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Settings for the entireA/13 (Global mode)

How Global mode isstructured

In Global mode you can make overall settings that applyto the entire M3, such as master tuning, key transpose,effect global switch, global MIDI channel, and systemclock.

In addition, you can crate user drum kits, and scales,

make settings for the damper pedal and assignable footswitches/pedals, and specify category ames forprograms, combinations and KARMA GE.

Global mode page structure

Page Main content

GLOBALPARAMETERS

PO: BasicSetup

Basic overall settngs,andaudio input settings usedwhen not in Sampling mode(for User Global Setting)

P1:MIDIMIDI settings for the M3.External Mode settings.

P2:Controllers

Basic settings for the entire M3,and

controller settings such as thepedisconnected to the rear panel.CC# assignments for KARMA, X-

Y,andPad

P3:Scales

Scale settings created by theuser.You can specify 16 types ofoctave scale, and one full-rangescale.

P4: CategoryEdit category ames forprograms and combinations.

|DRUMKI

T

P5:Drum Kit Edit drum kits.

For details on how to access each mode and page,please see "Basic operations" on page 22.

& The edits you perform in Global mode vvill bepreserved until the power is turned off, but will not be

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Settings for the entire M3 (Global mode)

preserved after the power is turned off unless you firstsave your settings. Two types of data are handled inGlobal mode: user drum kit settings (Global P5), and allother global settings (Global PO-4). Each of these canbe written into their respective memory rea. This datacan also be saved to various types of media in Media

mode. For details, please see "Writing Global settings,user Drum Kits" on page 141, "Saving to media(Media-Save)" on page 142.

The Compare function that lets you return to thestate prior to your editing is not available in Globalmode.

Global settings

Basic setupIn the Global PO: Basic Setup- Basic page you can makethe following settings.

Tuning to another nstrument/

TransposingMaster Tune adjusts the overall pitch. Edit this settingwhen you are playing the M3 with other instruments, orwhen playing along with music on CD or tape. You canadjust the pitch in a range of +50 cents (one semitone =100 cents). If this is at 0, middle A is tuned to 440 Hz.

Key Transpose shifts the pitch in semitone steps. Edit thissetting when you want to transpose the sound of the

entire M3. You can adjust the transposition in a range of1 octave.

Adjusting the way in which velocityor aftertouch will affect the volumeor tone

You can adjust the way in which changes in velocity or

aftertouch will affect the volume or tone. This lets you (forexample) make the volume of the notes more consistent,even when they are played with varying dynamics.

Each curve has its own character, so you can select thecurve that is appropriate for your own playing dynamics,playing style, and the effect that you wish to obtain (see"Velocity Curve" on page 356 of the Parameter Guide).

Velocity Curve selects the velocity curve, and After TouchCurve selects the aftertouch curve.


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Bypassing the effectsIf the Effect Global SW "1FX 1-5 Off," "MFX1&2 Off,"and "TFX Off" tems are checked, the insert effects,master effect, will respectively be bypassed.

Insert effects, master effects, and total effect can bebypassed globally. This applies to the entire M3regardless of the mode. For example, if you'veconnected the M3's outputs to an external mixer andare using an external effect processor to apply reverbor chorus to the sound, you can tum off the M3'smaster effects and total effect.

Linking KARMA to Programs andCombinations

You can specify whether the KARMA settings writtento a Program or Combination will also be selectedwhen you select that program or combination, orwhether the KARMA settings will not change whenyou switch the Program or Combination.

When the M3 is shipped from the factory, the formersetting is selected. You can use the latter setting ifyou want to use the same KARMA settings togenrate phrases and patterns while you select andtry out different Programs and Combinations.

If the Load KARMA Settings When ChangingProgram or Combination boxes are selected,selecting a Program or Combination respectively willalso select the KARMA settings that are written inthat Program or Combination.

If you check All KARMA/DT Off, all KARMAfunctionality and the Drum Track function will be off.Even if the KARMA ON/OFF switch is on, the KARMAfunction will not oprate.

