&# # 44 .. Œ

œ œ œI get no

Em7

˙ ˙ ˙3

kick from cham

A 7w

pagne.

DMaj7wF#m7 B 7(b9)

-

&# #

5

Œœ œ œ

Mere al co

Em7

˙ ˙ ˙3

hol does n't

A 7˙ ˙ ˙

3

thrill me at

DMaj7.˙ œ

all, so

F#m7 B 7(b9)

- - -

&# #

9

˙ ˙ ˙3

tell me why

Em7

˙ ˙ ˙3

should it be

A 7wtrue

F#m7( b5)˙ Œ

œthat

B 7(b9)

&# #

13˙

jœ .œ

I get a

Em7Œ .œ j

œ œ œkick out of you.

A 7 N.C.

w

D6∑

F#m7 B 7(b9)

&# #

17

Œœ œ œ

Some get a

Em7

˙ ˙ ˙3

kick from co

A 7w

caine.

DMaj7wF#m7 B 7(b9)

-

&# #

21

Œœ œ œ

I'm sure that

Em7

˙ ˙ ˙3

if I took

A 7˙ ˙ ˙#

3

ev en one

DMaj7˙ ˙ ˙#

3

sniff that would

F#m7 B 7(b9)

-

&# #

25

˙ ˙ ˙#3

bore me ter

Em7˙ ˙# ˙n

3

rif ic 'ly

A 7wtoo.

F#7( b5)˙ Œ

œYet

B 7(b9)

- - -

&# #

29˙

jœ .œ

I get a

Em7Œ .œ j

œ œ œkick out of you.

A 7 N.C.

w

D6∑

I Get A Kick Out Of You Cole Porter(c) 1934

recorded by Sinatra in 1953 & 1962

q = 178

&# #

33

Œœ œ œI get a

Am7˙ ˙ ˙

3

kick ev 'ry

D 7.˙n œ

time I

Am7.˙n œ

see you

D 7

-

&# #

37

.˙ œ

stand ing

F#m7( b5).˙ œ

there be

w

fore

B 7(b9)w

me.- - - -

&# #

41

Œœ œ œ#I get a

Em6

˙ ˙ ˙3

kick tho' it's

.˙ œclear to

F#m7( b5)˙ Œ œ

me you

B 7(b9)

&# #

45

.˙ œob vious

E 7

œ ˙ œly don't a

wdore

Em7

wme.

A 7

- - - - -

&# #

49

Œ œ œ œ

I get no

Em7˙ ˙ ˙

3

kick in a

A 7

wplane.

DMaj7wF#m7 B 7(b9)

&# #

53

Œœ œ œ

Fly ing too

Em7

˙ ˙ ˙3

high with some

A 7˙ ˙ ˙

3

gal in the

DMaj7˙ ˙ ˙3

sky is my

Bm7

-

&# #

57

˙ ˙ ˙3

i dea of

Em7˙ ˙ ˙

3

noth ing to

A 7

wdo.

F#7( b5)˙ Œ

œYet

B 7(b9)

- -

&# #

61˙

jœ .œ

I get a

Em7 F#m7Œ .œ j

œ œ œkick out of you.

A 7 N.C.B 7

w

D6

¶Fine®

∑F#m7 B 7(b9)

2 I Get A Kick Out Of You

( ) ( ) ( )