finemusic 美樂集(11/2016)

NOVEMBER 2016 二零一六年十一月號

Lo King-man 盧景文

David Gwilt 紀大衞Doming Lam 林樂培

Yip Wai-hong 葉惠康

Barbara Fei 費明儀

Darwin Chen 陳達文

We are taught to be thankful. And it’s certainly right to deliver a word of thanks to some of the most insightful and dedicated workers in the arts who, through their unceasing efforts, have helped to shape Hong Kong’s musical landscape. In November and December, Radio 4 pays tribute to six of these iconic figures.

Darwin Chen, Barbara Fei, David Gwilt, Doming Lam, Lo King-man and Yip Wai-hong are all fervent visionaries in their many areas of specialty. Without their years of hard work and leadership, Hong Kong’s music scene today would be quite different. Tune in to My Life in Music to share their lifelong passion for the arts and to trace the pathways that they have taken over the past decades.

* * *

Radio 4’s first broadcast of Young Music Makers (YMM) dates back to December 1980. From then on, we invited many gifted young performers to share their artistry on air. In 2011, for the first time, YMM started receiving open applications, and successful candidates appeared on radio, TV, in a Final Concert broadcast live, as well as on CD recordings and special performance clips on the web.

It’s the fourth time that this longstanding project has called for applications. If you are a young talented musician, have a strong passion for the stage, and enjoy sharing your artistry on multiple platforms with others, please send in an audition tape and your application before the deadline. That’s 31 December 2016. You may become a ‘YMM 2017’! And you may like to know that as one of the extensions of the project, a number of successful candidates will go on a trip to Macau to give a joint recital!

* * *

One of the greatest conductors of all time, Neville Marriner, passed away last month. He was 92. Many music lovers have enjoyed watching his performances live on stage. Even more have been brought up by the very many recordings he made with the Academy of St Martin in the Fields. He visited Hong Kong on a few occasions. His longest stay was probably in 2001 as Head of the Adjudicating Panel for the ‘Hong Kong Competition for Young Asian Musicians’, organised by RTHK, LCSD and Morgan Stanley Dean Witter. The city’s final association with him was in November 2014 when he conducted the City Chamber of Hong Kong at Sha Tin Town Hall. With kind permission by the Orchestra, we will rebroadcast his last performance in Hong Kong in Live on 4 on 12 November. Another tribute to the Maestro will be a BBC recording that can be heard a few days earlier on 9 November in the same programme.

Turn to pages 4-5 for Jonathan Douglas’ recollections of his encounters with Sir Neville in both Hong Kong and England.

Jimmy Shiu Head, Radio 4

NOVEMBER 2016 | FINE MUSIC | FOREWORD 前言

懂得感恩，更懂得欣賞身邊的好人好事。11和12月份，第四台

期待透過一系列式節目，感謝多位熱心的藝術工作者。他們別

具藝術觸覺，更孜孜不倦，多年來為香港的音樂發展作出努力和

貢獻。

陳達文、費明儀、紀大衞、林樂培、盧景文和葉惠康多才多藝，

在他們所熱愛的領域中更是高瞻遠矚，領導藝壇。他們數十年的

耕耘，為香港的音樂世界帶來不一樣的面貌。在耕耘集：我的

香港音樂故事中，你會感受到他們如何熱愛藝術，你更可以重索

在過去數十年，他們在香港文化藝術界的足跡。

* * *

第四台於1980年12月首次播出樂壇新秀。多年來，我們不斷邀

請好些年青優秀的表演者到電台錄音，透過大氣電波，展現他們

的音樂才華。2011年，我們首次以公開的方式，招募新秀。入

圍者除錄製電台節目外，更亮相電視節目和現場直播的閉幕音樂

會。我們亦為他們製作唱片和供網上分享的演出片段。

「樂壇新秀2017」已是我們第四次公開招募新秀。如果你是年

青表演者，熱愛舞台，並希望以不同形式與人分享你的音樂世

界，歡迎遞交試聽錄音和申請表。截止報名日期為2016年12月

31日。說不定，你就是下一位「樂壇新秀」。而部份新秀將獲

邀到澳門演出，作為「樂壇新秀2017」其中一項後軸活動。

* * *

偉大指揮家馬連拿於上月離世，享年九十二歲。不少樂迷曾一

睹他在台上演出的風采，更有不少從他眾多的唱片錄音中，欣賞

過他的精湛演出。馬連拿曾多次訪港，印象中，逗留最長的一次

可能是2001年。當時他擔任「香港亞洲青年音樂家大賽」評判

團主席，該比賽由香港電台、康樂及文化事務署和摩根史丹利

合辦。香港最後一次與馬連拿結緣，則是在2014年11月。當時

他指揮香港城市室樂團在沙田大會堂演出。得到樂團的答允，第

四台特別在11月12日的第四台音樂會中，再次播出這個珍貴錄

音。而在11月9日同一個節目中，我們率先為你播放來自英國廣

播公司的特輯，以紀念這位樂壇一代指揮巨匠。

杜格尊曾多次訪問馬連拿爵士。在本期第4至5頁中，他會分享

在香港和英國與大師接觸的回憶和感受。

第四台節目總監　蕭樹勝

▲ Ready to be thrilled? Come to ‘Music Beyond Borders’ on 5 or 6 November at 2:30pm for an afternoon of exotic music! (pp. 10-11)

你準備好未？11月5或6日下午2時30分，請參與「無限領域」，感受無限異國風情。(第10至11頁)

Radio 4 would like to thank the patrons for their generous support. If you would like to become a patron of ‘FM’ Fine Music, please call us on 9073 3474 for further information during office hours.

香港電台第四台謹向以下贊助者的慷慨

支持致以最深謝意。有興趣成為「美樂

集」贊助者的朋友，可在辦公時間內致電

9073 3474 查詢有關詳情。

DIAMOND PATRON 鑽石贊助者 Sir Gordon & Lady Wu 胡應湘爵士伉儷

PLATINUM PATRON 白金贊助者 Anonymous 無名氏

SILVER PATRON 白銀贊助者 Ms. Rayne Chai Chih-hui 蔡之慧女士

SHARE Your LOVE of Music with US,

Become a PATRON『美樂集』of ‘FM’ !

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NOVEMBER 2016 | FINE MUSIC | CONTENTS 目錄

01 FROM THE DESK OF HEAD, R4掌台人隨筆

SPECIAL FEATURES 特稿

04 Sir Neville Marriner – A Personal Reminiscence

07 Artist-in-Residence Andrew Ling – Flashback 駐台演奏家凌顯祐 ― 剪影

10 Music Beyond Borders The Live Concerts 無限領域現場音樂會

13 Young Music Makers 2017 樂壇新秀 2017

COVER STORY 封面故事19 My Life in Music

耕耘集：我的香港音樂故事

COLUMNS 專欄25 Friends of Radio 4 第四台之友

28 Sunday Opera 歌劇世界

30 Jazzing Up 爵士靈感

33 Music from China 樂在神州

35 New Releases 碟碟不休

37 Concert Highlights 音樂會轉播精選

41 Main Programme Chart 節目時間表

43 Programme Highlights 節目精華

55 ‘FM’ Classified Board 《美樂集》分類廣告

56 Coda

NOVEMBER 2016 二零一六年十一月號

3

Jonathan Douglas

A Gentleman Musician

My meeting with Sir Neville was an altogether quieter affair. He was at his

London residence in South Kensington, just a few minutes’ walk from Julian

Lloyd Webber. The main street-level entrance opened and the voice of Sir

Neville invited me to make my way up a couple of floors to his apartment.

Hushed and carpeted, the ambiance of the stairwell suggested a certain

level of wealth and standing, and that impression was reinforced when Lady

Marriner ushered me into the living room where Sir Neville greeted me with a

smile and a handshake. Good natured and friendly, he had the knack of putting

you immediately at ease. I was, I felt, in the company of a true gentleman. This

was somehow reflected in the elegant and rather traditional furnishing of the

room, presided over by a magnificent old grandfather clock, the sound of

which was curiously re-assuring, like an avuncular pat on the back.

Lady Marriner served tea and, once the recorder was running, Sir Neville

was a delight, witty and informative about the early days of the Academy

of St Martin in the Fields, how it began as a group of like-minded friends

making music in the front room with no great ambition to become the

institution we all know and love today. He was also quick to point out that he

had the good fortune of being in the right place at the right time. He and his

colleagues developed a sound that suited Mozart and the Academy became

the orchestra of choice to meet the surge in demand for Mozart recordings.

This demand culminated in the Amadeus soundtrack and a few years

later, in the big anniversary year of 2006. Marriner’s

other love, of course, was English music, and, as

he explained in the interview, Elgar was the natural

choice for the handover concerts, with Nigel Kennedy

playing the violin concerto and Julian Lloyd Weber, the

cello concerto. The major work in both the handover

programmes was Beethoven’s 9th Symphony.

The chemistry between us had been warm and

friendly, but it still came as a very pleasant surprise

when, as he saw me out, he told me that whenever

I was in town I was welcome to look him up and pay

him a visit.

The Chaos of a Hong Kong Phonecall

My next encounter with Sir Neville was in 2001, when

he came to Hong Kong as the Chairman of the jury for

the 2001 ‘Hong Kong Competition for Young Asian

Musicians’. The jury line-up also included the pianist

Melvyn Tan, horn player Barry Tuckwell, and soprano,

Margaret Marshall.

I was saddened to hear of the death of Sir Neville Marriner. He

had, of course, at 92, had a few decent innings and, one

imagines, enjoyed a richer and more rewarding life than most

of us could reasonably hope for. Still, his passing feels like the

end of an era, and also, my own intermittent encounters with

him over the years were always vivid and memorable.

The first of these was in 1997. During a Spring break in

the UK I was asked to interview some of the prominent UK

musicians who would be performing during the handover

concerts in Hong Kong on 29 and 30 June. My meeting with

Sir Neville was one of several memorable first encounters that

also included interviews with cellist Julian Lloyd Weber and

percussionist Evelyn Glennie who was seated with curlers in

her hair and a couple of make up artists preparing her for a

photos shoot amidst a general scene of pandemonium.

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NOVEMBER 2016 | FINE MUSIC | SPECIAL FEATURES 特稿4

Naturally I was keen to talk to Sir Neville and I was asked by the Competition

organisers to contact him directly. I left a voice message on his hotel

phone, leaving my mobile number to call back, but feeling that it was rather

unlikely such a celebrity would go to the trouble. Much to my delight, and

consternation, he did return my call. As it happened I was on the top floor

of a tram in Sheung Wan during rush hour when I was aware of my mobile

vibrating in my pocket. As I was being shoved and jostled in a tight pack of

shouting passengers I had to fight just to get to my pocket, getting angry

scowls from fellow passengers as I elbowed them to give me an inch of

space – and lo and behold, above the mayhem and racket of that rush

hour on the tram I could just about make out the impeccably cultured voice

of Sir Neville asking if this was Jonathan as he was returning my call. My

immediate reaction was to go slightly berserk, making desperate gestures

and facial expressions, accompanied with nonsensical Cantonese to get

the jostling, pushing, shouting passengers to ‘M’goi, sai sengdi! – denwa!! –

kéuih ho cheutméng!! Teng m’dóu kéuih góng matyé!!’ (‘Please be quieter!

Phone! Very famous man! I can’t hear what he’s saying!’) Amazingly, it

seemed to do the trick as my fellow passengers stared at me, keeping a safe

distance, clearly having concluded I was unhinged. Sir Neville, overhearing

a little of the hullabaloo, actually asked me if it was a convenient moment,

to which I replied that it couldn’t be better and we were able to arrange a

time for him to come into the studio in person to talk to me on air at 9:15

the following morning.

Music and Eccentricity

That meeting, too, proved memorable. Sir Neville just showed up like a

regular guy, with no special transport arrangements, sitting patiently in the

lobby. When I apologised for keeping him waiting he was quick to re-assure

me that it was fine – he just wanted to be in good time. This time we

focused mainly on the Competition and he was delightfully insightful and

entertaining on the subject of music competitions. I remember I pressed

him slightly on the sometimes controversial point about how to judge when

‘individuality’ becomes ‘eccentricity’, and it somehow became very funny

and we both ended up laughing heartily. Again, as I showed him out, he

invited me to visit whenever I was in London.

Our Final Talk

Sadly, I never did get round to taking up his offer, and

my final conversation with Sir Neville was just two

years ago when he was in great demand all around

the world in his ninetieth birthday year. I managed to

catch up with him on the phone when he was back

in the UK for a rare few days of rest, and, having just

received a Gramophone lifetime achievement award,

this was clearly an occasion for him to look back and

reflect on an exceptionally rich and rewarding life. His

voice was a little weaker but his remarkable energy

was undiminished and, even at the age of ninety, he

was clearly greatly enjoying a mind bogglingly busy

time of it. It kept him young, he said, and he was even

learning new scores!

To the end Sir Neville’s energy and curiosity never let

up, and it was this that, no doubt, kept him going, as

did the fact that, even in old age, he managed to be

young at heart and delight in life’s simple pleasures.

Ever kind and generous, he was probably the least

self-regarding ‘great’ musician I have ever met.

To commemorate and pay tribute to the passing of Sir Neville Marriner, a BBC episode, recorded in 2014 in Sir Neville’s home, will be broadcast in Live on 4 on 9 November (Wed) at 8pm. In the same Radio 4’s programme on 12 November (Sat), the recording of the Maestro’s final performance in Hong Kong with the City Chamber Orchestra of Hong Kong in November 2014, will be rebroadcast. Don’t miss.