GLOBAL PB:Bd3C Setup

[443.09H2]780 4 3

IKARMA/Drum Trackmsz

Q All KARMA/DT Off

Load KARMA vhen changing: [I Program

jjl Combination

Bic dudoj

Stopping the Drum Trackfunction

If All KARMA/DT Off is checked, all KARMAfunctionality and the Drum Track function will beturned off. Even if the DRUM TRACK ON/OFF switch ison, the Drum Track function will not oprate.

System preferenceIn the Global PO: Basic Setup- System Preferencepage you can make the following settings.

Settings when connectingmltiple digital audio devicesIf you're connecting mltiple digital audio devices viaS/P DIF, set one device as the master and theremaining devices as slaves.

If you want the M3 to be the master, set SystemClock to Infernal. If you want the M3 to be a slave,set System Clock to S/P DIF.

Recalling the last-selected modeand page at power-on

The state of M3 when the power is tumed on willdepend on the setting of Power On Mode.

If Power On Mode is set to Reset (factory setting), M3will automatically select the Combination mode PO:Play.

If Power On Mode is set to Memorize, M3 will poweron using the same mode and page that wereselected when the power was turned off.

Sounding a beep when youpress the displayIf Beep Enable is selected, a beep will sound whenyou press an object in the display. Uncheck this itemif you don't want a beep to sound.

Protecting the memoryIf one or more of the Memory Protect check boxesare checked, operations such as writing, loading, orsong recording will beprohibited for thecorresponding type of memory.

Tuning andtranspose

settings

I Basi c

MHBMKMaster Tune:

Key Transpoae:

Velocity Curve:lEffect Global SWI

IFX1-5 Off

~ MFXISk2 0ff

QTFX Off

Velocity/-aftertouch

curvesettings

Effectbypass-settings

KARMA/ Drum Track


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Global settings Audio input settings

Audio input settings

Audio inputsettings used

in common for

Program, Combination, andSequencer modesIn the Global PO: Basic Setup- Audio page you canmake settings that will apply in modes other thanSampling mode; you can select the input source foranalog/digital audio signis, and adjust the input level,bus, and master effect send levis.

To use these settings, check the Use Global Settingparameter in each mode.

BAL P8:Basic Setup

MIDI

Basic/Routing

MIDI-related settings for the entireM3In the Global Pl: MIDI- MIDI Basic page and the MIDIRouting page, you can make settings for the global MIDIchannel, the local on/off setting, MIDI clock, MIDIrouting, and MIDI filtering.

You can also use a men command in this page totransmit MIDI exclusive data dumps. (See PG page 384)

GLOBAL Pl MIDI MIDI S.-I.,pBBHBi MIDI Charmel:03|

Note Receive: All

1| Local Control OnConvert Posifion: PreMIDI

MIDI Clock Interna! Q External USB Q Auto

~~ O Externa! MIDI Q Externa! FireWireSEq Mode Track MIDI Out: for Master

Param. MIDI Out: Control Change

DrumTrackProg MIDI Ch:Q 10 QProg MIDI OutGLOBAL P1:MIDI

MIDI Routing!

X-Y MIDI Out:

Pads MIDI Out: Q Pad CC/Note Chord Notes

KARMA External: i) Enable KARMA Module to MIDI Out[] Enable MIDI In to KARMA Module Q

Enable Start/Stop Out in Prog/Combi

IMIDI Filterl

[] Enable After Touch \u\ Enable Control Change [] Enable

Exclusive

External controlThe M3's external control capabihty lets you use thecontrol surface switches 1-8, sliders 1-8, and pads 1-8to control external MIDI devices. Each of thesecontrollers can transmit a specified MIDI control changeon the specified MIDI channel.

There are 128 sets of control assignments.

With the factory settings, the control sets containpreloaded data. For example, there are setups that letyou control soft synthesizers such as the KORG LegacyCollection, and other setups that let you control thelevel and pan of a DAW (Digital Audio Workstation)program in realtime.-

Note: See the "M3 External Setups" (PDF) for details onthe control change (CC#) settings assigned by the

preloaded external control templates and theapplication settings to which they correspond.

Using external controlsNote: Before you continu, adjust your settings so thatthe M3 can send MIDI data to your computerapplication or MIDI device.

1. Press a MODE PROG switch (the LED willlight).

VVe've selected Program mode as an example here, butyou are free to select Combination or Sequencer modeif you wish.

