hkasp- frozen culture-analysis of culture architecture

—Analysis of C

ultural Architecture

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策划设计��深圳先锋空间文化传媒有限公司��

FROZEN CULTURE—Analysis of Cultural Architecture

定价：898.00 元 ( 精 )

建筑设计

9 787553 73097 >4

ISBN 978-75537-3097-4

FROZEN

CULT

URE

HKASP 先锋空间主编

广州市百翊文化传播有限公司策划

先锋建筑——凝固的文化

—ARCHITECTURE IS FROZEN CULTURE

PIONEER ARCHITECTURE

CONTENT目录

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026

The Whirlpool

A Comet over Milan

Stedelijk Museum Expansion-Renovation

Grand Musée de l’Afrique, Algiers, Algeria

Extension of Museum De Fundatie

Louisiana State Museum and Sports Hall Of Fame

“蓝色行星”水族馆（丹麦）

米兰的“彗星”

阿姆斯特丹市立博物馆扩建及翻新

阿尔及尔非洲大博物馆（阿尔及利亚）

De Fundatie 博物馆的扩建

路易斯安娜州立博物馆及体育名人堂

034

040

052

062

166

178

098

090

074

082

THE HIVEThe Arc-River Culture Multimedia Theatre

Pavilion Daegu South Korea

National Centre for Contemporary Arts Moscow, Russia

Centro Cultural Roberto Cantoral

Open-Air Exhibition Grounds of the Estonian Road Museum

CHUNGHA BUILDING

Museum of Contemporary Art & Planning Exhibition, Shenzhen

“蜂巢”

俄罗斯莫斯科国家当代艺术中心

Centro Cultural Roberto Cantoral

爱沙尼亚公路博物馆室外展览中心

Chungha Building

深圳当代艺术及城市规划展览馆

110128

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156

136184

WUXI GRAND THEATRE

Taichung Metropolitan Opera House

NO99 Straw Theatre

Diamond City

Conception and Realization of the Jean-Claude Carriere Theatre

The Arc-River Culture Multimedia Theatre Pavilion Daegu South Korea

National Centre for Contemporary Arts Moscow, Russia

Museum of Contemporary Art & Planning Exhibition, Shenzhen

无锡大剧院

台中大都会歌剧院

NO99 稻草剧院

钻石城

Jean-Claude Carrière 剧院设计概念与实施

韩国大邱河流文化展览馆

210

198

244

278

286

190Taichung City Cultural Centre, Taichung, Taiwan

123 Daegu Gosan Public Library

Taichung City Cultural Centre

National Stadium Warsaw, Poland

The House of Prayer and Learning

Football Stadium Arena Borisov

New Municipal Library in Greve in Chianti, Florence, Tuscany, Italy

台中城市文化馆（台湾）

123 大邱 Gosan 公共图书馆

台中市文化中心

波兰华沙国家体育馆

The House of Prayer and Learning


216

234

224

254

268

Taichung City Cultural Centre


Georges-Freche School of Hotel Management, Montpellier, France

Rozet, Arnhem, the Netherlands

Niigata City Konan Ward Cultural Centre

Library, Museum, and Art School "EEMHUIS"

New Municipal Library in Greve in Chianti, Florence, Tuscany, Italy

法国蒙特利埃新的乔治 -弗兰彻酒店管理学院

荷兰阿纳姆罗塞特

新泻市江南区文化会馆

集图书馆、博物馆、艺术学校于一体的“Eemhuis”

意大利托斯卡纳佛罗伦萨基安蒂格雷夫市立图书馆

296

292

344

350

358

New Building for the Fom Hochschule, Dusseldorf, Germany

Holy Rosary Church Complex

New Ice Rink of Liège

Biovaf Research Centre

Ashkelon Music and Dance Centre

德国 FOM 埃森经济管理应用技术大学杜塞尔多夫分校新教学楼

玫瑰圣母大教堂

列日市溜冰场

BIOVAF- 丹麦技术大学研发中心

阿什克伦音乐舞蹈中心

010 PIONEER ARCHITECTURE

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304

336

314

320364

328

Perth Arena

G3S-Grand Sports Arena, Brest

Copenhagen Arena

Library Information Centre of Jiaxing University

National Stadium and Sports Village

Mall of Asia Arena

珀斯游乐场（澳大利亚）

宏伟的体育馆—布雷斯特 G3S 体育馆

哥本哈根综合体育馆

嘉兴学院图书信息中心

埃塞俄比亚国际体育场及体育村

亚洲购物中心体育馆

011先锋建筑

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A Comet over Milan米兰的“彗星”