為紀念這位樂壇一代巨匠馬連拿爵士，第四台

於11月9日(星期三)晚上8時的第四台音樂會，

特別播放英國廣播公司於2014年在馬連拿爵士

家中錄製的特輯。另外，11月12日(星期六)的

第四台音樂會，更安排再次播出他於2014年11

月在港與香港城市室樂團演出的珍貴錄音，敬請

留意。 ▲ Sir Neville Marriner’s final performance in Hong Kong with the City Chamber Orchestra of

Hong Kong (2014)

▲ The Maestro (first right) as Head of the Adjudicating Panel for the ‘Hong Kong Competition for Young Asian Musicians’ (2001)

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NOVEMBER 2016 | FINE MUSIC | SPECIAL FEATURES 特稿 5

NOVEMBER 2016 | FINE MUSIC | SPECIAL FEATURES 特稿

ANDREW LING – Flashback

▲ In the second half of the concert, Andrew Ling played the violin with Richard Bamping (cello) and Michael Mak (piano) in Tchaikovsky’s Piano Trio in A minor, Op. 50 音樂會下半場，凌顯祐以小提琴，聯同鮑力卓（大提琴）和麥柱基（鋼琴）送上柴可夫斯基的A小調鋼琴三重奏，作品50

Daphne Lee

Chamber music is an intimate form of performance. A small number of performers face each other and play music where

each player’s voice can be heard. Sometimes the voices chase and imitate each other, and sometimes they sing together in

harmony. The last episode of ‘Artist-in-Residence’ this year had featured violinist and violist Andrew Ling and pianist Michael

Mak, joined by cellist Richard Bamping, performing three very different duo and trio works: Bach’s Sonata for viola da gamba

in G minor, BWV1029, transcribed for viola and piano; Magnus Lindberg’s piece for clarinet and piano Acequia Madre, here

played on viola and piano; and Tchaikovsky’s Piano Trio in A minor, Op. 50.

If you missed this intimate live chamber concert, which was broadcast from RTHK Studio One on 29 September, please visit

our archive on rthk.hk/radio4.

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▲ Queueing up for autographs 排隊等簽名

室樂是一種很親密的表演形式。幾位演奏家聚首以音樂代替說話，你一言

我一語，時而對抗，時而同行。聽眾身在其中也能感受箇中親密。

本年度最後一次「駐台演奏家」邀請了凌顯祐（小提琴和中提琴）與麥柱

基（鋼琴），以及鮑力卓（大提琴）於9月29日在一號錄播室現場演出三首

風格迥異的室樂作品，包括巴赫的G小調古提琴奏鳴曲，BWV1029（為中

提琴與鋼琴改編）、連保的單簧管與鋼琴作品「亞絲罟•瑪達莉」（由中

提琴與鋼琴演出），還有柴可夫斯基的A小調鋼琴三重奏，作品50。一號錄

播室只能容納百多人，這個場地十分適合欣賞室樂演奏。

如果你錯過了現場音樂會，可以在第四台網頁(rthk.hk/radio4)的「節目重

溫」欣賞是次演出。


What an interesting answer! MCs Raymond Chung (left) and Jonathan Douglas (right) with Andrew Ling

這段訪問一定好有趣！大會司儀鍾子豪（左）與杜格尊（右）訪問凌顯祐

▲

駐台演奏家凌顯祐― 剪影李德芬

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Andrew Ling (viola) and Michael Mak (piano) played Bach’s Sonata for viola da gamba in G minor, BWV1029 and modern composer Magnus Lindberg’s Acequia Madre. 凌顯祐（中提琴）與麥柱基（鋼琴）送上巴赫的G小調古提琴奏鳴曲，BWV1029和現代作曲家連保的「亞絲罟•瑪達莉」。

▲

▼ Our well-packed Studio One 在一號錄播室，大家都坐得很親密

▲ The performers, MCs, and production team. 三位演奏家、司儀和工作人員。

(From third right to first right) Pianist Nancy Loo and music celebrities Anthony Lun and Chiu Tsang-hei came to show their support. （從右三至右一）鋼琴家羅乃新、音樂名人倫永亮與趙增熹也來支持是次演出。

▼



Stacey Rodda (Project Coordinator)

The aspiration of the ‘Music Beyond Borders’ project has always been to embolden cultural exchange. Since 2003, its music has taken us on many journeys – from Spain to Sweden, Austria to Australia, India to Italy. This year we revisit Italy and explore the region of Puglia and its folk

tradition with Kalàscima. Hong Kong’s Shaolin Fez will be taking us on a world tour of its own.

「無限領域」以推廣音樂和促進文化交流為目標。從2003年起音樂足跡遍及世界各地，從西班牙至瑞典、奧地利至澳洲、印度至

意大利。今年我們重返意大利，與卡拉斯馬一同探索普利亞地區及其傳統民歌。另外，香港的Shaolin Fez亦會帶你環遊世界。

項目統籌：盧迪思

The uniqueness of Kalàscima lies in the innovative way its members use a spectacularly vast array of instruments and percussion from South Italy, and from all over the world, to mesh the ancient traditional ritual dance music of Taranta (from Salento), with electronic music. The band’s latest album, Psychedelic Trance Tarantella, is a World Music chart topper.

卡拉斯馬十分創新，他們使用五花八門的樂器，包括意大利南部和世界各地

的敲擊樂器，並將電子音樂結合薩蘭托古老的傳統祭祀舞蹈音樂「塔朗達」

以表現其獨特性。他們的全新大碟「Psychedelic Trance Tarantella」佔據

世界音樂榜的首要位置。

The modernisation of traditional music takes new forms with one of Italy’s hottest bands.卡拉斯馬是意大利其中一支最炙手可熱的樂隊，揉合傳統與現代音樂元素，以展現新的形式。

Performers 表演者

Riccardo Laganà tamburello, percussions, vocals 手鼓、敲擊、人聲

Luca Buccarella accordion, harmonica, vocals 手風琴、口琴、人聲

Federico Laganà vocals, tamburello, riq, bendir, tar, darbouka, kanjira, djambe, cajon, drum set 人聲、手鼓、力格鼓、班狄亞鼓、他鼓、高腳杯鼓、簡治拿鼓、非洲鼓、木箱鼓、爵士鼓

Massimiliano De Marco vocals, classic and acoustic guitars, bouzouki, mandolin, ukulele 人聲、古典及木結他、布祖基琴、曼陀林、烏克麗麗

Riccardo Basile vocals, bass guitar, synth bass, live electronics 人聲、低音結他、低音合成器、現場電子音樂

Aldo Lezza vocals, zampogna, transverse flute, calabrian double flute, tin whistle, shawm, flutes, xaphoon 人聲、風笛、橫笛、卡拉布里亞雙長笛、哨笛、桑笛、長笛、迷你薩克管

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▲ Samuel Ferrer 費利亞


Founded by HK Philharmonic bassist Samuel Ferrer and launched in 2012, Shaolin Fez debuted with the album Calm Your Storm. This acid-jazz group will take us on a musical travelogue with visits to Latin America, Italy, China, Arabia, Spain, and the USA.

Shaolin Fez樂隊由香港管弦樂團低音大提琴手費利亞於2012成立，剛推出首張錄音專輯命名為

「Calm Your Storm」。這隊「酸爵士」組合將引領我們展開一次奇妙旅程，探索拉丁美洲、意

大利、中國、阿拉伯、西班牙和美國的音樂境界。

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Grounded in a combination of classical, jazz, and rock musicians, its music is equally as diverse.

音樂類型千變萬化，曲目融匯古典、爵士和搖滾風格。

Jennifer Palor vocalist 歌手

Sam Ferrer electric, double bass 低音結他、低音大提琴

Vincent Lau guitars 結他

Adriel Bote keyboards 鍵盤

Floro Sernande percussion, flute 敲擊、長笛

Tobe Kushiator drums 鼓

John Campo trumpet 小號

Oliver Cura trombone 長號

Expect a big party atmosphere with singing and dancing. We look forward to seeing you there!

一個充滿歌聲與舞蹈的派對。我們期待在現場音樂會與你見面！

More information and videos of the performers @

請參閱以下網址瀏覽更多有關表演者的資料和錄像

rthk.hk/special/musicbeyondborders

Jointly presented by 主辦 : In association with 協辦 : Supported by 支持 :

Puglia Region – FSC 2007/2013 – We invest in your future

THE 2016 CONCERTS 音樂會2016KALÀSCIMA 卡拉斯馬 (Italy意大利) and

SHAOLIN FEZ (Hong Kong香港)New Vision Arts Festival: Music Beyond Borders

「新視野藝術節」的「無限領域」

Venue: Hong Kong Cultural Centre Piazza C (outdoors)

地點：香港文化中心露天廣場C區 (戶外)

Dates: 5 & 6 November 2016 (Saturday & Sunday)

日期：2016年11月5及6日（星期六及星期日）

Time: 2:30pm

時間：下午2時30分

Performers 表演者

11

▲ Yuen Ka-yi performed with the Macau Youth Symphony Orchestra at the Macau Cultural Centre 揚琴好手袁嘉怡在澳門文化中心與澳門青年交響樂團演出

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Kathy Lam林家琦樂壇新秀 2017 盡顯光芒！

‘Young Music Makers (YMM) 2017’ started taking application

since last month and has generated much attention within the music

community. YMM offers multi-platform exposures to distinguished

young artists. Young instrumentalists and vocalists, soloists, and

ensemble players are welcome to showcase their talent.

Successful candidates will each be featured in a radio programme,

a TV programme, on RTHK’s website, and at the Final Concert. New

this year is the opportunity to perform in Macau in an exchange and

performance with students from the Macau Polytechnic Institute.

This summer, a group of YMM 2015 was invited to perform in the

Mandarin’s House, a UNESCO World Heritage Site in Macau. On 27

August, yangqin player Yuen Ka-yi, who received the ‘Adjudicator’s

Choice’ Award, was invited to perform at the Macau Cultural Centre

with the Macau Youth Symphony Orchestra, under the baton of

Stephen Lam, in Wang Danhong’s Rhapsody. Her performance

received great acclaim and she was much loved by the audience. She

appeared in the programme R4 Buddies on 29 October and shared

her thoughts on the concert. The recording of her performance was

also played. Listen back on rthk.hk/radio4.

For an unparalleled opportunity to share your performance talents

with other music lovers, take part in ‘Young Music Makers 2017’.

For more information, regulations, and application details, please visit

rthk.hk/ymm2017. Applications will be accepted until 31 December

2016. Apply now: it’s your time to shine!

「樂壇新秀2017」自上月起接受報名以來，已得到不少迴響和

查詢。我們歡迎熱愛音樂的年青朋友，以個人或團隊、器樂或

歌唱形式報名參加，讓年輕一代與愛樂者分享美樂。

入圍新秀除了在電台專輯、電視專輯、香港電台網頁亮相和在

閉幕音樂會演出外，還有機會到澳門表演，與澳門理工學院的

同學交流切磋！

其實，上屆的樂壇新秀在過去暑假，也有機會到濠江演

出，並在其中一個世遺景點「鄭家大屋」舉行音樂會。

而在活動中得到「評判之選」的揚琴好手袁嘉怡，更與

澳門青年交響樂團在指揮林屴汧的領導下，在 8 月 2 7 日

於澳門文化中心演出王丹紅的狂想曲，得到觀眾高度讚

賞。演出後更有樂迷找袁嘉怡合照呢！回港後她在 1 0

月 2 9 日出席了「四台插班生」直播節目，與聽眾分享演

出軼事和當日音樂會的錄音。歡迎登入 r t h k . h k / r a d i o 4

重溫。

若你也想跟音樂同道分享你的演出，今天就報名參加「樂壇新

秀2017」吧！截止報名日期為2016年12月31日。詳情和報名

表格請參閱香港電台網頁rthk.hk/ymm2017。各位熱愛音樂

的年青朋友不要猶疑，可能你就是下一位「樂壇新秀」！


Arts Happenings 藝壇快訊

NOVEMBER 2016 | FINE MUSIC | COLUMNS 專欄

The man who founded the Academy of St Martin in the Fields, who conducted many of the world’s leading orchestras, and who recorded the popular soundtrack to the movie Amadeus, British conductor and violinst, Sir Neville Marriner died on 2 October 2016 at age 92 at his home in London.

Born in England in 1924, Marriner began learning the violin and piano with his carpenter father before entering the Royal College of Music in 1939. Two years later, when World War II broke out, he enlisted in the Royal Navy. He went back to the Royal College of Music after his service and went on to study for a year at the Paris Conservatoire.

Marriner began his career as a violinst playing in a string quartet and trio, then in the London Symphony Orchestra where he was Principal Second Violinist (1954 - 1969). In 1958, he founded the Academy of St Martin in the Fields, aiming to form a top-notch conductor less chamber ensemble with London’s best players. Now it has probably become the chamber orchestra with one of the largest discographies, numbering over 500 albums.

Along with his founding of the Academy of St Martin in the Fields, Marriner also maintained an active role as a conductor beginning in 1969. He founded the Los Angeles Chamber Orchestra and was their first Music Director (1969 -1978) , and became the Music Director and Principal Conductor of both the Minnesota Orchestra (1979 -1986) and the Stuttgart Radio Symphony Orchestra (1983 -1989). He also worked with orchestras around the world including Vienna, Berlin, and Paris.

For his services to music, he was made a CBE in 1979, knighted in 1985, and was appointed a Companion of Honour by Her Majesty The Queen in 2015 in England. He has also been awarded honours in France, Germany, and Sweden.

Marriner’s last performance in Hong Kong was in November 2014, in which he conducted the City Chamber Orchestra of Hong Kong in their season opening concert. Live on 4 will revisit the brilliant performance with you on 12 November (Sat) at 8pm with a repeat broadcast on 17 November (Thu) at 2pm. Don’t miss it!