2. Press the CONTROL ASSIGN EXTERNALswitch (the LED will light).

3. Access the Prog PO: Play- Control Surfacepage.

This page shows and reflects the data of the controlsurface. It's a convenient place for you to adjust thesound, since vou can view the parameter assignmentsand see the precise vales.

Note: Control via the control surface is activeregardless of the page shown in the display.

5-

MIDIL. Basi

Input: JJAnalogInput Leuel Pan Bus select FX Bus Aux Bus SewM

as^l127 |Tb0B Q Off Q off Q Off feeT[080"Ir,put2 " ~~ r~ r~ T ,____________

ca fnT,|RT57 off QouQwf [einr [MF

Global MIDIchannel-

L:: i control-on/off

MIDIclock-

settln s

MIDI Routing

X-Y

X-Y control/MIDIrouting forKARMAsettings

[} Enable Program

Change [ij Bank

Change ful

Global MIDIfiltersettin s


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Setting s for the entire M3 (Global mode)

Control Surface

j = hosea ;l-A >J: Stereo Grand 4-WagControl Assign: ExternalS


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Global settings Assigning MIDI CC#s to KARMA, X-Y, and Pad controllers

GLOBAL P2:Control ler3 MIDI CC Assign

Switch portamento on/offControl the sostenuto effect

Turn the soft pedal effect on/offTurn the damper effect on/offSelect programs or combinations (up/down)Valu Inc/DecStart/stop the sequencerPunch-i n/out on the sequencerCue list repeat

Tap tempoControl of KARMA functionSwitch the drum track on/off

Switch X-Y mode or X-Y motion on/offThe functions of controllers such as the joystick

orribbon controller (See "Foot Switch Assign" onpage 371 of the Parameter Guide)

Assignable PedalYou can specify the function that will be performed by anassignable pedal (the optional XVP-10 Expression/Volume pedal or EXP-2 foot controller) connected to theASSIGNABLE PEDAL jack.

This is set by "Foot Pedal Assign."You can choose from the following functions.

Master volumeAltrnate modulation sourceEffect dynamic modulation sourcePortamento pitch change speedVolume (expression)

The pan following an insert effectPanVolumeSend levis to the master effects Duplcate thefunction of another controller, such as the joystick orribbon (See "Foot Pedal Assign" on page 371 of theParameter Guide)

Note:You can use this as a source for altrnatemodulation or effect dynamic modulation, and use it tocontrol program parameters or effect parameters. In thiscase, set Foot Switch Assign to Foot SW (CC#82), and

Foot Pedal Assign to Foot Pedal (CC#04). PadstCC aad Note) Pad I:QCC1!0 Pad5:CC114Pad2:CClll Pad6:CC*115

Pad 3:CC! 12 Pad 7:CC116

Pad 4:Q CC113 Pad S.Q CC*117

"I ce r

Creating user scales

Creating an original scale, andassigning it to a ProgramOn the User Scale page, you can crate your ownoriginal scales. These indude sixteen different UserOctave Scales, in which the pitch of each note of theoctave is repeated for all octaves, and one User All Note

Scale, in which the pitch of each of the 128 notes can bespecified independently.

By adjusting the pitch of each key in the range of 99cents, you can raise or lower it by approximately onesemitone relative to the normal pitch.

The user scales you crate here can be used byspecifying the scale for a program, for each timbre of acombination, or for each track of a song.

You can choose these scales from the following pages.

6

"TSoT^Control


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Mode Page

Program Pl- Key Zone/Scale: Scale

CombinationP2- OtherT01-08,T09-16:Scale, Use Program's Scale

SequencerP3-Other T01-08J09-16:Scale, Use Program's Scale

Assigning MIDI CC#s toKARMA, X-Y, and PadcontrollersIn the Global P2: Controllers- MIDI CC# Assign page youcan assign control change messages to the KARMAswitches and sliders, pads 1-8, and the X-axis and Y-axisof X-Y control. Pads 1-8 can be assigned either controlchange messages or note numbers. You can assigncontrol change messages or note numbers to pads 1-8.

Normally you will use the default settings. To restore thedefault settings, execute the Reset Controller MIDIAssign men command and choose Default Setting.

Here is how to set the scale type for each timbre inSequencer mode.

