eptanisiaki opera.praktika synedriou

8/10/2019 Eptanisiaki Opera.praktika Synedriou

1/266

!

!"#$%!"#$%!&'()$

!"#

$%&'#!%

()"*+%

)!"#$1953

!"#$%&$# '()*+"&,(

*-)&$,$#&$#!,+&'%"$,!#)*!&'%./&,#-.)0)

%/./#-*#%"&$0)'!,(+0)


2/266

!"#$%&'()$*+$,'-./*0%'12#0%&)$3(45'6,3(

78*(02011

!"#$%&$#'()*+"&,(

!"#$%&'($)&*"!+$

!"#$%&'#!%()"*+%)!"#$1953

"#$%&' "'()*+,) %-,./.

01203 %4&*5*'( 0676

-%'5"09-)'%'66'6:;$"'6%'6-)$3(?)'&%3(

=8()$@$0) :05',)-%&)0$@A0(#5)-%*)' 78.(3( /*0 2#0%&)$3(45'6,3(

46(,)'&BC(+B0&'>'6-)$*178.(3(

-, , 2011

1953. .


3/266

!"#$%&'(#)*!"#%+'"*

FC"%#&A';E(#&(=8()$@& :05',)-%&)0$@A0(#5)-%*)'78.(3()- 5&@#,&'1

A"C%06&'';-%0$'1(=8()$@& :05',)-%&)0$@A0(#5)-%*)'78.(3()

GC&.1H0(8'6,C$.1(I@()'A0(#5)-%*)')

M.(C1I. 7"#J)C,.1(=8()$@& :05',)-%&)0$@A0(#5)-%*)'78.(3()

,+-.(/%#)*0"#%+'"*

45;&'17. =60BB#"C%'1(=8()$@& :05',)-%&)0$@A0(#5)-%*)'78.(3()-5&@#,&'1

F;&'6-)$*F)O")'8*$.%.1=""C,'1P9")0(F'6,';&.)

=5)+"#)0--6(%'()-@1-6(#,&9'6: M.(C1I. 7"#J)C,.1

?&00%#)0$*65'-%*&)J.: P#


4/266

! E " I E X O M E N A

#$%&'(. &)*+(&,$'

$ -./01 #101234- '151 6 7 89: !1;59: 8?4 *24@AB

):0@AB 'A?4B (2003/ 2005) .

'C&C(&D*"EF&%&'$

E 0-597 89: 489:=89: >/ -./0/7 89: '.;09: '1G01 A1@ 89:

!1;59: @97 /@ 7 N@1 8? /59K0118 @AB K01>8?0@-8?81 89: 2/G809:

'14 CP@GA99 /81Q; 1799 A1@ 1823.

%(M:N/7 >8?4 @A- F=1809

8L4 *.814?>6L4.

D(I"DE')*IC'&


5/266

&J"&+*!&!&,&L , 89 A;A4/@9 G>1 89 ,@94:>69:)1:0GNA1 .

,$#E'F*%$':O95B 89: '.;09: '1G01 >89 H/0@>8 @A- %189:015@>8 @A-

>3497 89: ' . '1G01 .

!*"()$W*(' *('$D$'*I% - H(ED"&V(


6/266

"

!"#$% &. '()*+$,"%

H -.)/0!"#"$%&- '"(")* (1888) 123405(2360//7/, 81"#

9:#+;3#7,/+2

9.10#"8+0;23:8&6%&', 3+'

")>07*)-7#' 1#7 3&6 "&7+3/ + O#),#)93# K#)%5&6. C6-3*2?- 1%7517& 3&6

O8#%*3&6 3+' A0.71/' B6)71/' C1+./' - 1&)6;#9&6' 3&6' C3)53& "#8#.&$2+23&. ):%& 3&6 H8:%%>.# 1#7 H,,-%71/ K#-.5 23&. ):%& 3+'T$?3#'. S:0+1#.

1 D7E),&' B->3251&', +",(-* ."##/#: 01-&2-&3,"4" 5"6 7#8-8#"9)", O&62-9& O8-.51+,

H0/.#, 1#7N:.7&"#.-8723/7&-U/#O&6271E.C8&6


7/266

#

3)-7'#1:#8#)#2352-7', 237'12, 237'14 1#737'16 L-@)&6#)9&6 2003.

C3+. -8#.5%+G+ 3&6 2005 (20, 23, & 26/ 2/ 2005), &71-.3)71&926.3-%-23*'/2#.

&79. "-)2E., ;05.-7 23+. H0/.# >'#8-23#%*.&' 3&6'. ! P-723&1%/' =+3-9 ?)+2: #8: 3+. "609#, 8)7. 85)-7 3+.

1)927+ #8:;#2+%9,&8)7.3+.#6#?9#. "#)5%%+%#, 1)927-' -)>371*' #.37=+%9-'

#.#3)*8&6. 37' 72&))&89-'. U:2& + O$)3+, 1:)+ 3&6 P-723&1%/, :2& 1#7 +

#2753722# L-.39# (L-3-6*.-' - 3&. 9'


8/266

%

P-723&1%/', +O$)3+1#73&8#7'3&8#78& 3>.

.71+3E. A%%/.>..

V' 8)&' =+3/#3# 8&6 #;&)&$. 3& &6271&' #.#;*)-7 -8 #63&$& D7E),&' B->3251&' 23& 8):,)## 3+' 8)-7*)#'

(A0.71/B6)71/C1+./, 2003). C6.#8&3#:)7##63/'3+'8#)&629#2+'.

H' 06+0&$-, #8%5-.. 8)E3>. !%687#1E. H,E.>. 3+'

T*#'A8&?/', &8:3-1#3#%/,&6.&)7237151#75


9/266

$

8%#927&, *.# *),& #.5' 26.*@#7.-8.?. 23+ ;52+

3+' ,#%%71/' grand opra 1#353+ '1#353&8)E3&72: 3&618&6#7E.#. (#7-23&.&8&9&.(20 :%7'?):.7#-353&!"#"$%& '"(")*)

,)5;3+1- + 7lektra 3>. Richard Strauss 1#7 Hofmannsthal, 1#7 23&. &8&9&.

#1&%&$0+2#.8&%%&91&)6;#9&71#75F7&7(Stravinsky, Krenek, Wellesz, Enescu, !rff

1.#., *?)7 1#7 3&6' .-:3-)&6' Tippett, Henze, Reimann 1.&.1.), 1#7 @*@#7# &7

2+#.371&9 .-:3-)&7 1#7 2$,?)&.&7J %%+.-' 26.0*3-' :8-)#'. O-,5%+ (+)

1&6@*.3##63/ 0#8-7 158&7&', 1#7:.3>'-9.#7. H%%5+ 7lektra 3&6Strauss 5)?72-

.# ,)5;-3#7 '158&7#8)5,#3#

1#7 + 26.*?-75 3&6', #. 3&!"#"$%& '"(")* -9?- 8#7?3-9 3-%715 23&6'

!%687#1&$'H,E.-'3&61896. ... [")&@&%/ --> K7.3-&21&8+*.# H8&2852#3#:

!"#"$%& '"(")*- A0.71/B6)71/C1+./(#8:3+. 8#)523#2+3+'12.2.2003)].

& ")@%. Martha Feldman, Opera and Sovereignty: transforming myths in eighteenth-century Italy,

University of Chicago Press, Chicago, 2007, 22. 226-283 (Myths of Sovereignty), 7'2. 234.

6 M 8&%$ -.


10/266

!"#$#"%#&'()*#+#!,

)-./01 2034203520367.87-712039:;/03203!8;-03

!:?-:

'>6:@A@B

!"#$$%&'()*&%+,#-.$%+,/%+,0%+,, 1"#$$%+,#-&'('$&+,2&'("+(%+,03+,/,4+2%*.

$))$-052%1/&2%+#.$%1564*#$5$46%+1600 *752(*#$. 8/%&'*.*/+%15*#-$2.$5*./$&1

*)0%1%+,/%+,0%+,75&$54+)94)*,#15'$&4+),+#:&'(5+,2&'+"#$$%+,#-&'(5+#:(5,

2*64*#*5%+,;$9)+,, "1). 2%+/%+,0%+?+,2%$:>-=+:.$(/. 9).

$. ?+,2&'+"#$$%+,#-&'("+(%+,/%+,0%+,?+,2%$:>-=+:.$(/. 9, 2'1/(4-6)

Allegretto maestoso (6=C4B4): recitativo accompagnato C /%+*.A+/$

" #$%& '() *+%,-() $%.() '&/ )0$ 1/,-)23 2'(45+6&/ 25+'4., *+ '3 *()24.(781*1'()8%4.9 -+4'()8%61 '()

/'():'() 2'4; $0+8+; '&/ 01810,/& 2)/ A%B 2+ +/7+4.'4., 23*+61 '() /'():'() '1 (0(61

08(2D:8()/ '3 7)/1'$'3'1 08$2-3E3; '3; 08(2&04.9; *()24.(781*1'()8%4.9; '+5/4.9; .14 FD(); '() .,


11/266

$5-01#(6=C4B4 6345D7>:)

Moderato: ("&$"+3&'>) C #*9:*21 *.A+/$

solo ?+,2%$:>2%+"&'6+,%+2%#$%64*"+%&2*:0#/*&75*"E; 3

solo =+:.$5 2$/'$)654&2%652%#$%&E%15,4$'+972%1/4$%#."$...

solo ?+,2%$:>4E5%+)>5..!

solo =+:.$5 D0#7*.2$&0/$54#+"6%15... )$*)>22+/$

$5-01E

8ndante Sostenuto:

solo ?+,2%$:>%&F)047; G./$&$)(C*&$; H&$+4%$2.$; C #**)>22+/$

solo =+:.$5 "*/C$2*$:(27, "*:*9-76/1... 6/8 #**.A+/$

B$,%63#+/$: =+:.$$3/$&"*/*./$&$'6$$#->... '$& ?+,2%$:>4#62*3*?.)+... + Cadenza

$5-01& (6=C4B5-6)

*%$%#+4.$4#+5:$*.A+/$

Allegretto (2'1/(5):recitativo accompagnato: "&>)+-+5

I+,2*J/- ?+,2%$:>: 2'1/(5

?+,2%$:>5-=+:.$: 2'1/(6

$5-01F (6=C4B6 6345D7>:)

Allegretto moderatto: "&$"+3&'>: C :$*.A+/$

?+,2%$:> 29#*/$4*&52%+/?46%2$#1... (4+4)

=+:.$ $/1'$#"&>2+,0/+&72*... (4+4)

%$,%63#+/$: ?+,2%$:>&$2,/C('1'$&+&",6 (4+4)

=+:.$$3/$&14$%#."$C$2*"*3%*.

+#312%#&'6postludium

B+4*#&*36*/+'$&1"+(%+,'*&0/+,%7/2'1/E/4 0756 %15"*9%*#154#>D154#+2:0#+,/

2%+/


12/266

K&F$2&'05%+/&'054*#&+305%+,/%+,0%+,'$&%+$#+/&'6230"&+4+,4#+'94%*&, 6%$/0#C+,/

2*$/%&4$#$F+)(*-*-+/6%$4+,'$C+#.A+,/'$%$2%>2*&50/%+/15*D7%*#&'(5(*27%*#&'(5

"#>215, :$./*%$&/$$/%$4+'#./*%$&6/%752*-*-+/6%$, %$+4+.$*41#*>A+,/%1/4)+'(%+,

"#>$%+55.

420----------------------------->-7----------------------->-7------------------------>-7-------->G:

7HI04: ;G76C7HI04: 7/?6604: 7HI04: 7HI04:

.7: D*'&/>*%$%#+4.$4#+5 .52: D*'&/>*%$%#+4.$

%1#*9:*21*.A+/$ 4#+5 %1#**)>22+/$

634?42C6C-----------------------------:4:@4J->6C----------------------------------------------- 38.6D76C

@>:634KC=0/.@C6C

.7: 1 =+:.$$/$-/7#.A*& .52: 29:7/$*%&52'1/&'05

2%1:7/(%+,?o,2%$:> +"1-.*51=+:.$$4+'$)94%*& =+:.$: 2,-3E#*21-$&2&+"+D.$

%+/>/%#$%15?.)+ %1/%$,%6%1%>%15

?+,2%$:>: /%#+4(-:6F+5

F. ?*+/70/1$/>),21*#E/%+,/%+,0%+,

Allegretto maestoso (recitativo accompagnato): 2%+0#+5%15+#3(2%#$5*:$/.A*%$&%++%.F+

$, %++4+.+$/>0%#+*4$/$)$F>/*%$&2*"&$:+#*%&'6%+/&'69L+5(4$#. 1):

=%+0%#+4+,29:7/$*%&52'1/&'05+"1-.*51=+:.$$/$-/7#.A*&%1 :7/(%+,>/%#$%15,

%++%.F+*:$/.A*%$& */&23,0/+2*8$F$'$&*%1/4$#+,2.$tremolo. =%+recitativo

accompagnato %+,/%+,0%+,Fedima-Alessandro (!"#"$%&-'"(")*, "*9%*#14#>D1, /.11, .1-

19) 4$#$%1#+9/%$&$/$)+-.*5754#+5%++,2&'623+)&$26%152,/*3E5$,D$/6*/15%>215

2)%%81D9; '() -4*08:'() .14 '3; *+-(0(6329; '()G T 2F%.8423 '() 08&'$')0() -4*08:'() .14 '()

0181--1%*:/() 08(; *+-(0(6323 -4*08:'() 2)*C,--()/ 2'3/ .1'1/$323 '3; *()24.(781*1'()8%4.9; '+5/4.9;

'() i188:8G VF*D&/1 *+ '1 10(*/3*(/+F*1'1 '() i188:8 AjG #+&'2,.(; HcchB> 7+ %6/+'14 1/1D(8, 2+

74(8 /G Y@ nkPJoMoJLK k plkqJklM rJ sMmmKBG a/7+5(*:/&; ( i188:8 /1 018:-1C+ '( -4*08:'( '+-+4&*:/(

.14 /1 ?+.6/32+ '3 *+-(0(6323> 5&86; /1 :8


13/266

%15"#$$%&'(5'$%>2%$2156. B$+%.F$$'$&F$/>"9+0%#$*4$/$)$F>/+/%$&2*

"&$:+#*%&'6%+/&'69L+5.

#5-01

=+)&2%&'60#+5%+,?+,2%$:>: 1%*%#>2%&312%#+:(37#.A*%$&2* "9+4*#.+"+,58 0%#7/4+,*D$&%.$5%+,4#+1-+9*/+,0%#+,(.15 '$&. 247) $4+'%+9/$2,*%#.$. M$4+#+92$*

/$'>/+,*)6-+-&$*:>/&21*/652%+&3*.+,%+,&"&E$%+5%+,2,/C0%18. N54#+5%123021

%#$-+,"&+9'$&+#312%#&'(52,/+"*.$5, 1*)7"&'(-#$(%+,%#$-+,"&+9$'+)+,C*.%+/

%+/&26%7/&23,#E/*#E/%+,0%#+,. K&:&-+9#*5%15+#312%#&'(52,/+"*.$5675"./+,/

0/$/>))+%+/&26%+,0%#+,, "1&+,#-E/%$5027%15$2,*%#.$5.$&2+##+4.$(4$#. 2)9:

=+)&2%&'60#+5%15=+:.$5: +&"9+2%.3+&%15=+:.$5$4+%*)+9/4*#.+"+7 0%#7/. ?027%153#7$%&'(5*)7"&'(5'./12152%+/%0%$#%+3%94+%+,. 32 4#$-$%+4+&*.%$&1*%$%#+4.$

$46%1:$*.A+/$2%1&9:*21*.A+/$, .$$4+$'#,20/1%+/&'>4*#&+3((1=+:.$

$4+:*9-*&/$$4$/%(2*&2%&5*#7%(2*&5%+,?+,2%$:>).

=+)&2%&'60#+5%+,?+,2%$:>: 1$4>/%121%15=+:.$54#+'$)*.%1/+#-(%+,?+,2%$:>(.

41-44: %*%#>*%#1:#>21%+,?+,2%$:>2%1/+4+.$-&$4#E%1:+#>*:$/.A*%$&unisono 2%1/

+#3(2%#$'$&2%+0#+5%+,%#$-+,"&+9).

=+)&2%&'60#+5%15=+:.$5: !=+:.$$/%&"#>2%&5$4*&)05, )0-+/%$5%1/$)(C*&$. B$0%#$57

'$&58 $4+%*)+9/cadenza 2%1&*.A+/$(",/$&'(forte), 1+4+.$2%+.59 )9/*%$&

$4#+2"6'1%$: *:>/&216/+%15/6%$&(2*",/$&'(pp).

Moderato assai (. 60-68): Recitativo accompagnato *ostinato 2%+Bass+, %++4+.+$4+%*)*.

8*%#14*#.+"+10

. !=+:.$$4+'$)*.%+?+,2%$:>4#+"6%1'$&*93*%$&%1/%&7#.$%+,. K

2,/",$265$4#+2"6'1%154%E215, $))$-(5%15",/$&'(52*pp '$&*:>/&215%+,ostinato,%+

+4+.+*/"*3+0/754#+2++&>A*&%+,53%94+,5%15'$#"&>5, $4+'$)94%*&%+"*9%*#+*4.4*"+

%+,)6-+,%15=+:.$5: 1=+:.$"*/*//+*.$,%>4+,)0*&'$&-&$,%6%+)6-+2%+. 68 29:7/$

*%&52'1/&'05+"1-.*5D*24>*&2*),-+9540:%+/%$52%$46"&$%+,?+,2%$:>.