Tune in to Artbeat every Saturday at noon for more arts happening around town.請收聽逢星期一至六黃昏6時的藝壇快訊，了解海外及城中最新的藝術資訊。

Charles Chik 戚家榮

Founder and Life President of the Academy of St Martin in the Fields Sir Neville Marriner Dies at Age 92

聖馬田室樂團創辦人和終身主席馬連拿爵士逝世

英國著名指揮家兼小提琴家馬連拿爵士，

於2016年10月2日在倫敦家中逝世，享年

92歲。他曾指揮世界多個著名樂團，更是

聖馬田室樂團的創辦人，亦為電影《莫扎

特傳》灌錄了十分暢銷的原聲大碟。

馬連拿1924年於英國出生，幼年跟隨木匠

父親學習小提琴和鋼琴。隨後，他入讀皇

家音樂學院和巴黎音樂學院，並以小提琴

開展他的職業生涯。在倫敦交響樂團擔任

小提琴手的第三年，他以凝聚倫敦最好的

樂手為目標，創立聖馬田室樂團。該團可

能已成為全世界灌錄最多唱片的室樂團之

一，合共超過五百款錄音。

除了指揮聖馬田室樂團外，馬連拿亦與

其他樂團合作無間。他成立了洛杉磯室樂

團，亦曾出任明尼蘇達樂團的音樂總監和

史圖格電台交響樂團的首席指揮。他的指

揮足跡遍佈全球，曾帶領維也納、柏林、

巴黎等地的樂團演出。

1979年，他因著對音樂的貢獻而獲英國頒

授CBE勳銜，1985年獲封為爵士，2015

年再次獲得英女皇嘉許；此外他亦得到法

國、德國和瑞典贈予勳銜。

馬連拿在2014年11月最後一次來港顯技，

以九十歲高齡指揮香港城市室樂團演出樂

季揭幕音樂會。「第四台音樂會」將於本

月12日（星期六）晚上8時重溫音樂會的

精彩實況，並於11月17日(星期四)下午2

時重播，不容錯過。

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NOVEMBER 2016 | FINE MUSIC | COVER STORY 封面故事

Lo King-man 盧景文

David Gwilt 紀大衞 Doming Lam 林樂培

Yip Wai-hong 葉惠康

Barbara Fei 費明儀Darwin Chen 陳達文

19

A few years ago, I had the opportunity to interview Ko Tin-lung, the Artistic Director of Chung Ying Theatre. He

mentioned to me that he was busy working on the Oral History Theatre Projects, in which seniors of Tin Shui Wai

come out and tell their own stories to the younger generation. This project was later extended to all 18 districts in

Hong Kong, so that each community has its own and unique narrative account. I thought it was a fabulous idea and

it was the birth of this two-month series, My Life in Music.

Hong Kong was described as a cultural desert in the 1960s. What makes it an important arts hub today? It was the

efforts of many arts practitioners who helped put the city on the cultural map now. Let’s hear a kaleidoscopic review

on the hard work and success stories from Darwin Chen, Barbara Fei, David Gwilt, Doming Lam, Lo King-man, and

Yip Wai-hong, in the first episode of the series on 7 November 2016.

記得多年前訪問中英劇團的藝術總監古天農，當時他正忙著天水圍社區戲劇計劃，找來祖父母輩的長者親身演

繹自己的經歷和故事。這計劃後來發展至香港的十八區，令每區都有屬於它們的口述歷史劇，讓文化得以承

傳。我聽著，覺得那是一個很好的意念，更可以套用在本地音樂界。可能基於商業因素的關係，記錄香港音樂

發展的書籍少得可憐。若我們不再把握時間跟業界的前輩進一步攀談，恐怕更難知道和了解本地音樂的發展。

幸運的是，在我身邊正好有一群音樂界的拓荒者，找他們來作一個口述歷史，談談他們的奮鬥史，回顧如何在

被稱為「文化沙漠」的香港開墾出一片光明的綠洲，豈不是一個難能可貴的機會嗎？

經過多番聯絡和商討，也吃了一點閉門羹後，我有幸得到六位來自不同範疇的音樂界前輩抽空與我傾談。在11

月7日第一集的「耕耘集：我的香港音樂故事」，請來陳達文、費明儀、紀大衞、林樂培、盧景文和葉惠康，

分享在香港的藝術土壤上的開墾與耕耘。


Kathy Lam 林家琦Mondays 8:00pm 逢星期一晚上8時正

20

In addition to being one of the most notable sopranos in Hong Kong, Barbara Fei is also well remembered for her always-glamorous appearances. Born into a well-educated family, Fei’s great grandfather was a physician to the royal court in China. Her father Fei Mu was the ‘Poet Director’ of Chinese movies, and his uncle was the President of the Ta Kung Pao newspaper of Hong Kong. Fei said she is indebted to her father who had a strong dedication to and perseverance in the arts. Born in times of turmoil, she was an indomitable person. She is one of the foremost musicians in the promotion of Chinese music in Hong Kong. She established the Allegro Singers more than 50 years ago, and the choir is still active on stage. Fei says she has lived a colourful life, because she can devote herself to the arts and music. She is even more pleased that her pursuit of music fulfilled the wishes of her father. In fact, Fei is an ever energetic person who you often see at concert halls. She will share with us her love of singing and activities in the arts.

人稱「費老師」的女高音費明儀，經常以最整齊亮麗的儀容示人。她生於書

香世代，曾祖父是御醫、父親費穆被譽為中國電影界的「詩人導演」、二叔

是香港《大公報》已故社長。費老師說她自小受到父親的影響，對藝術有份

執著的追求；而生於戰亂時期，令她有一種更堅毅和不屈不撓的個性。她是

本港其中一位最早關注中國民族音樂發展的人物；由她創立的明儀合唱團，

更有超過五十年歷史，而且仍經常活躍於演出，殊不簡單。她說自己一生多

采多姿，因為能夠忠於她喜愛的音樂藝術。而她亦很欣慰最終完成了父親對

她的期望和遺願–作為藝術家而活著！然而，費明儀永不言休，還經常在音

樂廳留倩影。她對音樂的追求和魄力從何而來？請聽她娓娓道來！

The youngest member in this series is the 79-year old Lo King-man. Also

known as the ‘Father of Opera in Hong Kong’, Lo spent most of his full-time

work life as an administrator in universities and tertiary institutions. Since the

1960s, he has been using his spare time to produce operas, and participate

in social and cultural community work. Lo is an ever hardworking person. He

is spirited and devoted to opera, his love of life. Since 2002, he and his opera

collection have been the backbone of RTHK4’s Sunday Opera programme.

However, he said he is only ‘an ordinary artist, who is still working diligently’.

在這個特輯中年紀最「小」的，是明年慶祝八十大壽，有「香港歌劇之

父」之稱的盧景文。這位前香港演藝學院院長在退休前所從事的，是全

職的大專行政工作。然而，舞台藝術創作和社會服務與政策諮詢等義務

公職，卻佔去了他大部份的時間和精力。在過去十四年，他亦風雨不改

為第四台的歌劇迷以英語主持「歌劇世界」節目。我們認識的盧景文，

是個精力充沛、事事親力親為的大忙人，但他卻說自己是個「平凡的藝

術工作者，仍在勤懇地繼續去做」！

Lo King-man, the Father of Opera in Hong Kong「香港歌劇之父」盧景文

Barbara Fei 費明儀

▲ In1964,HongKongsawitsfirstoperainconcert.Fromthenon,sopranoEllaKiang(sitting,left)andproducerLoKing-manbecamethebestpartnersonstage!

1964年香港首次有由華人製作的歌劇音樂會。盧景文自那年起跟女高音江樺（坐–左）成為舞台上最佳拍擋！

▲ Barbara Fei and her vocal teacher Chao Mei-pa 費明儀與聲樂老師趙梅伯合影


The other programmes in the month will feature:本月其他節目內容包括：

21


Darwin Chen was with the government for 32

years. He began his civil service career as a

manager at City Hall in the 1960s, where he

employed several innovative and entrepreneurial

means to promote the arts. In the 1970s, he was

made the Director of Cultural Services. It was also

the time when Hong Kong’s economy took wing.

He saw a need to enrich the cultural life of the

city, and so helped found the Hong Kong Chinese

Orchestra, the Hong Kong Repertory Theatre,

and the Hong Kong Dance Company. He also

encouraged dialogue between local and overseas

arts practitioners by organising numerous festivals

and cultural exchanges. Chen said that being able

to help Hong Kong grow from a cultural desert to

a cultural metropolis is what he is most pleased

to see after his years of service to the arts. It is

no surprise that the Hong Kong Arts Development

Council acknowledged his effort by honouring him

with a Life Achievement Award in 2012.

Darwin Chen 陳達文

▲ Darwin Chen, former Manager of the City Hall, being interviewed by the then RHK. 前香港大會堂經理陳達文，接受當時還以RHK作稱號的香港電台電視部訪問。

聽眾可於11和12月份，逢星期一晚上8時收聽「耕耘集：我的香港音樂故事」。

下期繼續跟大家詳談香港「兒童合唱團之父」葉惠康（12月5日）、

多才多藝的紀大衞（12月12日）和「香港現代音樂之父」林樂培（12月19日）的故事。

In November and December, My Life in Music can be heard on Mondays at 8pm.

Next month, we will learn more from Yip Wai-hong, the ‘Father of Children’s Choirs’ in Hong Kong (5/12),

the multi-talented David Gwilt (12/12), and Doming Lam, the ‘Father of New Music in Hong Kong’ (19/12).

服務政府三十二年，陳達文由六十年代出任大會堂經理，本著企業家的精神來發展和推動藝術。他歷任文化署署長、影視

及娛樂事務處處長、勞工處處長和屋宇地政署署長等要職，讓他醉心的還是在文化藝術方面的工作。七十年代，他成為首

任文化署署長，並參與創辦了香港中樂團、香港話劇團和香港舞蹈團。他又籌辦不同的藝術節，讓本地和海外藝術家有更

多交流的機會，擴大香港的藝術版圖。陳達文表示，把香港由文化沙漠推動發展至一個文化大都會，是他工作數十年最感

到欣慰的事情。難怪他除了得到多間大專院校的榮譽院士銜外，更在2012年成為香港藝術發展獎終身成就獎的得主！

Lo King-man 盧景文 David Gwilt 紀大衞 Doming Lam 林樂培Yip Wai-hong 葉惠康Barbara Fei 費明儀 Darwin Chen 陳達文

23

www.finemusic.org.hk

Friends of Radio 4 Society Limited第四台之友協會有限公司

會籍年費 Annual Membership Fee 「第四台之友協會」會員購買以下演奏會門票，

可享九折優惠。

Members of ‘Friends of Radio 4’ can enjoy 10% discount on the following concert tickets.

個人會員 Individual Member : HK$120家庭會員 Family Member : HK$150半費會員 Concession Member : HK$60

（只供學生、65歲或以上長者及殘疾人士）

(Only for students, senior citizens aged 65 or above, and people with disabilities)

通利琴行 • Tom Lee Music Co. Ltd.

柏斯琴行 • Parsons Music

Friends’ Discounts

Friends’ Exclusive Benefits• 《美樂集》郵寄至府上

• 各大琴行及種種不同的優惠

• 優先獲得指定的第四台音樂會門券

• 參加第四台之友特備活動

• Fine Music delivery to your home• Purchasing discount from major piano companies, music shops and other institutes• Priority in getting designated Radio 4 recital tickets • Exclusive activities and programmes

i. Bel Canto Singers : 美聲匯主辦「今夜聖誕燦爛」Christmas with the Divas (27 /11/ 2016)

ii. Musicarama 2016 音樂新文化 2016 • 「弦樂四重奏音樂會」String Quartet Concert (14 /11/ 2016) • 「香港作曲家合唱作品展演」Hong Kong Composers’ Choral

Music Showcase (15 /11/ 2016) • 「雙鋼琴音樂會」Piano Duo Concert (20 /11/ 2016)

Friends of Radio 4 Membership Application Form第四台之友協會會員申請表

Name 姓名：

Tel. 電話（Office 日間）：（Home 晚間）：

Mobile 手提電話：

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Membership 會籍：

Individual 個人會員 HK$120

Family 家庭會員 HK$150

* Concession Member 半費會員 HK$60

* 請附上學生證、長者咭或殘疾人士登記證影印本。

* Please enclose photocopy of student ID, senior citizen card or registration card for people with disabilities.

Enquiry 查詢電話：9073 3474

Some more about you其他資料：

Sex 性別：

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(This part is optional 可選擇不填此部分)

請將表格連同劃線支票寄往：九龍尖沙嘴郵政局郵箱97497號，第四台之友協會收（抬頭請填「第四台之友協會有限公司」）

Please send your application form and cheque to: Friends of Radio 4 Society P.O. Box No. 97497 at Tsim Sha Tsui Post Office (payable to “Friends of Radio 4 Society Limited”)

Please allow 3 weeks for processing of membership and 5 weeks for delivery on the first issue of Fine Music. 會員證將於三星期內寄到府上；而第一期《美樂集》將於五星期內郵寄至閣下地址。

6 November: Bellini’s La Sonnambula

‘Bel canto’ is an Italian term that literally means ‘beautiful singing’. It denotes the art of elegant, refined, sweet-

toned, and florid vocal expression that dominated the European style of singing and vocal composition in

general and opera in particular of the 18th and early-19th centuries. Vincenzo Bellini (1801 - 1835) was one

of the three great exponents of the ‘bel canto’ style, justly famous for his long, smooth and flowing melodies,

delicate embellishments, and exquisite lyrical beauty. The other two masters of this style were his older

contemporaries Rossini and Donizetti.

