Download - Markham Vale 13Apr10
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Helping People Make Better Places
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The immediate public art vision for Markham Vale is to propose 6 deliverable pilot projects,
linked to short, medium and long term stages. It is suggested that in time, this commissioning
strategy expands from more physical Public Art to also include something more participatoryand events-led Art in Public.
Public Art commissions can be:
Permanent or semi-permanent
Made as place specific or brought in as pre-existing studio based work;
Long-term or time-limited;
Made in reference to a small commissioning group or by wider consultation.
Art in Public can also involve:
Street theatre, performance, spectacle, cultural festivals and live events;
Other Music, dance, theatre, literature events;
Processions and Carnivals;
Temporary installation, altering or animation of a physical space;
Community based activity which embraces a place-specific and place-making ambition.
Public Art Vision
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As such, in the short term stage (2010 to 2013) 6 initial pilot commissions are suggested as
being split between public art and art in public - namely:
Public Art Commissions
Eco Gateway Commission J29A iconic flagship linked to environmental centre & marketing
Mining Memorial Memorial walk linking series of sensitive interpretation spaces & seating
Staveley Basin Community performance space as part of new canal basin
Art in Public Commissions
Peripatetic Recurring residency to develop a string of shelters and sites
Networks & Trails Recurring residency to explore new trails and networks
Community Arts & Placemaking Recurring residency to develop community arts and
placemaking
Short Term 6 Commissions
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This proposal is for the long term establishment of a major landmark public art gateway that
links to the overall sustainable and ecological ambitions of Markham Vale and acts as a highly
visible iconic symbol from the M1, as well as on marketing, media and PR releases. The long
term aim would be to secure funding to realise a quality commission that utilises both high
tech interactive new media and as such linked to all environmental issues including some
form of visible electronic sensor and webcam connected wirelessly within the Environmental
Centre lobby.
01 Eco Gateway Commission Core Concept
Image: Litmus by Jason Bruges Studio
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The immediate focus however, would be on developing the brief with a number of
stakeholders (including Highways Agency) and then soliciting a feasibility from a limited
number of artists to develop detailed designs and to then prepare funding applications. Key
components envisaged are:
Bold / Tall / Visible icon
Electronically linked to Environment Centre and other sites and future phasesBREEAM Good rating minimum
Kinetic Sci-Art engineering
Methane / solar / wind / heat pump powered
Recycled materials utilised
Located near landfill
Product R&D and design and associated PR linked to Markham Vale - including use of
marketing colours and logo
01 Eco Gateway Commission Visualised Components
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01 Eco Commission Suggested Precedents / Artists
Litmus by Jason Bruges
Studio
Four landmark
sculptures that work like
giant litmus papers to
respond to a variety of
environmental stimuli.
Commissioned by the
London Borough of
Havering.
Field of Play by Tim
Knowles
A live interactive light
drawing work using
CCTV and video
processing technology
the piece tracks the
publics movements within
Millennium square in
Bristol.
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01 Eco Commission Suggested Precedents / Artists
Threshold Horsecross
concert hall by Alexander
Hamilton
Software and artists add
a layer of interactivity to
the public areas and
enable the building to
change its look and feel
at the touch of a button or
a sensor.
Weather Flower
by Tonkin Liu
A wind-powered
interactive
lighting artwork
for Widnes
Waterfront EDZ
site on the banks
of the River
Mersey.
Shoal by Nayan Kulkarni
Interactive light work for
new buildings in the St
Davids regeneration.
Kulkarni has developed
software control that
utilises shoaling
algorithms to respond to
local sound and weather
inputs.