1. Crate a user octave scale or a user all notesscale.

If you're creating a user octave scale, use User OctaveScale Select to select the scale you want to crate.

2. Select a key, and use the VALUE controllers toadjust the pitch. The range of 99 raises or lowersthe pitch approximately one semitone above orbelow the standard pitch.

Note:You can also select a key by holding down theENTER switch and playing the desired note on thekeyboard.

Note:You can copy one of the preset scales and edit itto crate an original scale. To do so, use the mencommand Copy Scale.

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C4 +00 + 00+ 00 33 F+W

8


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71 ni n ni irunninnnTnTfirni '" IIun niin.

3. Press the MODE SEQ switch to enter Sequencer mode.4. Access the Seq P3: Track Param- Other T01-08 or T09-16 page.

5. If you want the Track to use the scale saved with its individual Program, check the track's"Use Program's Scale" check box.Tracks that are not checked will use the scale specified by Scale Type.

6. Set "Type" to select the scale for the currently selected song.


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SEQ P3:Track Param Other T81-88

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001:01.000 Meter; 4/4 J =|120.00 ManuOS000:NEW SONGQ Traci-01: MID1TRACK 01_________Re30:Hi (j RPPR


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TBM-Aeee-Stgrgo Grand 4-Vau Ch:01 RPPR:NoAss90

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Keyboar Keyboar Keyboar Keyboar Keyboar Keyboar Keyboar Keyboar . KARMA Track Off Control

Q NrmQ Nrm NrmQ NrmQ Nrm NrmQ NrmQ NrmUse Program's Scale-------------------------i-------------

a a { ~. -..--------'-------1.. Scale----f------ -1------------------

TupeiOBEEfljgSEiaW Key Q C Rancrn T

MIDI m I 65t j " Pitch I Piten 1 Other fm^l 1-8 i. S-1S 1 1-8 1 3-16 1 1-8 J. 3-16 i 1-8 J, S-K .

Setting Category ames

Setting Category ames for Programs, Combinations, andKARMA GE

The Category ame pages let you assign ames to the Program, Combination, and KARMAcategories and sub-categories. (See "Global P4: Category" on page 374 of the Parameter Guide)


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Using Drum Kits Drum Kit Overview

Using Drum Kits

Drum Kit Overview

What's a Drum Kit?A drum kit is a collection of drumsamples assigned to

each kev. Drum kits have the following features.

* A different sound will play for each note.* A drumsample (one drum instrument) is assigned to

each key. Drum samples are stored in the Rom bank,Ram bank, or in an EX * bank.

* Samples you recorded on the M3 or loaded in Mediamode can be selected from the RAM bank.

* On each note, you can use up to four Drumsamples,with velocity crossfades

* Each note has seprate settings for the mostimportant sound parameters, including volume, filtercutoff and resonance, envelope attack and decay,pitch, drive and low boost, and gain for each band ofthe Program EQ.For instance, you could combine high drive and lowcutoff frequency to crate a to-fi effect on only a fewsounds, while the rest of the sounds remained clear

and pristine.* Each note can be routed to different Insert Effects, orhave seprate FX Send amounts. For instance, youcan send a snare sound through a dedicatedcompressor.

You can use Drum Kits only in Programs whose OscillatorMode is set to Drums.

Note:The EX * banks can be used if you've loadedoptional EXB-USB-PCM series drumsamples.

Drum Kit memory structureThe M3 has 153 Drum Kits, divided irtto Internal, User,and GM (General MIDI) groups as shown below. You canedit or write into any of the locations except for the GMbank, which cannot be erased.

Drum Kit banks

Drum Kit Programs and OscillatorMode

The Program's Oscillator Mode setting, on the Prog Pl:Basic/DT/Ctrls- Program Basic page, sets whether theProgram is used to play Drum Kits or to play normalMultisamples (such as pianos, strings, etc.).

You'll see the results of this setting on the Prog P2:OSC/Pitch- OSC1 Basic page. If the Oscillator Mode is setto Single or Double, you can select up to fourMultisamples for each Oscillator, with velocity switchesor crossfades.

If the Oscillator Mode is set to Drums, you'll be able toselect a single Drum Kit. There are still four levis ofvelocity switches and layers - but these are within theDrum Kit itself, and not stored or edited in the Program.