The magnificent singing of the two reigning bel canto superstars mezzo-soprano Cecilia Bartoli and lyric tenor

Juan Diego Flórez in Bellini’s La Sonnambula (The Sleepwalker) is the absolute centre of attraction of this studio

recording made at the Zurich Opera House in 2008. The choice of a coloratura mezzo-soprano for the title role

goes back to the tradition established in the first performances of the work in 1831 in Milan by Giuditta Pasta,

for whom Bellini composed the music. This tradition was later glorified by another great mezzo-soprano, Maria

Malibran, whose brilliant cadenzas have been meticulously studied and adopted by Cecilia Bartoli for her own

interpretation.

The story is based on a ballet-pantomime set in a Swiss village. Amina is betrothed to Elvino. She is found

one early morning asleep in the room of Count Rodolfo, a visiting nobleman staying at the village inn. No one

believes Amina’s protestation of innocence, and Elvino, in despair, repudiates her. The plot proceeds to a happy

ending when the villagers witness Amina sleepwalking across a dangerous bridge over a millstream and singing

a sad lament of her innocence and lost love. Elvino embraces her and the village resumes its celebration of the

lovers’ betrothal.

In addition to Bartoli and Flórez, the cast includes Ildebrando D’Arcangelo, one of the finest bass-baritones of

the rising generation, in the role of Count Rodolfo. Alessandro De Marchi conducts the Chorus of the Opera

House of Zurich and the Orchestra La Scintilla, playing instruments of the period.

Lo King-man

SUNDAY OPERASundays 2:00pm

▲ Cecilia Bartoli, mezzo-soprano

▲ Juan Diego Flórez, tenor

▲ Dietrich Fischer-Dieskau , tenor

▲ Gerd Albrecht, conductor

This month’s repertoire starts with an Italian ‘bel canto’ masterpiece for those who enjoy beauty of singing above all else in an opera,

followed by a powerful Shakespearean drama in a German modern setting created for an important baritone voice, a Russian lyrical romance

based on a tale of nostalgia and remorse by Pushkin, and a poignant story of young love and mortality by an English master of unparalleled

individuality.

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13 November: Reimann’s Lear

Aribert Reimann (born 1936) is one of the most honoured and respected living composers of Germany,

especially famous for his series of operas based on great literature. Born in Berlin, Reimann studied

composition, counterpoint, and piano at the Berlin University of the Arts. Upon graduation, he was employed

as repetiteur and coach by the Deutsche Oper Berlin.

Reimann embarked on a full-time career as composer and pianist towards the end of the 1960s. In the early

1970s, he was elected a member of the Berlin Academy of the Arts and appointed Professor of Contemporary

Lieder at the Berlin College of the Arts. Besides operas, he has written a significant quantity of chamber music,

songs, and orchestral works. He has been honoured repeatedly, including the Grand Cross of Merit of the

Federal Republic of Germany, the Order of Merit of Berlin, numerous awards for achievements in music, prizes

for compositions, and decorations from foreign nations.

Among his most important compositions are the operas based on great literary subjects including: A Dream

Play (1965) after August Strindberg, Lear (1978) after William Shakespeare, The Ghost Sonata (1984) after

Strindberg, The Trojan Women (1986) after Euripides, The Castle (1992) after Franz Kafka, and The House of

Bernarda Alba (1996) after Garcia Lorca, among others.

Lear has a two-part structure set to a libretto by Claus Honneberg based on Shakespeare’s tragedy King

Lear. Reimann wrote the title role specifically for the great German baritone Dietrich Fischer-Dieskau, who had

Prof. Lo King-man, producer and director of numerous opera productions in Hong Kong.


▲ Helen Field, soprano

▲ Charles Mackerras, conductor

▲ Dmitri Hvorostovsky, baritone

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suggested the subject to the composer. Work began after receipt of a commission from the Bavarian State Opera in 1975. The world premiere

took place at the National Theatre of Munich in July 1978 with Fischer-Dieskau as King Lear. A live recording made during these first performances

will be presented for your appreciation. The cast also includes sopranos Helga Dernesch, Colette Lorand, and Julia Varady as the three daughters

of the King. The Bavarian State Opera Chorus and the Bavarian State Orchestra perform under the direction of conductor Gerd Albrecht

20 November: Tchaikovsky’s Yevgeny Onegin

One of the great achievements of Peter Ilyich Tchaikovsky (1840 - 1893) and his best known work for the operatic

stage, Yevgeny Onegin (Eugene Onegin) is based on a verse narrative by Alexander Pushkin, with a libretto

written by the composer in collaboration with Konstantin Shilovsky.

Completed in 1878, this opera tells the story of a young aristocrat, well-educated, fashionable, and egotistical,

but bored with the world in general, who rejects the sincere affection of a country girl of modest social status,

only to find himself passionately in love with her years later when she is married to a nobleman of high ranking.

She rejects him, though she confesses that she still loves him. Onegin is left to live in desolation and remorse.

The beautiful score contains several extended scenes which have long become concert favourites. These include

Tatyana’s letter scene, Onegin’s renunciation of love, Lensky’s tragic lament of deep melancholy before his fatal

duel with Onegin, and the brilliant orchestral waltz and polonaise scenes. Tchaikovsky in fact subtitled his famous

opera as ‘Lyric Scenes’.

Our stellar cast has baritone Dmitri Hvorostovsky singing the title role, soprano Nuccia Focile as Tatyana, and

tenor Neil Schicoff as Lensky. The St. Petersburg Chamber Choir and Orchestre de Paris perform under the

baton of Semyon Bychkov.

27 November: Delius’s A Village Romeo and Juliet

Written in 1901, this is the most admired operatic composition of Frederick Delius (1862 - 1934), who, in

collaboration with his wife Jelka, wrote the English text based on a story by the Swiss novelist Gottfried

Keller. The fourth of his six operas, A Village Romeo and Juliet was first performed at the Komische Oper

Berlin in February 1907. Thomas Beecham conducted its British premiere at the Royal Opera House at

Covent Garden, London, three years later. Despite its abundance of beautiful music, the work is rarely

staged, although the orchestral interlude before the final tableau, The Walk to the Paradise Garden, features

frequently in concerts and has been recorded many times.

Born in Bradford, England, Delius decided to devote his life to music at the age of 24. After a brief period of

formal study in Leipzig, Germany, he embarked on a full-time career as a composer in Paris, and settled in

nearby Grez, where he and his wife lived for the rest of their lives. As the music critic of The Times wrote in

1929, ‘Delius belongs to no school, follows no tradition, and is like no other composer in the form, content

or style of his music’, which is presented in an ‘extremely individual and personal idiom.’

Sali and Vreli are the children of two farming families who quarrel bitterly over a strip of land that lies between

their holdings. As the years pass, both the greedy rivals are ruined by their costly lawsuit, while the two

children have grown and become deeply in love with each other. They run away from their oppressive homes

into a hostile world from which they finally escape taking their own lives together.

Helen Field, soprano, and Arthur Davies, tenor, are the young lovers. The Arnold Schönberg Chorus and the

ORF Symphony Orchestra are conducted by Charles Mackerras.

29

Tim Wilson

▲ Ella Fitzgerald▲ Louis Armstrong


Beginning with a Trumpet

I second Wynton’s opinion that Louis Armstrong stands out as the

first and probably most important creator of true jazz language. His

rhythmic fluidity, phrasing and inflection represent a turning point, a

before and after if you will, that has propelled most of the jazz that

follows.

The tenor saxophonist Lester Young and, a close associate, the

singer Billie Holiday brought with them a lyricism and colouristic

approach that provided an avenue of escape from the dance-driven

energy of 1930’s swing.

Moving from Swing to Bebop

The lifestyle of these Swing Era musicians probably had much to do

with the next great development in jazz: Bebop. There are not much

to occupy players out on the road for months at a time in their week-

long engagements in different locations. The most natural way for a

Sundays 11:00pm

Wynton Marsalis, in his articulate and enlightened comments in the documentary The Wonderful World of Louis Armstrong (directed

by John Akomfrah, 1999) makes the observation that the measure of a truly great artist is that the creative world is changed as a result

of his contribution. In the world of jazz, where lasting success for any player has always been about creating a personal sound and

approach, there have, nevertheless, been a number of seminal musicians whose influence is of such far reaching dimensions that its

reflection is caught in all that follows.

In this series, I will highlight the music of some of these crucial personalities and mention a few of the qualities that make them so great.

Many of the names will, quite rightfully, be quite familiar. If I seem to have left out a player who some feel should be at the top of the list

or, for that matter, given credit to one that doesn’t qualify as a desert island favourite for all, well, we are different and human thankfully.

jazz player to wind down after a hard evening’s gig involved heading

out into the night in search of small ‘after hours clubs’ to play more

music. Of course, in the wee small hours of the morning, the only

listeners were fellow musicians with similar objectives. Over time, an

exploratory style of music developed that sought to expand not only

the technical limits of the players but also the melodic, rhythmic,

and harmonic dimensions of the music itself.

Charlie Parker and Dizzy Gillespie are given the most credit for

‘inventing’ Bebop with its virtuoso displays, chromatic harmony,

and extended phrasing. However, we must also give credit to some

of their rhythm section partners. Bud Powell freed the left hand

of the piano from its ‘stride’ bass and harmony function and Max

Roach brought a melodic and a dialoging quality to the drums;

solid and lasting departures from previous tradition. Certainly, a new

and ongoing aspect of vocal art comes with the scat singing of Ella

Fitzgerald, continuing a tradition made famous by Louis Armstrong

in the 1920s.

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衛庭新在 1 1 月份逢星期日晚

上11時播出的爵士靈感 (英語

節目)，為你精心設計播放清

單，挑選爵士樂壇多位顯赫的

靈魂人物，並帶來他們的經典

錄音，定必為香港的爵士樂樂

迷帶來驚喜。

Bebop into Fusion

Bending away from the fire-breathing

virtuosi, Miles Davis was a unique

influence in jazz. Leaning away

from complicated harmonies and

emphasising melodic invention he

maintained an instantly recognisable

voice in his playing which spanned

from bebop to fusion with his modal

concepts at the core. His musical

thinking also helped to form many

of the players who passed through

his band and subsequently became

leading lights in their own right.

One such luminary was the tenor

saxophonist John Coltrane. Starting

from the complexities of post bop

chromatic harmonies interpreted

vertically, he gained insight from his

immersion in the modality of Miles

and emerged with a very free melodic

approach, all with tremendous technical

facility. His influence has been so great

that young jazz musicians often tend

to think of his music as a starting point

rather than a culmination of all the jazz

that preceded. Better to build on rock

than sand so let’s give a good listen to

some great boulders of jazz.


Plácido Domingo Renews Contract as General Director of Los Angeles Opera

杜鳴高與洛杉磯歌劇院

續約出任總監

Arts Happenings 藝壇快訊

One of the Three Tenors, the world-renowned Plácido Domingo, has renewed his contract as General Director of Los Angeles Opera through the end of the 2021 – 2022 season.

‘Music is my life, and my three-decade association with LA Opera has been one of the most rewarding aspects of my career,’ said Domingo. He expressed that he is incredibly grateful to have taken part in the company’s many artistic achievements, and thankful to be able to continue leading this extraordinary opera company well into the future.

The ‘three-decade association’ started in 1986 when Domingo made his debut with the LA Opera in their production of Verdi’s Otello. Since then, he has performed every LA Opera season. He has sung 28 roles in more than 160 opera productions, and also conducted 23 different operas totaling more than 100 performances as of the end of the current season.

In addition to bringing music to the audience, Plácido Domingo has been a backbone in the administration of the LA Opera. He served as an artistic consultant from 1984 to 2000, Artistic Director from 2000 to 2003, and has been the General Director since 2003. ‘This is fantastic news for LA Opera and indeed for all of Los Angeles,’ said Marc Stern, Chairman of LA Opera’s Board of Directors. ‘Not only is Plácido Domingo a world-class artist, he is an inspirational figure who has made LA Opera one of the most respected opera companies in the world.’

To discover the talents of young performers, Domingo also created the ‘Domingo-Colburn-Stein Young Artist Programme’ for the LA Opera. This programme provides opportunities for gifted young artists to perform in concerts and productions, as well as have comprehensive training to develop their skills further. He has also founded his own prominent international vocal competition, ‘Operalia’, to help launch the careers of promising young opera singers.

被譽為三大男高音之一的杜鳴高與洛杉磯歌劇院續約，將出任總監至2021-2022樂

季。杜鳴高表示：「音樂是我的生命，在音樂事業上其中一方面我感到最滿足的，就是

與洛杉磯歌劇院三十年的合作關係。」他表示有幸為洛杉磯歌劇院作出藝術貢獻，亦感

謝董事會給予機會，讓他繼續帶領此非凡的歌劇院。

杜鳴高在1986年與洛杉磯歌劇院首次合作，演繹威爾第的《奧賽羅》，之後每個樂季

他都會在這歌劇院演出。截至2016 - 2017樂季完結前，杜鳴高在超過160個洛杉磯歌

劇院的製作中，曾飾演二十八個不同的角色，他亦於二十三個不同的製作中指揮超過一

百場演出。

除了為觀眾帶來精彩的舞台表演外，杜鳴高亦是洛杉磯歌劇院的行政骨幹。他曾出任歌

劇院的藝術顧問和藝術總監，在2003年開始更出任其總監。歌劇院董事會主席麥斯•史頓表示：「與杜鳴高續約不單是洛杉磯歌劇院的好消息，更是整個洛杉磯的喜訊。杜

鳴高是世界級的音樂家，他帶領洛杉磯歌劇院成為世界上最備受尊崇的歌劇院之一。」

杜鳴高提攜後輩亦不遺餘力。他為洛杉磯歌劇院創辦了「杜鳴高―高賓―舒丹年輕藝

術家計劃」，為新秀提供訓練和表演機會。此外，他又成立著名的杜鳴高歌劇大賽

「Operalia」，幫助年輕歌劇新秀展開職業生涯。

Tune in to Artbeat every Saturday at noon for more arts happening around town.