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01 Eco Gateway Commission Expenditure & Income
Outgoings / Expenditure Based on assumptions of a 3-stage project development
(Enabling, Fund Raising and Delivery), with estimated (minimum) core costs of circa 320k:
Enabling Stage @ 16,000(6 months Target Completion by November 2010)
Shortlisted Artist Fees 6,000 (4 x 1.5k)
Design Feasibility / Detail Design Fees 10,000
Fund Raising Stage @ 10,000 (12 months Target Completion by March 2011)
Funding Applications 10,000 (by others, or possibly in-house as in-kind contribution)
Delivery Stage @ 294,000(24 months Target Completion by 2011 / 2012)
Capital Costs - 180,000
Artist / Professional Fees (25% of capital costs with Detail Design Fee) - 35,000
Capital Contingency - 43,000
Delivery Stage Management Fee Budget - (10% of capital costs) - 18,000
Maintenance - (10% of capital costs) - 18,000
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01 Eco Gateway Commission Expenditure & Income
Income / Funding Based on assumptions as a starting point, and a target 320k budget
the following funding strands are anticipated comprising target income of:
Core Funding - 50,000 (21k used to seed fund artist commissioning, feasibility and funding
application)
Henry Boot Developments - target 50,000
EMDA funding application target 110,000
Landfill Credit / LEADER Approach application target 110,000
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Stage 1 artist shortlisting and detail design and Stage 2 capital funding applications can be
carried out in well under 12 months if enabling budgets and the will are in place. This will then
provide a high profile marketing and fund raising platform. Capital funding securement,
production design and stakeholder negotiations and fabrication / installation are all then likely
to take between 12 and 24 months (based on precedents elsewhere in the UK) and this will
likely take the project beyond Markham Vale Works Phase 1d and into the next Phase
sequence (2011/12 and/or 2012/13).
01 Eco Gateway Commission Programme
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The proposal is for the long term creation of a landscaped walk as 'linear' visitor destination
that both acts as a sensitive, reflective and discrete memorial (particularly the 1938 and 1973
Markham Colliery disasters); but also a National memorial for Deep Mining, as well as a
forward-looking celebration to the vibrancy of this ex-mining community, and its future
potential to come. Rather than a small insignificant memorial, this is seen as a series of
landmark commissions that collectively add up to greater than the sum of its parts. As with
other projects, the ethos of the commission would link to the overall sustainable and
ecological ambitions of Markham Vale.
02 Mining Memorial Core Concept
Image: Camel Trail by Mor Design
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The long term aim would be to secure an uplift to the existing landscaping funding to realise
a quality commission that links a linear trail with public art memorial seating with
interpretation. This should be protected from the noise of the motorway and logically linked
at one part with the Environmental Centre. The immediate focus, would be on developing the
brief based on the earlier rounds of consultation and design considerations, and in running
immediate artist commissioning to help tease this out. Key components envisaged are:
Highly evocative and moving mining disaster memorial
Linear public art landscape walk and seating (hard and soft landscaping) with arts
interpretation
Parallel community media art project to inform interpretation (local aural history etc)
Quiet contemplative areas created, and linked to seating areas for business park users
Main memorial area adjacent to water feature and link across to elevated North Tip walk
02 Mining Memorial Visualised Components
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02 Mining Memorial Suggested Precedents / Artists
Camel Trail Seating by
Mor Design
Custom-designed
artistic seating with
integrated artwork for
the Camel Trail that
runs along 11 miles of
disused railway beside
the River Camel
Whitehaven Millennium
Benches by Stephen
Broadbent
A series of Millennium
benches as part of the
regeneration of
Whitehaven port in
Cumbria, custom designed
with maritime theme and
embedded text
Grainger Town seating
by Insite Design
Poet Julia Darling and
glass artist Cate
Watkinson collaborated
with Insite Design to
create unique seating to
Grainger Town
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02 Mining Memorial Suggested Precedents / Artists
Sonic Postcards by various
Sonic Postcards are innovative
education programme whichencourages pupils to explore their
local sound environments and
create sound postcards
Soundpool by Janek Schaefer
Interactive audio soundscape to
25m Bradford mirrorpool
fountain. Permanent installationproduced in conjunction with AV
specialists TMC and fountain
specialist Fountain Workshops
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Stage 1 artist shortlisting within 6 months. Stage 2 detail design and further capital funding
applications can be carried out in under 6 months if enabling budgets and the will are in
place. Capital funding securement, production design and stakeholder negotiations and
fabrication / installation are realistically likely to take between 12 and 24 months (subject to
funding approvals and based on size of the commission, and precedents elsewhere).
