third

rito

rnel

lo c

ycle

Unf

olde

d th

irds

Unf

olde

d “f

ifths

”(=

impl

icit

4–5,

4–5

) U

nfol

ded

fifth

s an

d fo

urth

s(=

oct

aves

)

Unf

olde

d si

xths

Step

wis

e si

xths

and

“se

vent

hs”

(to a

–d

,

(to a

–c

,

bar 4

)ba

r 9 )

1a

b1

11

Leg

end:

Con

trary

-mot

ion

upbe

at

Des

cent

s fro

m a

2U

nfol

ded

sixt

hs

)(

ba

ba

1 1

“7th

”

6t

h

554

Exam

ple

1.9:

Han

del,

F m

inor

Alle

man

de, b

ars 1

–13

Rec

ompo

sitio

n of

bar

s 2 –

3

Exam

ple

1.10

: Han

del,

F m

inor

Alle

man

de, g

row

ing

tess

itura

Bar

s2

3 6

7 12

b

a

ba

Bar

s

a)Fi

rst r

itorn

ello

cyc

leb)

c)

1 3

5 7

9 b10

and

6 –

7 i

n b

ars 1

1 –

12

ba

ba

[

]

Bar

s

Seco

nd ri

torn

ello

cyc

le

Third

rito

rnel

lo c

ycle

Unf

olde

d th

irds

Unf

olde

d “f

ifths

”(=

impl

icit

4–5,

4–5

) U

nfol

ded

fifth

s an

d fo

urth

s(=

oct

aves

)

Unf

olde

d si

xths

Step

wis

e si

xths

and

“se

vent

hs”

(to a

–d

,

(to a

–c

,

bar 4

)ba

r 9 )

1a

b1

11

Leg

end:

Con

trary

-mot

ion

upbe

at

Des

cent

s fro

m a

2U

nfol

ded

sixt

hs

)(

ba

ba

1 1

“7th

”

6t

h

Rec

ompo

sitio

n of

bar

s 2b

–3a

and

6b–7

a in

bar

s 11

b –12

a

Bar

s

Exam

ple

1.11

: Han

del,

F m

inor

Alle

man

deG

roup

ing

pace

pro

file

Bas

ic

pace

:

a)B

ar 1

1 3

5 7

9

Exam

ple

1.12

: Han

del,

, N

o. 3

: “Ev

ry V

alle

y”

b)H

arm

onic

redu

ctio

nsbb

ba

10

Third

rito

rnel

lo c

ycle

Firs

t rito

rnel

lo c

ycle

Seco

nd ri

torn

ello

cyc

le

9

(p

lus

)(m

inus

)

disp

lace

d

Mes

siah

=

Su

blim

inal

pl

agal

resi

due

Cad

entia

l pa

ce:

Vio

lin I

Vio

lin II

V

iola

Bas

so

6I

II

II

II

II6 5

II6 5

VV

=1 1

1 2

1 3

=+

555

+

Example 1.13: Handel, F minor Allemande, bars 1–2

Normalized time-span reductions in

[ ]

the style of Lerdahl and Jackendoff

556

Violino I.

Violino II.

Viola.

Bassi.

Violoncello.

concertino.

Violino I.

Violino II.

ripieno.

Tasto solo.

Example 1.14: Handel, Concerto Grosso in E minor, Op. 6, No. 3, Allegro,

Four-bar opening theme

First periodVordersatz5

6 6 6 6

bars 1–22 (the first period)

continued

557Example 1.14: Handel, Concerto Grosso in E minor, Op. 6, No. 3, III: Allegro Bars 1–22 (first period)

13 Fortspinnung

(continued)Example 1.14: Handel, E minor Concerto, Allegro

9

6 6 6 6 6 6 6 6

continued

558

6 6 6 6 6 3 3 3 6

5 6 5

6 6 6 6

5 6 6 6 6 6 6 6

16

19

Epilog

(continued)Example 1.14: Handel, E minor Concerto, Allegro

559

Tona

l red

uctio

n

Bar

s1

2 3

4

Bar

s

Exam

ple

1.15

: Han

del,

Con

certo

Gro

sso

in E

min

or, O

p. 6

, No.

