Transcript
Page 1: Organising creativity

Organising Creativity

Adam Jorlen Feb 2012adamjorlen.com

Page 2: Organising creativity

”The biggest issue at stake in this emerging age is the ongoing tension between creativity and organization.”

Richard Florida, Rise of the Creative Class

Background

Page 3: Organising creativity

The tension between individual and collaborative creativity

Page 4: Organising creativity

Staff engagement Humans are happiest when they’re

exercising their ingenuity.

Innovation Creativity + Action = Innovation

Why is creativity important in organisations?

Page 5: Organising creativity

Interdisciplinary research

1950s-70s – Personality of the creator

1980s: Social & Cultural Dimensions of creativity. Csikszentmihalyi’s systems approach

90s-00s: Collaboration and Group Dynamics, Collaborative emergence

Creativity research

Sawyer2009

Page 6: Organising creativity

Increased collaboration

Pre-70s 90s 00s80s

Everyone in the org

Several disciplines

and functions

One group – The R&D

team

One person – ”Lone Genius”

Google 20%

Innovation labs

Crowd-sourcing

The R&D team

Outside the org (customers,

suppliers etc)

”Skunk works”

Semco

”Collaborative webs”

Open innovation

Fisher- Price

10s

Successful initiatives in the past/present?

Page 7: Organising creativity

Who benefits from the creative work?

A critical view on the creators

What’s gained/lost along the way from ”lone genius” to ”wisdom of the crowd”?

The dark side of creativity

D H Cropley, A J Cropley, Kaufman & Runco 2010

Page 8: Organising creativity

1. How can managers organise creativity to benefit both their organisation and the eco-system of which it is a part?

2. What were/are the conditions in some successful initiatives of organising creativity in the past/present ?

3. How can managers ensure that the ”dark side” of creativity is avoided, i.e. that what emerges from the creative initiative benefits the eco-system of which the organisation is part?

Questions

Page 9: Organising creativity

”Lone Genius” Isolated group Innovation Lab Collaborative Organization Open innovation network

Phases…

Page 10: Organising creativity

Method Four-quadrant mapping of the conditions for creativity

Wilber, 2000

Page 11: Organising creativity

Intentional

•Psychology of the individual•Intrinsic/extrinsic motivation •Introversion / extroversion

Behaviour

•Skills•Behaviours

Culture

•Collaboration•Group dynamics•Groupthink•Brainstorming•Improvisation

Social system

-Officical strategies organisations undertake-Environment-Location (the core vs the edge)-Architecture

Method Four-quadrant mapping

Page 12: Organising creativity

A layered methodTo understand the depth of the creativity which emerges...

Inayatullah 1998

Page 13: Organising creativity

Type ”Lone Genius”

Isolated group

Innovation Lab

Collaborative Organization

Open innovation network

Creative initiative:

Edison’s lab Xerox PARC Mattel’s Project Platypus

Semco Open IDEO

Litany "Genius is one percent inspiration, and ninety-nine percent perspiration."

"The best way to predict the future is to invent it."

” If we do not let people do things the way they do, we will never know what they are really capable of”

“Where people design better, together”

Systemic Causes

What are the socio-economic, technical, political, environmental etc drivers and trends which impacts on the initiative and organisation?

Worldview What are the worldviews of these initiatives and the organisations they are part of?

Myth/ metaphor

What are the underlying myths and metaphors?

A layered method


Top Related