euphorbia
DESCRIPTION
"Euphorbia" is a piece for flute, clarinet, percussion, zither/piano, violin, cello & electronics. The duration of the piece is 10 minutes. The piece was written in 2010 and premiered the same year by the ensemble Contemporànea.TRANSCRIPT
Y l v a L u n d B e r g n e r
e u p h o r b i a
Euphorbia Palustris
F L U T E C L A R I N E T P E R C U S S I O N Z I T H E R / P I A N O / E L E C T R I C G U I T A R V I O L I N C E L L O
&
L I V E - E L E C T R O N I C S
D U R A T I O N : 9’-11’
– 2 0 1 0 –
I N S T R U M E N T S
Flute (alt. Piccolo & Alto)
Clarinet (alt. Bass Clarinet in Bb)
Percussion:
Tamtam Lamp [heavy office lamp, metal w powerful sound on the shade & spring steels]
Crotales [ eb3, e
b4, f#4, g4 ] Bass Drum [w pedal]
Vibraphone [w pedal & engine] Suspended Cymbal [high pitched noise]
This part can be played on a chord zither [Alt 1], Grand Piano [Alt 2] or Electric Guitar [Alt 3].
Alt 1:
Zither (Swedish chord zither) Tuning of the zither:
1: f3 f3 f3 f2 f2 f1 f1 f1 f [9 tones]
2: d4 d3 d3 d3 d2 d2 d2 d1 d1 d [10 tones]
3: c4 c4 c3 c3 ab2 a
b1 a
b1 a
b1 d [9 tones]
4: f#3 c3 c2 c2 c2 e2 e1 e1 e [9 tones]
5: a3 eb3 e
b3 e
b2 ey2 f1 f1 f1 c1 [9 tones]
6: g3 f3 d#3 c3 ab2 g2 e
b1 d1 c [9 tones]
6 [alt]: g3 f3 d#3 c3 c2 ab1 g1 e
b1 d
7: f#3 f2 e2 c#2 c2 h1 a#1 h f [9 tones]
Alt 2:
Grand Piano [only played inside]
Alt 3:
Electric Guitar [played in lap steel style] Tuning [c1 is middle c]: e
b1 c1 f e A & C
Result w capotasto: eb2 c2 f1 e1 a & c
Violin
Cello
Live-electronics (Max/MSP)
E Q U I P M E N T
- Percussion player uses bows, mallets and sticks
- Zither/Piano/Electric Guitar player uses bike rubber [inner tube of bike tire], stick & e-bows
- Violin and Cello player use metal mute
- 2 Microphones for all musicians
Electronics: -
Computer with Max/MSP
- Mixer & 2-4 speakers
(2 for normal stereo, 4 for cross-stereo & more volume in the front than in the back)
E L E C T R O N I C S
The electronics in Euphorbia is made in Max/MSP. It can also be done with external effects
(EQ, Reverb, Feedback/Distorsion and Harmonizer) controlled by a mixer, or similar. All the
electronic is improvised and live. It is reacting on the instruments. In the patch there is a
possibility to either play a soundfile or a live sound through the effects and record what you
are playing in 3 different ways:
- Mix of the soundfile or live sound & the electronics (effects) in stereo
- All electronics (effects) separated into 4 channels (Reverb, Feedback, EQ & Harmonizer)
- Soundfile / Live sound & electronics in 4 channels (1-2: Sound source & 3-4: Electronics)
You can either choose to control everything
from the computer or use a midi controller.
.
F O R M A T I O N O N S T A G E
E X P L A N A T I O N S
General information. Grades of the accidentals.
W I N D I N S T R U M E N T
Air without accent. Breath tone with accent.
Whistle tones.Specified tones.
Whistle tones.Unspecified. Play on spectra.
Half air / half tone
Flute played like a trumpet in mouth piece.
Flutter tongue. Special technique.
Jet whistle. Sharp. Special technique.
Slap tongue. Special technique.
Bisbigliando. Special technique.
Keyclicks. No tone. Only clicks.
Vibrato. Follow the intensity curve.
P E R C U S S I O N
If no tool is indicated, just grip the steel springs of the lamp
and let go. With mallet, just hit.
Damp
Glissando with the hand, preferable the nailside, on the
vibraphone while damping with the other hand.
Touch the lampshade [sounds like sandpaper]. Hit the
lampshade with a knuckle.
Bow on the edge of the lampshade. A vague,
warm and dark sound.
Turning motion while striking the tamtam or
cymbal gently.
Turn the light-bulb in the lamp. A schrieking sound.
Play with a stick between the two steel parts that holds the
lampshade.
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89
Fl.
Cl. in Bb
Vln.
Vc.
EA
Perc.
norm. on thebridge
let go
norm. on thebridge
let go
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31
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Perc.
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over thefingerboard
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Cl. in Bb
Vln.
Vc.
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Perc.
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120
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slap
tongue
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83
89
Fl.
Cl. in Bb
Vln.
Vc.
EA
Perc.
norm. on thebridge
let go
norm. on thebridge
let go
rit.
|
31
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e = 84
stop stop
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Cymbal(bow)
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Start E-bow 1
Bass Drum
Spring steels
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P
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e = 100-104
Crotales(bow)
D
p
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F
pfo
p
S
35
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A.
5
S T R I N G S
Damp the strings
Play behind the bridge. The string is defined by a
notated open string.
Play on the strings at the nut peg. Each tone is
definedby a notated open string.
Play on a string at the nutpeg. While doing that, do a
left hand pizz on the same string but behind the bridge.
Play a high harmonic that has a clear, screaming and
piercing sound, that is similar to the sound played
with a bike rubber on a string in the
zither/piano/guitar part.
Stop the bow very sudden. Also called stifle.
Legno battuto. Let the wood part of the bow ’jump’
on the string.
Tempo of the bow and at the same time the pressure.
Tempo and motion of the bow, while it moves
towards the bridge. Damp the strings but release the
damping pressure during this gesture. Hard pressure
on the string but have a diminuendo at the same time.
This is possible because the tempo is slowing down
at the same time. The sound will start being grouchy
and end up being more like ’small peas’.
Play a hard pressure on the fourth string and touch at
the same time the instrument body, creating a noise.
Play on the tailpiece. Do a gliss away from the
instrument body.
A natural harmonic. The ’black’ note is the sounding
tone.
Play arpeggio on natural harmonics.
Let the wood part on the bow ’jump’ on the strings
with the rhythm above when you do a glissando.
The bow starts in a normal position. Then you move it
high up on the fingerboard while playing an open G-
string. When the high position on the fingerboard is
reached, let the bow also touch the d-string. Place a
finger on the d-string below the bow. Now the bow is
on the ”wrong” side of the hand. Slide back from, and
towards, the bridge and play the harmonic spectra. The
line above, shows the motion of the hand on the string.
Play the dynamics like it were played backwards.
Vibrato. Follow the curves, describing the intensity.
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86
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163
..
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..
..
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..
..
..
..
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83
89
Fl.
Cl. in Bb
Vln.
Vc.
EA
Perc.
norm. on thebridge
let go
norm. on thebridge
let go
rit.
|
31
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e = 84
stop stop
F Sff F Sqn
Suspended
Cymbal(bow)
p
RubatoC
F
f ƒ
32
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ffÍ
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33
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Start E-bow 1
Bass Drum
Spring steels
f
ƒ
ƒ
P
P
34
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Œ . ‰jœ Jœn>
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..œœ œœ
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Start E-bow 2
e = 100-104
Crotales(bow)
D
p
o
F
pfo
p
S
35
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p
p
36
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83
89
Fl.
Cl. in Bb
Vln.
Vc.
EA
Perc.
norm. on thebridge
let go
norm. on thebridge
let go
rit.
|
31
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e = 84
stop stop
F Sff F Sqn
Suspended
Cymbal(bow)
p
RubatoC
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f ƒ
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Bass Drum
Spring steels
f
ƒ
ƒ
P
P
34
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..œœ œœ
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Start E-bow 2
e = 100-104
Crotales(bow)
D
p
o
F
pfo
p
S
35
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p
p
36
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fP
P S
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44
Fl.
Cl. in Bb
Vln.
Vc.
EA
Perc.
norm.speed
highspeed
|
67
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Arp.