3, b

ars 1

–22

)(5

^

3

^

()

( )

( )

( )

5 6

5

^

3

^

7 8

9

10

11

12

12

ab )

(

Aux

iliar

y ca

denc

eV

III:

I

cont

inue

d

ˆ

ˆ

2

4

560

Exam

ple

1.15

: Han

del,

E m

inor

Con

certo

, bar

s 1–

22

T

onal

redu

ctio

n

12 b )

(

Aux

iliar

y ca

denc

e

VII

I:

( )

13

14

15

16 b

I

( )

( )

17

18

19

20

21

22

22

ab

3

^

III:

(b

ass)3

^

2

^

(upp

er v

oice

)

Bar

s

Exam

ple

1.15

: Han

del,

Op.

6, N

o. 3

, bar

s 1–2

2, to

nal r

educ

tion

(con

tinue

d)

sim

ilesi

mile

III

5

ˆ

ˆ

ˆ

1

3

or, a

s nes

ted

auxi

liary

cad

ence

ˆ

3

561

Exam

ple

1.15

: Han

del,

E m

inor

Con

certo

, ton

al re

duct

ion

(con

tinue

d)

Bar

s1

2 3

4

Exam

ple

1.16

: Han

del,

Con

certo

Gro

sso,

Op.

6, N

o. 3

, Alle

gro,

bar

s 1–2

2, p

ace

redu

ctio

ns

( )

5 6

7 8

a)O

bblig

ato

pace

redu

ctio

n

Bar

s

b)B

asic

pac

e re

duct

ion

c)Im

plic

it ca

dent

ial p

rogr

essi

ons

(etc

.)

( )

O

bblig

ato

pace

s:

,

Bas

ic

pace

:

Figu

ral

pace

:

( )

)

(

Vord

ersa

tz

( )

( )

cont

inue

d

Firs

t per

iod

562

Bar

s1

2 3

4

Exam

ple

1.16

: Han

del,

Con

certo

Gro

sso,

Op.

6, N

o. 3

, Alle

gro,

bar

s 1–2

2, p

ace

redu

ctio

ns

( )

5 6

7 8

a)O

bblig

ato

pace

redu

ctio

n

Bar

s

b)B

asic

pac

e re

duct

ion

c)Im

plic

it ca

dent

ial p

rogr

essi

ons

(etc

.)

( )

O

bblig

ato

pace

s:

,

Bas

ic

pace

:

Figu

ral

pace

:

( )

)

(

Vord

ersa

tz

( )

( )

cont

inue

d

Firs

t per

iod

Bar

s1

2 3

4

Exam

ple

1.16

: Han

del,

Con

certo

Gro

sso,

Op.

6, N

o. 3

, Alle

gro,

bar

s 1–2

2, p

ace

redu

ctio

ns

( )

5 6

7 8

a)O

bblig

ato

pace

redu

ctio

n

Bar

s

b)B

asic

pac

e re

duct

ion

c)Im

plic

it ca

dent

ial p

rogr

essi

ons

(etc

.)

( )

O

bblig

ato

pace

s:

,

Bas

ic

pace

:

Figu

ral

pace

:

( )

)

(

Vord

ersa

tz

( )

( )

cont

inue

d

Firs

t per

iod

Exam

ple

1.15

: Han

del,

E m

inor

Con

certo

, bar

s 1–

22, p

ace

redu

ctio

n s

Bar

s

Exam

ple

1.16

: Han

del,

Op.