請收聽逢星期一至六黃昏6時的藝壇快訊，了解海外及城中最新的藝術資訊。

Charles Chik 戚家榮

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凡間喜聞仙樂奏梨園欣見妙韻傳塵紓


逢星期五下午3時正

天上人間樂韻牽

為此，我會選播一些以人神關係作為主題的樂曲，包括講述仙女與凡人結成夫妻

的仙凡戀，例如黃梅戲《天仙配》的主題音樂與粵樂〈銀河會〉和〈仙姬送子〉，

又或營造人神相交的意境，例如琴瑟合奏曲〈神人暢〉；又有敘述人如何恭迎神

仙或迎請佛祖上殿的情況，例如漢樂〈迎仙客〉和江南絲竹〈佛上殿〉；更有描

繪神仙活動，例如粵樂〈仙女牧羊〉，甚至神仙之間的交往酬酢，例如粵樂〈八

仙賀壽〉和潮樂〈十仙賀壽〉。這些樂曲定必叫大家驚嘆，人的想像力原來這麼

廣闊無垠。

採風覓韻走南北

另一方面，我們會走到西南和西北，懷著採風的心情，了解各地民風，前者包括

貴州、四川、雲南和聚居該地區的各個少數民族，大家既可以欣賞到中阮曲〈石

林夜曲〉、箏曲〈黔中賦〉、月琴協奏曲〈邊寨風情〉、宜賓民歌〈綉荷包〉

等，又可聽到以巴烏領奏的〈哈尼山歌〉、以洞巴獨奏的〈木腦縱歌〉、以馬布

領奏的〈彝風〉，還有描寫白族的月琴獨奏曲〈藪西調〉。

至於西北地區，由於範圍更廣闊，我會選播十多首樂曲，其中既有器樂，又有聲

樂。前者包括〈新疆姑娘〉、新疆木卡姆〈烏孜哈勒〉的選段、蒙古樂曲〈永恒

的魅力〉，以及西安、陝西和晉北的各類鼓樂；後者則有西藏、青海、甘肅的

民歌，還有由不作他選的朱崇懋和熊卿材分別演繹王洛賓經典名曲〈在銀色月光

下〉和〈掀起你的蓋頭來〉，冀與樂迷多採西北樂風。

氍毹妙韻四方傳

談到樂風，樂迷也會欣賞到一種關乎戲曲的樂風。各地戲曲在漫長的藝術進程

中，汲取了當地以至外地的民間音樂，加以演化，然後變成自有特色的戲曲音

樂。一些民樂家卻又把舞台的經典樂曲改編成一種新的民樂。這種互動帶給我們

很多珍貴曲目。例如，以二胡拉奏而不是由笛子吹奏的崑曲曲牌音樂〈朝元歌〉、

以二胡模仿京劇老生唱腔的〈珠簾寨〉、分別以古箏和二胡領奏的越劇《梁祝》

和《紅樓夢》主題曲，還有分別以尺八和笛子演繹的川劇《荊釵記》主題曲和婺

劇曲牌音樂〈三五七〉。上述每首都是源自戲曲，但又不再是戲曲的新音樂。

11月的「樂在神州」為你準備了豐富的中樂盛宴。可別錯失！

「樂在神州」在11月份帶領大家往三方面進發。首先，繼月前綜述

人類與大自然的諸般聯繫，我們進而探索人神之間的微妙關係。

In November, Wong Kin-ting, host of Music from China (Cantonese programme), will bring you music demonstrating the relationships between

humans and goddesses, folk music from different regions, and operatic music. Come and join us on Fridays at 3pm to enjoy this special selection

of Chinese music.

▲ 八仙過海

▲ 中國戲曲

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Livia Lin and a group of music critics guide you through some of the most interesting new releases to keep you in touch with the

latest in fine music recordings. The segments are also available on Radio 4’s website for streaming: rthk.hk/radio4

凌崎偵和多位樂評人在「碟碟不休」中，為你介紹最新推出的影音製作。環節更可於網上重溫：rthk.hk/radio4

Livia Lin 凌崎偵

Monday and Friday 5:30pm 逢星期一及五下午5時30分

7 NOV

14 NOV

25 NOV 2 DEC28 NOV

11 NOV

18 NOV 21 NOV

NOVEMBER 2016 | FINE MUSIC | COLUMNS 專欄 35

4 NOV

Date 日期 Highlights 重點推介

18/11(Fri 五) 8:00pm

23/11(Wed 三) 2:00pm

Repeat 重播

Vienna Boys Choir Concert Tour 2016 – Bella Italia

In the eight-week Asia tour of the world-renowned Vienna Boys Choir, Hong Kong is not only a stop but also home to two of its choristers, who proudly hail from Hong Kong. The choir’s performance here, conducted by choirmaster Manolo Cagnin, was a panorama of Italian choral music. From Vivaldi to Verdi, from motets to modern works, the evening shows you the magical charm of ‘Bella Italia’ – ‘beautiful Italy’.

維也納兒童合唱團巡迴音樂會2016 — 美麗的意大利

享譽全球的維也納兒童合唱團亞洲巡迴演出八個星期，香港是其中一站，更是

其中兩位香港團員的家。合唱團在指揮卡寧領導下，為本地樂迷呈獻「美麗的

意大利」，演唱多首意大利合唱曲。不論是韋華第或威爾第的音樂，經文歌以

至現代作品，一一以天籟之聲送上。

19, 26/11

3/12(Sat 六) 8:00pm

LIVE 現場直播

24/111, 8/12

(Thu 四) 2:00pm

Repeat 重播

Musicarama 2016

For three consecutive weeks, Radio 4 brings you the annual ‘Musicarama’, which showcases the latest and most exciting compositions by Hong Kong composers. The opening concert is a programme of string quartet works performed by the RTHK Quartet. The second is a choral concert with the Hong Kong Children’s Choir and Die Konzertisten. Concluding this year’s ‘Musicarama’ is a piano duo performance by the eminent pianists Nancy Loo and Mary Wu. Each concert is a different musical and creative delight awaiting you.

音樂新文化 2016

第四台連續三星期為你帶來每年一度的「音樂新文化」音樂會，三場節目匯集本地作曲家的多首全新作品。

首場音樂會有香港電台弦樂四重奏送上弦樂合奏曲，第二場則是香港兒童合唱團與Die Konzertisten的合唱作

品展演，最後一場有本港首屈一指的兩位鋼琴家羅乃新與吳美樂，攜手演繹鋼琴二重奏，為「音樂新文化」

劃上完滿句號。三場節目，多面創意，待你親身發掘。


音樂會轉播精選 HIGHLIGHTS OF CONCERT BROADCASTS

▲ RTHK Quartet: Le Hoai-nam, John Ma (Guest), Elvis Chan, Laurent Perrin 香港電台弦樂四重奏：李海南、馬步萌（客席）、陳子信、貝樂安。

▲ Hong Kong Children’s Choir 香港兒童合唱團

▲ (From top) Nancy Loo and Mary Wu

（從上起）羅乃新與吳美樂

▲ Die Konzertisten

▲ Manolo Cagnin, conductor 指揮：卡寧

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Date 日期 Highlights 重點推介

25/11(Fri 五) 8:00pm

30/11(Wed 三) 2:00pm

Repeat 重播

2/12(Fri 五) 8:00pm

7/12(Wed 三) 2:00pm

Repeat 重播

▲ Edgar Meyer, double bass 低音大提琴：艾加•美亞

▲ City Chamber Orchestra of Hong Kong 香港城市室樂團

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Edgar Meyer + CCOHK

The double bass is usually associated with its dark bass sound, but you can be sure it shines with brilliance in the hands of Edgar Meyer. Dubbed ‘the most remarkable virtuoso in the relatively un-chronicled history of his instrument’ (The New Yorker), he appears with the City Chamber Orchestra of Hong Kong in its season opening concert to play two unmissable works from the repertoire: Bottesini’s Concerto No. 2 and Meyer’s own Concerto No. 1. The unique programme, conducted by Marco Boni, finishes with Boccherini’s Sinfonia, ‘La casa del diavolo’, and Schnittke’s Suite in Olden Style.

艾加•美亞與香港城市室樂團

在艾加•美亞手中，音色沉厚的低音大提琴亦能綻放光彩、迸發火

花。《紐約客》雜誌盛讚艾加•美亞「在低音大提琴篇幅相對欠奉

的歷史上，是最出色的頂尖高手。」艾加•美亞為香港城市室樂團

新樂季揭幕來港，與指揮邦尼合作，演奏兩首不容錯過的低音大提

琴樂曲，分別有普達仙尼的第二協奏曲，以及艾加•美亞親自創

作的第一協奏曲。這場別樹一格的節目，亦為樂迷帶來鮑凱利尼的

「魔鬼之屋」交響曲和舒尼格的舊風格組曲。

Xia Feiyun at 80 – A Tribute Concert

Not only is Xia Feiyun one of the most respected figures in the world of Chinese music today, he also has an intimate connection with Hong Kong, having served as Resident Conductor of the Hong Kong Chinese Orchestra from 1992 to 1993. As he turns 80 this year, the Maestro himself takes the podium to celebrate his birthday. He conducts the Hong Kong Chinese Orchestra in classics, including Moonlight on the Spring River, Ambush from All Sides, Lovers’ Sorrow, and an excerpt from Taking Tiger Mountain by Stratagem as arranged by the Maestro himself. Sheng virtuoso Weng Zhenfa, Liu Ying on suona, gaohu soloist Wong Lok-ting, and percussionist Gao Shan join in the celebration. Do join them on this joyous occasion that showcases the Maestro’s musical achievements over the years.

夏飛雲八十大壽誌慶音樂會

備受中樂界尊敬的指揮泰斗夏飛雲，與香港關係匪淺。他曾於1992至1993年度出任香港中樂團駐團指揮，其後亦

經常與樂團合作。為慶祝大師八十高壽，中樂團再度誠邀大師同台，帶領演奏〈春江花月夜〉、〈十面埋伏〉、

〈雙聲恨〉等，更有大師改編《智取威虎山》的〈氣衝霄漢〉一曲，奏出經典樂曲的權威演繹。同來賀壽的還有

笙大師翁鎮發、嗩吶高手劉英、高胡演奏家黃樂婷和敲擊樂演奏家高山，送上獨奏精彩樂段，齊來為夏飛雲大師

的音樂成就慶賀喝采！

▲ Xia Feiyun, conductor 指揮：夏飛雲

▲ Weng Zhenfa, sheng 笙：翁鎮發

▲ Liu Ying, suona 嗩吶：劉英

▲ Wong Lok-ting, gaohu 高胡：黃樂婷

▲ Gao Shan, percussion 敲擊：高山

Pict

ures

cou

rtes

y of

Hon

g K

ong

Chi

nese

Orc

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NOVEMBER 2016 | FINE MUSIC | COLUMNS 專欄38


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– be in touch in 3 minutes —三分鐘錦囊

Topic 內容 Host 主持

星期一 :村上春樹的音樂世界林家琦

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Wed : Zooming In Livia Lin

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星期六 :碟碟不休胡銘堯

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39

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杜程

Sunday Morningon 4

週日早晨 Synthia Ko

高德儀

Minutes That Matter

Non-stop Classics美樂無休

Helen Cha / Synthia Ko查海倫 / 高德儀

Play by Ear 週末隨想Synthia Ko

高德儀

Murakami’s Musical World

村上春樹的音樂世界 Kathy Lam 林家琦

Church Service 主日崇拜

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News at One

Music à la Carte (Tue ﹠ Thu : Chinese Music) 午間精點 (星期二及四：中樂篇) Daphne Lee / Tina Ma / Jenny Lee 李德芬 / 馬盈盈 / 李嘉盈

Live on 4 第四台音樂會

(Repeat 重播)

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R4 Buddies四台插班生

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Sunday Opera歌劇世界Lo King-man

盧景文

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(1st Sunday 首個週日）

(1st b/c: Wed) (首播：星期三)

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Four for Classics with Livia Lin 四時行樂凌崎偵

Collage點指美樂

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Emma Liu廖碧楨

Jazz and more... with Kathy Lam 不太古典林家琦

All or Nothing情有獨鍾

Cantilena 自投羅網

Nancy Loo 羅乃新

My Life in Music耕耘集：

我的香港音樂故事 Kathy Lam 林家琦

Live on 4 第四台音樂會

Music of Friends 室樂雅聚

Sunday Divertimento

星夜樂逍遙Wendy Ng

伍穎文

Nocturne with Gladys Lau 夜心曲劉建婷

Chamber Fragrance

寫意室樂Ben Pelletier / Rebecca Siu

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* Reflections 晚禱 Mon-Fri (星期一至五)11:57pm

RTHK Radio 4 香港電台第四台 FM Stereo 97.6-98.9MHz http://www.rthk.org.hk

NOVEMBER 2016 | FINE MUSIC | MAIN PROGRAMME CHART 節目時間表

EC /

/

41

1/11/2016 (Tue 星期二)11:00am SCHUBERT 舒伯特 Sonata in A minor, D. 821, ‘Arpeggione’ 28’ Maria Kliegel (vc) Kristin Merscher (p)A小調奏鳴曲，D. 821，「古典大提琴」邁莉亞•利高（大提琴）美沙（鋼琴）

2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播） Violeta Urmana (s)Finnish Radio Sym. Orch. / Hannu LintuBeethoven: Leonore Overture No. 2, Op. 72a 13’Berlioz: La Mort de Cléopâtre 25’Wagner: Siegfried Idyll 20’ Brünnhilde’s Immolation Scene, from ‘Götterdämmerung’ 20’

Recorded at Helsinki Music Centre, Finland, on 27/5/2016.