02 Mining Memorial Programme
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Outgoings / Expenditure Suggested as based on assumptions of a 3-stage programme,
with estimated (minimum) core costs of circa 207k anticipated comprising estimated
expenditure of:
Enabling/ Engagement Stage @ 20,000(6 months Target Completion)
Shortlisted Artist Fees 2,000 (4 x 0.5k)
Artist / Professional Fees - 12,000
Community Engagement Installations & Events - 4,000
Contingency - 2,000
*
NOTE: This media commission phase is essentially the Community Arts & Placemakingproject for the first year of a 3-year proposed programme
Design Development Stage @ 32,000(6 months Target Completion)
Shortlisted Lead Artist Fees 8,000 (4 x 2k)
Detail Design Fees 10,000
Community Engagement Installations & Events - 4,000
Funding Applications 10,000 (by others, or possibly in-house as in-kind contribution)
Delivery Stage @ 155,000(12 - 24 months Target Completion)
Capital Build - 100,000 (as uplift to existing landscaping)
Artist & Professional Fees (25% of capital costs with Detail Design Fee) - 15,000
Capital Contingency - 20,000
Delivery Stage Management Fee Budget - (10% of capital costs) - 10,000
Maintenance - (10% of capital costs) - 10,000
02 Mining Memorial Expenditure & Income
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Income / Funding Based on assumptions as a starting point, and a target 207k budget
the following funding strands are anticipated comprising target income of:
Core Funding - 107,000 (52k used to seed fund enabling commissioning, and design
development programme, detail design & funding application)
Landfill Credit / LEADER Approach application target 50,000
Other funding (ie. Coalfield Regeneration Trust) target 50,000
02 Mining Memorial Expenditure & Income
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The ultimate proposal is for the long term establishment of public art installation or gateway
at Staveley Town Basin (possible linked to a wider/strategic series) that can act as a staging
area or backdrop to community cultural and festival programmes, and can provide linkage
both into ongoing regeneration projects (under development or still at a conceptual stage);
and to wider environmental and ecological programmes.
03 Staveley Basin Core Concept
Image: Stravanger Amphitheatre by Acconci Studio
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The immediate focus however, would be on creating an artist residency to work in Staveley.
It is proposed that a prime project like the Chesterfield Canal Basin can provide linkages
both into the town centre and Heart of Staveley, as well as beyond to other networks and
trails and the performing and participatory arts focus to enable better place making.
Components envisaged are:
Sculptural land art performance space and/or amphitheatre at BasinIntegrated to a trail connecting the town to the canal basin and beyond to wider trails
Possible wider link to community cinema notion identified for Regal Cinema site
Possible link to other Staveley public art gateway commission ideas - by others, as part of
future Masterplan delivery
A strong ecological theme and brief running through this programme
03 Staveley Basin Visualised Components
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03 Staveley Basin Suggested Precedents / Artists
Arena by Rita McBride
Arena is a public sculpture
designed by New York artist RitaMcBride. It is made of white Ferro
cement and stands over 15 feet
(4.6 m) high overlooking the River
Irwell. It is part of the Irwell
Sculpture Trail.
Amphitheatre by Acconci Studio
The Acconci Studio in New York
has won the competition for thecommission of the Amphitheatre at
the New Concert Hall in Stavanger
competing against other noted
and internationally-known artists.
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03 Staveley Basin Suggested Precedents / Artists
Garden for Cosmic
Speculation by Charles
Jencks
The unique landart ofCharles Jencks Portrack
garden at his house in
Dumfries carries forward
the ancient principles of
making gardens imitate
nature.
Aquarena by
William Pye
Site-specific
design combines
water sculpture
and a highly
original
performance
space
Our Space by Will Nash
The Our Space public art
project was
commissioned byWillingdon Community
School to transform a
disused courtyard
through consultation and
engagement with the
local community
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Outgoings / Expenditure Suggested as based on assumptions of a 2-stage funded
feasibility and delivery, with estimated (minimum) core costs of circa 90k anticipated
comprising estimated expenditure (and excluding any associated future artistic running or
programming costs) of:
Engagement Stage @ 10,000(15 months Target Completion by Apr 2011)
Shortlisted Artist Fees 2,000 (4 x 0.5k)
Design Feasibility / Detail Design Fees 2,500
Community Engagement Programme - 3,000
Funding Applications 2,500 (by others, or possibly in-house as in-kind contribution)
Enabling Stage @ 80,000(26 months Target Completion by Feb 2012)
Capital Costs - 50,000
Artist / Professional Fees (25% of capital costs with Detail Design Fee) - 10,000
Capital Contingency - 10,000
Delivery Stage Management Fee Budget - (10% of capital costs) - 5,000
Maintenance - (10% of capital costs) - 5,000
03 Staveley Basin Expenditure & Income
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Income / Funding Based on assumptions as a starting point, and a target 90k budget the
following funding strands are anticipated comprising target income of:
Core Funding - 20,000 (10k used to seed fund artist commissioning, feasibility and fundingapplication)
Landfill Credit / LEADER Approach application target 30,000
Project Funding / Section 106 target 30,000
In-Kind - target 10,000 civil engineering, services construction materials and labour
03 Staveley Basin Expenditure & Income
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03 Staveley Basin Programme
Initial artist shortlisting and detail design and further capital funding applications can be carried
out in well under 15 months if enabling budgets and the will are in place - and needs to be in
place immediately to run parallel with actual design development process that precedes site
delivery. Capital funding securement, production design and stakeholder negotiations and
fabrication / installation will all be subject to the final Phase VI project programme and brief.