Stedelijk Museum Expansion-Renovation, Amsterdan阿姆斯特丹市立博物馆扩建及翻新

Grand Musée de l’Afrique, Algiers, Algeria阿尔及尔非洲大博物馆（阿尔及利亚）

Extension of Museum De FundatieDe Fundatie 博物馆扩建

Louisiana State Museum and Sports Hall of Fame路易斯安娜州立博物馆及体育名人堂

The Hive“蜂巢”

Open-Air Exhibition Grounds of the Estonian Road Museum爱沙尼亚公路博物馆室外展览中心

Chungha BuildingChungha 大厦

Museum of Contemporary Art & Planning Exhibition, Shenzhen深圳当代艺术及城市规划展览馆

The Whirlpool, Danmark“蓝色行星”水族馆（丹麦）


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博物馆MUSEUM

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THE WHIRlPOOl,dANMARk

“蓝色行星”水族馆（丹麦）Architect: 3XN A/S设计公司：3XN A/S

客户：Bygningsfonden Den Blå Planet 项目地点：丹麦哥本哈根项目面积：10 000 m²

Client: Bygningsfonden Den Blå Planet

Location: Copenhagen, Danmark

Area: 10,000 m2

SHAPE FEATURESBlue Planet is shaped as a great whirlpool, From the air, almost entirely white, its contours are reminiscent of a starfish. From the front, the building’s organic lines are evocative of silverygrey waves or a vast sea creature, and on closer inspection, the facade patterning is reminiscent of fish scales.

造型特点

“蓝色行星”水族馆的外形就像一个巨大的漩涡 , 从天空往下看，整体一片白的外形使人联想到海星；从正面看，建筑的有机线条如同激起的银灰色海浪或一头巨大的海洋动物；靠近细看，表面图案又像鱼鳞。


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dESCRIPTIONOverview

Inspired by the shape of water in endless motion, Denmark’s new National Aquarium, The Blue Planet, is shaped as a great whirlpool, and the building itself tells the story of what awaits inside.

The whirlpool concept originates in a narrative about water, and as an image, is at once both abstract and figurative. It stirs attention with its distinctive vortex blades, but at the same time, as a building, changes dramatically depending on viewing angle, distance and daylight conditions. From the air, almost entirely white, its contours are reminiscent of a starfish. From the front, the building’s organic lines are evocative of silvery-grey waves or a vast sea creature, and on closer inspection, the facade patterning is reminiscent of fish scales. This is a building that invites interpretation.

Flexibility

Blue Planet is located on an elevated headland towards the sea, north of Kastrup Harbor. The building's distinctive shape is clearly visible for travelers arriving by plane to the nearby Copenhagen Airport. The facade is covered with more than 33,000 small diamond-shaped aluminum shingles, which adapts to the building's organic form.

The whirlpool concept was chosen as ideal not only for its visual associations, but also because it resolved a practical challenge in the design brief: it ensures that one or more of the whirlpool arms, with relative ease and without disrupting the building’s integrity nor the operation of the aquarium, can be extended with more than 30 % in order to create more exhibition space.

项目概况

受到水不停打旋时形成漩涡这一形态的启发，丹麦新国家水族馆“蓝色行星”的外形就像一个巨大的漩涡，建筑本身在讲述着里面的故事。

漩涡的理念起源于一段关于水的故事。作为一种想象，它立即被用作设计理念的象征。漩涡独特的涡叶片引起了关注，而作为建筑，在视角、距离和光照等方面都因其特征受到启发从而引发了不可思议的改变。从天空往下看，整体一片白的外形使人联想到海星；从正面看，建筑的有机线条如同激起的银灰色海浪或一头巨大的海洋动物；靠近细看，表面图案又像鱼鳞；这是一幢需要细细介绍的建筑。