Stop E-bow
Stop E-bow
Suspended
Cymbal(bows)
Light-bulb(turn)
A. pr.
N.
Muta in Flauto
bend
p F
P qn
p
f
qn
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F
p
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Vibraphone(bows)
Bisb.
M
On the tail piece
P
f
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qn
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Picc.
12
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42
43
86
Fl.
Cl. in Bb
Vln.
Vc.
EA
Perc.
norm. over the fingerboard
(high up)
//////////////////////////////////////////////////////////////
108
!
œ œ .œ
!
" .œ œ .œ!
!
···· ·>
"·>"·>
3:2
¿ ¿ .¿
Vibraphone(bows)
Vibr.
!
"qn
(")
"qn
109
Œ Œ ‰ .œ
.œ œ ˙
!
œ ..œœm ..œœjœ
!
!
‰·-Œ Œ .
3:2
.¿ " Œ " .œ˜
mezzo legno tratto
U
o
qn
!
p!qnpo
110
.œ .œ
.œ .œ
!
jœ
Œ ‰ œm
!
!
!
.œjœ œœ˜
Crotales(bow)
!
p
o
111
œ‰ Œ J
‚
œ‰ Œ .
!
.œ .œ
!
!
!
œœ .œ œ .œ œ œœ( )Audible G.D-string only harmonics.
Whistle Tones
p
o
o
112
.‚ ‚ .‚ ‚‚
Π. Πjϵ
!
.œ .œ " ‰
Π. ΠJ^
!
!
œœ( ) œœ( ) œœ( ) œœ( ) œœ( ) œœ( ) œœ œœ( )
P qn p
o
qn
113
‚ ‚ ‚ ‚‚‚ ‚m ‚m ‚mJ‚5:4
œjœ #
,jϵ >
jœm
!
!
^J^
Π.
!
Π. Πjϵ
III
œœ( ) " Œ Œ .
qn
bend
pos. norm.
P qn
P F
F
qn
B.
A.
19
†
&
ã
&
&
&
&
?
##
82
43
Fl.
Cl. in Bb
Vln.
Vc.
EA
Perc.
|
|
accel.
|
|
|
|
78
œ œ œ œ ‰
œ œ œ œ ‰Œ
!©[
œ œ œ
©œ œ œ œ
©œ œ œ œ œ
©œ
]
!
"
"
"
œœ œœ ..œœ ..œœ ! Œ
œœ..œœ œœ œœ ‰ . ! .œB
!III
Take awaytube/mute
p
p
P
F
P
Spring steels
79
! .œ œJœ œb
œb œb3:2
Ó ‰ ! œ œ
! ÷ ÷ ÷
~~>!
"
"
"
! .·I ··II
J
··III ··œbb
IV
··œIII
··
II··
mI ··
II··
III
3:2
˙ œ
,jœ œn
! jœ ! œ.
stop stop
F Sff F S
Rubato
p p" f
Fqn
f qn
[Stick]Tamtam
80
Jœ œN œ .œ œn œ
3:2
œ œJœn œ
Jœœm3:2
3:2
÷ ÷
"
"
"
j· ··IV
··IV
j·œbb
..·œIV
·III
J
··
II
··
mI3:2 3:2
3:2
˙B# œœBB ˙˙ ..œœ !
3:2 3:2
ffÍ
mezzo legno tratto
$$
$ $
p
P
P
81.¬ ¬U®
œ œ œU®
.÷ ÷U®
"
"
"
..·œ ·œU®
..œœBBœœBB )( U®
legno battuto
P
$
p
F
82
˙ œ
Π!
©[
œ œ
©œ œ
œœœ
m
"
.˙
"
"
! . ·œNI ·œ ·œ ·œ
‰ . œB .œ œn œ ! œ.
P
arco norm.
Crotales(bow)
$
$
qn
o
o
$ p F p
83
œ.œ œ .œ œ
œœœ
©œœœ
œœœ
œœœ œ œ
©]
œ ! ‰. œ
Œ!
©[
œ œ œ
©œ œ œ
œ ‰ Œ Œ
"
"
·m ··II
..··III
··œbb
œB œn ®œ œ œn ®œœ œn ®œ
$
P
qn
$
p $
$ pF
84
.œ ! !©[
œ œ œ©
œ œ œ
œ ˙
œœ
©œœ œ œ œ œ œ
©œ
©œ
]
!
"
"
"
··œIV
·
œB œn ®œ œ œn ®œœ œn ®œ
qn
$
p
p
Picc.
14
etc...
Z I T H E R / G R A N D P I A N O / E L E C T R I C G U I T A R
There are different settings on the e-bow. Normal setting is
the one to the left. The setting to the right reveals the high
harmonics.
Damp the strings [ usually you have to play first and then
damp the string ]
Put a nail against the string, to create a ’buzzing’ sound.
Drag the bike rubber against a string on the instrument to create
a screaming, piercing but still clear tone. Unspecified tone. The
bike rubber is the inner tube from a bikes tire.
Drag bike rubber against strings on the instrument to create a
screaming, piercing but still clear tone. Specified tones.
Do a hard pizzicato where the string slaps back to the
fingerboard.
Drop a stick [ chopstick or pen ] on the string and let it jump
to create a tremolo.
&
&
ã
&
&
&
&
?
45Flute
Clarinet in Bb
Violin
Cello
Electronics
Zither/Piano/Electric Guitar
[lap steel style]
Percussion
‰ œIII
œ
© = 72-76
Vibraphone / Crotales
Tamtam
Suspended Cymbal
Lampshade (touch)
Spring steels
Rubber (glide on string) /
Mallet (play on strings)
Start E-bow
Lamp effect
(E-bow & Rubber)
[Vibraphone always with
controlled pedal]
(normal setting)
÷>‰Ó Ó
.˙ ˙
p
Tamtam(bow)
let the nail buzz against the string
!
.˙ ˙p
.˙ œ‰ Œ
.˙ ˙
Fo
(bow)Vibraphone
Ó .÷>‰Œ
&15
.˙ ˙
Crotales(bow)
P.˙b ˙
.˙ ˙
o
œ ‰˙ ˙&
.˙ ˙
Vibraphone(bow)
f o
Ylva Lund Bergner
!""#""$""%""&""'""("")""*Euphorbia Palustris
1
Alto
String on the electric guitar
ã
&
&
&Ztr/Pno/El. Gtr.
7
Ó Œ ‰÷>
Œ
œ ‰ Ó Ó
!
œ œ œ ˙
Stop E-bow
Suspended Cymbal
(bow)
F
P
Tamtam(bow)
8
÷>
‰ Œ Œ ‰÷>
Œ
!
˙ œ ˙
Tamtam(bow)
Start E-bow
f f
9
Œ ‰ ÷>
Ó Œ
Ó Œ ˙b&15
!
.˙ ˙
(bow)Crotales
a
P
o
p
Suspended Cymbal(bow)
10
!
.˙ œ ‰ Œ &
!
.˙ ˙
F
11
!
Œ ‰ œ œ œ œ ‰
!
.˙ ˙
(bow)Vibraphone
o P
12
!
Ó Œ ‰ œ œ
Ó‰
>Ó
œ ˙ ˙
Stop E-bow
ƒ
o
Glide with the rubber
along the string to
create a screaming
but still clear tone.
no specific tone
&
&
&Ztr/Pno/El. Gtr.
Perc.
!
.˙ ˙
!
.˙ ˙
Trem.
p[Engine]
Vibraphone(bow)
14
÷>
‰ Œ Ó Œ
Ó ‰ œb ˙&15
Œ ‰>
Œ Ó
˙ œ ˙
Crotales(bow)
Start E-bow
b
o
F
ƒ
Tamtam(bow)
Bike rubber
15
Œ ÷>
‰ Œ Ó
œ ‰ Œ œ ˙&
!
.˙ ˙
Vibraphone(bow)
(bow)
Suspended Cymbal
P
f
o
p
16
Ó . Œ ‰÷>
œ œ ‰ Œ Ó
Ó>
‰ ŒJœ>* ". " ". ". . ‰ Œ
3:2
œ œ ˙ ˙
(Scrape w. backsideof the mallet)
Tamtam
F
p
ƒ F
Mallet
Drop the stick on the string and let it jump to create a multiple attack.
17
Ó ‰÷>
Ó
#Rœ> r".Rœ> r".