6, N

o. 3

, Alle

gro,

pac

e re

duct

ions

a)O

bblig

ato

pace

redu

ctio

n

Bar

s

b)B

asic

pac

e re

duct

ion

c)Im

plic

it ca

dent

ial

prog

ress

ions

O

bblig

ato

pace

s:

,

Bas

ic

pace

:

Figu

ral

pace

:co

ntin

ued

(con

tinue

d)

9 10

11 12

13

14

15

16

15

13

(nor

mal

ized

)(n

orm

aliz

ed)

Qua

drup

le se

quen

tial e

xpan

sion

, non

esse

ntia

l at h

ighe

r lev

els

Qua

drup

le se

quen

tial e

xpan

sion

, ess

entia

l at f

oreg

roun

d le

vel

Fort

spin

nung

563

Bar

s

Exam

ple

1.16

: Han

del,

Op.

6, N

o. 3

, Alle

gro,

pac

e re

duct

ions

a)O

bblig

ato

pace

redu

ctio

n

Bar

s

b)B

asic

pac

e re

duct

ion

c)Im

plic

it ca

dent

ial

prog

ress

ions

O

bblig

ato

pace

s:

,

Bas

ic

pace

:

Figu

ral

pace

:co

ntin

ued

(con

tinue

d)

9 10

11 12

13

14

15

16

15

13

(nor

mal

ized

)(n

orm

aliz

ed)

Qua

drup

le se

quen

tial e

xpan

sion

, non

esse

ntia

l at h

ighe

r lev

els

Qua

drup

le se

quen

tial e

xpan

sion

, ess

entia

l at f

oreg

roun

d le

vel

Fort

spin

nung

Bar

s

Exam

ple

1.16

: Han

del,

Op.

6, N

o. 3

, Alle

gro,

pac

e re

duct

ions

a)O

bblig

ato

pace

redu

ctio

n

Bar

s

b)B

asic

pac

e re

duct

ion

c)Im

plic

it ca

dent

ial

prog

ress

ions

O

bblig

ato

pace

s:

,

Bas

ic

pace

:

Figu

ral

pace

:co

ntin

ued

(con

tinue

d)

9 10

11 12

13

14

15

16

15

13

(nor

mal

ized

)(n

orm

aliz

ed)

Qua

drup

le se

quen

tial e

xpan

sion

, non

esse

ntia

l at h

ighe

r lev

els

Qua

drup

le se

quen

tial e

xpan

sion

, ess

entia

l at f

oreg

roun

d le

vel

Fort

spin

nung

Exam

ple

1.16

: Han

del,

E m

inor

Con

certo

, pac

e re

duct

ions

(con

tinue

d)

Bar

s

a)O

bblig

ato

pace

redu

ctio

n

Bar

s

b)B

asic

pac

e re

duct

ion

c)Sm

alle

r voi

ce e

xcha

nges

and

sim

ulat

ed fo

urth

O

bblig

ato

pace

s:

,

Bas

ic

pace

:

Figu

ral

pace

:

( )

22

21

20

19

18

17

( )

( )

( )

Epilo

g

(nor

mal

ized

)

Exam

ple

1.16

: Han

del,

Op.

6, N

o. 3

, Alle

gro,

pac

e re

duct

ions

(con

tinue

d)564

Bar

s

a)O

bblig

ato

pace

redu

ctio

n

Bar

s

b)B

asic

pac

e re

duct

ion

c)Sm

alle

r voi

ce e

xcha

nges

and

sim

ulat

ed fo

urth

O

bblig

ato

pace

s:

,

Bas

ic

pace

:

Figu

ral

pace

:

( )

22

21

20

19

18

17

( )

( )

( )

Epilo

g

(nor

mal

ized

)

Exam

ple

1.16

: Han

del,

Op.

6, N

o. 3

, Alle

gro,

pac

e re

duct

ions

(con

tinue

d)

Bar

s

a)O

bblig

ato

pace

redu

ctio

n

Bar

s

b)B

asic

pac

e re

duct

ion

c)Sm

alle

r voi

ce e

xcha

nges

and

sim

ulat

ed fo

urth

O

bblig

ato

pace

s:

,

Bas

ic

pace

:

Figu

ral

pace

:

( )

22

21

20

19

18

17

( )

( )

( )

Epilo

g

(nor

mal

ized

)

Exam

ple

1.16

: Han

del,

Op.