X V5+'4., *+ '3/ ',23 '3; 781*1'4.9; .1',2'123; C-G pwJmokl "Wbb@ HWhxYG

g V018'6'( '3; #)84.9; V.3/9;> "WXYG

b ^( 2'(45+6( 1)'$ +*D1/6U+'14 .14 2+ 2)/ 8/ 51/9:/5/@

MooK SlJzKbrindisi.W *G"g @ h {H{h{Y

"c ()2412'4., g *G {" *G

-, , 20111953. .

[8]


14/266

E5-01

=+)&2%&'60#+5%+,?+,2%$:>: (andante sostenuto) H %*%#>2%&312%#+:($4+%*)*.4*#.+"+11

0%#7/, 1+4+.$"&$*.%$&2*"9+0#15 0%#7/%+'$C0/$, '$&2*0/$0%#+(.80) %++4+.+

03*&"&4)($#+/&'()*&%+,#-.$. I$#$'%1#&2%&'6*./$&, 6%&, 6475'$&2%+moderato (2+)&2%&'6

0#+5%+,?+,2%$:>2%+0#+58), %+*&2$-7-&'60%#+(.70 '$&. 75) '$&%+*%$F$%&'60%#+(.80) 4#+'$)+9/&$$2,*%#.$. !+#312%#&'(2,/+"*.$"&$:+#+4+*.%$&.

=+)&2%&'60#+5%15=+:.$5: H %*%#>2%&312%#+:(*)+4+&*.%$&2*"9+8*%#*54*#&6"+,5.

I$#$'%1#&2%&'(*./$&1$))$-($46%1#**)>22+/$(?+,2%$:>5) 2%1#**.A+/$(=+:.$). K&

"&$:+#*%&'05%+/&'054*#&+305$4*&'+/.A+,/+,2&'>%&5"&$:+#*%&'052,/$&2C1$%&'05

'$%$2%>2*&5%7/3$#$'%(#7/(?+,2%$:>-$2,*%#.$: &+#,-.-/01,*, =+:.$-2,*%#&'6%1%$:

2345%#627-"828,9,:)"). =%$. 97 112 +&?+,2%$:>'$&=+:.$%#$-+,"+9/%$,%63#+/$11

.

I$#$'%1#&2%&'(*./$&1*:>/&21%15"*246A+,2$5*91&'#((. 101) '$&91*->)1(. 102),

2%+&3*.+4+,*/"*3+0/75/$4$#$404*&2%1/$))$-($46%1#**)>22+/$2%1#**.A+/$

(4$#. 3):

?(---475 % $2%0----#& %15"6D$5...

2. O4*#$M"#"$%&-'"(")*12

B$/%+,0%$%1564*#$5*./$&%022*#$13'$&%+'$C0/$4#+2:0#*&"&$:+#*%&'(+4%&'(-7/.$'$&

4#62)1L1%15+,2&'(5"#$$%+,#-.$5'$&%15%*3/&'(5%+,2,/C0%1: 4.3. 2%+/%+,0%+P*".1

'$&?9#%1(/. 9) */"&$:0#+/4$#+,2&>A*&+%#64+5*%+/+4+.++4$#>))1)*5"#>2*&52,-')./+,/-&$4#E%1:+#>37#&'>'$&131%&'>027%153#(215

%+,coro interno14.

""V5+'4., *+ '( |JzRQoMNqkmMNq C-G |PvQ}rkl "WWt@ HgtxHbhG

"H!,#,;?,@,AB&> -)84.9 '81%&761 2+ ':22+84; 08,?+4;G #4*08:'(@ ]%1*:*/&/ _18'U=.3;G T 2)%.+.84*:/3

018()26123 C126U+'14 2'( 2018'6'( %41 '3/ 018,2'123 '3; $0+81; 2'( *:21 2'( (0(6( 1/10'F22+'14 '( .+/'84.$ +8&'4.$


15/266

$. ?+,2&'+"#$$%+,#-&'("&>#C#7212*$/%&4$#$F+)(*%&5*/6%1%*5%+,'*&0/+,%+,

/%+,0%+,A)0D$/"#+,-P*".15(/. 11) %15"*9%*#154#>D15.

Recitativo accompagnato!/%+,0%+!recitativo accompagnato

/%+*.A+/$ 2+)*.A+/$ :$*.A+/$

G/6%1%*5: R RR RRR

G

C C

F

B+4*#&*36*/+%+,'*&0/+,4+#*./$37#&2%*.2*3 */6%1%*5, '*/%#&'6+%.F+%7/+4+.7/

*./$&1>#/121%+,A)0D$/"#+,4+,2,/*4>-*%$&%1/*'>2%+%*$/%."#$21%15P*".15:

I. KA)0D$/"#+5$#/*.%$&%+4$#*)C6/'$&"1)E/*&6%&%+/*/"&$:0#+,/1"6D$'$&+&%&05. !

P*".1$/%&"#>A1%E/%$5%1/$->41%+,'$&$4$&%*./$$/$)>F*&%+#6)+%+,7529A,-+5'$&

4$%0#$5'$&%1/$/%$+&F(%15-&$%1/4$%#."$4+,$4$#/(C1'*. G4.215%+,A1%>/$%+,5

F+1C(2*&/$-)&%E2+,/$46%1/*D$C).7212%1/+4+.$A+9/*.

II. K8)0D$/"#+5%+/.A*&%1/*,/+Q'(%+,C021'$&$'6$&$:+#>$#/*.%$&%1/$->41%15

P*".15. ;#+5$4+A1.721%154#+2:0#*&3#,2>:&. !P*".1%+$#/*.%$&A1%E/%$5$46%+/A)0D$/"#+%1/$->41%+,.

III. K8)0D$/"#+5%15$#/*.%$&4#+2F>))+/%>5%1/. !P*".1-*>%1+#-('$&$4+-+(%*,21

A1%>*'".'121'$&*%+&>A*%$&/$*4&%*C*.2%+-&+%15$))>40:%*&)&46C,1.

G/"&$:0#+/4$#+,2&>A*&1*)0%1%7/+,2&'E/027/4+,3#12&+4+&*.+ '1 7F( '3; 7+F'+83; 08,?3; 1D(8(F/ 10(.-+42'4., 2'3/ +?:-4?3 '() +8&'4.(F *F


16/266

2,/$&2C1>%7/%7/"#E/%7/4#+2E47/*0:$212%1P*".1, 1+4+.$02$$46%1/

$/%&4$#>C*21, +"1-*.%$&2*.$'+#9:7212,/$&2C1>%7/16

.

B+*/"&>*2+0#+5%+,/.11 $4+%*)*.+,2&$2%&'>%+/%+,0%+-&$%.1%*3/&'(%1529/C*215%7/

"9+:7/E/, "1)$"(13#(21'$&1)*&%+,#-.$%+,5, :0#*&%$2%$C*#>3$#$'%1#&2%&'>%7/

2,/C02*7/4+,3$#$'%1#.A+,/%+/%+,0%+17

.

To /. 11 D*'&/>'$&'$%$)(-*&*%+/."&+$'#&FE5%#64+: unison+2%1/6%$/%+'$&2%1/."&$

8$F$. B+/%+,0%+',#.752*2+)*.A+/$(.$514>/7) '$&%+recitativo accompagnato ',#.75

2*:$*.A+/$(.$51'>%7) "./+,/*4.215%1/$.2C121*/65'9')+,. G/"&$:0#+/*./$&%+

-*-+/656%&2%1/$#3(1/6%$/%+$4+%*)*.%1F>21%15%+/&'(5, */E2%+%0)+5%1F>21%15

"*246A+,2$5: 1$#3('$&%+%0)+5 4+#*.:$&/+*/&'>/$%$,%.A+/%$&675"&$:0#+,/

+,2&$2%&'>. K:*#*/$2,-'&/(2*&%+/

8)0D$/"#+, 6751$46##&L1-0//12*02$%15%1/$/>-'1-&$*'".'121%1/+4+.$"*/

*'4)(#72*. !*D0)&D1%15*27%*#&'(5"#>215+,2&'>$4+%,4E/*%$&*92%+3$'$&)&%>.

F. ?+,2&'+"#$$%+,#-&'(-+#:+)+-&'("+(%+,/. 11

. 1-19 recitativo accompagnato

. 20-23 A

. 24-31 B

.32-39 S solo P*".15

.40-46 8 /%+,0%+

.47-72 T solo %+,8)0D$/"#+,!%$,%63#+/$P*".1'$&8)0D$/"#+5

.73-79 *%$F$%&'60#+5

.80-111 T solo %15P*".15*29/%+*54$#*F>2*&5%+,8)0D$/"#+,

.112-145 recitativo accompagnato

Allegro mosso: stretta

"X~ i188:8 741-:%+4> $0&; 1/1D:8+4 2'1 10(*/3*(/+F*1', '()> '( 1/'4.+6*+/( '() 78,*1'(; .14 25+74,U+4 '(

2.+-+'$ '() 78,*1'(; 2.3/9 08(; 2.3/9 .14 08,?3 08(; 08,?3 ADGHg LklmKB 2'( #+&'2,.(; AHcch@ "thB .14

+01017,.() AHcct@"btBG ~ -4*08+'62'1; '() :8%()> ]%1*:*/&/ _18'U=.3;> D16/+'14 /1 2)*0-98&2+ '(

25+74,%81**1 *+ 2'65();G V'1 10(*/3*(/+F*1'1 7+/ 1/1D:8+'14 .,0(41 2)/+8%1261 i188:8 _18'U=.3 74$'4

7)2')5=; 741.$0'(/'14 10$'(*1 2'( DG Hb lkPoKG"g

~4 C124.:; '+5/4.:; +6/14 (4 +?9; '8+4;@ 3 7417(54.9> 3 2)*0-38&*1'4.9 .14 3 '1)'$58(/3 74+)


17/266

-. ?*+/70/1$/>),21*#E/%+,/%+,0%+,2*2,/",$26*4$#$%1#(2*&523*%&'>*%1/

%*3/&'(29/C*215(Satztechnik)

Recitativo accompagnato (.1-19):%$+%.F$$, F, -%15+#312%#&'(52,/+"*.$5027%7/2,/*36*/7/*:$/.2*7/'$&4$#$))$-E/%+,52*+)6')1#+%+/. 11 )*&%+,#-+9/75

*/+4+&1%&'62%+&3*.+%+,2,/6)+,(4$#. 4):

+%.F+$

+%.F+F

+%.F+-

=%+. 12 *:$/.A*%$&, 2%+0#+5%+,:$-'6%+,, %++%.F+%154#+"+2.$5, %++4+.+03*&

'*/%#&'6+,2&'+"#$$%+,#-&'6#6)+(4$#. 5):

8#+/&'>1*/6%1%$3$#$'%1#.A*%$&$462,/*36*/*5*%$%#+4.*5, */E*:$/.A+/%$&2,/C*%&'>

2%+&3*.$4+,4$#$404+,/2*-/7#.2$%$%+,F*#&2+96475)&%(3#(21%15+#312%#&'(5

2,/+"*.$5(. 1-5), 3$#$'%(#$$4$--*).$5%+,%#$-+,"&+9(Sprechgesang).

U%+,0%+

. 20-46: 2+)&2%&'60#+5%15P*".15. O475("1$/$:0#C1'*, %+recitativo $4+%*)*.%+/

+%&F&'64,#(/$%+,2,/6)+,'$&2,-'*'#&0/$%7/0%#7/20-46 4.3.:

.6!.20 (4$#$))$-(%15'*:$)(5%+,+%.F+,)

.8!. 24 (*:>/&21%+,+%.F+,-)

.1!.32 (*:>/&21%7/+%.F7/$'$&F)

.3!.34 (*:>/&21%7/+%.F7/$'$&F0/$%6/+L1)6%*#$)

-, , 20111953. .

[12]


18/266

!+#:+)+-&'("+(%+,0#+,5$46%+. 20 07546 *./$&1*D(5:

A(larghetto .20-23)

E(listesso tempo .24-31)

&(andante grave .32-39)

#(largo appassionato .40-46)

O&:&-+9#*5%15+#312%#&'(52,/+"*.$5*4&%$39/+/%$&2%$"&$'>: 2%+reccitativo accompagnato

*4&'#$%+9/',#.75$D.*5%*%>#%7/'$&+-"67/. =%+solo %15P*"&15*4&'#$%+9/$D.*5+-"67/

'$&167/

. =%+*46*/+0#+5%+,/%+,0%+,, %+solo %+,8)0D$/"#+,2,/+"*9+,/:&-+9#*5327/

.

?47-72 : %o andante sostenuto D*'&/>*%+2+)&2%&'60#+5%+,8)0D$/"#+,846%+. 63

*:$/.A*%$&/0+5(31%&'652,/",$265: 1P*".1'$&+8)0D$/"#+5%#$-+,"+9/%$,%63#+/$. K8)0D$/"#+5:0#*&%1*)7"&'(-#$(*/E1P*".123+)&>A*&*29/%+*5:#>2*&54+,

$4+%*)+9/%++%.F+%154#+"+2.$5. 846%+. 68 %#$-+,"+9/%$,%63#+/$2*3*5

. B+0#+5$46

%+. 47 07572 C$4+#+92*/$3$#$'%1#&2%*.75+4,#(/$5%+,/%+,0%+,*D$&%.$5%15

*4$/>)1L15(.56-72) '$&*D$&%.$5%15*:>/&215%+,%$,%63#+/+,%#$-+,"&+9, -*-+/654+,

4$#+,2&>2%1'*6/+$4+24$2$%&'>2%+03#&%E#$/%+,0%+(!P*".1'$&+8)0D$/"#+5

027%15$/%&4$#>C*215, 0#3+/%$&6)+'$&4&+'+/%>). 8'+)+,C*.%+*%$F$%&'60#+5(.73-

79)18

4+,+"1-*.2%12+)&2%&'(*/6%1%$%15P*".15(.80-111).

T$0#1%+,/%+,0%+,*D$&%.$5%7/+%&F&'E/'$&C*$%&'E/*%$D9%+,52302*7/, %7/

:&-+9#7/%15+#312%#&'(52,/+"*.$5, +&+4+.*5*4&4)0+/4$#+,2&>A+,/2%$"&$'>*4&%>3,/21,4+#+9*/$&23,#&2%+9*6%&4$#$404+,/2%1+#:(*/65#6/%+: 8, @, S, 8, T, T

Recitativ+accompagnato (.112-145): %+%*)*,%$.+0#+5%+,/%+,0%+,*./$&0/$recitativ+

accompagnato *$/+&3%6%0)+5. B+/%+,0%+'$%$)(-*&2*0/$unison+2%1/6%$%15/%+, 37#.5

/$)9/*%$&$#+/&'>1*)$%%70/12,-3+#".$*0F"+1. !0/%$21$#+/&'>'$&

"#$$%+,#-&'>"*/*'%+/E/*%$&. !P*".1)&4+C,>'$&"*/*'4)1#E/*&%1/$/>-'1-&$

*'".'121.

"bY *:'81 lkPJoMoJLK MPPKzSMqNMoK '() ]-:?1/78() 0() 1.(-()


19/266

%%. O -./012034203520367.87-71203!8;-03!:?-:

1.Flora Mirabilis19

$. !"#$$%&'('$%>2%$21%+,/%+,0%+,- "#$$%+,#-&'()*&%+,#-.$2%+4)$.2&+%+,0#-+,

=%1/%#.4#$'%164*#$%+/%+,0%+F#.2'*%$&2%1"*9%*#14#>D1'$&*./$&%++/$"&'6%15

64*#$5. B+/%+,0%+V,".$5-@>)"+,*./$&0/$/%+,0%+$->415(Liebesduett), 2%++4+.++&"9+

3$#$'%(#*5*':#>A+,/%$2,/$&2C($%>%+,5. K3#6/+5*%$:+#&'>4$-E/*&'$&1"#>21

$&7#*.%$&. ?.$2%&-(4$#$%*./*%$&027%15+,2&'(5'$&$4+'%>"#$$%+,#-&'(21$2.$,

-&$%.:7%.A*&%1/'$%>2%$21%7/2,/$&2C1>%7/'$&%7/4$CE/%7/"9+"#$$%&'E/

3$#$'%(#7/20

. !4$#+,2.$%+,6%&1"+'&$2.$4+,C0%*&1V,".$, "./*&%1",/$%6%1%$%62+2%+Fontana 62+'$&2%+

=$>#$, *"&'>%+,02$+'$C0/$5, /$2;7&,$6+.2,3&.$:$/%$2%&'(-4$#$,C0/&$

$%62:$$22

.