Rœb> r
". Œ Œ Œ ‰Rœ> r
".
Rœ> r
". ‰
3:2
.˙ ˙
P
P
18
Ó ‰ ÷>
Ó
>‰
œ> ". ". ". ".
‰ Œ Œ Jœ> ". ". ". ".
‰ Œ
3:2
.˙ ˙
(Scrape w. backsideof the mallet)
cSuspended Cymbal
F
Mallet
fƒ
P
/Stick
2
Perc.
* The electric guitar plays one octave lower in bar 16-17
&
&
&
&
&
&
?
85 89Fl.
Cl. in Bb
Vln.
Vc.
Elctr.
Ztr/Pno/El. Gtr
Perc
rit.
! !
||
norm.speed
slowspeed
norm.speed
slowspeed
19
Œ Ó Ó
!
Ó œ ˙
"
œ> #. #. #. #.
" Ó Ó
.˙ ˙
!
!
Vibraphone(bow)
o
f
Bike rubber
20
!
!
œ ‰. " œb œ&
15
‰>
Π.
œ .œ
!
!
Crotales(bow)
p o
F
21
!
!
‰ ¿ ¿ "÷>
‰
œ " Œ Œ &
!
.œ œ
!
!
(bow)Tamtam
Bass Drum
F
ƒ f
Lampshade(touch)
Always play without vibratoif nothing elseis indicated.
(damp)
(hard pressure)
22
!
.˙b .œ
j
œ>Œ .œb
Jœ œ&
15
‰ .>‰ Œ . Œ .
.œ .œ .œ
Œ . Œ . ‰·œB
B
..˙fi
œœ‰
e = 62-67
A
Crotales(bow)
ƒo
ƒ
ß Po
Ï
Espressivo
Always play without vibratoif nothing elseis indicated. Beware the quartertones.
23
Œ . Œ Jœb .œ
.˙ .œb
Ó . ‰¿
Ó .J~ Œ
œJœ .œ œ ‰ Œ .
!
.œ .œ .œ
·œJ·œ ..·œ ·œ ‰
Œ . Œ . ‰ œœ
fi
Spring steels
Lampshade(touch)
ƒ
ƒ
of
o
ß
P
24.œ œ œ "Œ .
.œJœ ¬ .¬
.¿j¿ Œ Œ .
Œ . ŒJœb œ
Jœ
!
.œ .œ .œ
Œ . ..·œBB
·œJ·œ
..œœjœœ
ΠΠ.
f
f
F
ƒ
Air
3
A.
&
&
ã
&15
&
&
&
?
86Fl.
Cl. in Bb
Vln.
Vc.
Elctr.
Ztr/Pno/El. Gtr
Perc
rit. accel.
!
norm. on thebridge
(!)
let go
| | |
norm.speed
slowspeed
norm.speed
slowspeed
norm.speed
slowspeed
25
‰ œb .œ ¬Jœ
R¬ !
¬b .¬ .¬
Œj¿ ¿ ¿ ! ‰ Œ ! ¿
‰ ~ ‰ Œ . ŒJ~
Jœ Œ ‰ ! œb œ œ ‰
.œ .œ .œ
·œ ‰ ‰·œBB ·œ
J·œ
‰ œœ
fiœœ œœ
! ‰ Œ jœœ
fi
F
p
F
f F
P
ƒ P ƒ pSpring steels
Lampshade
Crotales(bow)
(touch)
Air
Air norm.
26
.œ ¬ ¬ œb œ œJ¬
.¬j¬ ¬b .¬
¿ ‰ ‰ ! ¿ ¿ ¿ ! ‰ ¿Œ . ‰ ! ~ ‰ Œ
J~
‰ œbJœ Œ Œ . &
.œ .œ .œ
·œBBJ·œ
J·œ ·œ
J·œ ·œ
œœ‰ ‰ ! œœ œœ œœ
! ‰ œœ
p P
P
P f
P p
f p
f ƒ
Air norm. Air
27
 ! ΠΠ. Π.
¬ !‰ ‰ ‰ ! œn œ œ œ œ œ
"
.œ .œ .œ
..·œBB..·œ ..·œ
Œ . Œ . ‰·œBB&
B
Stop E-bow
a tempo
Bisb.
Vibraphone(Soft mallets)
gliss
p
ƒ
Ø
o
norm.
Beware the quartertones.
28
"
œn©.[
œ œ œ œ œœ œ©.œ œ œ œ œ œœ
©œ
.œ œ œ œ œ œ
!©.[
œb œ œ œ œ©.œ œ œ œ œ œ
©œ
.œ]
œ œ œ œ !
.œ .œjœ Œ
J·œbb Œ Œ . Œ J
œB "
..·œ ..·œJ·œBB ·œ
qn
#
qn
ƒ
#
qn
Beware the quartertones.Important with intonation.This melody is also played by other instruments.
Strong character
29
"
œ œhœ œ œ œ
©œ
.œ œ œ
;]
!œn
"
"
˙ .œ jœ
,œn " j
œ ! œ.
· ..·œ ·œ
stop stop
F Sff F S
o
30
"
œ©.[œn œ œ œ œ œ œ
©.œ œ œ œ œ œ œ œ
©.]œ œ œ œ
‰!©[ œb œ œ©. œ œ œ œ œ œ œ©.]
!Œ
"
.œB $ .œ .œ
..·œJ·œ Œ Œ .
ffÍ
p
%
o
o
4
A.
&
&
ã
&
&
&
&
86
..
..
..
..
..
..
..
..
163
..
..
..
..
..
..
..
..
..
83 89Fl.
Cl. in Bb
Vln.
Vc.
Elctr.
Ztr/Pno/El. Gtr
Perc
norm. on thebridge
let go
norm. on thebridge
let go
rit.
|
norm.speed
slowspeed
norm.speed
slowspeed
! !
31
!
œN©[
œ œ œ©œ œ œ œ œ
©œ œ œ œ
Œ Œ ‰ ÷
" .^ ^ ‰ .ä,
‰
‰ . ^ ^ ^ "Œ
" œB " œ œ jœ
,Jœn " j
œ " œ.
!
e = 84
stop stop
F Sff F Sqn
Suspended Cymbal
(bow)
p
Rubato
C
F
F ƒ
f
cluster
Bike rubber
32
!
œ œ;] ® œn
÷ " "
!
!
.JœB #
! ?
ffÍ
$ o
Ï
Ad lib
Espressivo
Ad lib
Ad lib
Ad lib
Ad lib
Spring steels
33
.œb
œ œ " ‰
~>‰ ‰
œ>‰ ‰
œ>‰ ‰
‰ " œIII IV
œ
!
..œœ
fi
Start E-bow 1
f
ƒ
ƒ
P
P
Bass Drum
slap
ƒ
non rubato
norm.
34
Jœ ¬ ¬ ¬ ®
œbJœ .œ
Œ . ‰jœ Jœn>
‰ Œ .
Œ . Œ . " œb œ&15
Œ . ‰
>‰ Œ .
..œœ ..œœ ..œœ
!
..œœ œœ
œI
‰ Œ .
Start E-bow 2
e = 100-104
Crotales(bow)
D
p
o
F
pfo
p
FClear tone
Air
norm.
Behind bridge
35
œ "Œ Œ j
¬b ¬j¬
!
.œ .œJœ Œ &
!
..œœ ..œœ ..œœ
!
!
Ï
p
p
slap
f
Air
Bass Drum
pos. norm.
36
j¬
ΠΠ. Π.
.œbJœ ¬ ¬ ¬ ®
œb œ
j~>
ΠΠ. Π.
j
œ>Œ Œ . Œ . &
15
jœ>
Œ Œ . ‰
>‰
..œœ ..œœ ..œœ
!
..œœ
fi
..œœjœœ
œ
P %
f
f
P
P F
o
Clear tone
norm.
Air
5
A.
5
String and on the electric guitar
&
&
&15
&
&
&
?
Fl.
Cl. in Bb
Vln.
Vc.
Elctr.
Ztr/Pno/El. Gtr
Perc
norm. on thebridge
let go
norm. on thebridge
let go
norm. on thebridge
let go
norm. on the bridge
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~trem. ~~~~~~~~~~~~~~~~~~~~~~~~~trem.! !
||||
norm.speed
slowspeed
norm.speed
slowspeed
norm.speed
slowspeed norm.
speedslow
speed
" "
let go
37
!
