Activities of Charles Koechlin (1867-1950) (1,149 resources in data.bnf.fr)

Musical work (798)

Stèle funéraire. Op. 224(1950)

Adagios. Orgue. Op. 226(1950)

Quinze motets de style archaïque. Op. 225(1950)

Sonate à sept. Op. 221(1949)

Quintettes. Flûte, harpe, violon, alto, violoncelle. No 2.Op. 223(1949)

Pièces. Flûte, piano. Op. 218(1948)

Quatorze leçons d'harmonie. Op. 215(1948)

Trois monodies pour lame sonore. Op. 220(1948)

Pièces. Cor. Op. 218 bis(1948)

Monodies. Saxophone alto. Op. 213, no 9(1947)

Préludes. Orchestre. Op. 209, no 5(1947)

Introduction et quatre interludes de style atonal-sériel.Op. 214(1947)

Le repos de Tityre. Op. 216, no 10(1947)

Monodies. Cor anglais. Op. 216, no 11(1947)

Charles Koechlin (1867-1950)

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Country : France

Language : French

Gender : Masculin

Birth : Paris, 16e arrondissement (France), 27-11-1867

Death : Le Rayol-Canadel-sur-Mer (Var), 31-12-1950

Note : Compositeur

Field : Musique

ISNI : ISNI 0000 0001 2279 9202 (Information about ISNI)

Data 1/43

data.bnf.fr

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11 monodies. Instruments à vent. Op. 216(1947)

2 vocalises. Orgue. Op. 212 bis(1947)

Adagios. Orgue. Op. 211(1947)

12 monodies. Instruments à vent. Op. 213(1947)

Douze petites pièces très faciles. Piano. Op. 208(1946)

Sonates. Clarinette, orchestre. No 2. Op. 86 bis(1946)

Calme sur la mer. Op. 205 ter(1946)

Sonates. Clarinette, orchestre. No 1. Op. 85 bis(1946)

15 préludes. Orgue ou piano ou pianos (2). Op. 209(1946)

Sarabande en forme de fugue. Op. 205 bis(1946)

Adagios. Orgue. Op. 201(1945)

Le buisson ardent. Première partie. Op. 203(1945)

L'âme heureuse. Op. 210(1945)

Quinze nouvelles leçons d'harmonie. Op. 207(1945)

Partita. Orchestre de chambre. Op. 205(1945)

Dans la forêt antique. Op. 199(1944)

La révolte des anges. Op. 198(1944)

Les chants de Nectaire(1944)

Plusieurs séries d'expositions de fugues. Op. 219(1944)

Prières, cortèges et danses pour les dieux familiers.Op. 200(1944)

Les chants de Kervéléan. Op. 197(1944)

15 duos. Clarinettes (2). Op. 195(1943)

Quatorze réalisations sur un thème de Delvincourt. Op.189(1943)

Cent thèmes pour improvisation à l'orgue. Op. 192(1943)

15 études. Saxophone, piano. Op. 188(1943)

Symphonies. No 2. Op. 196(1943)

15 pièces. Cor, piano. Op. 180(1942)

Vingt-quatre leçons de solfège. Op. 186b(1942)

14 pièces. Vent, piano. Op. 179(1942)

Quinze leçons d'harmonie. Op. 182(1942)

Data 2/43

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Le chant de la Résurrection. Op. 179 bis(1942)

Mélopée. Op. 185, no 1(1942)

Basses et chants donnés. Op. 181(1942)

Sonatines. Hautbois d'amour ou saxophone, ensembleinstrumental. No 1. Op. 194, no 1(1942)

3 sonatines. Flûte. Op. 184(1942)

Silhouettes de comédie. Op. 193(1942)

Sonatines. Hautbois d'amour ou saxophone, ensembleinstrumental. No 2. Op. 194, no 2(1942)

Suite. Cor anglais. Op. 185(1942)

15 canons. Op. 183(1942)

24 duos. Saxophones. Op. 186a(1942)

Nouvelles leçons d'harmonie. Op. 191(1942)

Offrande musicale sur le nom de Bach. Op. 187(1942)

14 pièces. Clarinette, piano. Op. 178(1942)

Le docteur Fabricius. Op. 202(1941)

Le jeu de la Nativité. Op. 177(1941)

Les Bandar-log. Op. 176(1939)

Vers le soleil. Op. 174(1939)

La loi de la jungle. Op. 175(1939)

Victoire de la vie. Op. 167(1938)

40 chorals. Orgue. Op. 168(1938)

Le buisson ardent. Deuxième partie. Op. 171(1938)

Quatre petites pièces. Op. 173(1938)

40 chorals. Orgue. Op. 172(1938)

La cité nouvelle. Op. 170(1938)

Épitaphe de Jean Harlow. Op. 164(1937)

Septuors. Vents. Op. 165(1937)

Vingt chorals de style modal. Op. 166a(1937)

Vingt chorals de style modal. Op. 166 bis(1937)

Requiem pour les pauvres bougres. Final. Op. 161(1937)

Danse lente. Op. 163, no 2(1937)

Data 3/43

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Marche funèbre. Op. 157 ter(1937)

Cinq danses pour Ginger. Op.163(1937)

Septuors. Vents. Op. 165bis(1937)

Symphonie d'hymnes(1936)