"WDE61/ F:1/G:E:.> QkqqkNrM JN olk MooJ 2+ -4*08:'( '() klrJNMNrK KNoMNMG T 2)%.+.84*:/3 018()26123 C126U+'14

2'( 2018'6'( A|KNKqNK G YtcB 2+ 4'1-4.9 %-=221> 2'3/ +/(8592'8&23 '() d3*3'84,73 A"WgWB .14 2'( -4*08:'(

'() rRMlrK |KNKqNK "bbg> '( (0(6( C862.+'14 2'3 _+%,-3 _()24.9 Z4C-4( '1 (0(61 *+ C(9 Mo QkMmo JNmKwMl Mm Jo PKNmJmom Kw M PKNwJqRlMoJKN Kw MwwkPom> Kw

kokNrkr QlJPMQ zKzkNomx Kw MlJMm JN mvKlo AOG uMvQvMRm "WbW@ WWBGH"

ovk PKNolMmo kokkN zMNJwkmo MNr QMokNo kLkNom Jm KNk kmSkPJMQQ kwwkPoJLk wKlz Kw rlMzMoJP okNmJKNG k Mlk

wMzJQJMl wlKz ovk SQMm Kw mkN MNr OvkvKL Jov ovk PKNolMmo kokkN mkkzJNqQ JNNKPkNo PKNLklmMoJKN MNr ovk

olMqJP RNrklPRllkNom ovMo kPKzk LJmJQk wKl MN JNmoMNo Mo M oJzk> Mm Jo klk JN ovk PlMPm Kw ovk PKNLklmMoJKN AOG

uMvQvMRm "WbW@ "ccBG s- +0623; mRmSkNmk MNr SMloJMQ MMlkNkmm ApwJmokl "Wbb@ WbBGHH \4.$-1(; [(84='3; 2'( )0$*/3*1 '3; *+',D8123; '() 4'1-4.(F -4*08:'() 2'1 +--3/4., 1/1D:8+4 '( +?9;@

~ Z(..,.4(; 2'( d+.19*+8$ '() A*:81 "c3> 42'(861 t

3B :5+4 10( -()-(F741> .14 D()/'&*:/1 7:/'81>

$54 741D(8+'4., D'41%*:/( 018, 21 /1'1/+ _,3;G .14 0() :7&2+ 1D(8*9> 14=/+; 18%$'+81> 2'(/ 4'1-$ 0(43'9

e+874/,/7( e(/',/1 /1 %8,E+4> *+ ,--3 0-(.9 .14 -F23> '( -)84.$ '() 78,*1G

^( *('6C( '3; %)/16.1; 0() 10(8860'+4 '(); */32'98+; '3;> *:584; $'()

.,0(4(; .1'1D:8+4 /1 +.0-38=2+4 '3

U3'(F*+/3 10(2'(-9> +6/14 0(-F 2)5/$ 2'3 -(%('+5/61 '() "b()

.14 "W()

14=/1G

-, , 20111953. .

[14]


20/266

F. ?+,2&'+"#$$%+,#-&'("+(-+#:+)+-&'("+(%+,/%+,0%+,

#dagio non troppo:

4. *&2$-7-(

$2%#+:(: solo %+,@>)"+,Occhi non vidi X #*-->:$-->#**.A+/$

F2%#+:(: solo %15V,".$5Come assorta in un estasi infinita #**.A+/$

(-2%#+:(: solo %+,)"+,+F2%#+:( %15V,".$5 #*-->:$-->#* *.A+/$

+coda 2%1#**.A+/$

4. 6+22+/$

(*2%#+:() 2&9:*21*.A+/$

#**.A+/$

Andantino:refrain 9/8->6/8 #**.A+/$

. 69 6+


21/266

Een sostenuto: Sequenz

T&$"+3&'> (2% 2%#+:() &

B$,%63#+/$2*8$F$ (A2%#+:(-2%+%0)+5%152%#+:(54%E21: 2+)9:*21*.A+/$)

Lento: *)*9C*#+&2%.3+& (4%E212%1#**.A+/$) Coda

K#312%#&'6postludium (. 111-121) #**.A+/$

-. */"*&'%&'($/>),21%15"+(5%+,'*&0/+,'$&4$#$%1#(2*&5-&$%1/%*3/&'(29/C*215'$&

%13#(21%7/,4*/C,&2%&'E/+%.F7/

K)6-+54+,*D*%>A*%$&1"+(%+,)&4#0%+,*./$&'$&-&$/$%+/&2%*.1"&$)*'%&'(230214+&1%&'+90%#+,'$,C+9*2,-'*'#&0/$+,2&'>0%#$, #,C+95'$&%94+,5*)7".$5. K

%#64+5*%+/+4+.++=$>#$5*)+4+&*.%+,52%.3+,5$4+'$)94%*&2*0/$4#E%+*4.4*"+%1/

$.2C121%+,2,/C0%1-&$%+4+&1%&'60%#+'$&%+/#,C6, $))>*4.215C0%*&*#7%($%$-&$%+

)6-+*4&)+-(5%+,*'>2%+%*+,2&'+90%#+,('$&4+&1%&'+90%#+,2*23021*%1"#$$%&'(

'$%>2%$21. ;.3%+0#+5 #:

!"+(%+,)&4#0%+,03*&75*D(5: 3 "&$"+3&'052%#+:05(@>)"+5, V,".$, #$5*)+4+&*.2,))$F&'>%+,52%.3+,5%7/2%#+:E/$'$&F(*)7"&'(-#$(

+-"67/*$/+"&'(4+#*.$2*0%#+X'$,C&'623($2,/+"*.$5! ! ), +&+4+.*5

+,2&'>$4+%*)+9/8*%#*54*#&6"+,5.

=%12%#+:($(@>)"+5) 2%+/4#E%+2%.3+'$&2%1/$#3(%+,"*9%*#+,, %#.%+,'$&%0%$#%+,

2%.3+,, %+4+&1%&'6'$&%++,2&'60%#+"*/2,4.4%+,/, "1&+,#-E/%$5%1/$.2C121&$5

*,$.2C1%15&2+##+4.$54+,$/>4>2$2%&-(4+#*./$$/$%#$4*.. ;#+:$/E5+=$>#$5C0)*&

/$*%$:0#*&%1/$13$/.$%7/"9+3$#$'%(#7/4+,0#3+/%$&-&$4#E%1:+#>$/%&0%74+&*

%+2,/$.2C1$%+,0#7%$, .$'$%>2%$21*/%*)E5'$&/+9#&$'$&-&$%+,5"9+.

B+."&+&239*&'$&-&$%12%#+:(F(V,".$) **D$.#*21%+/%0%$#%+2%.3+4+,/+1$%&'>

$4+%*)*.0/$2,40#$2$'$&&$2,/*&"1%+4+.121%+,2,/$&2C($%+5%+,0#7%$:perch or

soltanto io so damar.

To 0#+5%+,


22/266

?+,2&'>'$&2'1/&'>%+asidesolo %+,#*2%*5$/$/(2*&5%+,4$#*)C6/%+5. =%+0#+5%15+#3(2%#$5

*:$/.A*%$&%+,4*/C,1%&'6+%.F+4+,2,/"0*%$&*%+3*&E/$(4$#. 6)24

:

B++%.F+*:$/.A*%$&2%14#E%14#>D1*%>%+concertato, 6%$/1V,".$C0%*&%+/6#+4+,

4#04*&/$*'4)1#E2*&+@>)"+5-&$/$"*3%*./$%+/4$/%#*,%*.25

. =*$/%&"&$2%+)(*%+

4#+1-+9*/+recitativo accompagnato +=$>#$5*)+4+&*.%+".2%&3+refrain 2*#,C69/8 '$&

6/8 2**)7"&'(-#$(*"&$2%1$%&'>>)$%$415

'$&515

. B+refrain 03*&4+&*/&'6

3$#$'%(#$, *D$&%.$5%+,#,C+9'$&%7/"&$2%1>%7/%15*)7".$5. =9:7/$*%1/

*/+#3(2%#721%+,T11%#&>"1, %1*)7"&'(-#$($/$)$F>/*&%+64+*4+,4*#&-#>:*&

*/"*3+0/75%+/(3+%15:)+-0#$5.

K@>)"+52*$/%.C*21*%1V,".$"*/C0)*&/$$23+)1C*.*%+4$#*)C6/. H 2%#+:(03*&

>))+4+&1%&'60%#+'$,C6'$&$/%$4o'#./*%$&2%+#,C69/8 '$&6/8 %+,refrain *%1

"&$:+#>6%&"&$2%0)*& %+0%#+2*12/8.

$5-01&

K=$>#$53#12&+4+&*.%+,4*/C,1%&'6+%.F+%15,4623*215%+,@>)"+,2%+/ tYbBGHt

V+- Xh '() 2018'6'(@ |KNKqNK> lG YtcG

-, , 20111953. .

[17]


23/266

0))+/(4#+Q'+/+.$%15%#$-&'(50'F$215 4+,"*/$#-*.) (4$#. 7)26

:

G/"&$:0#+/4$#+,2&>A*&1%*3/&'(29/C*215%7/:7/E/: 2%+0#+5%+,@>)"+,*&2>-*%$&1

'*:$)(%+,C0$%+5%+,+%.F+,'$&2%+."&+0%#+(.75), 3 3#6/+,5*%>, 2%+0#+5%15

V,".$5*&2>-*%$&1'*:$)(%+,C0$%+52*.121*3$#$'%(#$Sequenz (0/$%6/+

3$1)6%*#$). =%+,5*46*/+,52%.3+,5+=$>#$52,/C0%*&%&5:7/05"&$"+3&'>: %1*)7"&'(

-#$(%+,@>)"+,*4$/$)$F>/*&4$#$))$-0/11V,".$4>/72%+."&+'*.*/+, */E2%1/

+#3(2%#$*:$/.A*%$&%++%.F+%15,4623*215.

To lento C$4+#+92*/$3$#$'%1#&2%*.40#$$46coda %+,/%+,0%+,'$&75*%$F$%&'60#+5

-&$%+terzetto 4+,$'+)+,C*., 2%++4+.+4$#03*%$&+$4$&%+9*/+53#6/+5-&$%1/

4#$-$%+4+.121%152'1/&'(5"#>2154+,C$4,#+"+%(2*&%1/D$:/&'($))$-(%15"#$$%&'(5

'$%>2%$21527.

2.Rhea28

$. !"#$$%&'('$%>2%$21%+,/%+,0%+,'$&1"#$$%+,#-&'(%+, )*&%+,#-.$2%+4)$.2&+%+,

0#-+,

!4#E%14#>D1%1564*#$5')*./*&*%+/%+,0%+V,2.$'$&Y0$5. B+/%+,0%+$->415(Liebesduett) $4+%*)*.4#+Q'+/+.$%+,"*9%*#+,/%+,0%+,%1564*#$52%1/%#.%14#>D1. B+A*,->#&2,/$/%&0%$&%1/93%$'$&+$/%.A1)+5S+,>#3154$#$'+)+,C*.'#,:>(1

+/%+,0%o),

*4&%.C*%$&'$&2'+%E/*&%+/V,2.$(2+/%+,0%o). 8464+&1%&'(>4+L1, %+4#E%+/%+,0%+

4$#$404*&2%+/%+,0%+$->415%152154#>D15%1564*#$5%+,R. Wagner Tristan und Isolde.

HX^( )0+/ D,.+-(; "cHg CB .14 2'(

:/')0( -4*08:'(@ rKMlrK |KNKqNK> "WcYG

-, , 20111953. .

[18]


24/266

F. ?+,2&'+"#$$%+,#-&'("+(%152'1/(5%+,/%+,0%+,-236)&$

Prelude: largamente T. 50 #**.A+/$

Arioso (V,2.$5) T. 51

?*%$F$%&'60#+5 B. 52 63@D0-LH717371

$+ D-A:2>=51=/H:=71

Agitato (Y0$) T. 53 2+)*.A+/$

Largamente (V,2.$5) T. 54 (4$#$404*&2%+4#*)+9"&+)

*4$/>)1L1$46%1Y0$

recitativo accompagnato T.55 (+%.F+%+,0#7%$)63@D0-LH717371

$

cantabile T.58 &9:*21*.A+/$ ($/$:+#>2%1/93%$)

Recitativo accompagnato (.734-741) ($/$:+#>2%+/S+,>#31)

Cantabile 0#+5: "&$"+3&'>(.741-756)

%$,%63#+/$(.756-762): 63@D0-LH717371

$+ =/H:=710/.=/C-A4

2.4A4=:>L>:62C?2A43C1

$

Coda: "&$"+3&'>

V,2.$5 T.61 #**.A+/$($/>/121%15$#3(5)

(.770-773) 63@D0-LH717371

$

Y0$ T. 62 &9:*21*.A+/$

!2'1/(D*'&/>*%++#312%#&'64#*)+9"&+'$&$'+)+,C*.%+$#&6A+%+,V,2.$Notte dAprile

2*#**.A+/$. ?027$,D10/7/2,-3+#"&E/4#$-$%+4+&*.%$&*%$%#+4.$2%12+)*.A+/$,

%+/&'(4*#&+3(4+,%$,%.A*%$&*%1/$/(2,31*.2+"+%15Y0$5. KV,2.$5$4+'#./*%$&(2%1/."&$%+/&'(4*#&+3() *+,2&'6%04+4+,$/%&2%+&3*.2%+$#3&'64#*)+9"&+. KV,2.$5, 1

"&>C*21%+,+4+.+,*./$&"&$:+#*%&'($46$,%(%15Y0$5($/%.C*21agitato *largamente, 1

*)7"&'(%+,-#$(*./$&),#&'(, */E%15Y0$54$#*2%&-0/1'$&*"&$2%1$%&'>>)$%$),

4#+24$C*./$1#*(2*&%1Y0$(-& $,%6*/"*3+0/75/$4$#$0/*&2%1/%+/&'(4*#&+3(%15

2+)*.A+/$5). !Y0$*4$/$)$F>/*&%1*)7"&'(-#$(%+,V,2.$, 1+#312%#&'(2,/+"*.$

-, , 20111953. .

[19]


25/266

4$#$0/*&675 $/(2,3129

. B+0#+5$46%+/$#&C655 07558 $4+%*)*.0/$recitativ+

accompagnato, %++4+.+2%1#.A*%$& 2%++%.F+%+,0#7%$'$&2*4$#$))$-05%+,(4$#8)30

:

846%+/$#&C657 *:$/.A+/%$&$,D10/*52,-3+#".*5027%7/+4+.7/4#$-$%+4+&*.%$&

*%$%#+4.$2%1&9:*21*.A+/$(cantabile), 0#+5%++4+.+4$#+,2&>A*& 4*#&+"&'6%1%$'$&

2,*%#.$. =%+recitativo 4+,$'+)+,C*., 1$/$:+#>2%+/S+,>#3123+)&>A*%$&+#312%#&'>:

1363#7$%+,')$#./+,'$&*:>/&21tremolo31

. =%o .756, 29:7/$*%&52'1/&'05+"1-.*5, +

S+,>#315*:$/.A*%$&2%12'1/('#,:>$46%+A*,->#&. ;$#>))1)$*:$/.A*%$&2%+0#+5%+,

:$-'6%+,0/$$46%$,4*/C,&2%&'>%+,+%.F$32

(4$#. 9):

846%+.759 027%15*:>/&215')&>'7/*+)6')1#+,5%6/+,5'$&027$,D10/7/

2,-3+#"&E/4#$-$%+4+*.%$&*%$%#+4.$2%1#**.A+/$75$/>/121%15$#3(5.

K&2,-3+#".*5**->)*5%#.%*5027%15&2+##+4.$5%7/"&$2%1>%7/%+,5$/$4$#$->-+,/

%+/*$,%6%+,5>4**5:+#05(4$#. 10):

HWZ-. '( *:8(; '&/ .$8/&/ 2+-G "Hb '3; 08='3; 08,?3; 2'3/ 018'4'(F81; (8592'81;@ |KNKqNK P"Wcb APKQ

PMzJMzkNoJ "W"cBGhc

V'3/ $0+81 KL3/(4 5181.'98+; '() 78,*1'(; .1 *+ '3 :1G T 2)/142


26/266

B+."&+&239*&-&$%13#7$%&'(').$'$(F). +%.F+%+,0#7%$)'$&-&$%1/').$'$*

+)6')1#+,5%6/+,5. !3#(21$,D10/7/2,-3+#"&E/*4&%#04*&%1*%$%#+4.$2*

$4+$'#,20/*5%+/&'6%1%*56475#**.A+/$'$&&9:*21*.A+/$. =%+/%+,0%+1#**.A+/$

2,/"0*%$&*%1-1, %1C/12&6%1%$. ?*%1/%+/&'6%1%$$,%(D*'&/>*&12'1/(%+,/%+,0%+,,

*/E1%+/&'6%1%$%15&9:*21*.A+/$5*:$/.A*%$&6%$/+V,2.$5'$& 1Y0$*D,/+9/%1

/93%$, %+4$#6/, %1/$&7/&6%1%$, %+/&'6%1%$*%1/+4+.$')*./*&12'1/(. K&(#7*5027%+,

0#7%$*%$:0#+/%$&2*>))*52:$.#*5. !$,D10/12,-3+#".$2%+/%+,0%+*/"*3+0/75($) /$

2,F+).A*&%1"9/$1%+,0#7%$4+,'$C+#.A*&%&5A705%7/$/C#E47/'$&%+,53$#.A*&%1/

L*,"$.2C121%15$&7/&6%1%$5, (F) %+/S+,>#31, (,4*/C,&2%&'6+%.F+%+,+4+.+,*./$&'$&1

$,D10/12,-3+#".$) ++4+.+52%+"#>$'$C+#.A*&%1+.#$%7/V,2.$'$&Y0$, "1)$"('$&2%&5"9+4*#&4%E2*&5 %+$/$46:*,'%+.

%%%. #42>8:-:M0/B2A4420352A4-6387-:6:2>=?6D./>:

=%1/64*#$!"#7*%$"9+/%+,0%$03+,/4$#*:*#(+,2&'+"#$$%+,#-&'("+(1

+4+.$, 6475$/0:*#$, $'+)+,C*.&$4$#$"+2&$'(:6#$. G:$/*.5*./$&+&*4#+05$46%+

&%$)&'6belcanto (Donizetti-Bellini) '$&%+2,/C*%&'69:+5%+,4#E&+,Verdi. =%1/4*#.4%721

%1564*#$5!"#"$%&-'"(")*(*:$/(5*4#+(%+,Verdi '$&2,-'$),0/*52302*&5*%+

F*#&26) ++%.F$, 2%63+5%7/+4+.7/*./$&/$"1&+,#-(2+,/2,/"02*&5

'$&2,23*%&2+95(%+."&+&239*&'$&-&$%1/64*#$Rhea). !:921, 75'*/%#&'6C0$%+,

)&4#0%+,, "-68;,&)>6+"8+,2&'>-*-+/654+,4#+2"."*&2%+0#-+0/$F*#&2%&'63$#$'%(#$.