.œ œ ¬ ¬ .¬
.œb .œJœ Œ &
!
..œœ ..œœ ..œœ
!
Jœ Œ Œ . Œ .
Crotales(bow)
F qn
po
Ï
Ïslap
Air
38
‰œb
jœ ¬ ¬
".œb
¬ ¬" ‰ Œ . Œ .
j~>
ΠΠ. Π.
j
œ>Œ Œ . ‰ œ
jœ>
ΠΠ. Π.
..œœjœœ œœ ..œœ
Œ . Œ . ‰ œ ‰
‰ œœ
fi
..œœjœœ
œ
Vibraphone(bow)
Stop E-bows
Ï
f p
oo
f ƒ
ƒ
Ï
Play a high harmonic that has a clear, screaming and piercing sound, that is similar to the sound played with a bike rubber on a string in the zither/guitar/piano part.
norm. Air norm.
Bass Drum [Engine]
Clear tone
Spring steels
pos. norm.
39.œ œJœ œ œ "
Œ . Œ . Œ jœb
Œ . Œ . Œj÷
>
.œ œ œ " ‰ Œ j
œ>
Œ . Œ Œ . jœ>
..œœ ..œœjœœ Œ
!
.œ Œ . Œ jœœ
fi
Muta in
Bass Clarinet in Bb
Suspended Cymbal
(bow)
Bass Drum
P
p
ƒFF
p
p
F
Fslap
f
norm.
pos. norm.
40
Œ . ‰ œb .œ
œj¬ .¬
j¬
Œ
Œ . ‰ œœb ..œœ
!
! ?
Œ . ‰ œ ‰ Œ .
..œœjœœ
œ .œ
E
o
#
P
ƒ
Air
Clear tone
41
.œ œ " Œ ‰ œb
Œ ..œb œ ¬ ¬
Œ . j÷>
ΠΠ.
œœ " Œ j
œ>Œ Œ .
Œ . Œ . ‰^
‰
Œ . ‰ œ> ‰ Œ .
Œ . Œ . ‰ œII
œ œ " ..œœ
fijœœ
œ
Bass Drum
P
F
F f
ƒ
ƒ
$
qn
slap
ƒ
norm.Air
Clear tone
Behind bridge
pos. norm. Clear tone
Bike rubber
42
.œ œ œ " ‰ ‰œb
¬" Œ ‰
œb œ ¬ ¬ ¬"
Œ . ‰ j~>
‰ Œ .
Œ . ‰
œ>‰ Œ .
Œ . Œ . ‰^
‰
Œ . ‰ œ> ‰ Œ . &
.œ .œ .œ
.œ ‰ œœ
fijœœ
Œ
P
ƒ
f
P
P $ p
op
slap
f
norm.Air
pos. norm.
6
A.
6
&
&
ã
&
&
&
?
87 83 81 84 42Fl.
Cl. in Bb
Vln.
Vc.
Elctr.
Ztr/Pno/El. Gtr
Perc
accel.
norm.speed
slowspeed
slowspeed
norm.speed
slowspeed
norm.speed
| |
|
43
.œ .œ .œb
ŒJœB ¬ ‰ . .œB ¬ ¬ !
Œ . j÷>
ŒŒ j~~>
"
"
.œ .œ ..œœŒ . ‰ œIII
Œ jœœz j
œœz Œ j
œœz Œ
on thebridge
Suspended Cymbal
(bow)
f p
P qn
f p qn
f p
Spring steels
Air norm. Air
44
.œ # œB
"
"
"
"
..œœ œœ œœ
"
F
bend
pos. norm.
If there isn't enough time: do it in the fermata in bar 46, or bar 75.
Put on a metal mute
Bike rubber
45
.¬
"
"
"
! œœœ
m #
œœ‰ ‰
.œ
qn
p
!
norm. speed
Play a high harmonic that has a clear, screaming and piercing sound, that is similar to the sound played with a bike rubber on a string in the zither/guitar/piano part.
Bike rubber
specific tone
no specific tone
46
¬ !U
! !U
! !
U
^ !U
#
!U
œ !U
œ !Uf
f
F
ƒ
f
Behind bridge
47
" †
œœ .œb ®
r
œ>
® œ œ œm œ œb œn œ œ œ œb œ
3:2 5:4
"
"
!;[
œb . œ. œ.; œ. œ. œ.;œ. œ. œ. œ. œ. ;]
œ. œ. !
œœ..œœ
!
legno batt.
Muta in Piccolo
Vibraphone(Soft mallets nr 11)
p !qn
pP
p
p(legno batt.)
Bass Drum
e = 112
48
˙
—n > ‰ Œ Jœb
3:2
‰~>
Œ
‰fi
œ>Œ
"
"
œœ
fi>
‰ ‰ œb .;[œ. œ.
œœ
fi>
! œœ..œœ
!
© = 66-69
G
arco norm.
slaptongue
legno batt.
Vibraphone(bow)
Bass Drum
S o
p
p
f
f p
qn
o
legno batt.
pos. norm.
Behind bridge
7
A.
B.
†
&
&
&
&
&
?
Fl.
Cl. in Bb
Vln.
Vc.
Elctr.
Ztr/Pno/El. Gtr
Perc
slowspeed
norm.speed
|
!
|| |
49
˙
˙ ˙b
! œb œ œ
œb .; œ. œ. œ.;œ. œ. œ. œ.; œ. œ. œ. ;
œ. œ.
‰ ·œBB ·œ&
Bisb.
Vibraphone(bow)
"
p
tremolo
pos. norm.
50
˙
˙b ˙
œ œ œ !
œ. œ.];‰ ! ·œBB ·œ
·œ ..·œ ! ?
p
p
p
norm.
51
œ œ ‰
œ œ !!;[¬n ¬
;¬ ¬ ¬
‰~>
Œ
‰ œ œ
·œ ·œBB
‰ œœ
fi>
! œœ
legno batt.
arco norm.
Bisb.Air
f
f P
p
o
Spring steels
Behind bridge
52
"
¬;
¬ ¬ ¬;]
¬ ¬ ¬ ¬
œ œ œ
·œ ·œ
œœ‰ ‰
.œ ®flautando
P
"
ƒ
53
! œ œ œ
! —n > ‰ Œ
Œ ‰ ÷
œ œ !Œ
·œ ‰‰ œB #
! œœ
fi>
! œœ..œœ !
H
slaptongue
legno batt.
arco norm.
Muta in Clarinet in Bb
Suspended Cymbal
(bow)
f p
o
f
qn
qn
pos. norm.
54
˙
"
÷ ÷ ÷ !
œ jœ
,œn # j
œ ! œ
Œ ‰.œ ®flautando
stop stop
Sff F SF
F
"
F
p
8
Picc.
B.
8
†
&
&
&
&
&
?
44 24Fl.
Cl. in Bb
Vln.
Vc.
Elctr.
Ztr/Pno/El. Gtr
Perc
slowspeed
norm.speed
|
slowspeed
norm.speed
slowspeed
norm.speed
| ||
| |
| let golet go
|
m m m m mm
55
œ œ ! Œ
"
! œ œ œ
"
"
œB !
Jœ œ3:2
! œœ
fi>
! œœ œœ
legno batt.
arco norm.
ffÍ
Vibraphone(bow)
o
"
f p
norm.
pos. norm.
Behind bridge
56
"
‰ . œB œ
œJœ œ
3:2
"
" ?
œ .œ !
Œ ‰ œ ‰3:2
flautando
o
f
Bass Drum
57
˙b .œ jœ
˙ œ ‰ . ‰ . œB
"
Jœ>
Jœ>
"
œ> ‰ Œ Œ ‰ œ>
œœ.fiœœ. œœ. œœ. œœ.
©[
œœ. œœ. œœ. œœ.
©]
! ‰ ‰ !fiœœ.
œœ
fi! œœ œœ
! ‰ ‰.œ ®‰ ! œœ
fi
I
mezzolegno tratto fl.
legno batt.
Vibraphone(bow)
f P
f
"
ƒ p p P
PF
F Pslap slap
58
.œ ! Œ Œ ‰ œm
œ œ ‰Œ
‰ œB
Ó Œ ‰~> !
