flanger

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Flanger Author(s): Joel Craig Source: The Iowa Review, Vol. 35, No. 1 (Spring, 2005), p. 24 Published by: University of Iowa Stable URL: http://www.jstor.org/stable/20151970 . Accessed: 15/06/2014 04:08 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. . University of Iowa is collaborating with JSTOR to digitize, preserve and extend access to The Iowa Review. http://www.jstor.org This content downloaded from 185.44.77.34 on Sun, 15 Jun 2014 04:08:48 AM All use subject to JSTOR Terms and Conditions

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Page 1: Flanger

FlangerAuthor(s): Joel CraigSource: The Iowa Review, Vol. 35, No. 1 (Spring, 2005), p. 24Published by: University of IowaStable URL: http://www.jstor.org/stable/20151970 .

Accessed: 15/06/2014 04:08

Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at .http://www.jstor.org/page/info/about/policies/terms.jsp

.JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range ofcontent in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new formsof scholarship. For more information about JSTOR, please contact [email protected].

.

University of Iowa is collaborating with JSTOR to digitize, preserve and extend access to The Iowa Review.

http://www.jstor.org

This content downloaded from 185.44.77.34 on Sun, 15 Jun 2014 04:08:48 AMAll use subject to JSTOR Terms and Conditions

Page 2: Flanger

JOEL CRAIG

Plonger

The processes of the artist are mysterious and no man can explain.

The longer you peer into the moonlit oceans

the more profound seem their depths.

There is something supreme too?terrifying, dreamlike events.

Physicists consequently block the entrance.

His career on the whole was uneventful. Smiling who were his warm friends in a manner

of deep congratulation, perfectly innocent,

legitimate.

That is the real accusation against the times we live in.

But I prolong the lugubrious note unduly. There is no

rich person apparently. I'm sure proper measurement was taken. One

remains on the telephone.

You are right with the aid of science in the theatrical world.

When I get to Europe I can attempt my theory cure my pains with an application of pure color. Tones of carrot or carroty rust.

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This content downloaded from 185.44.77.34 on Sun, 15 Jun 2014 04:08:48 AMAll use subject to JSTOR Terms and Conditions