=%+/%+,0%+%1564*#$5Rhea(64+,4$#$%1#*.%$&0/721-$))&'E/, &%$)&'E/'$&-*#$/&'E/

hhV'3/ 0+860'&23 '() :8%() !,#,;


27/266

*4#+E/) 1$#+/.$'$&12,-3+#"&$'(*4&)+-($4+'$)94%+,/0/$"*9%*#+*4.4*"+/+1>%7/

'$&2,F+)&2E/%+,"#>$%+5.

E>M/>0@-:GH:

Z*/6-)722+&%.%)+&

Dahlhaus, C. (1983), Vom Musikdrama zur Literaturoper: Aufsatze zur neueren Opergeschichte.

Munich and Salzburg: Katzbichler.

Gier, A. (1988), Das Libretto: Theorie und Geschichte einer musikoliterarischen Gattung.

Darmstadt.

Gier, A. (ed.) (1986), Oper als Text: Romanistische Beitrge zur Libretto-Forschung.

Heidelberg: Winter.

Ingarden, R. (1973), The Literary Work of Art: An Investigation of the Borderlines of Ontology,

Logic and Theory of Literature. With an Appendix on the Functions of Language in the Theatre,

transl. by G.G. Grabowicz, Evanston.

Jahrmrker, M. (2006), Themen, Motive und Bilder des Romantischen. Berlin.

Lotman, J. M. (1972),Die Struktur literarischer Texte. Mnich.

Mauser, S. (ed.) (1987),Handbuch der musikalischen Gattungen.Band 13, S. 316-318.

Pfister, M. (1988), The Theory and Analysis of Drama. English translation, Cambridge

University Press.

Schlder, J. (1995), Das Opernduett: Ein Szenentypus des 19. Jahrhunderts und seine

Vorgeschichte. Tbingen: Niemeyer.

G))1/&'+.%.%)+&

V*7%2>'+5, S . (2003), @"A(,*B"##C#: "-,&7,&6A"+";"8 6#4,4#"/)" . 8C(/$ : ?+,2 *.+

?4*/>'1, R6/&+;$/*4&2%(&+.

Z*4$4$">'+,, 8. (2005), D@"A(,*B"##C#;"8+,6(,9#""+8;0+,3C#4,.T&"$'%+#&'(

"&$%#&F(, R6/&+;$/*4&2%(&+.

N-K-:

Dahlhaus, C. (1989), What is a Musical Drama?. Cambridge Opera Journal, Vol.1, No.2,

95x111 (translated by M. Whittall).

-, , 20111953. .

[22]


28/266

Hhn, P. (2007), Event and Eventfulness http://www.icn.uni-

hamburg.de/images/download/modelarticle-english_event_12_9_07.pdf

Z*4$4$">'+,, 8 . B+4+),4$C05 *)6"#$$?$#$CE/-=$)$.5. ?$#$CE/-=$)$.5, GC/&'(V,#&'(='1/( , ' $))&%*3/&'(4*#.+"+5 2002-2003 '$& O ?>#'+5?46%2$#15 %+, ;$9)+,


29/266

!"#$%#"&'(#)*+*,-*.

/'-*0#""12345+"#"61%6'2521"-23783"2'--982378:2%6(8

6198;'135 (1- :6()-3%1-, & ) 6)#$%()%&. I' )#+7-(/',

+)()+/-%/*$"/' )67 (/ .B)*.;/ (%&, .6.(


30/266

%(/)#=.;/ F%'(%.'(&-6#1()B1-;%(#')/(/6'+75F96/5. A-3+.'%(/456'/

B-1%(/95%(&- :**$") '()*'+/95 0'$%/45 , *7B1 (1- %4=-,- 6.#'/".',- (/4 (7%/

%(&-6#1(.9/4%) 7%/ +)' %(&- .**&-'+3 .6)#=; ). :6'+.A)*35 (/4 0'$%/4 3()-

)#='+$& 48;A1-/5 Emilia Darvia +)' / %9>4B75 (&5 /D9A1-/5 Eduardo Favi, .-,

%(&%4-


31/266

/6/;/4o F>'$+// N/4(%;-'.;-)'%&)-('+75.+6#7%16/5. I(.*.4();/5)-)-$.5&., 22.6.1902.18

N'0)-7--) 6#7+.'()' B') (/- %&)-('+7 '()*'+7 0;)%/Labruna. !4670.%& )4(3 %(>.()' %()

.D35 %(/'=.;): %&)-('+7 .()' (&- ;"') 6.#;/"/ 15


32/266

=$%1.-.23 :;-)')D'/%&.;1(/7('6/*9-1#;5/4.

6#/2*3)()%(&- ; .(& *$8& (1- "9/ 6#1()B1-'%(#',- (/4 0'$%/4 , .;=. 15 )6/(


33/266

;"')72/*) , 6,)%. / E.%67(&5 B') () G.#/%7*4). 33F/ )6/+/#9A1) (&5

"'$%()%&5(1- /6)",- (1- "9/ 6#1()B1-'%(#',- , .+"&*,0&+. (&- @4#')+3 (&5

C6/+#'$5%(&- 6)#$%()%& (/4 /&:%"#$),K*E+00),, .D)'(;)5 (&5 )6/"/+')%;)56#/5(&Q7*), &/6/;)A$-&+..-(.*,5$%(/=&+)'$"'+&+)')A/#/9%.7='(&-;"')

)**$(/45 46/%('+(&(3%.1- A'*/0.)(#'+/;%92/4*/' +1*4%'.#B/9- +)($ (&- +#;%'/- %('B3-

(&58&A/A/#;)5+)'(/'/4(/(#7615.**.;8.')#/";)5.D/4%;)5"')(&-)6)B7#.4%'-

(/>3(&) +)()*3B.'.'5 (&- 6#,(&6)#$%()%&(/4J.'.9%(/=) : N$#)6/*9 +1'+3 '%(/# ;)"') %/2)#$- 76.#)-. 40I'

6)#)%($%.'5(/4 0'$%/4 , /' /6/;.5 +'-30&+)- %. '+)-/6/'&('+7 .6;6."/ , )6


34/266

(/=/#7 (1- B4-)'+,-. 43C#='/4%'+75 o Domenico Delcupolo. G"');(.#/5 *7B/5

B;-.()'B')(/-"'.404-(3(&5/#=3%(#)5, (/4/6/;/4)-)B-1#;>.()'(.*.'7(&5.'5(/

+)03+/-(/4.44

!.' (&-

.6'A9*)D3(/4B')(&-6#/B#))('%$-'/-, 30.12.1906.51

H5I.()'%(/7('"9/

=#7-'))#B7(.#), (/1909, &)67"/%&(/4.*/"#$)(/5J*B>%#)67 '()*'+7.*/"#))('+70;)%/,%4B+#;-.()')67(/-)#0#/B#$A/(/4H5I


35/266

%)('#'+76/;&)P


36/266

K.C. Q $6(&, )4(3 .;-)' & 6#,(& A/#$ 6/4 .6'%+


37/266

(/4.*/"#))('+/9#.6.#(/#;/4.**&-'+/9+)'D, @)-"9*& , 7*/'

%&)-('+/;%4-.#B$(.5 (/4 :**&-'+/9K.*/"#$)(/5.75

E4%(4=,5 B') (/#.6.#(7#'/(/4%&)-('+/9)4(/90'$%/4".-"')0


38/266

(/4, (/-E'/-9%'/H)4#$B+): :;-)'.B$*/5"'"$%+)*/5/2)095.#&-.4(35. :;-)'

+)'& )-1(


39/266

+$*48.(/)*5

88@C&.)&.*G#$#, 7.6., %. 267- 268. ! )-)A/#$ (&5 =#/-/*/B;)5 1939 6#


40/266

1

!"#$%&'($)*+",-$)$(./0'()123$#-/345#/1953

67/89%4'#/(:,;$" #(8 (8/$%(. A&7#-(8 ,227 %,$ &8-.#&-, #)*

"&(&22)"$%0*/%)"0*#(8+->#(8$/(.#(820(8

,$.

B!"#>")*C'%,*(/.D81(*#)*&172)*+-4#,14"'/#-$,* E(D,2',*C'%, F1-,?(

1933: !"#$%&'(%$%)*+%"%,%-./0&0/,$1"%$2"134$%)#$20"&3/,*2)5212$*67486, &02

3-00/9%5*3%0,:63;/":7/,$%+/2$',;#;255,$&",02 2;#*...$%0? /':3,% @%)'%-;5* ./0 $%0 (0>',72! A/0 &$)"), 1995, /. 167 %,$/#(K)"58'42$%)!L$#%): M/"'%3+8;/6;2,.,%'+>3/,6. !A0",: J43>"),

1997, /. 87).3 I, F2) #(8 A$7/(8 0#," ($: P. E(37%)*, !$%,#&-'") H&->"), 6&-7/$(* 9(8-(.%2)*, Q.

P,8-(%F?,2(*, 6-. A)%& #(" &+:&"( @-:"( /#)" 94"/#,"#$"(.+(2). (=2. #)*, 1999, /. 110).


41/266

2

6&""73)-H&->")%,$3'"&$+,-,/#7/&$*4/#(8+,'A-$(AF,#-(!+:224", /#(!-1(/#:2$. I(

1917 &'",$ ,+: #(8* +->#(8* )A(+($(.*5 +(8 &11-7?,$ /#("&(/./#,#(


42/266

3

/."#(,&L&2'//,$/&+-4#,14"$/#0*#(8A$7/(8. B"(*9%,#7?&-&",/8"&-1,/#&'1$,

/."#((@-("$%:3$7/#),#(1910 )E(D,2',C'%,10

%,$/#)/8"F@&$,#(1913 (8*!1"0

E&D7"%,$C$%:2,(;2F//,.11

S"F,/.+-,L0#(8)E(D,2',C'%,#(191812

3$0-%)/&&""$7

(2:%2)-,@-:"$,@,-'D("#7*#(8+-4#,14"$/#$%(.* -:2(8*/&%4$%7%,$3-,,#$%7&$3.22$,,

(+&-F#&*%,$&+$A&4-0/&$*.

B A',/(* #)* E(D,2',*C'%,& #(8* 3.( 9&?,22("'#&* /#, #F2) #(81919 +&-$(3&.&$

/#)" !2&L7"3-&$,13

%,$ /#$* ,-@F* #(8 1920 3'"&$ +,-,/#7/&$* /#( 97$-(14

+,-(8/$7D("#,*

&-17/#)%& /#( AF,#-( 6%-F%,# (8 N,20-(8 %,$ /#) /8"F@&$, +-(/&20?A) /#( A',/( M3. N8-/#-

E(D,2',*C'%,, :+(8 +,-F&$"& F@-$ #( 1921. I( 1922 &?,"'/#)%& /#( AF,#-( ;,":-,,. (=2.

ML,-@(*, K&:34-(*. J55*0/6*+%"%,%1: !027*$>0$26$,6'17/6, 2"#$2$&5*$%)18%)

2,. )*(;,",10*"(*) 0#,"1$(*#(86&-7/$(8%,$&'@&,3&2?:#("X&"(?>"#,, ((+('(*

0#," %,$ ,8#:* )A(+($:* & $%-:#&-) 3-7/) (=2. ;FA,"& ( 6&-7/$(* "(*. G55*0,;#0 H&2$'%0,

,-.?. 175, 1/11/1933, /. 4). -)/)#(8K7"(8Q3;%-"2$%)M/$2F%)'(/1%). 6-7?#)%&/#('*3*: G,32(4(8. !A0",: C&7522)"$%0

H$=2$(A0%), 1977, /. 224).10

5?,"'/#)%& & #( A',/( #)* E(D,2',*C'%, /#$*12/9/1910 /#( +&"#7+-,%#( 3-7, E% 3$%,


43/266

4

%8-'4* +,-,22,1F* #4" 1"4/#>" ,A)",G%>" &+$A&4-0/&4" I2"2(:5%6 %,$ I202+802,2.

!%(2(8A&' +(2.)") +,-,("0 /#)" 94"/#,"#$"(.+(2) , :+(8 ) C'%, /8"F+-,L& & #("

M3("#N8-/#3'"("#,*+,-,/#7/&$*/#(AF,#-(H,-$F.15

B"(*,%(2(8A&'+$/#7&">(

9(8-(.%2)* F@&$ &1%,#,2&'Z&$ #( A',/( %,$ F@&$ &+$/#-FZ&$ /#)" !A0",, :+(8 /8"7+#&$"F,

/8"&-1,/',("U-$/#:?(-(I,=(82,-'3)%,$#)"18",'%,#(8H-8/(.2,;,"#(+(.2(8.

-)/),-@'D&$",

,",%7+#&$ 4* &'3(* ) /.+-,L) C'%,-N8-/# /#)" 94"/#,"#$"(.+(2) +-(#7//&$ /#(

-&+&-#:-$( #)* &+2(8#$/F"&* 3(%$,/F"&* &+$A&4-0/&$*, ($ (+('&* /#$* &/#'&* #)*

J$,/+(-7* 0#," +7"#, &8+-:/3&%#&* 2:14 #(8 &$3)/&(1-,?$%(. #(8* @,-,%#0-,:

I202+802,2, I2"2(:5%6, S1(% 2" #52, I20#'22, &+$A&4-0/&$* /#$* (+('&* ( "(*

+-4#,14"$/#&'.16

P72$/#, ) &+$#8@', #(8 "(8, %8-'4* /#( -:2( #(8 ID,"F#(8 /#,

I202+802,2 /8"&@'/#)%& %,$ /#)" !A0", #( 1922.17

I( %,2(%,'-$ #(8 1924 ( A',/(* #)*

E(D,2',* C'%, &+$/%F+#,$ L,"7 #)"! '18+#( /)&$>"("#,* &172) &+$#8@', & #)"

:+(8/8"387D("#,"/%)"F*%,$#-,1(.3$,,+:#$*&+$A&4-0/&$*I2"2(:5%6%,$I202+802,2. (6&-7/$(*

9(8-(.%2)*: 9,?&+:#)*. ;,",10* "(*: J7/%,2(*, B83F#&-(*, P("#F-"( 9(A:"$, P,#,$:#)*,

I($@(%(,20#)*, P&-,%20*). (K.P., %43. +-.: AF/): 22/21-9424).15

#)*), (K.P., %43. +-.: AF/): 22/45- 3474), /#$* 14/2/1921 K,#0*, (;,",10*

"(*: P+$-F", Q3$(%#0#)*), (K.P., %43. +-.: AF/): 22/45- 3475, 3480). I)" '3$, )F-,

+,-(8/$7/#)%&%,$)(":+-,%#)%443', E%;%;25:;,$*60)", I0, K&,#-$%>"

", 2004, /. 742-758.16

B"(*/#("I2"2(:5% F+,$D(8*-:2(8*: 9,A)1)#0*,


44/266

5

&+$A&>-)/) R,"-92" /#)" (+(', +72$ +-4#,14"$/#(./& ( "(*.18

I, &+:&", @-:"$, )

C'%,+,.&$/#,3$,%7",&"#7//&$&+$A&4-0/&$*/#(-&+&-#:-$(#)*&,+(#F2&/,("(*

",+,-,1%4"'D,$/-$#,14"$/#$%(.* -:2(8*,+:#(8*)A(+($(.*+(8&'@,"&L&$3$%&8A&'/#)"

+-:D,,19

& (",3$%0 &L,'-&/) #)" +&-'(3( #)* /8"&-1,/',* #)* C'%, & #( K&:?-,/#(


45/266

6

(8/$%(. A&7#-(8 /8"&-1,D:&"(* & #(" -( (,+: #)" 9F-%8-,).23

/&$*%,$

", /81%&"#->"&$#$*%,2.#&-&*%-$#$%F*. [/#:/()3-7/)#(8A$7/(8/#(* @>-$/,"). P72$/#, ,+: #( 1937 ) T'D, U-$/#(?(-'3(8& -1,D:#," /#("

,"#,14"$/#$%: A',/(!+:224", ((+('(*%,#7%.-$(2:1(0#,"/(/$,2$/#$%:*%,$+,-722)2,/8"F@$/&

",&?,"'D,$/&@(-(&/+&-'3&*8+F-#)*&?)&-'3,*G"'#6(O&2X#';*). (G"'#6 (O&2X#';*), ,-.?.

1151, 9/4/1937, /. 4 %,$,-.?. 1254, 12/4/1938 /. 6). ST'D,9(8-(.%2)3$FA&%,22$&-1)F")?4"0%,$

/8"0A4*+-4#(/#,#(./&/#$*&+$A&4-0/&$*%,$#$*(+&-F#&*. -)/) /#$* S.;.!. 522)"$%:* ?4":1-,?(*, &

)@(1-,?0/&$* #)* +&-$:3(8 1927-1937, ,+: #)" ,$-', Hellenic Records. #)*

!-18-:+(82(* (1942), !A7",#( E4,'$%( / Q mmortal Greece (Q&-./@'D, - Q47". !",/#,/$73)) ;F#-(*

98-$,%:*(1929), ](8",:-#)*$,?(-7/ I used to be a rogue ( J.Y7##,) 6$,""7%)*Q4,""'3)*(1929),

B 8"(.&"(* / The hymnist (;.98-$,%(.) ;F#-(* 98-$,%:* & ,"3-$%0 @(-43', K$7/(8 H-.