˙ œ œ œ !
Ó ‰^ ^ ‰
3:2
"
œœ. œœ.©[
œœ. œœ. œœ.
©]
œœ. œœ. ! Œ ‰ œœ.fi
œœ.
! œœ œœ œœ! ‰ Œ ‰ œœ
fi!
"
F
p
Spring steels
f
p
o
fBike rubber
59
˙ œ œ œ !
œ ‰Œ Ó
µ µ
‰ Ó
Ó Œ! œ œ
Œ^ ^ ! ‰ Œ
" &
œœ. œœ. ‰ Œ ! ..œœIIIIV
œœ
œœ‰ œ œ ! ‰ Œ &
slow speed
F
"
P
Light-bulb
F f
o
ƒ
norm.
60
"
"
w
"
wwb[ ]
˙˙ œœ ˙˙
3:2
Ó Œ ! ..œœIII
glissp
o
Move E-bows
9
Picc.
9
†
&
&
&
&
&
&
24Fl.
Cl. in Bb
Vln.
Vc.
Elctr.
Ztr/Pno/El. Gtr
Perc
norm. over the fingerboard
(high up)
very near the bridge
norm. over the fingerboard
(high up)
norm.
|
! "
61
! Ó Œ œb ˙
3:2
!
w w œ ‰ Œ3:2
œœ œœ " ‰ ". .œ
·III ( )
·œ··
II ( ) ··
©[··
©·©
·œ·
mm
I
©( )
ww ˙˙ ˙˙ ˙˙ ˙˙3:2 3:2
J
gliss
Vibr. no vibrato
#
#
F# #
PF
o
62
œ œ " ‰œm ˙ ˙ ˙3:2
! Ó" .œB œ
! Ó " .œ œ œ "
‰œ œ œ " Ó Ó Ó3:2 3:2
··
m©
··©]
·· ·mI
·©[
·©]
· ® .œa œ œ œœm
ww ˙˙ ˙˙ œœ œœ ..œœ ˙˙
3:2 3:2
qn qn
Lampshade(bow)
#
p
#
f P #o
P
Beware the quartertones.Important with intonation.This melody is also played by other instruments.
63
œ œ ‰ Œ Ó !3:2
˙ œ œB œ jœ
,>œn
jœ>>" œn . œB ´ ˙
Œ ˙N ˙ w3:2
œ œb œB ·œBB ·œ ·œ ® ·œ> ·œ ·œ ·
˙˙ œœ œœ ..œœ ˙˙ ˙˙ œœ " ·œbII
·œ3:2
o
o
gliss
qn F S F S ffÍp
p F
p
#
P
10
Picc.
10
†
&
ã
&
&
&
&
&
44Fl.
Cl. in Bb
Vln.
Vc.
Elctr.
Ztr/Pno/El. Gtr
Perc
norm.
norm. over the fingerboard
(high up)
|
64
! ‰ œ œ ˙
˙ œ " ‰Œ Ó Œ
‰œz
! Ó " .œ œ
w œ œ ‰ Ó
!
·œ ..·œ "Œ
·œBBä" ·œ
ä" ·œ
ä" ·œ ‰
·œä‰·œä‰·œä‰·œ " ·œ
ä3:2 3:2
· · ·œ ..·œ " Œ‰ .
·II
·I · · .· "
œ
œ
)()( œ( )
K
[flutter tongue]
legno tratto
norm. norm.
(bow)Lampshade
p
F f p
o
o
P
!
jetélegno tratto
(high harmonic setting)
(high harmonic setting)
65
w w
wz ˙z œz.œz ®œ w
3:2 3:2
œ ‰ . Œ Ó !
Ó Œ ‰ .œb œ œ œ
..˙˙b œœ
3:2
&15
‰ . œb œ ˙ wŒ " .œ ˙ w
..·œ‰
..·œBBä
‰
·ä ·œ ..·œ œB œ œ œœBIII
3:2
· ··I ····
··
· ..··>
·· ····
··
3:2œœ
( )( ) œœ( ) œ
œ( )( ) œœ( )
Crotales(bows)
Vibr.
soft
qn
o
mezzo legno tratto
Start E-bow 1
Start E-bow 2
! p P
p
p
p!qn
f
pp
p
norm.
! "
66
œ œ ®œ œ ˙ w
˙ ˙ ˙A ˙ ˙A .œJœ
œœ ‰
. ‰ œ ˙ ˙ œ œ œ
w ww w
˙ ..œœ œœBB
œœ..œœ œœ œœ ˙ œœ
3:2
..·· ··
m ··
··
··
······
·· ······
·· ·· ·· ..··3:2 3:2 3:2
œœ
m( ))(
œ
œ
))
(( œœ )( œœ )(
œ
œ))(
(œœ )( œ
œ))(( œœ )(
o
arco norm.
F ! p
p
o
F P
p ! p P
!
!
bend
Picc.
11
11
†
&
ã
&15
&
&
&
&
44 45 44Fl.
Cl. in Bb
Vln.
Vc.
Elctr.
Ztr/Pno/El. Gtr
Perc
norm.speed
highspeed
|
|
|
|
!
67
.œ !Œ Ó &
œ .œµ( )®œ œ
œœœ
m œœœœœœ
œœœœ
m
Œ ‰
µâ‰ . ÷ ÷
œ ‰ . Œ Ó
œ .œb œ ˙œ œ œ ˙
œœ..œœ ! !
..œœBB
III œ
œ
·· ·· ···
IIIIII ···œœœ
)( )(
L
Arp.
Stop E-bow
Stop E-bow
Suspended Cymbal
(bow)Light-bulb(turn)
Muta in Flauto
bend
p F
P qn
p
f
qn
Crotales
If this is too difficult, play the harmonics: I: e3 II: a2III: d2[c1 is middle-c)
68
‰ . œœœµ
B
b( )œœœ)(
œœœ)(
œœœ)(
....˙˙
mm
œœœœœ
m
.÷ ÷
œ ! ‰ Œ Óœ ! ‰
Œ Ó
... ˙·œ mm( ) œ·
...··· ···
f
F
F
F
f
A. pr.N.
69
œœœ( )
J
œœœB
m( ) œœœ( ) œ
œœ( ) ˙˙˙ µm )(
3:23:2
œœœœœ
J
œœœœµ
aa
œœœœ
œœœœ
˙˙˙
n
aµ
µ
3:23:2
÷j÷ ÷ ÷ ÷÷
3:2
"
œ·
J
œ·œB( ) œ· œ· ·œ ·œ mm( )3:2 3:2
..·· ··
ƒ
ƒ
ƒ
ƒ
ƒ
f
[Stick]
p
tremolo
If this is too difficult, play the harmonics: I: e3 II: a2[c1 is middle-c)
70
œœœ)(
œœœ)(
.œ œ
¬
˙˙˜
m
m
n œœœœ
œœœœ ‰
..÷÷ ‰
fiŒ
µâ‰
&
"
·œ ·œ( )( ) ··....œœ ··m
m )( ··
·· ˙˙ œœ œœ3:2
Ï
Ï F
Ï
F
p
"
Light-bulb
Air
71
.¬ ! Œ ‰ œµ ˙3:2
Ó ‰ .œ œ œ œ œ
!.œ œ .˙
"
··
·œ N
II
( ) ·
œœ ‰ .Œ Œ ‰ .
¿ ¿
©[ ]
?
M
On the tail piece
P
f
#
qn
Po
"
Vibraphone(bows)
norm.
Bisb.
qn P
~~
Picc.
12
&
&
&
&
&
&
?
44Fl.
Cl. in Bb
Vln.
Vc.
Elctr.
Ztr/Pno/El. Gtr
Perc
over thefingerboard
near the bridge
near the bridge
over thefingerboard
|
over thefingerboard
near the bridge
|
near the bridge
over thefingerboard
norm. on the bridge
72
˙ ˙
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
˙˙m œœ œœ .œ
!
·‰ .
Œ Ó
¿
h[
.¿© ]. j
¿
Put on a metal mute
!
!
p
P
Vibraphone
If there isn't enough time: do it in the fermata in bar 73.