No. (Bank) Contents

000(INT)...031(INT) M3 preloaded drum kits032(U-A)...047(U-A)048(U-B)...63(U-B)064(U-C)...79(U-C)080(U-D)...95(U-D)096{U-E)...111(U-E)112(U-F)...127(U-F)128(U-G)...143(U-G)

User drum kits

144(GM)...152(GM) GM bank

The 9 Drum Kits in the GM bank are compatible withthe GM2 sound map. The other Drum Kits may usedifferent mappings, where appropriate.

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Editing Drum Kits

Before you start

editing... Drum Program

selecting

Drum Kits are edited in Global mode. While you're inGlobal mode, you'll play the kit that you're editing asif you were playing it from within the Program,Combination, or Song which was selected before youentered Global mode.

So, before you enter Global mode, it's best to select aProgram which is already set up for drums, with theappropriate EG settings, effects, and so on. Just usethe Program Category select popup, and choose adrum Program. You'll probably want to start fromProgram mode, press the Category popup button toaccess the Category/Program Select men, andchoose a drum kit program from the Drums category.

OSC1 /Basic Octave settingIn ord< or the note mappings to match thekeyboard, the Oscillator's Octave setting needs to be+0 [8']. All Drum Kit Programs should have thissetting already. If you're unsure, you can check thisyourself:

1. Ac :-:;s the Prog P2: OSC/Pitch-OSC1 Basicpage.

2. Check that the Oct (Octave) parameter(near the top of the page) is set to +0 [8'].

With a setting other than +0 [8'], the relationshipbetween the keys and the Drum Kit sound map willbeincorr: ct.

Make sure that Memory Protect isdisabledBefore you start editing, go to the Global PO: BasicSetu: - System Preference page, and look in theMeir . ry Protect section. Make sure that Drum Kit isnot checked-if so, you won't be able to make anyedits.

Drum Kits may be used by more thanoneProgramWhen YOUedit a Drum Kit, all Programs that use thatDrum Kit will be affected. To avoid changing thefactory voicing, you may wish to copy Drum Kits toempty locations in the USER banks before editing.

Backing up a Drum KitGlobal mode does not have a Compare function thatreturns the edited result to the state prior to editing.Before you begin editing a user Drum Kit, it's a goodidea to use Copy Drum Kit to copy that Drum Kit to avacant number.

Creating a Drum Kit

Specifying the key to which you willassign a drumsample1.Select the Program that you wish to use while

editing the Drum Kit.

For details, please see "Drum Program selecting,"aboye.

2.Press the MODE GLOBAL switch to enter Globalmode.

3.Access the Global P5: Drum Kit- Sample Setuppage.

4.Use the Drum Kit parameter, at the top of thepage, to select the Drum Kit that you wish to edit.

GM drum kits 144 (GM)-152 (GM) cannot beselected here. (It is not possible to edit or write aGM drum kit.) If you wish to modify the settingsof one of the drum kits 144 (GM)-152 (GM), youcan use "Copy Drum Kit" to copy it to 000 (INT)-143 (U-G), and then edit the copy.

5.Use the Key parameter to select the note that youwish to edit.

To select a key, you can use any of the standardVALUE controllers (the slider, dial, numeric keypadetc.). As a shorteut, you can also hold down theENTER switch and play a note on the keyboard.

This Key selection applies to all five Drum Kit editingpages.

6.Use the Assign check box to specify whether thekey will have its own settings, or use the samesettings as the next higher note.

If Assign is checked, the key will have its own

settings. This is the default.If Assign is not checked, the key won't have its ownsettings. Instead, it will use the same settings as thenext higher note-except that the drumsamples will beplayed at a lower pitch. The amount of pitch changedepends on the Pitch Slope parameter, on the ProgP2: OSC/Pitch- OSC1 Pitch page.

Use this setting when you want only to change the

pitch, such as with tom or cymbal sounds.

Creating a velocity crossfadeFor this key, let's crate a simple velocity crossfadebetween two stereo drumsamples.

1. On the left side of the page, make sure that DS1and DS2 are turned On.


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Using Drum Kits Editing DrumKits

2. Similarly, make surethat DS3 and DS4 are turnedOff.

When they are turned off, mostof their parameters will begrayed out.