;,"#(+(.2(8 (1929), T'1( ,+' :2, / A little of everything (N.U,#D),+(/#:2(8 - B-?. 9,-,=',)

6$,""7%)* Q4,""'3)*, T'D, 9(8-(.%2)(1929), S %,-3$7 #(871%, / Maga's heart (P8#,-7%) - Y7%))

;F#-(* 98-$,%:* & K',/(* H-8/)'3,* ;,"#(+(.2(8 (1929), I( #-&22(%:-$#/( / Mad girl P,-'%,

;,+,1%'%,, P7%)9,-"F-)(1928), P(.-1(P(8/(2'"$/ Rude Mussolini (N.!-18-:+(82(8- J).Y7##,)

N>#)* !-18-:+(82(* (1942), O%(8 #$ AF24 /, +,"#-&8#(.& / What I wish when we 'll be married

(J).Y7##, - B-?.9,-,=',) 6$,""7%)*Q4,""'3)*, T'D,9(8-(.%2)(1928), ^"(*/#)-/'", / Hymn

to retsina 6$,""7%)*Q4,""'3)*, T'D,9(8-(.%2)(1931), B;$":%2)*/ Pinacle man (J.Y7##,) 6$,""7%)*

Q4,""'3)*(1929), I,+,-+&-7%$,/ The barbers (6-.94"/#,"#$"'3)) 9>/#,*9,D0*, C'%(*U,+7*&

#),"#(2$"7#,Q&-:A&(8", / The old army camp (6.!/),%:+(82(8 -

6.H$#72)) ;F#-(* 98-$,%:* & K',/(* H-8/)'3,* ;,"#(+(.2(8 (1929), I( /$1,-F##( / The cigarette

(!"#.H>##)- Q4,". 98+,-'//)) T'D,9(8-(.%2)(1928).25

I(J&%F=-$(#(81924 ?,'",$(I,=(82,-'3)*4*($%("($%:*3$&8A8"#0*#(8K$7/(8;,"#(+(.2(8

", ,-"0A)%&", 3>/&$ &8&-1$%0 +,-7/#,/)8+F- #(8 &22)"$%(. /@(2&'(8


46/266

7

/."#()+&-$(3&',, %,#7#)3$7-%&$,#)*(+(',*(9(8-(.%2)*+72$ ,",3&'@A)%&(%,2.#&-(*

)A(+($:* #(8 A$7/(8. 27

",+:#)"9&?,2("$7. 5%&'")#)"+&-'(3(

/#)" &+'/)) &?)&-'3, #4" 5220"4" SA(+($>" ,",%($">A)%& ) ,+,L$4#$%0 3$,1-,?0 #(8

9(8-(.%2) ,+: #(


47/266

8

,"#$AF#4* 3$&8%:28"& #( "F( A',/( ", ,+(+2&./&$ 1$, #)" !&-$%0 +20##("#,* F#/$ #(

("(+>2$(#(8I,=(82,-'3). J8/#8@>*:4*(/.D81(*#)*;,"#(+(.2(8FA&/&/&&?,-(10

#(/@F3$(31

#(8&,+(#F2&/,($"&(,?$@AF"#&*)A(+($('",%-,#)A(."8+:7A2$&*/8"A0%&*1$,

#-&$*0"&*/#(Ellis Island, #(")/7%$8+(3(@0*#4",",/#>"/#)CF,W:-%).

S 5%#&2&/#$%0 5+$#-(+0 #(8 "&/%(+:#)",+&2&8AF-4/)#4")A(+($>". B '3$(*(;-4A8+(8-1:*

!2FL,"3-(* Y,_)*, ( (+('(* 0#," %,$ W+(8-1:* 5L4#&-$%>", F/#&$2& #)2&1-7?), /#(

!&-$%,"$%: ;-(L&"&'( /#)" !A0", +$/#(+($>"#,* 1$, #(8* %-,#(8F"(8* %,$D )#>"#,* #)"

,+&2&8AF-4/0 #(8*. 5" /8"&@&', ) 5+$#-(+0 ,+(?7/$/& (:?4", #)" 3$,1-,?0

,+(%2&$/(. :24" #4" )A(+($>" #(8 A$7/(8 I,=(82,-'3), &+&$30 &'@," %,#,AF/&$ &":-%4*

Z&83&'* %,#)1(-'&* &","#'(" #4" /8",3F2?4" #(8*. P72$/#, &+&$30 ($ /8%(?,"#'&* &LFA,"

%,$ #)" 8+:2)Z) #(8 /&$#)"&11.)/),+&2&8AF-4/0*#(8)"+-(V+:A&/)

", &1%,#,2&'Z&$ #(" (+&-$%: A',/( ;(?7"#) %,$ ", /8+-7L&$ & #(" (+&-$%: A',/(

;,"#(+(.2(8. B "(*8+F%8Z&/#(" &%=$,/:, & #(" :-(", +7Z&$ ( I,=(82,-'3)* #$*

%,#)1(-'&* &","#'(" #4" 8+(2('+4". 5% +->#)* :Z&4* ?,'",$ ", +-:34/& #(8*

31 B KF:34-(* ;(?7"#)* &"> &'@& /@&3:" &L,/?,2'/&$ #)" ,+&2&8AF-4/) #4" )A(+($>" #(8,

%,#,--'+#("#,*#)",-@$%0%,#)1(-',+&-'2,A-(,"7/#&8/)*, 0-A&,"#$F#4+(*&"F&*/8%(?,"#'&*.

B I,=(82,-'3)* & #(" * #, A2$=&-7 1&1(":#,. (B A',/(*

!&-$%0*: !$ +&-$+F#&$,' #(8. !@,-,%#0-$/#(* 3$,1410 /8",3F2?4". !+:?,/$* %,$ &"F-1&$,$

5%#&2&/#$%0*. G55*0,;#0 H&2$'%0,,-.?. 53, 15/12/1927, /. 3).32


48/266

9

/81%-,#(.&"(8* #(8, ($ (+('($ #(" ,+(%0-8L,". B 9&?,22("'#)* =,A.?4"(* :4* &'@& F",

/@F3$(. BI,=(82,-'3)*#("3F/&8/&&/8=:2,$(8+(#F2&$,*%,$("(*,F/4*

#)",+&2&8AF-4/0#(80#,"8+(@-&4F"(*",+-4#,14"$/#0/&$/#("T%'-" &"> /#( #F2(* #( &",+(F"(" %($": ,+,'#)/& #)" &+$/#-(?0 #4"

@-)7#4"#(8.34

BI,=(82,-'3)*,",1%7/#)%&",,+(2./&$#(""(+,.("#,*#(,+&@AF*

/8=:2,$(%,$F#/$(+-(3:#)*,",%)-.@A)%&0-4,*. \2,,8#7#,A2$=&-71&1(":#,#&2$%73&"

,?F-A)%," /#$* 3$%,/#$%F* ,'A(8/&* &+&$30 ($ 3.( ,"#'3$%($, I,=(82,-'3)* %,$ ;(?7"#)*

+FA,"," &"> +,-,3:L4* ($ @0-&* H-8/(.2, ;,"#(+(.2(8 %,$ P,-', ;(?7"#) F/+&8/,"",

3)$(8-10/(8"%($": "F((+&-$%:A',/(.

To 1931 o 9(8-(.%2)* +-4#,14"$/#&' /#)" +->#) &22)"(,&-$%,"$%0 ($2(./,

#,$"',, ) (+(', F?&-& #(" #'#2(!)$8 /102, 748, 35

/& /&"7-$( #(8 B-?F, 9,-,=', (,+: #)"

33 S +,-7/#,/) 3:A)%& /#( Eltinge Theatre. (=2. B+&-F##, ;,"#(+(.2(8: !+:Z& ( U(--@(- !17*.

G+0,;#6@8')F(O&2X#';*), ,-.?4653, 29/1/1928, /.7).34

!+: #( A',/( #)* !&-$%0*: 5+$/#(20 #(8 ,"#$+-(/>+(8 #(8 #) &22)"(,&-$%,"$%0 ($2(./, #,$"',. I( ?4"(%$"),#:3-,, &'@& #'#2(

!8#0 &'" ) D40 () +-&$F-, F1$"& /#$*21/2/1931, =2. !8#0 &'",$ D40. G+0,;#6@8')F (O&2 X#';*),

,-.?. 5779, 21/2/1931, /. 5) %,$+,$D:#,"/#("%$"),#(1-7?(Proctors, +(8=-$/%:#,"/#(%F"#-(#)*C.W., Fifth Avenue & Broadway. S +,-,1410 #)* #,$"',* F1$"& ,+: #)"Hellenic Cinema Corporation.

")*J7",*. I(/&"7-$(0#,"1-,F"(,+:

#(" B-?F, 9,-,=',. /#& #,-7D&$ #( &/4#&-$%: ,* &'",$, :+4* :2&* ($ &172&* ,20A&$&*, +(8 ,* ,?0"(8"

/%&+#$%(.* %,$ 7?4"(8*. B %:/(* F@&$ /8")A'/&$ ", =2F+&$ /#)" (A:") -(7"#D&* %,$

Z&8#()A$%(+2,/#$%F* 8+(AF/&$*, %,$ ,+: /8"0A&$, ,-F/%,$ +&-$//:#&-( / ,8#(. #(8 &'3(8* #$*

&+$3&'L&$*1$,#(2:1(:#$,*&8@,-$/#(."+-:/%,$-,, @4-'*",L."(8"#$*=,A&$F*+2)1F*#)*D40*,*,&%&'"&*+(8D)#7&",#$*3$>@"(8&,+:#("(8,*%,$#,7#$,,*. B%. 9,-,=',*/#)"8+:A&/)#)*

"F,* #,$"',* #(8 &?7") ,&'2$%#(*, A, )AF2,&", +(.& #-(&-:*. !" #(" &""(0/,& %,27, #:/( /#(

!8#0&'" )D40, :/(%,$/#,722,F-1,#(8, &'",$F",*38",#:*2:1$(*, +(83&"38/%(2&.,$",=72&$

/#, 1-,+#7 #(8 (2:%2)-) %,$ #-,14"$%0 #) /?-,1'3, #4" >-$4" $3&>" #(8, ,3$7?(-4" /@&3:"

#&2&'4* /#( ," /8=$=7D("#,$ ,8#,' & #, 0A) #, ,1"7 0 #, Z&.#$%,, #)* /)&-$"0* %($"4"',*. 9,#

,8#:", ," 3&" /8=$=7D4"#,$ /0&-(", 0 ,.-$(", 3&" F@&$ ", %7&$. B-,,#'D,$ %7+($, #4-$"0,

+-(/&@0, ),+>#&-)&+(@0#)*,"A-4+'")*D40*%,$,8#:#("$%,"(+($&'. \/(1$,#)"#&@"$%0&%#F2&/)*

%,$+,-(8/',/)*#(8"F(8F-1(8#(8, &$+:-&$",A&20/&$",?,"&'%,"&'*,8/#)-:*%,$:4*3&"+(-&',

1$,#',+2(./#,#,3&"#(8&+$#-F+,$",#(%7"&$ (=2. 9(%%:-)*, K7"(*. S&22)"$%0(A:"): !8#0


49/266

10

QA7%)). I)"'3$,+&-'(3(,D')/.D81:#(8T'D,%,$#(D&.1(*T7+)%,$5$-0")H,/$27%)

/8/#0"(8"#)"522)"$%0B+&-F#,.36

B$)A(+($('3-,/#)-$(+($(."#,$ %8-'4*/#)CF,W:-%)

%,$ &'",$ /8@"7 +-(/%&%2)F"($ /& -,3$(?4"$%(.* /#,A(.* :+(8 +,-(8/$7D(8" D4"#,":

%,22$#&@"$%:+-:1-,,.37

;,-722)2,$/A>"(8"%&"#-$%:AF,#-(/#)CF,W:-%)%,$3'"(8"

/8/#),#$%7 +,-,/#7/&$* (+&-$%>" ,227 %,$ &+$A&4-)/$,%>" F-14".38 #(

D&.1(*H,/$27%)F@&$,+(@4-0/&$1$,#)"52273,, 2'1(+-$"#)"3$728/)#(8A$7/(83'"("#,$#$)#$%F*

+,-,/#7/&$*. !-@$%7 1$, #( D&.1(* 9(8-(.%2) & #( F-1( #(8 !2. J(87 #(8 +,#F-,Q /'4&0* $%)

.,2D#5%), +,-7/#,/) /#)" (+(', ( 6&-7/$(* K(8-(.%2)* 1$, ,%:, $, ?(-7 F2,=& &1%4$,/#$%F*

%-$#$%F*. !%(2(.A)/&)#$)#$%0#(8D&.1(8*

/#$1/3/1931 ,%(2(.A)/& ) #$)#$%0 1$, #)" ;F-/, H27@(8& #)" #-'+-,%#) &+$A&>-)/)@%)D&0$2 02(10/$2,(=2. 522)"$%0B+&-F##,. G+0,;#6@8')F(O&2X#';*), ,-.?. 5779, 21/2/1931, /. 5).39

B$&"!&-$%0M22)"&*)A(+($('.G55*0,;#0+&2$'%0,,-.?. 142,15/3/1932, /. 4.40


50/266

11

F=) /#( * %,$ &$/+-,%#$%>*, & ,+(#F2&/, #$*

/8"&@&'* ,",=(2F* &+$/#-(?0* /#) :"$) =7/), #)CF, W:-%). P72$/#,( A',/(*M22)"&*

SA(+($('#(J&%F=-$(#(1938 1'",$,+(%2&$/#$%7(+&-$%:*@7-)/#)"/.+-,L)#(8N>#)

!-18-:+(82(8%,$#)*XF")*J-7,2), &">,F/#-(*+,-,F"&$(J)(/AF")*Y7##,*.44

B =,-.#("(* "(*, ,F/4* #) 20L) #4" +&-$+&$>" #(8, '3-8/& #(" A',/(

!A)",G%0 (+&-F#,, & /(+-7"( %,$ ,8#:* #) T'", J>-(8, #&":-( #( H,/'2) -(8, /)&$>"&$&172)%,22$#&@"$%0%,$&$/+-,%#$%0&+$#8@',%,A$/#>"#,*#("3$%,'4*

4*#(/+(83,$:#&-(A',/(#(8&22)"(,&-$%,"$%(.A$7/(8.46

B"(*,"%,$&'@&3)$(8-10/&$/#)CF,W:-%)#("+2F("&+$#8@)F"((+&-$%:

A',/(,+(?7/$/&",&+$/#-FZ&$/#)"+,#-'3,. #(" ?$2'

,+:#)"!A)",G%0B+&-F##,. G+0,;#6@8')F(O&2X#';*), ,-.?. 4919, 14/10/1928, /. 7), (#&":-(*(;)


51/266

12

P+,/#,2F,49

#(" P7-$( %,$ #)" S> ;,2,$(2:1(8,50

#(" ;F2( 9,#/F2),51

#)" !2'%)

K&(34-'3(8, #(" H,/'2) T(1(A'3), #(" 9>/#, P(8/(.-), #(" , !/#8"($%:*), (K.P., %43. +-.: AF/): 31/12-4552 %,$ 31/12-4556), I)(25140,(;,",10* "(*: C#(82'#&2), (K.P., %43. +-.: AF/): 31/12-4554), @2"%-'*6, (;,",10* "(*:

6$,#-:*P+,-"'), (K.P., %43. +-.: AF/): 31/12-4552), ?/54$%"%,#6$%)V23,5&46,(;,",10*"(*: B

30$(*), (K.P., %43. +-.: AF/): 31/12-4547), U(%)'%9'%-$%,(;,",10*"(*: I-7(8), (K.P., %43.

+-.: AF/): 31/12-4558). I(1937 ("(*&+,"&"#7@A)%&/#(A',/(;,2,$(2:1(8, :+(8#("/8","#7&

1$,#&2&8#,',?(-7#(1939. 5?,"'D("#,"/#(KF,#-(;($%$2$>", 24/3/1937, E'/55%;#',$3%,(;,",10*

"(*: H&-">), (K.P., %43. +-.: AF/): 31/4-4591), #( 1939 (@4-'* )/"',), T2&0%, 3$% 3;%$:.,,

(;,",10*"(*: P+,-#(2F#$), (K.P., %43. +-.: AF/): 31/4-4601).51

I)" %,22$#&@"$%0 +&-'(3( 1934-1935 &?,"'D,$ #,8#:@-(", /& 3.( A$7/(8*.


52/266

13

1932 /8F@&$/#)"%$"),#(1-,?$%0,?(-7#(83-,,#$%(.&$3822'(8B!(2"*$,;#6$*6

V%3;%"%-52653

%,$F@-$#(1951 F+,$L&/&,%:,#-&$*&22)"$%F*#,$"'&*.54

B$ D4F* #4" 9(8-(.%2) %,$ "(8, 3$,/#,8->A)%," /#)" 9&?,2("$7, /&

,A)",G%(.* A$7/(8*, /#)" !'18+#(, /#$* ,&-$%,"$%F* +(2$#&'&* %.,. 3'"("#,* $, $3$:#8+)

/8"(@0/#)"%,22$#&@"$%0#(8*+(-&',,227%,$+,-722)2,=$>"("#,*,+:3$,?(-$%0(+#$%0

#)&22)"$%0A&,#-$%0D40#(8+->#(8$/(.#(820(8

,$.