6, N

o. 3

, Alle

gro,

pac

e re

duct

ions

(con

tinue

d)

Exam

ple

1.16

: Han

del,

E m

inor

Con

certo

, pac

e re

duct

ions

(con

tinue

d)

Exam

ple

1.17

: Han

del,

Con

certo

Gro

sso,

Op.

6, N

o. 3

, Alle

gro

Bar

s

a) B

ars 1

–2

Bar

s

b) T

onal

redu

ctio

ns

=

=

6I

II6 5

VII:

VII

V

I6

III6 5

VII:

VII

V

I

1 2

1 2

565

Exa

mpl

e 1.

17: H

ande

l, E

min

or C

once

rto

Example 1.18: D. Scarlatti,

9

Sonata in G minor, K.8, first repriseEssercizi per gravicembalo

34

34

Allegro.Handel, unfolded sixths

Handel, voice exchanges, bars 17–20 (etc.)

Handel, bars 1–4 (theme)

5

13

17

21

(1738)

Handel, bars 1–4 (theme)

Example 1.18: D. Scarlatti,

9

Sonata in G minor, K.8, first repriseEssercizi per gravicembalo

34

34

Allegro.Handel, unfolded sixths

Handel, voice exchanges, bars 17–20 (etc.)

Handel, bars 1–4 (theme)

5

13

17

21

(1738)

Handel, bars 1–4 (theme)

Example 1.18: D. Scarlatti,

9

Sonata in G minor, K.8, first repriseEssercizi per gravicembalo

34

34

Allegro.Handel, unfolded sixths

Handel, voice exchanges, bars 17–20 (etc.)

Handel, bars 1–4 (theme)

5

13

17

21

(1738)

Handel, bars 1–4 (theme)

Example 1.18: D. Scarlatti,

9

Sonata in G minor, K.8, first repriseEssercizi per gravicembalo

34

34

Allegro.Handel, unfolded sixths

Handel, voice exchanges, bars 17–20 (etc.)

Handel, bars 1–4 (theme)

5

13

17

21

(1738)

Handel, bars 1–4 (theme)

566

Example 1.19: D. Scarlatti,

9

Sonata in G minor, K.12, first repriseEssercizi per gravicembalo

Presto.

Handel, unfolded sixths

5

(1738)

3

7

continued

11

Handel, descending-third figures in bars 7 –11, 13–16 and similar passages later (see chapter 5)

Handel, sequences in bars 29–34, 49–52 (see chapter 5)

b

L . L .

L .L .

567

Handel, descending-third figures in bars 7b–11,13–16, and similar passages later (see chapter 5)

Example 1.19: Scarlatti, Sonata, K.12

(continued)

13

15

17

19

21

23

1. 2.

Handel, repeated-note figures, bars 5, 35–36, 41–44, 61 –62b

568

Handel, repeated-note figures in bars 5, 35–36, 41–44, 61b–62

Exam

ple

1.20

: Han

del a

nd S

carla

tti p

aral

lelis

ms

Han

del

Unf

olde

d si

xths

and

des

cend

ing

third

s

3 4

Bar

1Sc

arla

tti, K

.8B

ars 1

–2

Des

cend

ing

third

s

Scar

latti

, K.1

2B

ar 4

, bea

ts 2

–4

Unf

olde

d si

xths

(bas

s om

itted

)

Unf

olde

d au

g. fo

urth

s and

sixt

hs

Exam

ple

1.21

: Han

del,

Op.

6, N

o. 3

, bar

s 13–

16Q

uadr

uple

sequ

entia

l exp

ansi

on

Bas

icpa

ce:

beco

mes

a)b)

c)

and

beco

mes

from

569

Exa

mpl

e 1.

21: H

ande

l, E

min

or C

once

rto, O

p. 6

, No.