3. Select RomS as the Bank for DS1 andDS2.

There are three maintypes of Drumsample

Banks: Rom, Ram, and EX *. For each type,you can also choose betweenlooking at mono and stereo

Drumsamples. For example in the case ofRom, RomM selects mono drumsamples, and

RomS selectsstereo

drumsamples. Stereo drumsamplesrequire twice as many voices as monodrumsamples. Note that stereo Drumsampleswill require twice as many voices as monoDrumsamples.

Rom Drumsamples are the built-in "factory"sounds, and are always available. These areorganized by category, stich as bass drums,snares, hats, etc.

Ram Drumsamples include AKAI, AIFF, WAV orSoundFont 2.0 files loaded from media, andsamples created in Sampling mode.

EX * Drumsample banks are EX-USB-PCMexpansin sets created especially for the M3.Each has its own unique number; forinstance, the EX, and the EX-USB-PCM01 is

EX1. Only the currently loaded EX * banks willappear on this men.

4. Press the Drumsample popup forDS1.

This brings up a list of Drumsamples,organized by category. Use the tabs at the leftof the display to browse through the differentcategories.

For a list of the Drumsample ames, pleasesee the Voice ame List.

5. Select a Drumsample by touching itsame in the list.

5. Press the OK button to confirm yourselection.

6. Do the same for DS2.Now that you've assigned Drumsamples to

DS1 and DS2, let's set up the velocity rangesand crossfades.

8. Access the P5: Drum Kit- VelocitySplit page.

The following settings can also be made fromthe Sample Setup page, but the graphic in theright side of this page provides a visualindication of the settings.

9. Set DS2's Bottom Velocity to 001, andits Xfade Range to Off.

lO.Set DSl's Bottom Velocity to 80.

Now, DS2 will sound when you play softly, atvelocities of 79 or less-and DS1 will soundwhen you play harder, with velocities of 80 ormore.

Just press the On/Off buttons to toggle them, ifnecessary.

GLOBAL

P5:Drum Kit

Q 032(U-A): [

Drum3amp]el

(HW)>- OfcQOff Lv1:j

ra ^[WlrtgrfffniiHiB?MSr?)O RomS 0f3: Off Lvl:|[i] ; 0042: SD-12-drgrnfDS3CMUO)

DS4(LOW>

ll.Next, set DSl's Xfade Range to 20, and its Curve toLinear.

Notice that the graphic now shows the two rangestapering into one another. Between 80 and 100, DS2will fade out, and DS1 will fade in, creating a gradualvelocity transition instead of a hard split.

GLOBAL P5:Drum Kit

O 032(U-A): Drumkit UA032

Curve;

Lin

Curve:

Lin

Q Xfade Range: [OffDS4(Low)

| Sample Sample"! Drive "J 'Uotce { '

Setupj^ParamJL ^EQ i '

Fine-tuning the sound of each sample1. If you like, adjust the Levis for the two

Drumsamples.This can be very useful in creating a smooth velocitysplit or crossfade.

2. As necessary, specify the tuning, EGparameters, and filter.

Access the P5: Drum Kit- Sample Parameter page.

Adjust Tune, Attack (Amp EG Attack), Decay (AmpEG Decay), Cutoff and Resonance for eachdrumsample.

3. You can also edit the drive, boost, and EQfor each drumsample.

Access the P5: Drum Kit- Drive/EQ page.

Adjust Drive, Low Boost, and 3 Band EQ Gain [dB]for each drumsample.

For details, please see "5-2: Sample Parameters" onpage 378 of the Parameter Guide.

4. Repeat "Specifying the key to which youwill assign a drumsample," on page 136 to set upeach key of the Drum Kit.

5. You can also copy settings from one key toanother, using the Copy Key Setup mencommand.

Using Exclusive Groups

1. Access the P5: Drum Kit-Voice/Mixer page.2. Use the Exclusive Groups to make one

drum sound cut off another drum sound - such asclosed and open hi-hats.

For example, let's say that you've assigned an openhi-hat and a closed hi-hat to the same exclusivegroup:

* Play the open hi-hat sound.