53-)(1914) %,$#)"!3$&'4#(86,D$73)(1929)). 5'",$)

+->#) ($2(./, &22)"$%0 #,$"',+(8 18-'/#)%& /#)" 52273,. I("#(8+27D F1$"& /#( H&-(2'"( %,$ #,

18-'/,#, #)* #,$"',* +-,1,#(+($0A)%," /#)" 5.=($,. (=2. 1$, #)" &22)"$%0 ?$2(1-,?',: 026 /55*0,;#6 ;,0*2$%(':9%6: 1900-1970. !A0",: 9(@2',*, 2002. 458/. %,$

H,2(.%(*, #) %$"),#(1-,?$%0

#(8 &?7"$/) ( U-$/#:?(-(* CFD&-. B /+-3$2;26, 1949. -1(*.

5'3(*: P&172(8 0%(8*, %($"4"$%0, 3-,,#$%0. J/"#0* ?4#(1-,?',*: U&+ Y:D&?, -1(*, 5'3(*: P&172(80%(8*, ,$/A),#$%0

%443',, J/"#0* ?4#(1-,?',: 6,D$73)* P$@72)*, -1(*. S2W;,3#6;2,;,0*2$%(':9%6:

- M/5&$* (,2 $%0 /55*0,;# 52W;# ;,0*2$%(':9% $*6 ./;2/$126 $%) 60. !A0",: E(F*, 1991. 77/. %,$

!A,",/7#(8, Q47"",. G55*0,;#6 @,0*2$%(':9%6 (1950-1967): S2W;8 08* ;2, ,./%5%(12. !A0",:

Finatec, 2001. 399/.).


53/266

1

!"#$#%&'(#%$)%*+,#-.&/**+%0'&/*(+,/%1+,+*+.23#4+/.2

5*678%40..#+*9:1799 0*%1823

;%,

&/&+/9+%)3/%&0+0"'#+1590'%+,-+@&'#,0%&%< %)3 . H /%>/), (95+ 6=1 '(0)*'0 '9G+0 %>%' +%)0./', , +((< )3/,+/%,-"=1/306;& -+, /%&0 3">(),"& 23#$"&) %,1 /[email protected]'1 '-'90'1 ")3@+'30))4/+0 %,1 '()*#++%,-61'?'(9?',1 %)3 19)3+,$0+ . 2,*,-< *' 5,+ %&0

2"%5&/+0 -+, %& *&,)3#59+ +3%)4 ")3 )0)%'#+ -+, &6#'30+/30'G9C'%+, ) '90+, %) "()4/,) , -+9%), -+%+-'#+%,/60) , 3(,-> ")3 +B )#%, %) I+0 JC,*#++/%)@6+%#)I+0JC,1I4(()5)1L>#-3#+, L6#-3#+1994, //. 7178 -+,%)3 ,*9)3: J) ,%+(,->'(>*#++

/%&0 2((/;+/&%=0'#'30&%$0/')0+*,-.1/&+/9+1+#G',+->3(,->.


54/266

2

"#=%>50=#'1")(,%,-61 /[email protected]'1 , %) "('3#"'#+/306G,C'0++")%'('9,+

/95)3#&(4/& , >"=1 +"6*',?' ) D(/) , &"#=%+5=09/%#,+%)3 @,%&1) Caterina Storace, "+#)3/9+C'/,+ "#',6#+%&1*,+G#)0,-.1+3%.1'",%3G9+1%)3Cimarosa (F,600&, 1792)9@+ 6"+,?'#>()/%&0

"+#+90'/&+3%.%)3O@9+/) %)3 ,"#'/'0& "+#)3/9+/& %&1 >"'#+1 %)3Cimarosa %) 1797 *'0 +")%'('9 >0) ,++->& "+#6--(,/& %)3 Paladini +"> %+

/3B=0&60+, +((< "+#*#++/%)@6+%#)I+0JC,%' /%+ '"9/&+ 655#+B+ %&1 "'#,>*)3 +0+B6#'%+, =1 "#$&0 "#,+0%>0+ %)3 @'


55/266

3

D+#=1 , %) I+0 JC,=1 , %)3(-',%+, 5,+ %&0 ,%+(,-.>"'#+ ' "+(6%) >72&1A1(058B$::58&01 -C",$'#18 (L Entre des Franais au Grand Caire). ! +0+B)# %)0 2+0)3.(V)*)-+0 %)31 O(&1 , &)")9+@+ ;9 =0'%, -+@>(& %& *, & -+%G+#%9/%+ G6#,+ %&1 5+((,-.1 "#)"+51 6#5)3 /%&0 L6#-3#+ '%)

/35-'-#,60)@6+ %#',1 .0'1 '%"'#+ , '9%'

+B)# #>() %)3 /%&0 -),0=0,-. -+, ")(,%,/%,-. C=..Z*&+"> %) 1800 /%+ /G'*,+5#(+%+)0>+%+")3@+6"+,C+0-'0%#,->#>()/%&0")(,%,-./-&0.%&1

12F(., '0*',-%,-*)/&):/7#7D(!-0#1(-!1:D."#@1(E1D:C"#;(: F#18'.)

'"(@1:'1#.2"((17981799), A-*)/&80+50=/%,-.12%+,#'9+1L'#-4#+1, [email protected]+2001, //. 119 -+,

227 (B=%)5#+B,-. +0+%4"=/&), 123 -+, 230 (B=%)5#+B,-. +0+%4"=/&). 2"9/&1, P+3#60%,)1

F#)-90&1: !7#2 0G( 1'.1A1G( 0G( H8 0I .7#.+#"J.I K&07' L01M( (Loggia) ."2 0G( 7N( %&0+0+*&)/9'3/&/%)L$/%+1N+B0.1('"9):

P. F#)-90&: A#5+, ,7#.+#"J.$F#18'.$%>)1xvii, 263281: 278.15 IG'%,-. +0+-)90=/& /%) 7=


56/266

4

:)09)3D)(,%'9+1 , +((< -+, '%


57/266

5

-3;6#0&/&10+ +"+5)#'4/', %,1 '3'#5'%,-61 "+#+/%1 ")3 /.+,0' -+,

'9=/&%=0',/)*&"'#+ +->& -+%< %&0 '%+;+%,-.+3%. "'#9)*) -+, 5,+ +#-'%0,+ '%0,+G=#910+- +0+B)#61 %)3 ,*9)3 "()B)#)4+/%','"9/&1, >G, >0)%,1 '",/-'361 -+, %+ '"',/>*,+")3 /306;+,0+0/%) I+0 JC,


58/266

6

'",/%+%'9+">'-'9/%+%'-%+,0>'0+-+,0+'"';+90',6/=%&1)#0%,0 %)31 *,+*#>)31 %&1 "(+%'9+1 . 2","(6)0

+"+5)#'3>%+0%>/) & 60%)0& +")*)-,+/9+ >/) -+, & 60%)0& '",*)-,+/9+ %=0%#+5)3*,/%$0. O,+ '0%&0 +")*)-,+/9+ /' -+9+ "'#9"%=/& *'0 '",%#'">%+0 )

'-/B'0*)0,/>10),/% +0 %).",) G',#)-#>%&+ /%)31 &@)"),)41 +C9 '*,+-#,%,->

G%4"&+%=0 ")*,$0 -+, +3%> +B)4 %'(',$/', %) )3/,->-) %,1 "+#+";('"%+5'5)0>%+ , >"=1 ), +#-'%< /);+#61 C&,61")33"6/%&%)@6+%#)-+,,*,+9%'#+%+-++#90,+%=0G)#'3%$0+">%)0/',/>")3

/306;&/%,14/5/1809.27

J) 1810, "%'#)1-+,%+

"#);(.+%++"> +3%>0 +3?/) , %) @6+%#) (',%)3#5)4/' , "+#< %&0

5-#90,+)#,/60=0 O , >%, /%,1 15/6/1810 60+1 /%)(9/-)1 6?, "()9=0 '

'",-'B+(.1%)0 -+"'% %)

W%#+0%) '%+B6#)0%+1/,%< -+, B,+ , /%#+%,=%,-)41 , +((< -+, %)31

%#+5)3*,/%61-+, )#,/60)31 )3/,-)41%)3 @,%+0 '#,-$13"> %&0 '",/%+/9+ %)3 Y55'()3 [+(,-,>")3()3 , ) )")9)1'"6/%#'U'/%&@6/&%)3D#)6*#)3%)37'+%#,-)47'


59/266

7

/3B=09+%)31 -+, '9G+0 B45 ',B);)4'0), %)3 -,0*40)31%)3 "'#/) B+90'%+, >%, "+#+/%#)31 /30'#5+/9+1 . 2"9/&1 %&1 C&%)4/' 0+ ;#', ,+

/3"#=%+5=09/%#,+-+, ,+*'3%'#+5=09/%#,+. J) 9*,) C&%)4/'60+ .0++#5>%'#+

+">%&0 Francesca Checcherini -+, ) Matucci, '%&0 "#)]">@'/& ), 3")U.B,'1

%#+5)3*9/%#,'10+ 6G)30 -+(.B=0. -+, 0+ '90+, 06'1 -+, >)#B'1 . I%&0 9*,+

'",/%)(."()B)#)4/' %&0 %#+5)3*9/%#,+ >%, /%&0 L6#-3#+ @+ '9G' %&0

3")G#6=/&0+ %#+5)3*< /' >('1 %,1 /);+#61 -+, -=,-61 >"'#'1 , /%,1 B%+0 +->& /' %&0 &

-+%)0)+C>'0&"+#+(."%#,+ 0+ B6#', -+, %,1 " +#%,%)4#'1+"> /35-'-#,60+'()*# "(&-%#)B>#=0, ;(. L$/%+1 L+#*0,) 8-+*&9+, R1+&'.)( ?::;818358, %'4G. 4,

I'"%6;#,)1N'-6;#,)12009, //. 4-19.


60/266

8

"#>-',%+,5,+ %)0 Socrate immaginario ("#)B+0$1%)3 G. Paisiello), %)0 Giulio

Sabino (%)",@+0>%'#)%)3 Raf. Sarti, >"'#+ ")3 '9G' "+#+/%+@'9-+, %) 1796 /%&0

L6#-3#+),37%&0 Giulietta e Romeo (%)",@+0>%'#) 0+ "#>-',%+, 5,+ %&

*&)B,(6/%+%&>"'#+ %)3 Niccol Zingarelli) -+, %& )0>"#+-%&B %&0 &6#+ %=0 [#,/%)35600=0.

D#);(6")0%+0'"9/&1 *6-+ )"'#+%,-< 6#5+ : %6//'#,1 -=,-61 >"'#'1 , %6//'#,1

B 60+0 maestro al cembalo, 6?,

;,)(,(+ , 60+ ;,)()0%/6() , 60+ -)0%#+"")' , *4) -(+#,06%+,60+B+5->%) -+, *4) ->#0+ , '0$ '*$ /3"'#,(+;+0>%+0 -+, ) +"+#+9%&%)1 %&0

'")G.'-'90&+0%,5#+B6+1%=0)3/,-$0'#$0. I%)/3;>(+,), >=1, /&',=0>%+0',*,+9%'#&/")3*., >%,>(+%+"+#+"#5+0+;#9/-)0%+0/%&0L6#-3#+'-%>1

+">%+ *4) >")'-+, %) -)0%#+"*',?&%&1 "#>@'/&1 %&1 -3;6#0&/&1 %=0 2"%+0./=0 0+ '?+/B+(9/', %,1 @6/',1

'#5+/9+1%)",-< '3#,/->'0=0 )3/,-$0, /95)3#+ +")-+(4"%', '/+B.0',+ >%, &

L6#-3#+%&1 '")G.1 '9G' /%& *,/+"#);(6")0%+0/%&0"#>%+/&@'+%#$0&/&1

%)3%#+5)3*,/%.Pietro Cimarelli, 6()31%)3 @,0)

*4)/);+#61 >"'#'1 , %6//'#,1 -=,-61 , %6//'#,1 B5,) '9G' +3?&@'9 '%&0 "#)/@.-& *4)

B(%,),"#);(6U',1',*,-/), & "#>%+/& %)3 Cimarelli B+90'%+, 0+ 6"'/' /%) -'0> , ,+1-+, %)-+()-+9#,%)3 1813 ,"#'/0)+ %)3 ,"#'/%&0L6#-3#+'"#))#,/>%&0

37E+3#))4/%+-)1: J),%+(,->'(>*#++/%)@6+%#)I+0JC,


61/266

9

M %)3 -'#-3#+K-)4

@'G, >0)",/%)"),)40%&0 "+#0+%&1-+@&'#,0>%&%%&%+

%&1'")G.1 -+, ,*+0,->1 '#&0'3%.1 '()*#+-',%+,5,+%)0, 0'+#>%>%' , Giovanni Battista Verger, ))")9)1+0%&%+ -+, &

-),0=0,-)")(,%,-.%)3/&+/9+-+%"=#)2001, //. 1326.47

20*',-%,-0,) L#


62/266

10

"'#9)*) 1815 ' 1824 "#+5+%)"),)40%+0 /30'G$1 /30+3(9'1)#5+0,-.1 -+,

B=0&%,-.1)3/,-.1 "#)1>B'()1%=0"#=%+5=0,/%$0%)3-'#-3#+K-)4@'%,'9G'/%)'0'#5&%,->

%)3%& /40@'/& )-%$ )"'#+%,-$0 6#5=0 -+, > %,/%) /40%)) *,"'#+1. 52S E+)"'#+%,-"#+-%&Contadina bizzara(")3"+#)3/,"'#+1, '",;';+,$0)0%+1%&0+#%3#9+%)3E%,)M+")(,%)14, /. 156) *90)0%+1%&0

'","(6)0"()B)#9+, >%, %) 9*,)6#5) .%+0%)"#$%)")3"+#)3/,*&%)@6+%#)%)3

H*'9)3San Sebastiano +"> %)31 +@&%61 %)3 H*'9)3 ()". "+#., %>)1 3, /. 470). I%) San Pietro a

Majella ;#9/-)0%+,'%+?4#)'/30)*'9+)#G./%#+1) -+,& 1+&'.3%'%:'1@&-' -+, /%&0 %>/) "#)/B,(.

"#+-%,-. %&1 *&,)3#59+1 ",+0,/%,-$0 +0+5=5$0 )"'#+%,-$0 +")/"+//B+%+'0%)",/@'9/+"+#%,%)4#+%&1#) %) E


63/266

11

J+5'5)0>%+")3 )*.5&/+0/%& B3(%+ /%&0 L6#-3#+ %&1 "#$,&1 ;#'%+0,-.1

"'#,>*)3. J)08"#9(,)%)31818 )9*,)1),"#'/G, /%)0 ,"#'/*)/& %&1 "+#%,%)4#+1 /%&0 %#+5)3*9/%#,+ *'0 '9G' >0)

/30+,/@&+%,-.+?9+ , +((< -3#9=1 %&0600),+ %&1 '",/%#)B.1,+1'"+55'(+%,-.1

'"60*3/&1.

I'-(+,> %)3 +?9C', 5,+ ),-)0)9+ G$#)3 0+ /&',=@)40 '*$ %+

'?.1:598#G,-< ) +#,@> 1%=0 '()*#+%+0 /' 6?, , /%)0 )")9)

"#)/%9@'0%+,-+, *4) B"'#+ %&1 "'#,>*)36"#'"' 0+ '90+, &Italiana in Algeri-+,'-'90&5,+%&060+#?&%)3L+#0+;+(,)4)Turco in Italia%)3Rossini. 83%.'90+,

-+,&5,+%&0$#+"+(+,>%'#&50=/%.+0+B)# @6+%#) (., %)3( @+ '9G' , >"=1 "#)-4"%', -+, +"> %+ 50=/%< (,"#6%+,/306G',+. 8?9C', 0+ "#)/%'@)40 *4) +->& =1, %)-'#-3#+K->@6+%#)@+

+")%,, /4B=0+'%&0'",/%)(.%)3Castignace, 3"'4@30)15,+%&0%'(,-.+")-%&/& +"> +3%>0 %&1 :)0,-.1 ,@+560',+1. 8?9C', 0+

/&',=@'9, >%, +0*6-+G#>0,+/35-+%+(65'%+,-+,)M,->(+)1E0,)L#),-)0),-61*3/-)(9'1%)0,"#'/0@'+%#,-)4'?)"(,/)4/%&0-3;6#0&/&%)3

:)09)3L#


64/266

12

?'-,0)4/'%,1 B@,0)"=#,061 "+#+/%"'#+ Carlo ed Amalia%)3

Pietro Guglielmi62-+, %&0 9*,+ G#)0,< @+ "+#)3/,+C>%+0 -+, &La donna di genio

volubile %)3 Marcos Antonio Portugal.632"9/&1 %)B@,0>"=#) %)3 1823

"+#+/%%'#) %) '%+;+%,->/%


65/266

1

!"#$%&'()*+&,-./0$1($23,24564%)"5"

12",55(&"1%702,$5,8.9#,2.-&68..

!"#$% &. &$'(#$')*+% ,.-.

./01)02/% 23456378 934*:8 #4/ 378 ;>63+343$'2@%#($3@C+#48$/ 2>A*2%2**+8/#)% #$/8?3+ 32%03+8 F2823"4 , 3$ G/D?(8 $, 3+8

H2(>)03+, 3+!A


66/266

2

G$683M+#4 /I2:(>/$' H2(30)3+ . N+048#4/ 4'3@ 3+


67/266

3

#434*AD2/C)02/% 03+ !$/#@ J1$*@ (S$/8/#?K"#4/$ ) $ J4*D43?(2 O4#)33/

(Salvatore Maria Guera Rachetti, HA(4834%) #4/ $ HM/(?*4$ J483?(/$ (Girolamo

Santorio, HA(4834%),


68/266

4

1846), )M+02 "43$'KA83+,


69/266

5

H4#A30/84,/43+(+C2"+0'8$1@ 3+%

#$/8?3+3A%3$'%)07


70/266

6

%'=5$/ , =!3/4),4)'2$?#-,*):"!4)$#!&'4)4),3(4939*,(674)#!'*2.9=?$#5

!.P$4!3(;F#6!'..