烏瑪娜（女高音）芬蘭電台交響樂團 / 連圖貝多芬：第二里奧諾拉序曲，作品72a白遼士：埃及妖后之死華格納：齊格弗里德牧歌「布崙希爾德的獻祭」場景，選自《諸神的黃昏》

2016年5月27日芬蘭赫爾辛其音樂中心錄音。

8:00pm LIVE ON 4 第四台音樂會Proserpine: Véronique Gens (s)Angiola: Marie-Adeline Henry (s)Sabatino: Frédéric Antoun (t)Squarocca: Andrew Foster-Williams (b-br)Renzo: Jean Teitgen (b)Orlando: Mathias Vidal (t)Flanders Radio Cho., Munich Radio Orch. / Ulf SchirmerSaint-Saëns: Proserpine 130’

Recorded in the Prinzregententheater, Munich on

9/10/2016.

普羅瑟帕恩：根絲（女高音）安潔娜：瑪利—亞度蓮•亨利（女高音）莎巴天奴：安頓（男高音）斯夸洛卡：威廉士（低男中音）蘭素：緹根（男低音）奧蘭度：維度（男高音）法蘭達斯電台合唱團、慕尼黑電台樂團 / 舒亞馬聖桑：普羅瑟帕恩

2016年10月9日慕尼黑攝政王劇院錄音。

2/11/2016 (Wed 星期三)11:00am BEETHOVEN 貝多芬 Piano Sonata No. 32 in C minor, Op. 111 28’ Rudolf Serkin (p)C小調第三十二鋼琴奏鳴曲，作品111魯道夫•舒爾健（鋼琴）

8:00pm LIVE ON 4 第四台音樂會Pekka Kuusisto (v)Finnish Radio Sym. Orch. / Hannu LintuHaapanen: Compulsion Island 15’Hillborg: Violin Concerto No. 1 24’Beethoven: Symphony No. 6 in F, Op. 68, ‘Pastoral’ 39’

Recorded at Helsinki Music Centre, Finland, on

6/10/2016.

顧斯圖（小提琴）芬蘭電台交響樂團 / 連圖哈帕蘭：義務島希爾博：第一小提琴協奏曲貝多芬：F大調第六交響曲，作品68，「田園」

2016年10月6日芬蘭赫爾辛基音樂中心錄音。

4/11/2016 (Fri 星期五)11:00am PROKOFIEV 浦羅歌菲夫 Piano Sonata No. 9 in C, Op. 103 24’ Yefim Bronfman (p)C大調第九鋼琴奏鳴曲，作品103布朗夫曼（鋼琴）

2:00pm MUSIC OF FRIENDS (REPEAT) 室樂雅聚（重播）Hong Kong Youth Symphony OrchestraHong Kong Youth Sym. Orch. & Ural Youth Sym. Orch. / Joseph Kam & EnkheLiu Tieshan & Mao Yuan: Dance of the Yao People 8’Dvořák: Symphony No. 8 in G, Op. 88 (first mov’t) 11’Tchaikovsky: Symphony No. 5 in E minor, Op. 64 (first mov’t) 16’Li Huanzhi: Spring Festival 6’Simon Yau: Dark is the Night 6’ Presented by International Music Festival Eurasia. Record-

ed at Concert Hall of Sverdlovsk Philharmonic, Ekaterinburg,

Russia, on 15/10/2015.

香港青年交響樂團香港青年交響樂團、烏拉爾青年交響樂團 / 甘浩鵬、安格可劉鐵山、茅沅：瑤族舞曲德伏扎克：G大調第八交響曲，作品88 ，第一樂章柴可夫斯基：E小調第五交響曲，作品64，第一樂章李煥之：春節序曲游元慶：漆黑的夜

國際歐亞音樂節主辦。2015年10月15日葉卡捷琳堡斯維爾德洛夫斯克愛樂音樂廳錄音。

8:00pm LIVE ON 4 第四台音樂會Takemitsu: And Then I Knew ‘twas Wind 13’Patrick Gallois (f)Pierre-Henri Xuereb (va)Fabrice Pierre (h)武滿徹：於是，我知道那是風柏積•加路依斯（長笛）舍利伯（中提琴）皮亞（豎琴）

2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Schubert: String Quintet in C, D. 956 55’Ensemble Villa Musica舒伯特：C大調弦樂五重奏， D. 956維拉古合奏團

Holst: First Choral Symphony 49’Lynne Dawson (s)Guildford Cho. SocietyRoyal Phil. Orch. / Hilary Davan Wetton霍爾斯特：第一合唱交響曲杜遜（女高音）基福特合唱協會皇家愛樂樂團 / 韋頓

8:00pm LIVE ON 4 第四台音樂會Luxembourg Phil. Orch. / Gustavo GimenoTchaikovsky: Polonaise, from ‘Eugene Onegin’, Op. 24 5’ The Nutcracker Suite, Op. 71a 24’Nicolai: Overture to ‘The Merry Wives of Windsor’ 9’Granados: Intermezzo, from ‘Goyescas’ 6’R. Strauss: Overture to ‘Die Fledermaus’ 14’ Persian March, Op. 289 Tritsch-Tratsch Polka, Op. 214Ginastera: Malambo, from ‘Estancia’, Op. 8a 6’

Recorded at Philharmonie Luxembourg on 7/1/2016.

盧森堡愛樂樂團 / 傑曼奴柴可夫斯基：波蘭舞曲，選自《尤金•奧涅金》，作品24 胡桃夾子組曲，作品71a尼高拉：「溫莎的風流婦人」序曲葛拉納多斯：間奏曲，選自《戈耶之畫》李察•史特勞斯：《蝙蝠》序曲波斯進行曲，作品289 閒聊波爾卡，作品214希納斯特拿：馬蘭博，選自《暫留》，作品8a

2016年1月7日盧森堡愛樂音樂廳錄音。

3/11/2016 (Thu 星期四)11:00am GINASTERA 希納斯特拿 Harp Concerto, Op. 25 24’ Rachel Masters (h) London Sinfonia / Richard Hickox豎琴協奏曲，作品25 馬斯達斯（豎琴）倫敦交響樂團 / 希覺斯

2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Tchaikovsky: Piano trio in A minor, Op. 50 53’Antje Weithaas (v)Claudio Bohórquez (vc)Lars Vogt (p)柴可夫斯基：A小調鋼琴三重奏，作品50維特哈斯（小提琴）布賀克斯（大提琴）霍特（鋼琴）

Mahler: Symphony No. 1, ‘Titan’ 53’New York Phil. / Leonard Bernstein馬勒：第一交響曲，「巨人」紐約愛樂樂團 / 伯恩斯坦

節目精華Programme Highlights

NOVEMBER 2016 | FINE MUSIC | PROGRAMME HIGHLIGHTS 節目精華 43

8:00pm MUSIC OF FRIENDS 室樂雅聚Girton College Chapel Cho., Cambridge / Martin EnnisRory Heaton (p)Purcell: Hear my Prayer, O Lord, Z. 15 3’Palestrina: Sicut cervus 4’Rachmaninov: Bògòroditsye Dyevo (All-Night Vigil) 3’Tippett: Two Spirituals from ‘A Child of Our Time’ : No. 2: Nobody Knows The Trouble I See, Lord, and No. 1: Steal Away 5’The Beatles: The Long and Winding Road I WillJames and Ellington: I’m Beginning to See the Light 4’Gilkyson: The Bare Necessities 3’and more

Recorded at RTHK Studio Two on 16/4/2015.

劍橋吉爾頓書院教堂合唱團 / 伊尼斯希頓（鋼琴）浦賽爾：請聽我禱，Z. 15

帕萊斯特里那：如鹿切慕溪水

拉赫曼尼諾夫：萬福瑪利亞

狄伯特：「我們時代的孩子」的兩首靈歌：

第二《無人知曉》及

第一《我要靜靜地離去》

披頭四：漫漫曲折路

我將會

占士及艾靈頓：我看見光

焦其遜：基本需要

及其他曲目

2015年4月16日香港電台二號錄播室錄音。

7/11/2016 (Mon 星期一)11:00am JARRETT 賈利特

Elegy for Violin and String Orchestra 18’ Eleonora Turovsky (v)I Musici de Montréal / Yuli Turovsky為小提琴與弦樂團而寫的輓歌

艾麗娜•圖洛夫斯基（小提琴）蒙特利爾音樂家室樂團 / 若里•圖洛夫斯基

2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）

Prog. as 2/11/2016, 8:00pm節目與2016年11月2日晚上8時相同

8/11/2016 (Tue 星期二)11:00am DVOŘÁK 德伏扎克String Quartet No. 11 in C, Op. 61 32’ Talich String QuartetC大調第十一弦樂四重奏，作品61塔力殊弦樂四重奏

2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播） Prog. as 3/11/2016, 8pm節目與2016年11月3日晚上8時相同

8:00pm LIVE ON 4 第四台音樂會 Lohengrin: Klaus Florian Vogt (t)Elsa of Brabant: Ricarda Merbeth (s)Ortrud: Petra Lang (s)Friedrich of Telramund: Tomasz Konieczny (br)Heinrich der Vogler: Günther Groissböck (b)Vienna State Opera Orch. & Cho. / Yannick Nézet-SéguinWagner: Lohengrin 214’

Recorded at the Vienna State Opera on 11/9/2016.

羅恩格林：霍特（男高音）布拉本的艾莎：瑪白（女高音）奧特：蘭加（女高音）堤拉文的費迪克：高尼斯里（男中音）福勒的亨利：高奈斯貝克（男低音）維也納國家歌劇院樂團及合唱團 / 尼扎特—瑟坤華格納：羅恩格林

2016年9月11日維也納國家歌劇院錄音。

9/11/2016 (Wed 星期三)11:00am ELGAR 艾爾加 Sea Pictures, Op. 37 24’Janet Baker (ms) London Sym. Orch. / John Barbirolli海之畫，作品37貝嘉（女中音）倫敦交響樂團 / 巴比洛利


8:00pm LIVE ON 4 第四台音樂會Sean Rafferty at HomeAn episode of the BBC programme to commemorate the passing of Sir Neville Marriner on 2/10/2016. Sean visited Sir Neville in his family home in London in early 2014 to look back on a lifetime of music and cultural interests. Their conversation is interspersed with recordings of works conducted by the late Maestro.桑恩•萊佛堤在故鄉英國廣播公司向馬連拿爵士致敬的節目。桑恩在2014年到了馬連拿爵士在倫敦的家，旨在回顧其一生的文化與音樂興趣。對話過程中穿插着由大師指揮的錄音。

Schubert: Piano Quintet in A, D. 667, ‘The Trout’ 38’Chi-chi Nwanoku (db)Domus Ensemble舒伯特：A大調鋼琴五重奏，D. 667，「鱒魚」尼雲奴古（低音大提琴）多姆斯合奏團

Liszt: Dante Symphony 51’Helmond Concert Cho.Rotterdam Phil. Orch. / James Conlon李斯特：但丁交響曲海爾蒙德音樂會合唱團鹿特丹愛樂樂團 / 剛倫

5/11/2016 (Sat 星期六)8:00pm LIVE ON 4 第四台音樂會Mozart: Piano Concerto No. 20 in D minor, K. 466 33’Mitsuko Uchida (p & cond)Cleveland Orch.莫札特：D小調第二十鋼琴協奏曲，K. 466內田光子（鋼琴及指揮）克里夫蘭樂團

Wagner: Siegfried Idyll 19’Scottish Ch. Orch. / Robin Ticciati華格納：齊格弗里德牧歌蘇格蘭室樂團 / 狄茲亞堤

R. Strauss: An Alpine Symphony, Op. 64 49’Scottish National Orch. / Neeme Järvi李察•史特勞斯：阿爾卑斯山交響曲，作品64蘇格蘭國家樂團 / 約菲

6/11/2016 (Sun 星期日)2:00pm SUNDAY OPERA 歌劇世界Bellini: La Sonnambula 135’Amina: Cecilia Bartoli (s)Elvino: Juan Diego Flórez (t)Il conte Rodolfo: Ildebrando D’Arcangelo (b-br)Lisa: Gemma Bertagnoli (s)Cho. of the Opernhaus Zürich, Orch. La Scintilla / Alessandro De Marchi貝里尼：夢遊女亞美娜：芭多莉（女高音）艾維諾：費雷茲（男高音）羅道夫伯爵：達根基盧（低男中音）莉莎：貝塔諾莉（女高音）蘇黎世歌劇院合唱團、火花樂團 / 馬熾

James Conlon 剛倫

Girton College Chapel Cho., Cambridge 劍橋吉爾頓書院教堂合唱團


劍橋聖約翰書院合唱團 / 尼昇加羅西尼：噢，拯救犧牲者艾爾蘭：沒有人有更偉大的愛佛漢威廉士：嚐看主恩李迪文（約瑟•域克斯）：家派利：我靈，那裏有個國度高莉、德芬普特：燒普特拿：奧迪斯的後悔佐敦、奧斯旦爾：你是否我的愛人？及其他曲目


14/11/2016 (Mon 星期一)11:00am SAINT-SAËNS 聖桑 Symphony No. 3 in C minor, Op. 78, ‘Organ Symphony’ 35’ Philippe Lefebvre (o) Nat. Orch. of France / Seiji OzawaC小調第三交響曲，作品78，「管風琴交響曲」里法寶（管風琴）法國國家樂團 / 小澤征爾

2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Prog. as 9/11/2016, 8:00pm節目與2016年11月9日晚上8時相同

15/11/2016 (Tue 星期二)11:00am RACHMANINOV 拉赫曼尼諾夫 Piano Concerto No. 1 in F sharp minor, Op. 1 28’ Vladimir Ashkenazy (p) Royal Concertgebouw Orch. / Bernard Haitink升F小調第一鋼琴協奏曲，作品1亞殊堅納西 (鋼琴) 皇家阿姆斯特丹音樂廳樂團 / 凱亭

2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Prog. as 10/11/2016, 8pm節目與2016年11月10日晚上8時相同

8:00pm LIVE ON 4 第四台音樂會Armide: Gaëlle Arquez (s)Renaud: Stanislas de Barbeyrac (t)Phénice: Olga Bezsmertna (s)King of Damascus: Paolo Rumetz (br)The Danish Knight: Jinxu Xiahou (t)Gustav Mahler Cho., ViennaLes Musiciens du Louvre / Marc MinkowskiGluck: Armide 170’

Recorded at Vienna State Opera on 16/10/2016.