73
œ ‰ Œ Œ ŒU
†
œ" ‰ Œ Œ Œ
U
œ‰ . Œ Œ Œ
U
Ó ‰œœœmn ...œœœ
U"
" .¿ ¿ ¿ .¿ " ŒU
¿ .¿ ¿
©[
¿
©]
.¿
U"
gliss down
Rubato
Muta in Piccolo
F
gliss down
Ff
On the tail piece
P
pizzspecific toneclusterBike
rubber
74
!
Ó ‰ jœb
œ
J#
Œ
3:2
!
œ
fi> ‰ Œ Ó
Ó Œ ‰ . œœm
IVIII
œIV
.#œm( ) œn> œ¿ ..œ¿ "
N
© = 63-66
near thebridge
On string and instrument body
bend
p
F
Fo
p
p F f qn
qnP f F!
p
qn
Intensivonon rubato
Imitate the sound of a mute. A muffled tone.
P
gliss
[first pizz,then damp]
75
Œ " jœm
œ # Ó
Œ ‰œ # # " ‰
!
Œ ‰œâ
fiŒ ‰ .
ωfi
##
##
œœm
( )( )" Œrœ
˙˙mII
III
3:2
Ó Œ ‰ . œœm
III
IIIII
bend
bend
P
P
P p
gliss
gliss
76
" jœ
œ # Œ Ó
Œ" jœ
œ #‰ .
¬ ¬
!
Ó Œ ‰œœm
m*‰
3:2
## œ
œm ‰ œ .œ " ‰œœm
mIII3:2
3:2
##
##
œœ
)( )("
..œœ ..œœ "
bend
bend
p
P
F
Air
Play on a string at the nutpeg
gliss
pos. norm.
gliss
Behind the bridge
77
Œ " jœ
œ # ‰ Œ " jœb
.œ‰ œ3:2 3:2
¬Ó j
œ
.œb "‰œ3:23:2
!
"œœ
*‰
œœ
* ‰ œbfi œ ‰
Œ
### J
œœmm
))((J
œœ## # œœm
m ))( (Œ
J
œœ
III
3:2
3:2
"œœ
III ## ## ###
œœmm ‰ œœ
bend
bendbend
f F
F f !
qnffno air tone
gliss
Behind bridge
Play on strings at the nutpeg
13
/
* On the electric guitar, this
is played one octave lower
†
&
ã
&
&
&
?
82 43Fl.
Cl. in Bb
Vln.
Vc.
Elctr.
Ztr/Pno/El. Gtr
Perc
|
|
accel.
|
|
|
! !!!
"
78
œ œ œ œ ‰
œ œ œ œ ‰Œ
!©[
œ œ œ
©œ œ œ œ
©œ œ œ œ œ
©œ
]
!
œœ œœ ..œœ ..œœ ! Œ
œœ..œœ œœ œœ ‰ . ! .œB
#III
p
p
P
F
P
Spring steels
Tremolo between metal parts on lamp.
soft
norm.
Play on strings at the nutpeg
pos. norm.
Beware the quartertones.Important with intonation.This melody is also played by other instruments.
79
! .œ œJœ œb
œb œb3:2
Ó ‰ ! œ œ
! ÷ ÷ ÷
~~>!
! .·I ··II
j··III ··œbb
IV
··œIII
··
II··
mI ··II ··
III
3:2œ )( œ
œ
( )( )
œœ )( œœb( ) œœb( ) œœ( )œ
œ
m( )
( )œœ( )
˙ œ
,jœ œn
# jœ ! œ.
stop stop
F Sff F S
Rubato
p p$ f
Fqn
f qn
[Stick]Tamtam
O
Play with normal tone
80
Jœ œN œ .œ œn œ
3:2
œ œJœn œ
Jœœm3:2
3:2
÷ ÷
j· ··IV
··j·œbb
..·œIV
·III
j··
II
··
mI3:2 3:2
3:2
œœ )( œœ( ) œb( ) œ )( œœ( )œ
œ
m( )
( )
˙B% œœBB
IIIIV
˙˙ ..œœ !3:2 3:2
ffÍ
mezzo legno tratto
&&
& &
p
P
P
legno battuto
81.¬ ¬U®
œ œ œU®
.÷ ÷U®
&15
..·œ ·œU®
œ
..œœBBœœBB )( U®
P
&
p
F
Air
gliss
82
˙ œ
Π!
©[
œ œ
©œœ œœ
œœœœ
mm
.˙
! . ·œNI ·œ ·œ ·œ
‰ . œBIV .œ œn œ ! œ.
P
&
&
qn
o
o
& & F p
non rubato
norm.
arco norm.
Play like it is played backwards
83
œ.œ œ .œ œ
œœœœ
©œœœœ
œœœœ
œœœœ œœ œœ
©]
œ !‰ . œ
Œ!
©[
œ œ œ
©œ œ œ
œ ‰ Œ Œ
·m ··II
..··III
··œbb
œB œn ®œ. œ œn ®œ. œ œn ®œ
&
P
qn
&
p &
& pF P &
84
.œ ! !©[
œ œ œ©
œ œ œ
œ ˙
œœ
©œ œ œ œ œ œ œ
©œ
©œ
]
!
··œIV
·
œB œn ®œ œ œn ®œœ œn ®œ
qn
&
p
p
Picc.
14
etc...
†
&
ã
&
&
&
?
Fl.
Cl. in Bb
Vln.
Vc.
Elctr.
Ztr/Pno/El. Gtr
Perc
|
norm.speed
slowspeed
highspeed
85
œ œ©œ œ œ œ œ
© ]
œ ! ‰ œb
œ .œ ˙
"
"
"
·œ .·nIV
· · .·nIV
œB œn ® œ. œ œn ® œ œB ‰ &! F p
!
qn!
qnFBisb.
P ! P p !F
86
.œ .œb
œ ! ‰! .œn œ
Œ ® ..~~>‰ Œ
Œ Œ!
>!
"
· ·..··III ·
·.·
œmIV # ‰ .
Œ
Q© = 88
let ring
o
!P
F qn
P
p
p
Spring steels
This melody is also played by other instruments but this time it is without quartertones.
gliss
Bike rubber
87
.œb .œ
œ œN œ jœ
,>œm
jœ>>! œa .
Œ ‰ ® ..~~>Œ
‰ . œb&15
"
‰ .>Œ Œ
..··II
··
mI
··
· ·· ·
‰ . œm # # !Œ ?
l.r.
Crotales(bow)
qn F S F Sp P
P
Pp
F
pqn
qn
f
o
glissHigh harmonic
88
.œ !!
.œ œ
˙n ´ œ
! !œnz3:2
œ œ œ ‰ .
"
"
··
III· ··œbbIV
··œ ·œ··œ
III ··œ·
··
II
œ ‰ ‰ . œœ œœ
ffÍ
F
P ! p
qn
P
qn
qn
[flutter
tongue]
Behind the bridge
89
˙ œ ‰ .
œz .œz œ
zœz
‰ ÷ .÷ ÷ ÷ ‰ .
"
"
··
.· .· ·· ··I
œœ..œœ œœ œœ
(bow)
F !
F
Pqn
F
F
Suspended Cymbal
Picc.
15
†
&
ã
&
&
&
?
..
..
..
..
..
.. ..
..
..
..
..
..
Fl.
Cl. in Bb
Vln.
Vc.
Elctr.
Ztr/Pno/El. Gtr
Perc
|
|
|
|
|
|
|
| ||
90
!
z .œz "
Œ " .œ .œ "
·· .· .· " ‰ œ
fi. œ. œ. œ.
œ .œæ œæ œ@ œ
fi
œœ"
3:2
pizz
Lampshade(bow)
o
F
p p
p
qn
norm.
jeté
91
!
!
!
œ. œ.œ. œ. œ. œ. œ. œ. œ. œ.
œ. œ. œ. œ. œ. " œ>"
5:4 7:4 6:4
œ>" ‰
œ. œ.œ. œ. œ. œ. œ. œ. œ. œ.
œ. œ. œ. œ. œ. ®3:2 3:2
RAd lib
pizz
[Min. x 3]
F !
! F arco
arco
Ad lib
Ad lib
[Min. x 3]
[Min. x 3]
jeté
92
Œ "©[œ œ œ
©œ œ œ
!
œ
©[
œ œ
©œ
#
œ
#
œ
©œ
#]
œ
#
œ
#
.˙
œœ.[;œœ. œœ. œœ.