=",/4@(28)484-)(2/2


71/266

7

Dirce, figlia di Aristod)mo, Tragedia lirica, ?


72/266

8

!"#$%$'1. S2(. F*., Y/:3+%S, 903$("43$'9$8"$'&(A3$'%4


73/266

9

3.61,0.415-417. L*/048,(A3$%I.9. ./34*?%*?>/$%Severiano Fogacci #4/34,+$0/2643A3$'03+8

&)(#'(4 ( 1831-1846) 934*$2**+8/#A Rivista di cultura Greco-moderna IV, Instituto Universario

Orientale , Napoli 1991-1993 , 0. 11.-23. &4(,A+%&. =?


74/266

10

3$', 2


75/266

(!E)XA"AMETHN-1-A#HNA."TO$!(!%)&'()%*+,-./,)(*01!(23%4,5,*)6*781*',9()).

*:;!IANAKOIN


76/266

(!E)XA"AMETHN-2-A#HNA."TO$![.9,)kIU61)3)(*'(%B6R1%3)6, 21]n.K,:6: ONB)@*%3)%H(4,%@N9*9I)]2g:,4&B(*BI+^6S3%4,)F'.:46(U19MY6, N4(*4&Q6&)3)I*93@A%*)B[1C[,%1'3I%B) (&Y(%K, U *C U3%4,5%,: [,*BI%@%,:. i1B(9)@,:4%I43@K6 * C V*B 1)3).Y*%B* C YMB(*: Y3:6 *:; cEBI:; *96, R&B U

a%3:&3:,:E:M@) 1)3)(*'(%K6 (*C ON),BIQ6 A9*:J%,:) b I)*713:(YMMB(9 &3:,:E:M@) (G,)b S(*K, 21:&+ (4MI%I3BY,:4 S*:46),[EE7I)*7.%)*3BIU61%3B0N:46, 1.&. 1851-52. MB7.%)*3BI+1%3@:N:6,^6 M,K(*0,, 1:3%\,7 2I*%@,%*)B [1C [3&U6 oI*KF3@:4 Y&3B I)]l%I%F3@:4 ^6 *YE9 -13BE@:4, M)p:4b I)] q:4,@:4. r1K(-N/1:*%,(*C Y*3: *:; 2DBI*:;, (41E/3K() &3:,:E:MBI7 I'1:B) I%,' *96.i1] 1EY:, (U I'1:B: (9 %\: [,)DY3%*)B (s(K6 1)3).Y*:,*)6 S,*41:21:&G6) (*+, R1%3) r t1,:F'*96, [EE'A:,*)6 DJE: (*+,1)(@M,K(*9U$5'T*610), *+LaSonnambula*:;M1%EE@,B6.

K)]1'EBVK6, NU,S%,)OI),:1:B9Y,:6: (4A9*5,*)6*C.Y)U*+ DBE*'*9 Af3) !%1)1)N'I:4, (4DK,/()% V*Ba I)*)M3)D+ *Q,1)3)(*'(%K,R1%3)6(*+,-./,), X*),A/*9))I3:&30,B)623M)(@)61:E4%E:;6 L'N:6 (1:4N)(*Q,, H1C *+,) H(*930*)*9 21)M3J1,9(9%ONBIQ, 1%3\ *C .Y), u(*%, 7 2EYM&K,*)B I)],7 NB)(*)435,:,*)B *7[1:*%EY()*)* G6 I)*)M3)DG6 cEBI:; (U I'.% S,*41:. K)] *:;*:O(&J%BN4(*4&Q6R&B0,:MB7*C19:,)O5,), [EE7I)]MB7*C,20CI)]'EB(*) 1:ET 13:(D'*K, N%I)%*BQ, V*), a i.,BI+ v43BI+ "I9,+F3B(I0*),( U 1E/39, I)] 2, 1:EE:\6 [gBY1)B,9E%B*:43M@). l4(*4&Q6[1C*:T61)E)B0*%3:4621]I%D)EG6*96:f*%P,)6NU,S%B,%*0(:u(*%

,7 [(&:E9.%\ U *C P3:* C [3&%\:. r 13Q*:6, [1 V(: gY3KX*), Wv:4Iw6 K)34*B,06. x6 %@,)B. y,*B 1:3:;()E:B1C,, 7 I'K 0,:6 :4, X*),, 7NB)EYgK P,)I)@0,:,S,*41:, (4MI%I3BY,)*+,8>3,-&?0) *:; l99*3@:4 K:3:9Ew I)] ,7 I)*)M3'?K [1C *+ (*/E9 .%)'*K,, V,1:*% 2D),BA0*),, * ]6 [,)MM%E@%6 1)3)(*'(%BK, R1%3)6W3B(Y,K, 0,:, 2*Q,. j4(BI' Zg%3) V*B 2E'&B(*: 1:(:(*C *Q,1)3)(*'(%K,)H*Q, 1:3%\,7 )*)B5.9I), b,7 [,)FE/.9I),, E0Mzg)D,BIG6 [(.%,%@)6 13K*)MK,B(*Q, Z, 13:I%BY,:4 1%3] c1)B.3@K,&53K,, I)I:I)B3@)6. AH*CE:B1C, I)] SI)) I)*)M3'D:,*)6 S*(B* 7

S*91874, 1875, 1876I)]1877(13Q*:{g'9,:). i,*|%*)gJ,%_&)21B(9',%BB7(9),*BI+,O*)EBI+,e(*:(%E@N)(*ClB)N@I*4:7, U(1:3)NBIU6 I)* S*:6 [,)D:3U6 1)3)(*'(%K, R1%3)6 (*+, -./,),&K3]6 VK6 a%3:9,@%6 b }EE%6 E%1*:Y3%B%6. Oe [,)D:3U6{(*B'A:,*), I43@K6(* 7 S*9 1891 I)] 1900, * 7 W1:\) I)]I)*YM3)?), 1',*)[1C*+,8>3,&?0). "4MI%I3BY,)I)*'M3)?)*CF~

$),%1B(*9@:4 -.9,Q,, SIN. K)(*),B5*9, T0. 2 (-./,), 1998), ((. 143- 80.iD%gG6F3)&4M3.: =%K3M)I[I9.6=%K3M)I'I9, V.1., $)3'3*9), (. 173.7 $30I%B*)B MB7 *C NB)NBI*4)IC *01: http:// www.lavoceantica.it, *:; RobertoMarcocci.


77/266

(!E)XA"AMETHN-3-A#HNA."TO$!{g'9,: *:; 1890, * C 1891 I)] *C 1900. "4,:EBI7 E:B1C,I)*)M3'D9I% [1C P,) I)7 0,:, S,*41:, B7 !"#$%& 6'()*1)3)(*'(%K, R1%3)6. $%3,QE:B1C, 13Q*)( U I'1:B) N9:M3)DBI7N%N:Y,) I)] I)*01B, (*:T6 [3B.:J6 I)] (*7 [1:*%EY()*)* G6

I)*)M3)DG6: 13Y1%BW1K(N/1:*%,7*7M,K3@A:4%MB7,7I)*)E'F:4%)) * C V*Ba 130(E9?9 *G6 R1%3)6 I)] *G6 l4*BIG6 :4(BIG6 (*+,-./,) g%1%3,w (U SI*)(9, F'.:6 I)] (9)(@) W,*BN/1:*%( 4,YF9( U}EE%6 {EE9,BIU6 10E%B6, s(K6 [I09 I)] (*7 81*',9() I)] F) *+,SI*)(9* G6 ()*),BIG6 I)] g%,:I@,9*96 (I%4K3@)6 13Q*)1)3)&)3'g%K6I)]2,(4,%&%@2,*)DB)(:;*G6{EE9,BIG6:4(BIG6I)]*G6e(*:3@)6*96.

()) 1E9.4(C6l/:4.9,)@K,(*7{I'(*:*%V3B'*:4I)]

(F) 1E9.4(C6(4MI3:*/)*:6-.9,Q,-$%B3)BQ6-K)EEB.Y)6:1836: ()) 16.588. (F) 17.5881853: ()) 30.590. (F) 36.024.1861: ()) 41.298 (F) 47.750.1870: ()) 44.510. (F) 55.473.1879: ()) 65.499. (F) 87.117.1889: ()) 110.262. (F) 144.589.1896: ()) 123.140*. (F) 173.340.1907: ()) 168.749*. (F) 242.328 8.

$3@, 13:&K3/(K c1:M3)@AK 2D)*BI0*)*) V*B 2NQ M@,%*)B E0M:6 I43@K6 MB7NBN)(I)E@%6 E43BIQ, S3MK, (L1%3Q,I)] [3M0*%3) L1%3%*Q,b I'1:*% I)] FK,*F@E) I)] R&B MBC *C, [3B.C 1)3)(*'(%K, Bw6 I)]*G6)H*G6NBN)(I)E@)6 1:T R&B (1',B), g%1%3,:;(),*]610 bI)]12."*+,I)*)M3)D/:4[I:E:J.9()NJ:NB)D:3%*BIU6[3B./(%B6: 1) M@)MB7*]6NBN)(I)E@%61:T13:Y3&:,*)B [1CNB)D:3%*BIU619MY6: =%K3M)-I'I9, X4*/396, M1)3:J*)6, Thomas G. KaufmanI)]Af3)!%1)1)-N'I:4. Oe NBN)(I)E@%6 )H*U6 [,Y3&:,*)B: f*% E@M:: f*% 1:ET (*

+,*-./,'&+0-*

([3. 210). 2) M@) N%J*%39 MB7 *C, [3B.C NBN)(I)-EBQ,(UI).Y,)[1C*7Pg9&30,B)1:TI)*YM3)?): `*(BS&:4%:1874: [3B.C6NBN)(I)EBQ,: 53(1%,/,*)*3%\6).1875: : 62({g/,*)NJ:).1876, )~ {g'9,:d1877: [3B.C6 NBN)(I)EBQ,: 64

({g/,*)*Y((%3B6)

8 BE. 2MI4IE:1)@N%B) S*$9&'(-")&'V(-M$&16*5512), SIN. 1981, *0. 3:6, (. 389,

$@,)I)61. OO[(*%3@(I:B(*+(*/E9()) *7S*91896 I)]1907, (9)@,%BV*BW[3B.C61%3BE)F',%B I)] *+, K)EEB.Y) 1:T *7 13:9M:J%,) &30,B) c1)M0*), (*C %c3J*%3:(4MI30*9)-.9,Q,-$%B3)BQ6-K)EEB.Y)6.


78/266

(!E)XA"AMETHN-4-A#HNA."TO$!1890, F~ %g'9,:d1891: [3B.C6 NBN)(I)EB1,: 99

(2,%,/,*) 2,,Y)). -,)E4*BI0*%3): 39 NBN)(I)E@%6 *C F~ {g'9,:1890I)] 60*C1891.

1900: [3B.C6NBN)(I)EBQ,: 62 ({g/,*)NJ:):

"J,:E: NBN)(I)EBQ, (g),)*:,@AK: R&B 1)3)(*'(%K,* G6) H*G6NBN)(I)E@)6) I)*7*76 0,:,)H*7&30,B): 290! l9E)N/, U*]6^6*53)M,5(%B6)62*/(B:6Y(:6V3:655-60NBN)(I)EBQ,. K)](J,:E:,Y&3B (*BMG6 I)*)M%M3)Y,K, NBN)(I)EBQ,, 210+290 =500.M'EB(*), !'2(*-./,'&! i3K*Q. I43@%6I)]IJ3B:B, I)]N@,K0,:6*+,[1',*9(9: 1:; (4,YF)B,), VE))H*'; (*+, 13K*%J:4() {,C6I3)*BN@:4U1E9.4(C 1:T (@M:43) NU, g%1%3,:;(%* 73.000.000, B7 10E9 U1E9.4(C 1:T %*)gT 1874 I)] 1900, 0EB6 )Hg/.9I% [1C *:T6

80.000 (*:T6100.000 1%3@1:4. K)]g),)3K*Q: (*+,V1:B)(9%3B,+,8EE'N), * Q, 11.000.000, U 13K*%J:4() 5.000.000 I)](413K*%J:4() 2.000.000, U NJ: MYM)3) M:4(BIG6 (-.9,Q, I)]#%(()E:,@I96), NJ:0,B:46 1)3)MKM:T6 R1%3)6, *+,i.,BI+v43BI+"I9,+ I)@, ^6 130(D)*), * +, n1%3) #%(()E:,@I96, * C j%(*BF'E-.9,Q,, * 7 l9/*3B) #%(()E:,@I96, *:HE'&B(*:, B7 N%I'N) [gB0E:MK,(4DK,BIQ,L3&9(*3Q,I)]:*KI). {g96, 10(%6NBN)(I)-E@%6E43BIQ,S3MK,S&:4%*C&30,:; +'-*!02('; ,:@AKV*BW[3B.C61:T 13:*%@,K %_,)B c1%3F:EBI06. -1C *C 1945 (I)] R&B [1C *C 1949,V1K61B(*%J%*)B) ('3K(%*71',*)*C*(:4,'B *:;1:4A:4IB:;I)]*G6 NB1E:1%,,Bw6, 1%3BY3MK6 WE:Y,) I)] 1BC %H*%EBA0%,) (*C,[I'.%I*:I)]*71',*)(41)3)(J3:,*)I4)*B(0*:46.

* * *

KAIPO" OM


79/266

(!E)XA"AMETHN-5-A#HNA."TO$!(U [MIJE9 I)] *+, {EE9,BI+ %*'D3)(9 b %*)M3)D/ *96. iNQ, MB7E0M:46%HI:E@)6I)@(4,*:@)6, &39(B:1:BQ*+,{EE9,BI+%*'D3)(9:

1) P:((@,B, TA:)II@,:[1792-1868]:

W 2'9&4)( 67( #,T?..3(, 1%*(:I:Y,:6, ^6 M,K(*0,, (*]6 4q:4E@:4I)]WE0IE93:6(*]69 AHM:J(*:41837, 1:TwEE:,13Y1%B,7 .%K3%\*)B ^6 a%3:9,@) 21@(996 13%BY3)6 *:; E43BI:;.%'*3:4 (*+, {EE9,BI+ 13K*%J:4(). i1),)E)F',%*)B 10 j%F3.1840, 1846-47, [1C*C.@)(:Gardelli, 1850-51, 1851-52, 1853-54.A#6)M6'$'%6): 1852, 1857-58A#,?&)1(: 1856-57 3

2) P@*(B, v:4p*AB[1805-1859]:

AX&>)5=67(!,5,%3(1839.K1*&)56YPQB,5$,&-2, 23 q),. 1840, (U8 1)3)(*'(%B6.M1K$,&1$46,1)6'J#2)&)'%(, 1842-43.Chi dura, vince[y1:B:6),*Y&%B, ,BIw]. 1843, 1850-51.KQ5&)5667(/.6)'%&), j.B,01K3:1855.WK&1:$?5'(2)YZ2'9$*&), 1855-56, 9

3) N*:,B*AY**B, =I)%*',:[1797-1848]:"'96:?) 56Y "),&'%&, 2D%gG6: "'96:?)], 6 q),. 1840, 551)3)(*'(%B69, 1846-47, 1856-57, [3&Y6- *YE9-13. 1864.B,.1::*&1'(: 1840, 6

1)3)(*'(%B6, 1841, 1851-52 ,

&%B

5,)6

1853.TB4)56YB,&B%, 1841, 1841-42, 1842-43, 1852--52W6&,..F(:6F53:Y#K5N6'?5-2', 1841.P'$4&6' 56 8T,&4, 1842,b*+.%)*3BI+1%3@:N:1842-43.[55)M$Q.,\5, 1843"'92&36?)B'&-?), 1843-44, 7 I),. 1853, 1855-56, 1859-60,M)&?5'(]).14&', 18538.1^E&1'6'J_&C6), 1852-53, 11 oI*. 1862. lB)I019I%(*+

F~13'g9E0Mz*:;2I.3:,B(:;*:;n.K,:6.Il campanello di notte

N9E. TCI)1),'IB =%K3M., 1857-58.A2Q&36'J:956*-)6'(, 1859-60. 20

4) M1%EE@,B, BB,*(Y,*A:[1801-1835]:NQ&), 13 j%F3. 1840, 30 1)3)(*'(%B6, 1841, 1842, 8 "%1*.1846,1851-52, 1859-60,B,)6&?2356YT456), j%F3. 1840, 1841 s(K6I)]1842,

9

=%K3M)I'I9, 1998, V.1. (. 147: P1:,*)B(U[3B.C1)3)(*'(%K,aNQ&)(30), I)]aU$5'T*610)(20) *:;M1%EE@,B, aK1*&)56YPQB,5$,&-2*:;P@*(B (8) I)]aN?5)*:;K011:E)(7 b8).


80/266

(!E)XA"AMETHN-6-A#HNA."TO$!AU$5'T*610), s(K61840, },:Bg91841 (20 1)3)(*'(%B6), -A13.1843.OPK)$'9.46'12)Y'PM'564-2'1, l%I1841.W$,1&)6E(, j%F3. (;) 1843.