Berlioz: Symphonie fantastique, Op. 14 54’Vienna Phil. Orch. / Bernard Haitink白遼士：幻想交響曲，作品14維也納愛樂樂團 / 凱亭

12/11/2016 (Sat 星期六)8:00pm LIVE ON 4 第四台音樂會Marriner at 90Andrew Marriner (cl)City Ch. Orch. of Hong Kong / Neville MarrinerElgar: Serenade for Strings in E minor, Op. 20Delius: Summer Night on the River On Hearing the First Cuckoo in SpringBlake: Clarinet ConcertoHaydn: Symphony No. 104 in D, ‘London’

Presented by City Chamber Orchestra of Hong Kong.

Recorded at Sha Tin Town Hall Auditorium on

7/11/2014.

馬連拿•九十安德魯•馬連拿（單簧管）香港城市室樂團 / 馬連拿艾爾加：E小調弦樂小夜曲，作品20戴流士：河上夏夜春日初聞杜鵑啼布列克：單簧管協奏曲海頓：D大調第一百零四交響曲，「倫敦」

香港城市室樂團主辦。2014年11月7日沙田大會堂演奏廳錄音。

13/11/2016 (Sun 星期日)2:00pm SUNDAY OPERA 歌劇世界Reimann: Lear 143’King Lear: Dietrich Fischer-Dieskau (br)Cordelia: Julia Varady (s)Goneril: Helga Dernesch (s)Regan: Colette Lorand (s)Bavarian State Opera Orch. & Cho. / Gerd Albrecht 萊曼：李爾王李爾王：費沙—狄斯高（男中音）歌地莉亞：華拉地（女高音）高那利：狄尼舒（女高音）雷根：羅蘭（女高音）巴伐利亞國家歌劇院樂團及合唱團 / 艾伯克

8:00pm MUSIC OF FRIENDS 室樂雅聚St. John’s College Cho., Cambridge / Andrew NethsinghaRossini: O salutaris hostia 4’Ireland: Greater Love Hath No Man 6’Vaughan Williams: O Taste and See 2’Dick Lee (Joseph Wicks arr.): Home 6’Parry: My Soul, There is a Country 4’Cooley & Davenport: Fever 2’Portner: Miss Otis Regrets 2’Jordan & Austein: Is You Is or Is You Ain’y My Baby? 3’and more


10/11/2016 (Thu 星期四)11:00am GERSHWIN / HEIFETZ 歌舒詠 / 凱費茲Porgy and Bess Medley 16’ Gil Shaham (v) Akira Eguchi (p)波姬與貝絲組合曲吉爾•沙咸（小提琴）江口玲（鋼琴）


8:00pm LIVE ON 4 第四台音樂會Christoffer Sundqvist (cl)Emil Holmström (p)Helsinki Music Centre Cho.Finnish Radio Sym. Orch. / Hannu LintuRäihälä: Myriad 22’Mozart: Clarinet Concerto in A, K. 622 27’Ives: Symphony No. 4 34’

Recorded at the Helsinki Music Centre, Finland on

21/4/2016.

辛維斯（單簧管）荷姆斯特幕（鋼琴）赫爾辛基音樂中心合唱團芬蘭電台交響樂團 / 連圖萊赫拉：無數莫札特：A大調單簧管協奏曲，K. 622艾菲士：第四交響曲


11/11/2016 (Fri 星期五)11:00am HAYDN 海頓String Quartet in C, Op. 76, No. 3, ‘Emperor’ 23’ Tatrai QuartetC大調弦樂四重奏，作品76，第三首，「皇帝」塔卓爾四重奏

2:00pm MUSIC OF FRIENDS (REPEAT) 室樂雅聚（重播）Prog. as 6/11/2016, 8pm節目與2016年11月6日晚上8時相同

8:00pm LIVE ON 4 第四台音樂會

Bach: Suite No. 3 in C, BWV1009 23’John Williams (g)巴赫：C大調第三組曲，BWV1009約翰•威廉士（結他）

Bruch: Violin Concerto No. 1 in G minor, Op. 26 24’Maxim Vengerov (v)Gewandhausorchester Leipzig / Kurt Masur布魯克：G小調第一小提琴協奏曲，作品26雲基洛夫（小提琴）萊比錫布業樂團 / 馬素亞

St. John’s College Cho., Cambridge 劍橋聖約翰書院合唱團


19/11/2016 (Sat 星期六)8:00pm LIVE ON 4 第四台音樂會

Musicarama 2016RTHK QuartetTang Man-ngai: Voices IIDenise Mei-yan Hofmann: Deep calls unto deepChris Hung: String Quartet No. 2Lau Hiu-lam Helen: DisturbanceNg Chun-hoi: November WindsStephen Yip: Distant VoicesStravinsky: Three pieces for String QuartetDavid Gwilt: Variations

Presented by the Hong Kong Composers’Guild. Re-

corded at Hong Kong City Hall Theatre on 14/11/2016.

音樂新文化 2016

香港電台弦樂四重奏鄧文藝：呼聲引 II

何美恩：漫過

洪銘健：第二弦樂四重奏

劉曉霖：紊亂

吳俊凱：秋意涼

葉樹堅：淨•呼

史達拉汶斯基：為弦樂四重奏而寫的三首樂曲

紀大衛：變奏曲

香港作曲家聯會主辦。2016年11月14日香港

大會堂劇院錄音。

20/11/2016 (Sun 星期日)2:00pm SUNDAY OPERA 歌劇世界Tchaikovsky: Eugene Onegin 141’Eugene Onegin: Dmitri Hvorostovsky (br)Tatyana: Nuccia Focile (s)Lensky: Neil Shicoff (t)Olga: Olga Borodina (ms) St. Petersburg Ch. Cho.Orch. de Paris / Semyon Bychkov

柴可夫斯基：尤金•奧涅金

尤金•奧涅金：底米特里•霍洛斯托夫斯基（男中音）塔也娜：霍斯莉（女高音）蘭斯基：史確夫（男高音）奧加：歐爾嘉•鮑蘿汀娜（女中音）聖彼得堡室內合唱團巴黎樂團 / 比哥夫

8:00pm MUSIC OF FRIENDS 室樂雅聚

Tallis VocalisByrd: Vigilate 4’Victoria: O Magnum Mysterium 4’Palestrina: Exultate Deo 2’Tallis: If Ye Love Me 2’ O Nata Lux 2’MacMillian: O Radiant Dawn 3’Whitacre: Saint-Chapelle 6’Mealor: Now Sleeps the Crimson Petal 3’


8:00pm LIVE ON 4 第四台音樂會Finnish Radio Sym. Orch. / Mark ElderBritten: Sinfonia da Requiem, Op. 20 20’Shostakovich: Symphony No. 7 in C, Op. 60, ‘Leningrad’ 69’


28/10/2016.

芬蘭電台交響樂團 / 艾達布烈頓：安魂交響曲，作品20蕭斯達高維契：C大調第七交響曲，作品60，「列寧格勒」


18/11/2016 (Fri 星期五)11:00am BARTÓK 巴托The Miraculous Mandarin, Sz. 73 31’ Chicago Sym. Orch. & Cho. / Pierre Boulez神奇的滿洲大人，Sz. 73芝加哥交響樂團及合唱團 / 布萊茲

2:00pm MUSIC OF FRIENDS (REPEAT) 室樂雅聚（重播）

Prog. as 13/11/2016, 8pm節目與2016年11月13日晚上8時相同


Vienna Boys Choir Concert Tour 2016 – Bella ItaliaVienna Boys Cho. / Manolo CagninVivaldi: GloriaSchubert: Der Gondelfahrer, D. 809Weng Ching-hsi: The Moon Represents My Heartand more

Presented by Vienna Boys Choir Music Academy

Foundation. Recorded at Tsuen Wan Town Hall

Auditorium on 8/10/2016.

維也納兒童合唱團音樂會 2016 — 美麗的意大利維也納兒童合唱團 / 卡寧韋華第：榮耀頌舒伯特：貢多拉船夫，D. 809翁清溪：月亮代表我的心及其他曲目

維也納兒童合唱團音樂學院基金主辦。2016年10月8日荃灣大會堂演奏廳錄音。

阿爾米德：亞古絲（女高音）蘭諾：巴貝洛（男高音）菲利絲：白思密娜（女高音）達瑪思克士之王：盧覓斯（男中音）丹麥騎士：夏侯金旭（男高音）維也納馬勒合唱團羅浮宮音樂家 / 米高斯基格魯克：阿爾米德

2016年10月16日維也納國家劇院錄音。

16/11/2016 (Wed 星期三)11:00am ALWYN 艾雲 Lyra Angelica 30’ Rachel Masters (h) London Sinfonia / Richard Hickox拉娜•安祖妮卡馬斯達斯（豎琴）倫敦交響樂團 / 希覺斯 2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Prog. as 11/11/2016, 8:00pm節目與2016年11月11日晚上8時相同

8:00pm LIVE ON 4 第四台音樂會Chen Reiss (s)Elisabeth Kulman (ms)Vienna SingvereinVienna Phil. Orch. / Zubin MehtaMahler: Symphony No. 2, ‘Resurrection’ 80’

Recorded in the Musikverein, Vienna on 8/5/2016.

坎睿思（女高音）高文（女中音）維也納樂友社合唱團維也納愛樂樂團 / 梅達馬勒：第二交響曲，「復活」

2016年5月8日維也納金色大廳錄音。

17/11/2016 (Thu 星期四)11:00am MOZART 莫札特Violin Sonata in E flat, K. 481 23’ Frank Peter Zimmermann (v) Alexander Lonquich (p)降E大調小提琴奏鳴曲，K. 481法蘭•冼米文（小提琴）朗奇卓（鋼琴）


Gaëlle Arquez 亞古絲

Mark Elder 艾達


25/11/2016 (Fri 星期五)11:00am TCHAIKOVSKY 柴可夫斯基Concert Fantasy in G, Op. 56 30’Bernd Glemser (p)Polish Nat. Radio Sym. Orch. / Antoni WitG大調音樂會幻想曲，作品56班納•格林塞（鋼琴）波蘭國家電台交響樂團 / 域茲


8:00pm LIVE ON 4 第四台音樂會Edgar Meyer + CCOHKEdgar Meyer (db)City Ch. Orch. of Hong Kong / Marco BoniBoccherini: Sinfonia in D minor, Op. 12, No. 4, ‘La Casa del Diavolo’Bottesini: Concerto No. 2 for Double BassSchnittke: Suite in Olden StyleEdgar Meyer: Concerto No. 1 for Double Bass

Presented by City Chamber Orchestra of Hong Kong. Record-

ed at Hong Kong City Hall Concert Hall on 8/11/2016.

艾加•美亞與香港城市室樂團艾加•美亞（低音大提琴）香港城市室樂團 / 邦尼鮑凱利尼：D小調交響曲，作品12，第四首，「魔鬼之屋」普達仙尼：第二低音大提琴協奏曲舒尼格：舊風格組曲艾加•美亞：第一低音大提琴協奏曲

香港城市室樂團主辦。2016年11月8日香港大會堂音樂廳錄音。

26/11/2016 (Sat 星期六)8:00pm LIVE ON 4 第四台音樂會Musicarama 2016Hong Kong Children’s Cho. / Kathy Fok, Dominic LamDie Konzertisten / Felix YeungRichard Tsang: My LunchVictor Chan: On and On: An Ancient SongJoshua Chan: Autumn NightLam Fung: Yellow Crane TowerViola Yuen: Lullabyand more

Presented by Hong Kong Composers’Guild. Recorded at

Hong Kong City Hall Theatre on 15/11/2016.

音樂新文化 2016香港兒童合唱團 / 霍嘉敏、林浩恩Die Konzertisten / 楊欣諾曾葉發：我的午餐陳偉光：古悠悠行陳錦標：秋夕林丰：黃鶴樓阮慧玲：安睡吧，小寶貝！及其他曲目

香港作曲家聯會主辦。2016年11月15日香港大會堂劇院錄音。

泰利士合唱團拜爾特：看守維多利亞：偉大的奧秘帕萊斯特里那：歡樂歸主泰利士：若你愛我來自光明的光麥美利安：光芒四射的黎明維達卡：聖潔的教堂米羅：緋紅色的花瓣正睡


21/11/2016 (Mon 星期一)11:00am WALTON 華爾頓 Variations on a Theme by Hindemith 23’ Bournemouth Sinfonietta / Vernon Handley亨德密特主題變奏曲伯恩茅斯小交響樂團 / 漢特利

2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Prog. as 16/11/2016, 8:00pm節目與2016年11月16日晚上8時相同

22/11/2016 (Tue 星期二)11:00am NIELSEN 尼爾遜 Springtime on Funen, Op. 42 17’ Various vocalistsStockholm Boys’ Cho. Swedish Radio Sym. & Cho. / Esa-Pekka Salonen菲英島之春，作品42多位歌唱家斯德哥爾摩男童合唱團瑞典電台交響樂團及合唱團 / 沙朗倫

2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播） Prog. as 17/11/2016, 8:00pm節目與2016年11月17日晚上8時相同

8:00pm LIVE ON 4 第四台音樂會Norma: Sonya Yoncheva (s)Adalgisa: Sonia Ganassi (ms)Pollione: Joseph Calleja (t)Oroveso: Brindley Sherratt (b)Cho. & Orch. of Royal Opera House, Covent Garden / Antonio PappanoBellini: Norma 150’

Recorded at the Royal Opera House, Covent Garden, London

on 1/10/2016.