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Closely linked to the Routes & Trails project, the eventual proposal is for the medium termestablishment of an annually recurring artist residency programme that in time (and with
resources) could look to move around various places in the Markham Vale area over a
number of phases and evolve from just temporary commissioning into permanent as well.
Outputs of these residencies would be the creation of a series of works (possibly self-build
projects in a range of media, and with assistance from community groups) with the focus on
the community, place and environmental ambition of Markham Vale.
04 Peripatetic Core Concept
Images L to R: Singing Ringing Tree by Tonkin Liu & Caravan Gallery by Jan Williams and Chris Teasdale
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Artists will be targeted from a range of art forms. Construction of works (where applicable)
might look to use recycled / natural materials & landscape. The creation of permanent
shelters could be a recurring output - but this would need to be budgeted for as a capital
project, and subject to fund raising. The parallel Networks & Trails project would be linked into
this.
For the short term it is suggested that the first phase look to commission a one-off caravan-
based summer studio residency (with permission) at the Caravan Club Site at Pools BrookCountry Park. Components envisaged are:
Relocatable transient nomadic pods or shelters
Eco self-build art projects
Temporary Artist Residency / Hermitages
Artistic brief linked to Ecology Plans of Derbyshire County Council
04 Peripatetic Visualised Components
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04 Peripatetic Suggested Precedents / Artists (Short-Term Temporary Residencies Begin)
Caravan Gallery Jan
Williams and Chris Teasdale
The Caravan Gallery is a
mobile exhibition venue and
visual arts project run by
artists who are on a mission
to record the ordinary and
extraordinary details of life in
21st century Britain.
The Wonderful North - Bryan and Laura Davies
An mobile new media residency celebrating all that
is, well, wonderful about the North of England! Thewebsite presented an online Expo with pavilions
showcasing the objects, places and people
encountered during a month long exploration of the
North in a camper van.
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04 Peripatetic Suggested Precedents / Artists (Medium-Term Permanent Projects Begin)
Singing Ringing Tree
(Panopticon) Tonkin Liu
Series of landmarks, designed
to attract visitors into thecountryside to enjoy the
landscapes and attractions in
Lancashire. Each is situated on
a high-point site commanding
spectacular views. All are within
easy reach of the M65
Kielder Observatory Charles
Barclay Architects
The art and architecture programme
at Kielder has been running for
over fifteen years. There are now
over 20 pieces to see, set in an area
of 16 square miles, making the Park
the largest outdoor public art gallery
in the UK
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04 Peripatetic Suggested Precedents / Artists (Long-Term Residency Programme Begins)
Cove Park - Eileen and Peter
Jacobs
International centre in
Scotland for the arts andcreative industries. Annual
programme of residencies
enables national and
international artists, of all art
forms, undertake research
and develop new projects
SALT Residency Programme
Each residency offers one week's
accommodation, access to studio facilities
and a considered period of time to developnew work. The studio is offering space to
enable artists to dedicate time to the
exploration and development of their
practice
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04 Peripatetic Programme
Annual artist shortlisting, commissioning, evaluation and further funding applications can be
carried out in well under 10 months if budgets and the will are in place.
It is suggested that this project runs back-to-back with the commissions for both the Routes &
Trails and Community Arts & Placemaking programmes. For all projects, there will be the
possibility of involving the local community through a targeted local host including for
example local schools, and special need groups, including adults with severe learning
difficulties.