OPS'9&16)5'?, 6/18 q),. 1851. 265) K011:E), $BY*3: (-,*0,B:) [1793-1877)]: T&,..= `$F _&C6) aN?5). K)E:I)@3B1840, 7 b8 1)3)(*'(%B6. 27

NQNB)I01*K*+3:+ (4,.%*Q,I)] 1)3)(*'(%K,, MB7,7 21B(9',KONB)@*%3)*+,13:(:&/(U`S,)*41KY,:EB13Y**:1:T[,)I'E4?)(*+=%,,'N%B: BBFEB:./I9. " U MEQ(() O*)EBI+ I)] %c34*'*9 1%3@E9?9{EE9,BI/, [D:3w *+ N@13)I*9, R1%3)Il giuramento di Germanos [rR3I:6 *:; =%3),:;], *:; TA%,,'3: j)13BIYAB, (U I%@%,: q)I5F:4

K)13@E9bGiacomo Capriles

. r j)13BIYAB, :4(BI:NBN'(I)E:6 I)] :4(BIC6 1:T }I)(% (*+, *0*% -./,) B7 (4,)1*+, 20%*@),%*)gT1842 I)]1862, S&%BONB)@*%39(9)(@)MB7*C,KAKkIC,)OQ,)*G6i.,BIG6)6"&:EG6, 1:T[3&@A%B*C1837 U*+&)Y,9 I),*'*)*:; 13:53K6 2IN9/(),*:6 K%3I43)@:4 -,*5@:4 vBF%3'E9 (1814-$3K*:&3:,B7 1842) TF X&>)5F 6'J #'9.?'9 10, * +, 21@(96 &)Y,9I),*'*) *:; [N%ED:; *:4 qK(/D (1820-1896) A b$1:6&'>= 6'JK)5*&3 (1840: (5A%*)B 0,:,* C O*)EBICEB13Y*: ((*+, -,)M,K-(*BI+, 8*)B3%@) K%3IJ3)6) I)] *C 13Q*: (KA0%,: S3M: i.,BIG6"&:EG6, Le rveil du klepht [TC gJ1,9) *:;KEYD*9], 1:T I)] 1'EB [,%I'E4?%,Wc1:D)B,0%,:6*C1994 (*+FBFEB:./I9*:;N%@:4LuigiCherubini, (*+ jEK3%,*@). > R1%3) *:; j)13BIYAB 13Y1%B ,71)@&.9I%d:e1B.),0*9*%6%_,)Bs(K61',K[1C90%dNB)D:3%*BI7.7*41K,0*),* CEB13Y*:; rj)13BIYAB, [,)DY3%*)BI)] (*+, %O()MKM+*:; FBFE@:4 :4 MB7 *C, $);E: K)33Y3 I)] c1:,9)*@A%*)B21)3IY(*)*) (*C FBFE@: :4 MB7 *C ")'3). $3:&K3:;% E:B10,.28

7) BY3,*B, TA:4AY11%[1813-1901]:

10 =B7 *C &)Y,: )H*0, [3&)B0*%3: M,K(*C S3M: i.,BIG6 "&:EG6, FE. K)3N'96,K5(*)6: M1K c-5C:63 5,2&'.'-?) 6'J N12Q.)'9 X).121Q$'9.'9 M*56B)&'9-1K 6F5

Antonio Liberali, 1%3B:N. M'9:12F("Q-'(, *%;&. [3. 7 (K)E:I)\3B2006), ((. 95-136.$)3).Y*:4%* +, {EE9,BI+ %*'D3)(9, [1C *+ (. 100 (*C O*)EBIC 13K*0*41: *:;M',*A)3:4 (*+ (. 97): #6= :954M,1):954D,:,01*>'&,( 2)56*6,( `$F 6Y( d$'e,(G01)?6,&3( 5,?)( M&EB,1 b2,?53 $'V _-&)f,6 F 1837 -1K 6=5 29&?) Galzerani, TCo3D),C *:; ":4E@:4, g 6=5 `56?:6'1M35, G:)-C-E, Z d$'?) $&'2*.,:, :6F 2'15F 6F

BC3&Q6,&'6 N5 M,1&'2&'63*6C5 2)Y :6=5 d$'?) `2615'T'.'J:)5 M)&)263&1:612K 6K:$4&)6) 1h( $&C6Q69$3( 8D5127( M,.i0?)( g ,-).'$&,$7 j&'5?) 2)Yb5'&ME:6&C:3.


81/266

(!E)XA"AMETHN-7-A#HNA."TO$!8&5*53(, 13C *G6 18 j%F3. 1851: Y&3B (*BMG6a [3&)B0*%39

I)*)M%M3)Y,9 NBN)(I)E@) S3M:4BY3,*B (*+, -./,), 1859-60

OP0%']Q:2)&1, 1850-51 .

N)$'J2', 13C*G625 N:%.1851, 1853, 1858-59,I masnadieri[OeE9(*Y6] 1852, 1 b2 l%I. 1859,+k66?.)(, 1852-53, 1853-54.P1-'.466'(, 1853 Y&3B (*BMG6 a [3&)B0*%39 I)*)M%M3)Y,9

NBN)(I)E@) *:4(*+,-./,), 26 -13.1864T&'T)6Q&,, 1854, Y&3B (*BMG6 a [3&)B0*%39 I)*)M%M3)Y,9

NBN)(I)E@) *:4 (*+, -./,), 13C*G620 q),. 1857, 1857-58, 1858 59, [3&Y6-*YE9-13. 1864.

M)2$4D, 1855-56, 1856 (;) U 23K*9)*BI0, %*7 *]6 9 oI*.1869.

T&)T1*6), Y() (;) 1859, Y&3B (*BMG6 a [3&)B0*%39I)*)M%M3)Y,9 NBN)(I)E@) *:; S3M:4 (*+, ./,), 41)3)(*'(%B6, N:%. 1862

l&Q.0'(, 6 oI*. 1862. 388) $)*(@,B, TA:F',,B[1796-1867]: #)$>H, j%F3. (;) 1851.

M$'9'56,.Q56,, 2/14 oI*. 1857, 13:D),Q6l%I. 1859.9) M%3I),*',*%, ")FY3B:[1795-1870]:O I&2'(, 1851-52,

ME0,1)(1:3%\VK6,7%_,)BI)]*:;$)*(@,B) 26 -13.186410) P)k0,*B, $BY*3:[1786-1753]: AT,56*.1), 1856. 43

EE9 @) BI3+ 1)3Y,.%(9: )H*U6 V*),: e 13:(E)F',:4(%6 :4(BIU61)3)(*'(%B6* Q, -.9,)@K,, V*), (*]6 26 -13BE@:4 1858, W $);E:6K)33Y3, (*7 [,'I*:3), S1)Bg% MB7 *C, n.K,) I)] *+, -)E@), 7-8[1:(1'()*) [1C *+, R1%3' *:4 Mh&2'( M$Q6:)&3(. KE%@,%B a1)3Y,.%(9.

11) TA(B)0A), NBI0E),*Y, 1819-1885]:Don Checco [2g%EE.: l C,K)\II:6] =%K3M)I'I9, 1858-59], 18 l%I. 1862

12) -1:EE0,B, TA:4AY11%[1822-1889]: WmT&)e'(, l%I. 1862.13) $%*3YEE), 33@I:[1813-1877]:Jone [q0,9], 3/15 N:%. 1868.46

M%M'E9 [,'(): F3B(I0)(*% (*7 1869, MY() (U 32 &30,B), (*+BI3:JE)-./,), [I09U1E9.4(CBI30*%3:*Q,80.000I)*:@IK,,1',*)U*]6^6*53)M,5(%B6)6, S&:4%D.'(%B*]691NBN)(I)E@%6,(4,:EBI743S3MK,, 13(4,.%*Q,. M%*)gT)H*Q,: 3*:;P:((@,B, 6*:;v:4p*AB P@*(B, 11, : f*% E@M:: f*% 1:EJ, *: ; N*:,B*AY**B, 6 *:;M1%EE@,B (10 130E)F%,7M3'?%B VE%6IB VE%6) I)]10*:;BY3,*B 1:T

[1%\&%[I091:ET[1C*:;,71%\*+,*%E%4*)@)*:4EYg9.


82/266

(!E)XA"AMETHN-8-A#HNA."TO$!, ^6 *53), : e 21%B3@%6* Q, -.9,)@K, [1C *CE43BIC .Y)*3:

X(),^6 P,) F).C [,)%,0%,) 1)3)1E/(B%6 U 2I%\,%6*Q,K%3I4-3)@K,(*C.Y)*3: San Giacomo, aN%I)%*@)1870, DY3,%B B7,2,*41K-(B)I0*)*9, [EE)M/. 6 *0*%a 2D),Y(*%39 NB)D:37 %*)gT .9,Q,

I)]K%3IJ3)6 X*),*CV*B(*+,-./,), 1',*)U*]6^6*53)M,5(%B6)6, NU,1)@A:,*),{EE9,BI7b{EE9,BIG6c1:.Y(%K6S3M), U1B.),+,2g)@3%(9D4(BI7*C,R&2'6'J!,&)5'J, *:;j)13BIYAB. ,*@.%*)(*I%3I43)kIC San Giacomo, [3&G6M%,:Y,96U*C:,013)I*:N6F5K&,$'%:2'.'*:;M',*A)3:4, *C1815, [EE7I)](*7}EE)81*',9(),ZN9 [1C *+ N%I)%*@) 1840 )3*43:;,*)B R1%3%6 (I'1:*% [1:(1'-()*' *:46) * Q, j3)MI@(I:4 l:%,%M@,9 (1809-1874), "143@NK,:6!J,N) (1810-1896) 11, l:Y,BI:4 $)N:Fwb $)N:F',9 (1817-1892),qK(/D vBF%3'E9 (1820-1899), iN:4'3N:4 v)1%EY*, (1820;-1903),

I)] $)JE:4 K)33Y3 (1829-1896)

12

: &K3]6,7 [,)DY3:4% I),*'*%6,11 6 *C 2001dFE. 2,N%BI*BI7 The New Grove Dictionary of Music and

Musicians, ed. by Stanley Sadie, SIN. II (v:,N@,:, 2001),*0. 27, ((. 629-630,EG) XYNDAS, ((4,*'I*96: G. Leotsakos)d .%K3:;() ^6 S*:6 M%,,/(%K6*: ;!J,N)*C1812 b1814. j.B,01K3:*:;2001 (*+,-,)M,K(*BI+8*)B3%@)K%3IJ3)6,[,)I'E4?)*41KY,:FBFE@:U*@*E:82.'-12F(2)6*.'-'(6'J%.)2,((R1%3), 4 13'g%B6,O

*)EBIC I%@%,: [M,5(*:4, I)*7 *C 4.B(*039) *:; -E%g',N3:4 l:4w 1)*306.$)MI0(B) 135*9, KY3I43), .Y)*3: San Giacomo, -10I3%K 1855. Il conteGiuliano (`o I096 TA:4EB',: R1%3), 3 13'g%B6, O*)E. I%@. =%3'(B:4M)3I:3w).K)*7 *CEB13Y*:: KY3I43), .Y)*3: San Giacomo, 1856. &bL3D),/dR1%3) }M,K(*): EB13%*@(*)6,[3. 13'g%K,, &3:,:E:M@) (4,.Y(%K6, *01:6 I)] &3:,:E:M@) (I9,BIG6 b (4,)4EB)IG6


83/266

(!E)XA"AMETHN-9-A#HNA."TO$!V1K6* C s&>)5F 6'J #'9.?'9(1837) *:; -,*K,@:4 vBF%3'E9 (1814-1842), 1:T [,)DY3)%ZN9, bA b$1:6&'>=6'JK)5*&3 (1840;) 1:T*C O*)EBICEB13Y*:*96(5A%*)B(*+,-,)M,K(*BI+,8*)B3%@)K%3IJ-3)6. -1C*+N%I)%*@)1870 VK6, a-./,)M,K3@A%B*CM)EEBICE43B-

IC I)] :4(BIC .Y)*3: (U VE%6 *:4* ]6 :3DY6: R1%3), L1%37 IK@I,L1%3Y*)I)]FK,*F@EE, 13wM)1:J, 1',*)U*]6^6*53)M,5(%B6)6NU,D)@,%*)B,7SMB,%(*+,KY3I43)daW1:@)2E'&B(*)2g:BI%B5.9I%U*C M)EEBIC I)] [I09EBM0*%3: (V1K6 }EEK(*% I)]a -./,)) U *CM%3),BICE43BIC.Y)*3:.

`*(B, *935,*)6*+(%B37*Q,(4,.%*Q,, 1',*)I)* [3&)B0*9*)&3:,:E:M@)6 M%,,/(%K6, [1)3B.:;%, * 7 S3M) *:; I). {,C6 1:J,(JDK,)U*]6^6*53)I)*)M3)DY6)61)3:4(B'(*9I),(*+,-./,)*:;19:4)O. 1%*)B, W[3B.C6*Q,%OI)A:Y,K,lIlA"KAvI


84/266

(!E)XA"AMETHN-10-A#HNA."TO$!Le domino noir [TC);3:,*0B,:]: 1.La muette de Portici [> F:4F+ *:; $03*B*(B, 2g%EE. >FKF+*Q,$:3*@IK,!], ()DQ6*:HE'&B(*:,2.

P)k0,*B, $BY*3:(1786-1853):

Il ventaglio[>F%,*'EB)]: 1.MYM%31%%3, TA'I::(1791-1864):Dinorah[N*B,03)]: 1.Les Huguenots[ OeOcM%,0*:B]: 2.L Africaine[>-D3BI',).]: 3.

30E,*, j%3,*B,',(1791-1833):Zampa[(r1%B3)*+6) Z'1)]: 1.Le pr aux clercs[2g%EE. TCEBF)N'IB*G6*BG6!]: 1.

P:((@,B, TA:)II@,:(1792-1868):

Il barbiere di Siviglia[rI:43Y)6*G6"%F@EE96]: 19 !La Cenerentola[>"*)&*:1:J*)] 2.Semiramide["%@3)B6], 1.Guglielmo Tello[=:4EBYE:6TYEE:6]: 2.

Mos[MK(G6]: 1.K011:E), $BY*3:(",*0,B:) (1793-1877):

La pazza per amore b Nina [> *3%EE+ [1C S3K*) ZN@,)]: 1.

M%3I),*',*%, ")FY3B:(1795-1870):Il giuramento[rR3I:6], 1.

$)*(@,B, TA:F',,B(1796-1867):Saffo[")1D5]: 2.Buondelmonte [M1:4:,*%E0,*%]: 2.Medea[M/N%B)] b*:;M%3I),*',*%; 1.

N*:,B*AY**B, =I)%*',:(1797-1848):Lucia di Lammermoor[v:4*(@)]:16.Belissario [B%EB(('3B:6]: 4Gemma di Vergy [TAY),*]B%3AJ]: 4.

Roberto d Evereux[P01%3*,* iF%3Y]: 1.Anna Bolena[,,)M10E%,]: 1Lucrezia Borgia[v:4I39*@)B:3M@)]: 6!Marino Faliero[M)3@,:6j)EBY3:]: 2.Elisir d amore [iEBg/3B:*:; S3K*)]: 2, a@) aB*%E/6,

E0Mz2I.3:,B(:;*:;n.K,:6La fille du rgiment [>I039*:;(4,*'M)*:6]: 5; 6;.Linda di Chamounix [Yg%EE. v@,N)]: 4Maria di Rohan[M)3@),*]P:',]: 2.La favorite[2g%EE. >%H,::4Y,9]:10; .Poliuto [$:EJ%4I*:6, [1:NBN0%,:6 {EE9,B(*@ $:EB:;-

*:6!]: 1Betly[M1%*EJ]: 2.


85/266

(!E)XA"AMETHN-11-A#HNA."TO$!Don Pasquale[N*C,$)(I:4'E%]: 1.Il campanello di notte[TC(,4&*%3B,0) I)1),'IB]:1.

E%FJ, Z'Ij3:),*'E(1799-1862):Les mousquetaires de la reine[Oe(K)*:DJE)I%6*G6

B)(BE@((96]: 6.La Juive[>8F3)@) 2g%EE. >q:4N)@)]: 3.L clair [>[(*3)1/]:1.

M1%EE@,B, BB,*(Y,*A:(1801-1835):Norma[N03)]: 8.Beatrice di Tenda[B%)*3@I9,*BTY,*)]: 2.La sonnambula [>c1,:F'*BN)]: 7.I Capuleti e i Montecchi [OeK)1:4EY*:BI)]:e

M:,*YMI:B]:1.

Il pirata[r1%B3)*/6]: 1.I Puritani[Oe $:43B*),:@]: 3.-,*', -,*0ED(1803-1856) :

Le sourd ou l auberge pleine: [r I:4DC6b *C M%'*: 1),N:&%\:]: 3.

Le brasseur de Preston: [rA4.:15E96*:;$3%(*0,]: 2.Le postillon de Lonjumeau:[r*)&4N30:6*:;v:,A4-

5]: 2.Le chalet:[2g%EE. >I)EJF9]: 3.Si j tais roi: [

x,Z

:4,

F)(BE9'6

]: 4.P@*(B, v:4p*AB(1805-1859):

Un aventura di Scaramuccia [M B7 1%3B1Y*%B) *:;"I)3):J6]: 1.

L orfanella di Ginevra[>L3D),+*G6=%,%J96]: 1.Chiara di Rosenberg[KE'3)*:;P0A%,1%3MI]: 1.Chi dura, vince[y1:B:6[,*Y&%B, ,BIw]: 2.Corrado d Altamura[K0,3),**G6AE*):

eptanisiaki opera.praktika synedriou

Documents