;]
œœ." Œ Œ
mezzolegno battuto
P
p
ƒ
soft
!
Tremolo between metal parts on lamp.
Play on a string at the nutpeg
93
œœ©œ œ œ œ œ
© ]
œ " Œ
Π"
©[
œ œ
©œœ œœ
œœœœ
mm
‰ . œ œ œ ‰ .
.˙
!
(bow)
P
norm.
qn
94
!
œœœœ
©œœœœ
œœœœ
œœœœ œœ œœ
©]
œ ® Œ
œ
©[
œ œ
©œ
#
œ
#
œ
©œ
#]
œ
#
œ
#
.˙
Œ ‰
©[
œœ.fi
œœ.
©œœ. œœ.
legno batt.
Audible keyclicks
Breath
!
p
95
Œ ¬b©[
¬ ¬ ¬ ¬¬©¬]¬ " ‰
!
Œ ‰ .œ
©[
œ œ œ
œ œ ‰ . œ
œœ. œœ.
©œœ. œœ. œœ. œœ. œœ. œœ.
© ]
œœ. œœ.‰ Œ &
qn
F
P
f
Bisb.
Picc.
16
[almost no audible tone]
†
&
ã
&
&
&
&
Fl.
Cl. in Bb
Vln.
Vc.
Elctr.
Ztr/Pno/El. Gtr
Perc
|
|
over thefingerboard
near the bridge
norm.speed
slowspeed
norm.
!
mmmmm mmmmm
|
|
|
96
Œ ! œµ œ œ .œm
Π!
©[
¿ ¿
©¿ ¿ ¿ ¿ ¿ ¿
œ œ œ œœœ œ œ œ œ !Œ
.˙Œ J
œ.Œ Œ
3:2
ΠJ
·œµµ..·œ
J
·œ3:2
pizz
"
qn P
po
#
norm.
Keyclicks
Tremolo between metal parts on lamp.
Behind the bridge
Play on a string at the nutpeg
97
œ ‰ . !©[ ¬µ
µ
¬©¬¬¬¬
¿ ¿
©¿ ¿ ¿ ¿ ¿
©]
¿ ! Œ
"
.˙Œ J
œ.Œ
! œ. !
3:2
·œ ·œmm
·œ ·œ ..·œµµ
3:2
pizz pizz
Audible keyclicks
Air
"
P
o
Vibraphone
Glissando on vibraphone with hand. Nail side can be used to have more dynamic. Damp with arm.
gliss gliss
98
¬¬;.¬¬¬
]
œ .œ œ œ .œµ
"
Œ Œ!œ
>!‰
¿ ¿ ¿
® .œfi
œ! .
Œ Œ
œ œ œ œ‰ Œ
‰ . ·œII
·œ ·œ ..·œµµ·œ ..·œ
S
Half air/Half tone
(touch)
(hit with a knuckle)
F "
"
qn
p
p
gliss
f
glide onsurface
Air
pos. norm.
gliss
99
œ œ œ .œ !
!.¬ ¬ ¬ ! œ
Œ‰
œ
>‰
Œ3:2
¿ ¿ ¿ ¿ ¿ ¿
· ·œ ..## ·œ3:2
·œ ! ‰Œ ‰ . œ?
p
Po
p
F
F
qn
norm.
gliss
High harmonic
100
Œ Œ! .œµ
œ œ .œ œ
"
..·œ ®‰Œ ‰ ! ·œI
!œ>‰ ‰
œœIII
II ˙˙
3:2
Bqnƒ
qn
p
qn
norm.
pizz arco
101
.œ œ .œ !Œ
œ‰
‰
œ œ3:2
‰ .µµ µ
·œ ..·œ ·œ..ÿÿ ·œ
J
œœ
œœ> œ
œJ
œœ œ
œIV
3:2 3:2
F
F
qn
qno
F
P
p
Light-bulb
gliss
Picc.
17
†
&
ã
&
&
&
B
42 45 42Fl.
Cl. in Bb
Vln.
Vc.
Elctr.
Ztr/Pno/
El. Gtr
Perc
(!)
|
mm
!
|
102
!
œ .œ "Œ
µ
" ‰ ‰
÷ ÷
!
!
..·œ ·œ( ) · ·œ mm( ) · . .. .·œ ·œII
( )( )
œœœœ ·
IV
·III
·II
·I
J
· ··
II
3:2 3:2
Tamtam(bow)
P "
p
qn
p
Light-
bulb
103
‰ . œµ œ œ .œµ@
‰ . œb œ œ .œ
÷ ÷
‰ . Œ
Œ Œ ‰
^
!
·œ·œ
III
((
))
·· . ... œœ··
IV
( ) ··
··
·m···
3:2
J
·· ·
···
·· ··
··
3:2
Bike rubber
bend
"
p
p
p
pqn
qn
[flutter
tongue]104
˙@
œ œ‰ .
!
" ^ " ^ " ^ "‰
5:4
‰^ " ^ " ^
‰
5:4
···m······ ····
6:4
·················
6:4
Spring steels
T
p
p
P
"
"
105
œ@ ‰ . " .œµ@ œ@ œ@ œ@ ‰U
Ó Ó ‰ ‰U
Œ Ó
÷‰
U~~>‰
!
!
··" ‰ ‰
·m················
··‰
U6:4
··" ‰
············· ····‰ ‰
;[ ]
‰U
6:4
Tamtam(Soft mallet)
p
qn "
p
" o
Muta in Bass Clarinet in Bb
qn "
Remove mute
106
!
Ó Ó" .œ
Œ
fi¿> ¿ ¿ .¿ "
!
!
·m·····························
6:4 6:4 6:4 6:4 6:4
Œ ‰ "¿ ¿ ¿ ¿ ¿ ¿
?
(touch)Lampshade
pqn
#
"
o
On the tail piece
107
! &
˙ .œ œ œ œ .œ
‰¿> ¿ ¿
‰Œ
!
!
·························
5:4 5:4 5:4 3:2 3:2
¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ .¿3:2
" "
"
#
Muta in Alto Flute
Picc.
18
&
&
&
&
&
&
?
42 43 86Fl.
Cl. in Bb
Vln.
Vc.
Elctr.
Ztr/Pno/El. Gtr
Perc
norm. over the fingerboard
(high up)
108
!
œ œ .œ
" .œ œ .œ
!
···· ·>
"·>"·>
3:2
¿ ¿ .¿
Vibraphone(bows)
Vibr.
!
"qn
(")
"qn
109
Œ Œ ‰ .œ
.œ œ ˙
œ ..œœm ..œœjœ
!
‰·-Œ Œ .
3:2
.¿ " Œ " .œ˜IV
mezzo legno tratto
U
o
qn
!
!po
norm.
Remove mute
110
.œ .œ
.œ .œ
jœ
Œ ‰ œm&
15
!
!
.œjœ œœ˜III
Crotales(bow)
!
p
o
qn p
111
œ‰ Œ J
‚
œ‰ Œ .
.œ .œ
!
!
œœ .œ œ .œ œ·œœ( )II
Whistle Tones
p
o
o
Audible G.D-string only harmonics.
The bow is in normal position. Move it to molto sul tasto while playing G (open string). When the bow is molto sul tasto you let it touch also the D-string.
Place your finger below the bow. Slide back from and towards the bridge (ponticello) and play the harmonic spectra.
112
.‚ ‚ .‚ ‚‚
Π. Πjϵ
.œ .œ " ‰
Π. ΠJ^
!
·
œœ( )·œœ( )
·œœ( )·
œœ( )·œœ( )·œœ( )
·
œœ( )·
œœ( )
P qn p
o
qn
Bike rubber
113
‚ ‚ ‚ ‚ ‚‚ ‚m ‚m ‚mJ‚5:4
œjœ #
,jϵ >
jœm
!
^J^
Π.
Π. Πjϵ
III
·œœ( ) " Œ Œ .
qn
bend
P qn
P F
F
qn
pos. norm.
B.
A.
19
&
&
ã
&
&
&
?
89Fl.
Cl. in Bb
Vln.
Vc.
Elctr.
Ztr/Pno/El. Gtr
Perc
| | |
114
.‚ .‚
jœ œ ! œm> ®" œ. œµ
‰ ‰ " ¿> ¿> ¿> ¿>
jœœb
ΠΠ.