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Outgoings / Expenditure Running back-to-back with Routes & Trails and Community Arts
& Placemaking suggested as based on assumptions of estimated (minimum) core costs of
circa 30k (10k per annum recurring over 3 years) anticipated comprising estimatedexpenditure of:
Stage 1/2/3 Delivery @ 10,000 pa over 3 years (10 & 22 & 34 months Target approx
October of each year)
Shortlisted Artist Fees 2,000 (4 x 0.5k)
Artist / Professional Fees - 5,000
Capital Contingency - 1,000Caravan / Studio Hire - 2,000
Income / Funding Based on assumptions as a starting point, and a target 10k per annum
over 3 years, no funding strands are anticipated for the first 3-year stages of this particular
project. Establishment of the actual budget availability and evaluation of this project will then
determine a future funding plan target.
04 Peripatetic Expenditure & Income
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Closely linked to the Peripatetic project the eventual proposal here is for the medium term
establishment of a recurring artist residencies that could look to explore the various
connective routs and transport means that link the various places in the Markham Vale area.
Outputs of these residencies would be the creation of a series of temporary / ethereal works
with the focus on the community, place-specific and environmental ambitions of Markham
Vale generally.
05 Networks & Trails Core Concept
Images L to R: Geocaching & Looking for the Black Redstart by Claire Thornton
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Artists will be targeted from a range of art form and media, ranging from environmental artists
to new media and film makers. Artists will always will be encouraged to explore issues to do
with sustainable community and/or environmental and Health & Wellbeing issues. The parallel
Peripatetic project, with its creation of permanent or temporary shelters scattered along the
various routes and trails would be linked into this. Key components envisaged are:
Trails, networks and wayfinding
New media geocaching and pod cast interactives
Sustainable transport links (bus company sponsor?)
Links to Transpennine Trail
Links to Derbyshire County Council Countryside Service & Ecology Plans
Links to Chesterfield Canal Partnership
05 Networks & Trails Visualised Components
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05 Networks & Trails Suggested Precedents / Artists (Short-Term Residencies)
Kentish Walk Hamish
Fulton
A group art walk in
Canterbury led by the artist
followed a circle around
Canterbury's original city
walls. The only stipulations
to was that the walk be
done in silence, single file,
and 4 metres apart.
Social Fabric 71 - Jayne
Murray & Alisha Miller
Artist led project with
Travel West Midlands
redesigned the seating
fabric on the 71 route.
Worked with passengers
who use the bus to build up
a broader picture of the
social fabric of the area.
Looking for the Black
Redstart Claire Thornton
Public wildlife ramble along
metro nature corridor. A
series of activities and art
works incorporating public
performance was
supported by Centro (the
West Midlands Public
Transport Executive)
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05 Networks & Trails Suggested Precedents / Artists (Short-Term Residencies)
Forest of Dean Sculpture
Trust Soundwalks
Duncan Speakman
MP3 narrative walks,developed by artist with
local children and linked to
a Geocaching route to
locate a cache. This walk
used clues near sculptures
to harvest the co-ordinates.
Ticket Texts Tim Etchells
A series of Ticket Text
commissions as part of the
NEs Nexus Art on
Transport programme
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Outgoings / Expenditure Running back-to-back with Peripatetic and Community Arts &
Placemaking suggested as based on assumptions of estimated (minimum) core costs of
circa 30k (10k per annum recurring over 3 years) anticipated comprising estimatedexpenditure of:
Stage 1/2/3 Delivery @ 10,000 pa over 3 years (12 & 24 & 36 months Target approx
December of each year)
Shortlisted Artist Fees 2,000 (4 x 0.5k)
Artist / Professional Fees - 5,000
Capital Contingency - 1,000Caravan / Studio Hire - 2,000
Income / Funding Based on assumptions as a starting point, and a target 10k per annum
over 3 years, no funding strands are anticipated for the first 3-year stages of this particular
project. Establishment of the actual budget availability and evaluation of this project will then
determine a future funding plan target.
05 Networks & Trails Expenditure & Income
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05 Networks & Trails Programme
Annual artist shortlisting, commissioning, evaluation and further funding applications can be
carried out in well under 12 months if budgets and the will are in place.
It is suggested that this project runs back-to-back with the commissions for both the
Peripatetic and Community Arts & Placemaking programmes. For all projects, there will be the
possibility of involving the local community through a targeted local host.