3, A

llegr

o, b

ars

13–1

6

Example 1.22: Handel, Concerto Grosso in E minor, Op. 6, No. 3, bars 1–4, 5–12

Bars

1 2 3 4

)(

5 ^

3 ^ ( )

( )

( )

( )

E D C ( B A G F E )

E D C

5 7 9 11 12

Tonal reduction

Bars

570

Example 1.22: Handel, E minor Concerto, bars 1–4, 5–12 Tonal reduction

Vio

la.

Bas

si.

Vio

lonc

ello

.

Exam

ple

1.23

: Han

del,

Con

certo

Gro

sso,

Op.

6, N

o. 3

, Alle

gro,

enl

arge

men

t of o

peni

ng th

eme

a) B

ars 5

–12

Bar

sG

roup

ing

para

llelis

ms:

E

(D

D

5 6

9 10

11

12

(enl

arge

- m

ent o

f op

enin

g fo

ur-b

ar

them

e br

oken

off

)

6

6

6

6

6

6

6

6

6

6

6

6

C )

Vio

lino

II.

Vio

lino

I.

conc

ertin

o.V

iolin

o I.

Vio

lino

II. c

once

rtin

o.

ripi

eno.

ripi

eno.

cont

inue

d

Bas

s

de

scen

t :

571

Exa

mpl

e 1.

23: H

ande

l, E

min

or C

once

rto, e

nlar

gem

ent o

f ope

ning

them

e

So

lo.

Solo

.

(etc

.—se

e ch

apte

r 5)

d

c

b

a

g

g

)

( a

2

2

2

2

2

3

3

b) B

ars 4

1–46

Bar

s41

42

43

44

45

46

(e

nlar

gem

ent o

f ope

ning

four

-bar

them

e re

sum

es)

Exam

ple

1.23

: Han

del,

Op.

6, N

o. 3

, Alle

gro,

enl

arge

men

t of o

peni

ng th

eme

(con

tinue

d)

Upp

er

-voi

ce

de

scen

t:

So

lo.

Solo

.

(etc

.—se

e ch

apte

r 5)

d

c

b

a

g

g

)

( a

2

2

2

2

2

3

3

b) B

ars 4

1–46

Bar

s41

42

43

44

45

46

(e

nlar

gem

ent o

f ope

ning

four

-bar

them

e re

sum

es)

Exam

ple

1.23

: Han

del,

Op.

6, N

o. 3

, Alle

gro,

enl

arge

men

t of o

peni

ng th

eme

(con

tinue

d)

Upp

er

-voi

ce

de

scen

t:

572

Exa

mpl

e 1.

23: H

ande

l, E

min

or C

once

rto, e

nlar

gem

ent o

f ope

ning

them

e (c

ontin

ued)

Vio

lino

I.

V

iolin

o II

.

Vio

la.

Bas

si.

Vio

lonc

ello

.

conc

ertin

o.

Vio

lino

I.

V

iolin

o II

. ri

pien

o.

Exam

ple

1.24

: Han

del,

Con

certo

Gro

sso

in E

min

or, O

p. 6

, No.

3, A

llegr

o

a) B

ars 1

–4

b) B

ars 1

2–21

12 )

(

( )

13

15

( )

( )

17

18

19

20

21

Bar

s

b

c

c

d

m

ultip

le v

oice

exc

hang

es

()

()

4

5

th

th

5

th

po

ssib

le v

oice

exc

hang

es

b

(a)

Ris

ing

four

th a

nd m

ultip

le v

oice

exc

hang

es

sim

ilesi

mile

1

1

2

2

2

D

E

F

G

(see

ch

apte

r 5)

573 E

xam

ple

1.24

: Han

del,

E m

inor

Con

certo

R

isin

g fo

urth

and

mul

tiple

voi

ce e

xcha

nges

Exam

ple

1.25

: Han

del,

Suite

in G

(170

3c./1

733)

, Cou

rant

e

Bar

s

a) B

ars 1

–12

b) T

onal

redu

ctio

n

3 4 3 4

1 3

5 7

9 11

Vord

ersa

tzFo

rtsp

innu

ngEp

ilog

)