柔韧性

“蓝色行星”坐落在凯斯楚普港（Kastrup Harbor）北面临海的陆岬上，建筑的独特形状对于乘坐飞机从附近的哥本哈根机场来的游客而言尤其醒目。建筑表面镶嵌着超过 33 000 块小铅板，使其形体更加突出。

当初选择漩涡作为设计理念不仅仅是因为它的视觉联想，还在于它解决了设计纲要中的一个实际挑战，即在确保不打乱建筑规模和水族馆运转的情况下，一个或多个漩涡臂被扩大 30% 以上，以创建更多的展览空间。

Roof Plan

屋顶平面图

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SKIN FEATURESThe facade is covered with more than 33,000 small diamond-shaped aluminum shingles, while the outdoor ponds mark the unique experience which adapts to the building's organic form.

表皮特点建筑表面镶嵌着超过 33 000 块小铅板，在涡叶状池水的映照下，其形体更加蜿蜒生动。


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The Arrival and Interior

Visitors reach the entrance by following the first and longest of the whirlpool’s arms, already starting in the landscape. With a smooth transition, the landscape surpasses for the building, while the outdoor ponds mark the unique experience that awaits the aquarium visitors as they enter: the whirlpool has pulled them into another world—a world beneath the surface of the sea.

The interiors range from grand to intimate settings, allowing the architecture and the exhibits to jointly convey an array of diverse environments and moods. The curved ceilings of the aquarium are reminiscent of the baleens of a large whale.

The exhibition is a total concept offering all visitors a sensuous and captivating experience of life in and under the water. A mixture of light, sound, advanced AV-technology, projections, film, interactivity, graphics, illustrations and signs aimed at all age levels ensures that every visitor, regardless of background or interests, has the best experience possible. As the only aquarium in Denmark, The Blue Planet focuses on all aquatic life – from cold and warm waters, fresh and salt. In total, The Blue Planet contains app. 7 million liters of water and 53 aquariums and displays.

到达内部

沿着第一条也是最长的一条漩涡臂抵达入口，此时参观者已置身在景观之中。从景观自然过渡到建筑，而露天池塘则为进入水族馆的参观者营造了一种独特的体验：漩涡把他们推进另一个世界，一个海面下的世界。

从大到小的内部空间，使建筑与展览共同营造出洋洋大观般的环境氛围，水族馆的弯曲天花板令人联想起巨鲸的鲸须。

展览的总体追求是为所有参观者带来水上和水下迷人的感官体验。混合灯光、音响、先进的AV 技术、投影、电影相互作用，各类高水平的照片、插图和符号确保每位参观者——无论有无基础或兴趣——都能获得最好的参观经历。作为丹麦唯一的水族馆，“蓝色行星”着眼于全部水生生物——无论热带或寒带，咸水还是淡水。总之，“蓝色行星”拥有 53 类鱼缸或展示柜以及将近 700 万升的水。

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East Elevation

东立面图

South Elevation

南立面图


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Wast Elevation

西立面图

North Elevatione

北立面图

建筑和位置

“蓝色行星”的建筑沿原始海岸线排布，建筑构造依地形沉降进行特殊布置，建筑的基础是桩基，污水管挂在混凝土结构上，建筑立面按钢结构要求进行设计，54 个单体钢框架组成承载系统，它们经纵向固定构成承载曲形外立面的基础。

一条长 1.7 千米的管道通向厄勒海峡用于取水，水族馆的冷却系统和公共场所的空调系统都使用海水。

“蓝色行星”处于厄勒海滨的最佳位置，距哥本哈根市政厅广场仅 8 千米，距高速公路、机场、厄勒海峡大桥、地铁和国际列车车站都仅数百米之遥。

Construction and Location

The building extends beyond the original coastline, placing special requirements on the facility's structures in a terrain with tendency to subsidence. The structure is founded on piles and all of the sewage structures are suspended in the concrete structure. The building's architectural facade design forms the basis for the design of the steel structures. The load-bearing system consists of 54 unique steel frames, which via their radial positioning and geometry forms the base of the curved facades.

A service line was built 1.7 km out into the Øresund to obtain suitable water for the aquariums. Moreover, the cooling system for aquariums and climate system for public areas also use seawater.