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The eventual proposal is for the long term establishment of an ongoing and facilitatedcommunity cultural and festival programme that in time (and with resources) could look to link
various communities (that is, communities of place as well as of interest) of the North East
Derbyshire, Chesterfield and Bolsover districts in the Markham Vale area over a number of
phases. Outputs of such a programme would be the creation of a series of individual works
and rolling residencies that in time begin to develop into a more permanent and regular
programme.
06 Community Arts & Placemaking Core Concept
Image: Wonderwood by Amenity Space
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The immediate focus however, would be on enabling a network of communities, community
venues and cultural events, through the facilitation of Action Research via artist and creative
commissions. Linked to this would be briefs to explore physical public spaces; the performing
and participatory arts focus; as well as explorations into the use of social networking medias
to enable better place making. Key components envisaged are:
Improvements to community public space with consideration of cultural performacesInitiation of new cultural programmes
Rural Touring / Community networks expansion
Website and friends of facebook / blog equivalent ofwww.markhamvale.co.uk
Community medias explored through web podcasts, video and web TV/radio
Other Wayfinding, mapping and placemaking residencies commissionedLinks to Performing Arts Centre in Springwell Community School
06 Community Arts & Placemaking Visualised Components
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06 Community Arts & Placemaking Suggested Precedents / Artists
Regents Park The Treehouse Gallery
The Treehouse Gallery was an
innovative public project featuring afree daily program of events, arts,
musicology and activities in Regent's
Park to re-imagine one of the great
outdoor public spaces of the city
Wonderwood Amenity Space
Collaboration with Yorkshire Culture
Company for temporary installation onderelict site in Holbeck Urban Village
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06 Community Arts & Placemaking Suggested Precedents / Artists
Level Screen by First Movement
Level Screen is an innovative new mobile
product which enables people miles apart
to meet, connect and interact in a virtual
space by utilising digital technology. Runby First Movement which works with
learning disabled people and promotes
their unique creativity by placing them in a
situation where their work takes place
alongside other creative people.
Spaceshaper by CABE
Pat Gilbey is one of a number of
licenced CABE Spaceshaper
facilitator and Creative Arts
Professionals. An experiencedstoryteller, Pat uses stories to
provide environments which
enable groups to explore issues.
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Outgoings / Expenditure Running back-to-back with Peripatetic and Routes & Trails,
suggested as based on assumptions of estimated (minimum) core costs of circa 40k (20k
per annum recurring over 2 years *) anticipated comprising estimated expenditure of:
Stage 2/3 * Delivery @ 20,000 pa over 2 years (19 & 31 months Target approx July of
each year)
Shortlisted Artist Fees 2,000 (4 x 0.5k)
Artist / Professional Fees - 12,000
Community Engagement & Installations - 4,000
Contingency - 2,000
*NOTE: 1 per year anticipated for Years 2 and 3, but Year 1 merging with Mining Memorial
project commission)
Income / Funding Based on assumptions as a starting point, and a target 40k for 2 years
* budget the following funding strands are anticipated comprising target income of:
Core Funding - 10,000 (used as match fund)Other funding (ie. Arts Council England) target 30,000
06 Community Arts & Placemaking Expenditure & Income
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06 Community Arts & Placemaking Programme
Phase 2 artist shortlisting and funding applications can be carried out in well under 15 months
if budgets and the will are in place. The programme might look to develop a longer term
funding application on the back of the initially evaluated programme of Action Research.
It is suggested that this project runs back-to-back with the commissions for both the
Peripatetic as well as the Routes & Trails programmes. For all projects, there will be the
possibility of involving the local community through a targeted local host.
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Beam is proposing different approaches to the management of the proposals
included in this presentation and the corresponding report:
1. For the two larger commissions (01 Eco Gateway and 02 Mining Memorial), we are
suggesting Beam manages the initial stages of the process, and oversees the later
fundraising and delivery stages. Budget lines are included within our proposals for
undertaking the significant fund raising needed and management of the delivery stages.
2. For the work in Staveley (03 Town Basin Arena), we are suggesting Beam undertakes a
consultant role, working with and advising all the key stakeholders. There is some activity
Beam will lead on for the group of stakeholders, but it will do so with the support of
others.
3. For the smaller temporary commissions (04 Peripatetic, 05 Routes & Trails and 06
Community Art and Placemaking), we are suggesting Beam manages the complete
processes that will occur each year of the programme.
Management Proposal
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Helping People Make Better Places