(

( )

( )

3

^

2

^

1

^

3

^

2

^

1

^

Upp

er d

esce

nt:

Low

er d

esce

nt:

VI

I

3

^

2

^

4

^

5

^

6

^

5

^

(P)

(N)

6

^

2

^

4

^

IV

574

Bar

s

a) B

asic

pac

e re

duct

ion

b) C

ompo

site

bas

ic p

ace

redu

ctio

n

B

asic

pa

ce:

C

ompo

site

ba

sic

pace

:

3 4 3 4 3 4 3 4

1 3

5 7

9

10

[

]

10

10

10

10

[

]

10

[

]

10

)

(

(

)

Sequ

entia

l exp

ansi

on,

none

ssen

tial a

t hig

her l

evel

s

Sequ

entia

l exp

ansi

on, e

ssen

tial

at th

e fo

regr

ound

leve

l

Cad

entia

l acc

eler

atio

n an

d he

mio

la3.

2.1.

Vord

ersa

tzFo

rtsp

innu

ngEp

ilog

Exam

ple

1.26

: Han

del,

Suite

in G

, bar

s 1–1

2

7 9

1 1

575

E

xam

ple

1.26

: Han

del,

G m

ajor

Cou

rant

e, b

ars

1–12

Exam

ple

1.27

: Han

del,

Suite

in E

(172

0), C

oura

nte

Bar

s

a) B

ars 1

–8

b) R

educ

tion

to c

ompo

site

bas

ic p

ace

Figu

ral

pace

:

Com

posi

te

basi

c pa

ce:

1 3

5 7

Sequ

entia

l exp

ansi

on,

esse

ntia

l at a

ll le

vels

Cad

entia

l hem

iola

(bas

s onl

y):

3.2.

1.

Vord

ersa

tzFo

rtsp

innu

ngEp

ilog

Bar

s1

3 5

7

c) R

educ

tion

to fi

gura

l pac

e

3 8 3 83 83 83 8 3 8

Pace

cont

ract

ion

( )

Sequ

entia

l exp

ansi

on,

esse

ntia

l at a

ll le

vels

Pace

cont

ract

ion

576Ex

ampl

e 1.

27: H

ande

l, Su

ite in

E (1

720)

, Cou

rant

e

Bar

s

a) B

ars 1

–8

b) R

educ

tion

to c

ompo

site

bas

ic p

ace

Figu

ral

pace

:

Com

posi

te

basi

c pa

ce:

1 3

5 7

Sequ

entia

l exp

ansi

on,

esse

ntia

l at a

ll le

vels

Cad

entia

l hem

iola

(bas

s onl

y):

3.2.

1.

Vord

ersa

tzFo

rtsp

innu

ngEp

ilog

Bar

s1

3 5

7

c) R

educ

tion

to fi

gura

l pac

e

3 8 3 83 83 83 8 3 8

Pace

cont

ract

ion

( )

Sequ

entia

l exp

ansi

on,

esse

ntia

l at a

ll le

vels

Pace

cont

ract

ion

Exam

ple

1.27

: Han

del,

Suite

in E

(172

0), C

oura

nte

Bar

s

a) B

ars 1

–8

b) R

educ

tion

to c

ompo

site

bas

ic p

ace

Figu

ral

pace

:

Com

posi

te

basi

c pa

ce:

1 3

5 7

Sequ

entia

l exp

ansi

on,

esse

ntia

l at a

ll le

vels

Cad

entia

l hem

iola

(bas

s onl

y):

3.2.

1.

Vord

ersa

tzFo

rtsp

innu

ngEp

ilog

Bar

s1

3 5

7

c) R

educ

tion

to fi

gura

l pac

e

3 8 3 83 83 83 8 3 8

Pace

cont

ract

ion

( )

Sequ

entia

l exp

ansi

on,

esse

ntia

l at a

ll le

vels

Pace

cont

ract

ion