* While it's still ringing, play the closed hi-hat.

* The open hi-hat sound will be cut off-simulatingthe action of a physical hi-hat.

Sample Setup

[C4 B) tesign

UUl.J .iU.JUUUUUU

| Xfd:f020"OUn ' Bottom Yel.:001 Xfd:fOfT

Lin Bottom Yel.:|

081 Xfd:[5fT() Lin

VelocitySampe

JSample 1 Drive jyoice j Param J. /EQi,/tterj

Velocita Split[C4 [) Assign

BYelocitij Spl i t IIDSt Bottom Velocitg:[080 fij Xfade

Range: [020 Curve: os?Bottom Velocitg:[00T [S) Xfade Range:

"lUelocityf


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Settings or the entire M3 (Global mode)

GLOBAL P5:Drum Kit

Q 832(l-rt): DrumWt UA032 [F*3~g) Assign!

IWITWlfflfWllflftflWIWIIflWlltflWlfflWI'

[i) Enable Note On Receive Q Enable Nots Off Receive

Pan 17"

Bus( r X 'OirtpuO Select: L/R Sendl Cto MFX1):|000FX Control Bw: Off Send2(to MFX2):[000

i ^jnple | Drive I Voice

Using HoldThe Program Hold parameter can be especiallyuseful for drum programs, since it lets the samplesring out natural!y regardless of how long you holddown the note. The way that this works depends onsettings in both the Program and the Drum Kit, asdescribed below.

To enable Hold:

1. Access the Prog Pl: Basic/DT/Ctrls- KeyZone/ Scale page.

2. Under Key Zone, make sure that the Holdcheck-box is checked.

Once you've turned on Hold for the Program, the

function is controlled on a note-by-note basisaccording to settings within the Drum Kit.

3. Access the Global P5: Drum Kit-Voice/Mixer

page.

4. For each key, set the Enable Note OffReceive parameter as desired.

If this parameter is unchecked, the key will be held.

If it is i hecked, the key will not be held.

If you n off Hold in the Program, no keys will beheld - ,ardless of their Enable Note OffReceivesetting.For example, you might send all snare sounds toIFX1, all kick sounds to IFX2, and the remainingsounds to L/ R.

Tip: In most preloaded drumkits, the druminstruments have the same Bus (IFX/Output) Selectsettings according to their type, as follows.

SnaresIFX1 Kkks-> IFX2Other ->IFX3

5. Use Sendl (to MFX1) and Send2 (to MFX2) to setthe send levis to the master effects.

Controlling pan for each keyTo use seprate pan settings for each key:

1.Access the Prog P4: Amp/EQ- Ampl/Driverl page.2.Under Pan, make sure that the Use DKit Setting

check-box is checked.

When Use DKit Setting is on, the Program will usethe pan settings for each key of the Drum Kit.

3.Access the Global P5: Drum Kit- Voice/Mixerpage.

4.Use "Pan" to specify the panning for each key.

Saving Drum Kits

Once you've spent all this time editing, you'll wantto save your work.

AiThe contents of your editing in Global mode arepreserved as long as the power is on, but will belost when you turn off the power. If you want tokeep your edits, you must execute Write DrumKits (or "Update Drum Kits"). This will save alldrum kits.

17

Yoice/Mixer

IVoice Adsign

ModeBSH Q S'r;gle

Sample^Set^


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Settings or the entire M3 (Global mode)

Controlling effects for each keyDrum Kits have their own, built-in mixers. For eachkey, you can control the Insert Effects bussing,Master Effects sends, and pan.

To use seprate bus settings for each key:

1. Access the Prog P8: IFX- Routing page.1. Make sure that the Use DKit Setting

check-box is checked.

When Use DKit Setting is on, the Program will usethe Bus Select and Effects Send settings for eachkey of the Drum Kit.

When Use DKit Setting is off, the Program will ignorethe Drum Kit's Bus Select and Effects Send settings.

3. Access the Global P5: Drum Kit-Voice/Mixer page.

4. Use the Bus (IFX/Output) Select parameterto send drum sounds through their own Inserteffects, or to the individual outputs.

If you like, you can send each note to its own Inserteffect, or to the individual audio outputs, in additionto the main L/R outputs.

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