諾瑪：容卓娃（女高音）亞達茱莎：嘉拿西（女高音）波利昂：卡利亞（男高音）奧洛維蘇：舒拉特（男低音）高雲花園皇家歌劇院樂團及合唱團 / 柏巴奴貝里尼：諾瑪

2016年10月1日倫敦高雲花園皇家歌劇院錄音。

23/11/2016 (Wed 星期三)11:00am GLAZUNOV 格拉祖諾夫

Violin Concerto in A minor, Op. 82 22’ Leila Josefowicz (v) Montreal Sym. Orch. / Charles DutoitA小調小提琴協奏曲，作品82

約絲科域芝（小提琴）蒙特利爾交響樂團 / 杜托華




Lisa Batiashvili (v)Vienna Phil. Orch. / Christoph EschenbachBeethoven: Egmont Overture, Op. 84 8’Brahms: Violin Concerto in D, Op. 77 40’Schumann: Symphony No. 2 in C, Op. 61 42’

Recorded in Musikverein, Vienna on 20/5/2016.

巴蒂雅施維莉（小提琴）維也納愛樂樂團 / 艾遜巴赫貝多芬：艾格蒙序曲，作品84

布拉姆斯：D大調小提琴協奏曲，作品77

舒曼：C大調第二交響曲，作品61


24/11/2016 (Thu 星期四)11:00am LISZT 李斯特Les Préludes 15’ Chicago Sym. Orch. / Georg Solti前奏曲

芝加哥交響樂團 / 蘇提


Prog. as 19/11/2016, 8pm節目與2016年11月19日晚上8時相同


Martin Grubinger (per)Finnish Radio Sym. Orch. / Gustavo GimenoIves: Central Park in the Dark 9’Kalevi Aho: Sieidi 36’Dvořák: Symphony No. 9 in E minor, ‘From the New World’ 40’


17/11/2016.

顧比加（敲擊）芬蘭電台交響樂團 / 吉米奴艾菲士：黑暗中的中央公園

卡里維•亞昊：賽義德

德伏扎克：E小調第九交響曲，「來自新世界」


Tallis Vocalis 泰利士合唱團


27/11/2016 (Sun 星期日)2:00pm SUNDAY OPERA 歌劇世界Delius: A Village Romeo and Juliet 111’Vreli: Helen Field (s)Sali: Arthur Davies (t)Dark Fiddler: Thomas Hampson (br)Arnold Schoenberg Cho., ORF Sym. Orch. / Charles Mackerras

戴流士：鄉村羅密歐與朱麗葉維莉：菲爾特（女高音）薩利：戴維斯（男高音）黑暗的提琴手：漢普遜（男中音）荀白克合唱團、奧地利電台交響樂團 / 麥嘉理斯

8:00pm MUSIC OF FRIENDS 室樂雅聚Enico Luk (ct)Early Music Society of Hong KongVivaldi: Nisi Dominus, RV608 20’Purcell: Here the Deities Approve 5’ If Music be the Food of Love 2’ I Attempt from Love’s Sickness to Fly 2’

Recorded at RTHK Studio Two on 17/5 & 12/8/2016.

陸堅智（假聲男高音）香港早期音樂協會韋華第：除了主，RV608浦賽爾：此處為神默許若音樂是愛的糧食我試圖從愛的病中飛翔

2016年5月17日及8月12日香港電台二號錄播室錄音。

28/11/2016 (Mon 星期一)11:00am SCHUMANN 舒曼

Violin Sonata No. 1 in A minor, Op. 105 16’ Oliver Charlier (v) Brigitte Engerer (p)A小調第一小提琴奏鳴曲，作品105

莎利亞（小提琴）安潔克（鋼琴）



29/11/2016 (Tue 星期二)11:00am LARSSON 拿桑 Symphony No. 3 in C minor, Op. 34 33’ Helsingborgs Sym. Orch. / Sten FrykbergC小調第三交響曲，作品34

赫辛堡交響樂團 / 賀力保格



Fiordiligi: Corinne Winters (s)Dorabella: Angela Brower (m)Guglielmo: Alessio Arduini (br)Ferrando: Daniel Behle (t)Despina: Sabina Puértolas (s)Don Alfonso: Johannes Martin Kränzle (b)Cho. & Orch. of Royal Opera House, Covent Garden / Semyon BychkovMozart: Così fan tutte 170’

Recorded at the Royal Opera House, Covent Garden, on

7/10/2016.

費奧迪麗姬：溫達斯（女高音）朵拉貝拉：布洛娃（女中音）古烈摩：阿度尼（男中音）費蘭多：貝拿（男高音）德斯賓娜：浦托拉絲（女高音）阿方溯：格蘭素（男低音）高雲花園皇家歌劇院樂團及合唱團 / 比哥夫莫扎特：女人皆如此

2016年10月7日高雲花園皇家歌劇院錄音。

30/11/2016 (Wed 星期三)11:00am CHOPIN 蕭邦

Piano Sonata No. 3 in B minor, Op. 58 29’ Cecile Ousset (p)B小調第三鋼琴奏鳴曲，作品58

奧西（鋼琴）



8:00pm LIVE ON 4 第四台音樂會Artis QuartetBenjamin Marquise Gilmore (va)Harriet Krijgh (vc)Haydn: String Quartet No. 32 in C, ‘The Bird’ 17’Einem: String Quartet No. 4, Op. 63 25’Brahms: String Sextet No. 1 in B flat, Op. 18 35’

Recorded in the Musikverein, Vienna on 9/6/2016.

亞迪斯四重奏焦摩爾（中提琴）克利（大提琴）海頓：C大調第三十二弦樂四重奏，「雀鳥」艾琳：第四弦樂四重奏，作品63布拉姆斯：降B大調第一弦樂六重奏，作品18


1/12/2016 (Thu 星期四)11:00am FAURÉ 佛瑞La Naissance de Venus 23’ Birmingham Sym. Orch. & Cho.,BBC Phil. Orch. / Yan Pascal Tortelier維納斯的誕生伯明翰市交響樂團及合唱團英國廣播公司愛樂樂團 / 恩柏斯卡•托替利亞


8:00pm LIVE ON 4 第四台音樂會Karita Mattila (s)Simon O’Neill (t)Mika Kares (b)Finnish Radio Sym. Orch. / Hannu LintuMozart: Symphony No. 36 in C, K. 425, ‘Linz’ 27’Wagner: Die Walküre (Act 1) 74’

Recorded at the Helsinki Music Centre, Finland

on 8/9/2016.

馬蒂娜（女高音）尼爾（男高音）卡爾斯（男低音）芬蘭電台交響樂團 / 連圖莫札特：C大調第三十六交響曲，K. 425，「林茲」華格納：女武神（第一幕）


2/12/2016 (Fri 星期五)11:00am MENDELSSOHN 孟德爾遜Piano Trio No. 1 in D minor, Op. 49 31’ Beaux Arts TrioD小調第一鋼琴三重奏，作品49美藝三重奏


Enico Luk 陸堅智

Early Music Society of Hong Kong 香港早期音樂協會



Xia Feiyun at 80 – A Tribute ConcertLiu Ying (suona)Weng Zhenfa (sheng)Gao Shan (per)Wong Lok Ting (eco-gaohu)Hong Kong Chinese Orch. / Xia FeiyunShang YiZhoushan: Prelude of Dagger SocietyZhu Liangkai, Gu Shengan, Jiang Shuilin, Zhang Quanfu (Liu Wenjin arr.): The Fishermen’s Triumphant SongAncient Melody of Cantonese Music (Li Zhuxin arr.): Lovers’ SorrowYu Huiyong, Hu Dengtiao (Sim Boom-yew arr.): Theme of the PioneersAncient Melody (Qin Pengzhang & Luo Zhongrong arr.): Moonlight On the Spring RiverXia Feiyun arr.: Righteous Courage that Soars to HeavenKuan Nai-chung: Scenes of YunnanXiao Jiang: Reflections in the Quiet of the NightAncient Melody (Liu Wenjin & Zhao Yongshan arr.): Ambush from All Sides

Presented by Hong Kong Chinese Orchestra. Recorded

at Hong Kong Cultural Centre Concert Hall on 29/11/2016.

夏飛雲八十大壽誌慶音樂會劉英（嗩吶）翁鎮發（笙）高山（敲擊）黃樂婷（環保高胡）香港中樂團 / 夏飛雲商易：小刀會序曲朱良楷、顧生安、姜水林、張全夫（劉文金編）：漁舟凱歌廣東古曲（李助炘編）：雙聲恨于會詠、胡登跳（沈文友編）：闖將令古曲（秦鵬章、羅忠鎔編）：春江花月夜夏飛雲編：氣衝霄漢關廼忠：雲南風情肖江：靜夜思古曲（劉文金、趙咏山編）：十面埋伏

香港中樂團主辦。2016年11月29日香港文化中心音樂廳錄音。

3/12/2016 (Sat 星期六)8:00pm LIVE ON 4 第四台音樂會Musicarama 2016Nancy Loo, Mary Wu (p)Cheung Pui-shan: The Taste of Old Hong KongAdrian Lam: Loving You, Even, Without YouHui Cheung-wai: Contented Seasons of Cultivationand more

Presented by the Hong Kong Composers’Guild. Recorded at

Hong Kong City Hall Theatre on 20/11/2016.

音樂新文化 2016羅乃新、吳美樂（鋼琴）張珮珊：回味老香港林瀚聰：沒有您，依然，還是愛您許翔威：田舍天倫及更多曲目

香港作曲家聯會主辦。2016年11月20日香港大會堂劇院錄音。

K E Y

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沙田、上水、大埔、荃灣、屯門、元朗、北葵涌 • 香港藝術館 • 香港歷史博物館

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NOVEMBER 2016 | FINE MUSIC | PROGRAMME HIGHLIGHTS 節目精華54

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NOVEMBER 2016 | FINE MUSIC | CLASSIFIED BOARD 分類廣告

聯合音樂院

The United Academy of Music

師資優良收費合理姚漢輝 (Vienna Conservatory, HKAPA, LRSM)

Piano, Violin, Theory, Aural, AmusTCL etc

灣仔駱克道280號7樓

2575 5772 / 9436 0167 unitedacademymusic.com

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6076 7454 Causeway Bay [email protected]

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Violin Lesson Qualified teachers

Private and cozy studio @ Jordan Call for free trial!

Language: English, Putonghua, Cantonese

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如果你自問靈活兼富創意，說話時動聽得

體，又是古典音樂發燒友的話，就千萬不要

把自己的天份埋沒！

第四台現招請兼職主持，我們將為你提供所

需的指導和訓練。想在大氣電波中一展所

長，在平凡的生活中尋找突破，就馬上行動！

請以不多於100字，吸引我們為你安排面

試；並附上履歷，寄九龍廣播道30號香港電

台第四台收。

55

When I was little, I, like many other children, wished that Santa Claus would

come to my bedroom and bring me a surprise. Santa brought me my dreams until

I was a big boy. He gave me such sweet Christmas memories, and so I do the

same for my children today.

Christmas is the time for making wishes, sharing joy, celebrating with families,

and singing carols. In the past decade, I have enjoyed good concerts at our

annual ‘Christmas Concert in the Park’. It was an amazing moment when I heard

Handel’s Hallelujah Chorus sung by hundreds of music lovers together under the

blue sky and white clouds of Hong Kong, with the songbirds’ echoes from the

trees around the Park. This year, the harmonies from the Hong Kong Chamber

Wind Philharmonia, under the baton of Victor Tam, will fill the air at Kowloon Park

Piazza.

My wishes have changed over the years. This year, looking forward, I wish to hear

the beautiful voices of Sammy Chien (baritone) and the Hong Kong Children’s

Choir. I wish to hear them echoed by all of us. I also wish that Vanessa Wong’s

playing on Rhapsody in Blue will also bring us an unforgettable Christmas’ Eve.

And, most of all, I wish to see you all at our ‘Christmas Concert in the Park’!

Raymond Chung 鍾子豪

感謝爸爸媽媽給予我難忘的聖誕回憶。

回想起，不但沒有感覺愚昧，反而是甜

蜜且帶點浪漫。聖誕老人不僅是小孩子

的期待，也是成人的純真化身。我承繼

了父母的「傳統」，把這種浪漫延續下

去。

聖誕老人的真偽不太重要，他的美麗在

於給予人夢想和冀盼。聖誕音樂也充滿

同樣的魔力。在平安夜之時，許個願

望、分享喜樂、與家人共聚、和知音人

一起高歌，必然是賞心樂事!

過去十載，每年的「聖誕園林音樂會」

我也樂在其中。在藍天白雲下，鳥語花

香的公園中，美妙的樂音在清新空氣中

飄盪，數百名觀眾一起高唱聖誕頌歌，

已經成為慶祝聖誕不可或缺的一環。我

期待今年平安夜的下午，在九龍公園廣

場，欣賞香港愛樂室樂管樂團在指揮譚

子輝領導下的樂聲，男中音錢深銘加上

香港兒童合唱團的動聽歌聲，還有鋼琴

家黃蔚然演奏的〈藍色狂想曲〉！好讓今

年的聖誕節更令人難忘。我還期待到時

候與你一起同唱〈哈利路亞大合唱〉哩！

NOVEMBER 2016 | FINE MUSIC | COLUMNS 專欄56

finemusic 美樂集(11/2016)

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