La belle traversée. Op. 162(1936)

14 chants. Flûte. Op. 157(1936)

La méditation du Purun Bhagat. Op. 159(1936)

Quintettes. Flûte, harpe, violon, alto, violoncelle. Op.156(1936)

14 chants. Flûte, piano. Op. 157 bis(1936)

Les eaux vives. Op. 160(1936)

Idylle. Op. 155 bis(1936)

Le quatorze juillet. Op. 158(1936)

Kyrie. Op. 150, no 5(1935)

Second album de Lilian. Op. 149(1935)

Prélude à une fête populaire. Op. 153, no 4(1935)

Chœurs religieux a cappella. Op. 150(1935)

Vingt-quatre chorals sur des thèmes traités par J. S.Bach. Op. 143(1935)

Chorals pour des fêtes de plein air. Op. 153(1935)

Solfège progressif à une voix. Op. 144(1935)

Solfège progressif à deux voix. Op. 145(1935)

Alleluia. Op. 150, no 2(1935)

Jeux. Op. 153, no 2(1935)

La victoire. Op. 153, no 1(1935)

Vingt sonneries pour trompes de chasse. 2e série. Op.142(1935)

Dix sonneries pour trompes de chasse. Op. 153 bis(1935)

Vingt-quatre chorals sur des thèmes traités par J. S.Bach. Nouvelle série. Op. 147a(1935)

Agnus Dei. Op. 150, no 1(1935)

Benedictus. Op. 150, no 3(1935)

Data 4/43

data.bnf.fr

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Sept chansons pour Gladys. Op. 151(1935)

Solfège progressif à trois voix. Op. 146(1935)

Cinq choeurs religieux. Op. 150, no 4(1935)

Sonatine modale. Op. 155a(1935)

Le portrait de Daisy Hamilton. Op. 140(1934)

Fugues. Quatuor à cordes. Do mineur. Op. 137, no 2(1934)

Premier album de Lilian. Op. 139(1934)

Libérons Thaelmann. Op. 138(1934)

Les confidences d'un joueur de clarinette. Op. 141(1934)

Choral fugué de style modal. Op. 128(1933)

12 canons. Op. 135(1933)

Sujets de fugue. Op. 125(1933)

Fugues. Cordes. Op. 133, no 2(1933)

3 fugues. Quatuor à cordes. Do mineur. Op. 137(1933)

Douze chorals sur des thèmes traités par J. S. Bach.Op. 136(1933)

Vers la voûte étoilée. Op. 129(1933)

Fugue sur un sujet d'Ernest Le Grand. Op. 126(1933)

3 fugues. Op. 133(1933)

Hymne au soleil. Op. 127(1933)

L'Andalouse dans Barcelone. Op. 134(1933)

4 fugues. Op. 131(1933)

The seven stars' symphony. Op. 132(1933)

Fugues. Quatuor à cordes. Op. 122, no 1(1932)

Vingt sonneries pour trompes de chasse. 1re série. Op.123(1932)

L'ancienne maison de campagne. Op. 124(1932)

Fugue symphonique. Op. 121(1932)

Fugues. Quatuor à cordes. Op. 122, no 2(1932)

Vingt chansons bretonnes. Violoncelle, piano. Op. 115(1931)

22 chorals. Op. 117. Orgue(1931)

Cinq chorals dans les modes du Moyen âge. Op. 117bis(1931)

Data 5/43

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Choral en canon dans le mode de sol. Op. 117, no 6(1931)

Fugues. Orchestre. Fa mineur. Op. 112, no 2(1931)

9 vocalises. Voix, piano. Op. 108(1929)

3 sonatines. Orgue. Op. 107(1929)

Sonatines. Orgue. Op. 107, no 1(1929)

Hymne au jour. Op. 110(1929)

14 chants. Orgue. Op. 101(1928)

13 chorals. Op. 103(1928)

Offertoire pour le mariage de Renée PhilippartGonzales. Op. 98 bis(1927)

Quatre fugues d'école. Op. 100(1927)

4 chorals. Orgue. Op. 98(1927)

Poème. Op. 70 bis(1927)

Quatorze leçons d'harmonie. Op. 99(1927)

Infini, fais que je t'oublie. Op. 104, no 1(1927)

Trois réalisations sur une basse donnée de RenéePhilippart. Op. 98a(1927)

Douze leçons d'harmonie. Op. 97(1927)

8 chorals. Op. 96(1925)

Chorals. Orgue. Fa mineur. Op. 90 bis(1924)

Quatre chorals en canon. Op. 90a(1924)

Dix-sept chorals sur des thèmes traités par J. S. Bach.3e série. Op. 94(1924)

Trios. Basson, clarinette, flûte ou hautbois. Op. 92(1924)

Quatre nouvelles sonatines. No 4. Op. 87, no 4(1923)

Nocturnes. Piano. Mi bémol mineur(1923)

Trois réalisations d'un même choral. Op. 82 bis(1923)

"Within the quota"(1923) of Cole Porter with Charles Koechlin (1867-1950) as Adapter

Quatre nouvelles sonatines. No 2. Op. 87, no 2(1923)

Je suis jaloux, Psyché. Op. 104, no 2(1923)

20 chorals. Op. 83(1923)

Data 6/43

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