Glove Puppetry ：A Folk Art Transformed

17 翁嘉良

21 許紅渝

24 陳萱儒

25 傅啟琳

33 潘盈君

OrganizationIntroductio(paragraph1~2)

Glove Puppetry’s popularity and value in Taiwan

Body(paragraph3~5) Glove Puppetry was transformed by the Huang

family

Conclusion(Paragraph6~7) Glove Puppetry’s presentation nowadays and

preservation in the future

Question

Question1:

What comes to your mind when you think of Taiwan? (why)

Paragraph 1Topic sentence ： For many people glov

e puppetry is selected to represent Taiwan.

Paragraph 2Topic sentence ： As a traditional folk

art, glove puppetry was highly popular in earlier times.

QuestionQuestion2: Why was glove puppetry was highly

popular in earlier times?

A: Because there was little choice of entertainment.

Paragraph 3

Topic sentence ： he introduced new elements to puppet shows and modernized them for television

Question

Question3:

When did Huang Chun － hsiung introduced new elements to puppet shows and modernize them for television?

A ： In the1970s.

Paragraph 4Topic sentence: Huang Chun-hsiung succes

sfully made puppet shows look great on TV and popularized many puppet characters and drama series.

who ： Huang Chun-hsiung what ： use pop music, fantastic, lighting costum

es, special sound effects, and brighter costumes How ： 1.to make puppet shows look great

2.the series about Shi Yan － wen

was popular

Question

Question4:

When did Huang Chun － hsiung use dry ice fog?

A ： They made an appearance.

Question

Question5:

What did he do to emphasize the high status and power of martial arts?

A ： He made their voices reverberate.

Paragraph 5Topic sentence ： Today, two of Huang H

ai-dia's grandsons has continued the sprit of reform by using today's hottest topics and teenage expressions.

Who: Chris Huang and Vincent Huang What : Hottest topics and teenage expressio

ns

Question

Question6:

How did the two (Chris Huang and Vincent Huang ) make plots and characters easy for today's audience to identify with?

A: They use today's hottest topics and teenage expressions.

Question

Question7:

What elements do they use to reform the puppet shows and make them closer to life?

A ： Complex characters and love triangles.

Question

Question8:

Is Su Huan-chan an asshole(bad guy)?

A ： No,he is actually a hero who fights for justice.

Paragraph 6Topic sentence ： Through constant evo

lution, glove puppetry has won the hearts of younger generations. comic books novels video games cosplay

Question

Question9:

Have you ever seen glove puppetry characters combined with modern recreation, and where did you see it?

Question

Question10:

According to this paragraph, what did Huang Hai-dai say?

A ： The transformation of glove puppetry is attributed to the mix of twenty percent tradition and eighty percent modernity.

Paragraph 7Topic sentence ： Through the fusion

of tradition and modernity, the unique folk art has transformed itself .

QuestionQuestion11:

Why can the glove puppetry escape the fate of falling into oblivion and reach a wider audience?

A ： Because of the fusion of tradition and modernity.

Question

Question12:

If you were a folk artist, what would you do to adapt( 適應 ) the new epoch( 時代 )?

Shi Yan- wen(1)

Creator: Huang Chun-hsiung Personality:

Good at both polite letters and martial art Rightful Brave Read a lot

Shi Yan- wen(2)

Story ：His biggest enemy was

藏鏡人 . To protect the Central Plains (Mainland China) and beat his rival, a chain of battles were held between them.

After he was hit down to a deep pool, his dead or live were unknown.

At last, they found out that they were brothers, which were separated due to the wars in their childhood. And their father was another character 中國強 .

Su Huan-chan(1)

Creator: Chris Huang and Vincent Huang Personality:

Diplomatic (being skillful at dealing things with people)

Humorous Gentle Win due to Intelligent not force

Su Huan-chan(2)

Story: His main goal was to pursue the peace

of martial community, and the justice of the world.

His mind transformed and his appearance changed during the time.

He had sworn brothers and family.

Work

Paragraph 1~2 25 傅啟琳Paragraph 3~4 33 潘盈君Paragraph 5 21 許紅渝Paragraph 6~7 17 翁嘉良 Combine all of the above & organizatio

n

24 陳萱儒

The End