#
.œ .!
" .œ˜III œ .!
bend
pizz
(touch)Lampshade
gliss
!
p
S P ffÍ
!
P!
gliss
P
115
.‚ " ‰ ‰ " ‚ ‚
.œ œj
œ
! ¿> ¿> ¿> ! ‰ . œ
#
#
œ˜ œœ˜IV
œ œ .œ
ϵj
ϵj
œ œ
(bow)
V
qn
o
!
p
gliss
gliss
116
.‚ .‚
! œ "Œ .
.œ .œ œ ‰
#
#
.! ! œµ .œœµ
! ! œµ œ œ œœµIV
3:2
bend
Muta in Clarinet in Bb
p
!
p
117
J‚
Œ ‰ ¬
©[
¬
#
œ
©[
œ œ
©œ œ œ œ œ
©œ œ
]
œ œ œ œ
#
#
jœ œ˜ ! ! œµ œ˜
jœ œµ ! œµ œ
Audible keyclicks
Breath
!
F
qn qn
F
!
gliss
gliss
Tremolo between metal parts on lamp.
118
¬ ¬
©¬ ¬ ¬
©¬ ¬ ¬ ¬ ¬ ¬
©¬ ¬ ¬ ¬
Π. Πjϵ
#
Π. ΠJ^
‰ . œb œ .œ
.œœœ
˜III œœ
œ ! œ˜ œ œœ œIV
3:2
! .! œµ .œ œµ œ
Start E-bow
p
P
gliss
gliss
P p
!
o
(normal setting)
Bike rubber
119
¬ ";
Œ]
Π. Π.
.œ œ !
,j
œµ > œm œ ! œ>®®œ. .œµ
3:2
#
^J
^Π. Π.
.œ .œ .œ
.œ˜ ! œµ œ œ˜ !j! œµ
.œ ! ! œµ œ ! œµ œgliss
gliss
gliss
gliss
bendbend
!
P
P F S P
P
p
A.
B.
20
&
&
ã
&
&
&
&
?
Fl.
Cl. in Bb
Vln.
Vc.
Elctr.
Ztr/Pno/El. Gtr
Perc
|
!
120
Œ . Œ . Œjœ>
œ œ .œ ! . Œ . Œ j—>
Π. Π. Πj~~>
Π. Π. Πj
œ>Œ j
œœb>*
ŒJœœ>*
Π.
.œ .œ .œ
œ œ˜œœµ
III
.œ " œµ œj" œµ
3:2
.œ œ˜ œ " œµœœ
µIII œ œ˜ "
jϵ
3:2
gliss
gliss
gliss
gliss
glissgliss
bend
pizz
Bass Drum
Spring steels
T
slaptongue
F
F
F
F
o
P p
Pqn
p"
121
Œ . ‰ ‰ . œ œJœ
‰ . œ˜ œ .˙ .˙m
#
Œ . ‰ Jœœb >*
‰ Œ jœœ>
.œ .œ .œ
œjœµ œ
..œœµII œ
œn œœ J
œ
.œ .œ œµJ
œœ
µII
gliss
gliss
norm.
W
p
po
P p
F "
P"
norm.
tremolo
122
œ
œ œ .œ .œ ! ‰
.˙˜ .œm .œ
#
Œ . œœm >*‰ œœm
>Π.
.œ .œJœ œ
œJœ
.
.œœIœœ
B œœ
J
œœ
œ
"œ
..œœn œœ
œ
jœœ
NI
"œ
.
.œœB œœœ&
gliss
gliss
Vibr.
Stop E-bow
"qn
F
p "
p qn
123
Œ . ! œ> ! ‰ ‰ .‚ ‚
Jœ
Œ !—>
! ‰ Œ .
Π. !~~>
! ‰ !.÷ ÷
Œ .!œ>
!‰ Œ .
#
.œ .œ ! ‰ Œ .
œ ..œ·NB
II
œ·
"·œ·
m ··
··
..·· ··
3:2
.œ œ œ œB .œ
gliss
Suspended Cymbal
(bow)
Bass Drum
TWhistle Tone
F
p pqn
"
F
F
F o
qn
slaptongue norm.
124
.‚ .‚J‚ ‚
‰ .œœœœµ
mm
œœœœ
....œœœœ
....œœœœ
.÷ .÷ ÷ ÷ ÷ ÷
#
#
··œ···
m œ·
n ··
m œ···œ·
n ··
m œ···œ·
n4:3
œBJœ .œ œB œ œ .œ œ
Fast vibrato
Pp
p "
pqn
p "
125
.‚ .‚! ‰ Œ .
....œœœœ
....œœœœ
œœœœ
œœœœ ‰
.
.÷ .÷ ÷ ÷ .÷
#
#
··
m œ···œ·
n ··
m œ···œ·
n ··
m œ···œ·
n4:3
œ ..œ·BN
œ·
··
m œ· ··
œ···œ· ··
œ···
3:2
qn p
p
P
P "
gliss gliss
A.
21
* On the electric guitar, this
is played one octave lower
&
&
ã
&
&
&
&
&
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
83Fl.
Cl. in Bb
Vln.
Vc.Vc.
Elctr.
Ztr/Pno/El. Gtr
Perc
arconorm.
mezzo legno tratto
|
|
accel.
norm.press.
lightpress.
|
126
Œ . Œ . Œ ! œ>
! .¬m ¬ .¬ ¬‰ . !
—>
.÷ .÷ ! ‰ Œ ! ~~>
Œ . Œ . Œ!œ>
"
··
m
J
œ·J
··
..·· ..·· ! !··
m .3:2
··
m œ· ··
œ···œ· ··
œ···
..·· ..·· ®¿>
3:2
legno battuto
T
slaptongue
Spring steels
Bass Drum
p F
F
FFo
F
p F
F
Air
gliss
qn
On the tail piece
127
‰ ¬ ¬j# ¬
‰ . œ>
!.œm œ .œ œ
‰ .—>
Π. Π. Πj~~>
Π. Π. Πj
œ>"
··
a> ··.©.[
··. ··. ··.!‰
©.··. ··. ··. ··. ··.Œ
©.]··. ··. ··.5:4 3:2
!
©··
m
.[
!··.!··. ··.
©.··. ··. ··. ··.!··.
©.··. ··.
]
··. ··.!¿>3:2 3:2
legno battuto
fl.
arco norm.
X
T
norm.
slaptongue
Air
bend
F
F
F
P f
P f
fpf F
P
pos. norm.
On the tail piece
128
"
Œ . Œ Jœm .œ
Œ . Œ jœb œ .œ !&
15
"
! .œ œ .œ .œ
.¿®œ œ
.œ .œ
Muta in Piccolo [last time only]
Crotales(bow)
o p
Po
f
Fqn
norm.
Play on a string at the nutpeg
arco norm.
Behind the bridge
129
Œ! ‚ .‚ ‚ ‚ ‚ .‚ ‚
.œm .œ # # .œm ! ‰
ŒJœ .œ .œ
"
œJœ> .œ .œ
.œ .œ> œJœ>
©. = 69
Y
qn
bend
Whistle Tones
Lampshade(bow)
F!
Fo
F
(f)
!FP qn
[© = 100-104]
F
F
130
‚ ! .‚m ‚J‚ ‚b ‚ .‚ ‚ !
‰œœœœ˜
m
m
>
z ‰ !—>‰ .
œœœœœn
mm
n
a
>‰
œm œ,
.œ ! ‰ ! ~>Œ Œ .
Œ .!œ>‰ ! œb œ ‰
. ‰
"
œ>Jœ> .œ .œ
.œ .œ> œJœ>
[Min. x 3]Ad lib
Bass Drum
Crotales(bow)
pqn !
pP Ff
P
P po
o
P p
Ad lib
Ad lib
Ad lib
[Min. x 3]
[Min. x 3]
[Min. x 3]
slaptongue norm.
[flutter
tongue]
131
j¿¿> ! ‰ ‰
—>! ‰ ‰
µ>! ‰ ‰
jv
>! ‰ ‰
œ ! ‰ ‰
œ ! ‰ ‰
Jet whistle____
gliss
S
f
F
P
ß
slaptongue
Light-
bulb
Glide up against the peg box[thin, sharp timbre]
A.
22