The Blue Planet has an outstanding location on the shores of Øresund, only eight kilometres from the Copenhagen City Hall Square. Motorways, Copenhagen Airport, the Øresund Bridge, Metro and international trains are within few hundred metres.

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Section BB剖面图B

BSection FF

剖面图FF

Section II

剖面图II

Section JJ

剖面图JJ

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Plan

平面图


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A COMET OvER MIlAN米兰的“彗星”Architect: Mario Bellini设计公司：Mario Bellini

项目团队：D'Arcangelo项目地点：意大利米兰

Project Team: D'Arcangelo

Location: Milan, Italy

SHAPE FEATURESA graft of metal and glass bodies – three taper ing foyers on d i f ferent levels wi th spectacular 180 degree views over city life – will give a radical twist and conclude the old building head which has remained incomplete unti l now. A great square volume bulges outward and violates the existing roof, while an unexpected asteroid-auditorium floats beside it on a crown of preexisting columns.

造型特点

有着高低不同的三个锥形大厅且能够 180 度俯瞰壮观的城市生活全景的一种金属与玻璃主体拼接的建筑形式，将改变延续至今的旧建筑破落的屋顶。一个巨大的正方体取代了旧屋顶，紧邻着的是“飘”在现有柱冠上令人惊奇的星状会堂。


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Sketch

草图 dESCRIPTION

Overview

It is extremely rare that an architect gets the chance to bring a creation of his to life a second time. After only 11 years, the Portello exhibition complex – which I worked on between 1993 and 1997 – was in danger of ending up as industrial archaeology. But it was not to be. Thanks to a complex operation of ‘architectural surgery’, it is already destined to play a leading role in Milano Expo 2015.

The first stage – to be completed by 2010 – will be the construction of a large Congress Centre in the southernmost building. This structure– overlooking the site where City Life with its already renowned skyscrapers is going to be built it is first off the blocks and issues a renewed challenge.

Eventually, the entire complex will express all of its original potential as a great bustling bridge: 800 metres of urban pergola coinciding with the ‘green ray’ which will connect the city centre with the Expo area, and, more closely, the green oasis of City Life with the new 'Portello Nord' area already under construction.

But what form does this renewed challenge actually take? A graft of metal and glass bodies – three tapering foyers on different levels with spectacular 180 degree views over city life – will give a radical twist and conclude the old building head which has remained incomplete until now. A great square volume bulges outward and violates the existing roof, while an unexpected asteroid-auditorium floats beside it on a crown of preexisting columns.

A real earthquake in volumetric terms which required and generated the synthesis which resolves all: the invention of a silvery airy comet which surmounts and embraces the new building head together with part of the flanks and roof of the building, transforming it into a rare new creature, yet remaining coherent with the overall complex.

It will be an unmistakable landmark, conceived as a swarm of luminescent rays rippling from the denser nucleus of the bulkhead and forming a 200 metre long tail. A comet, in fact, has destined to become a symbol and engage in dialogue with City Life on equal terms, because its horizontal extension competes with the height of the skyscrapers.

项目概况

一位建筑师有机会将他的生活进行二度创作是极为罕见的。我曾于 1993 年到 1997 年之间在波特洛展览中心工作，这里作为工业考古学地址几近消失。然而仅仅 11 年后它已不是原来的样子。由于一场综合“建筑手术”，此处注定要在 2015 年米兰世博会上发挥主导作用。

第一阶段是在最南部建立一个大型会议中心，此项工程已于 2010年完成。会议中心能够俯瞰城市生活区内在建的著名摩天大楼，它首次不使用砖，作为对以往建筑技术的一种全新的挑战。

最终，整个展览区将作为一座繁忙的大桥展示其原始潜力：披着绿荫的 800 米城市凉亭将城市中心和世博区连接起来，而且，它与正在建设中的新波特洛北区城市生活绿洲的联系更加紧密。

新挑战究竟应该采用什么样的重建形式？有着高低不同的三个锥形大厅且能够 180 度俯瞰壮观的城市生活全景的一种金属与玻璃主体拼接的建筑形式，将改变延续至今的旧建筑破落的屋顶。一个巨大的正方体取代了旧屋顶，紧邻着的是“飘”在现有柱冠上令人惊奇的星状会堂。

为了符合抗震标准，对建筑体采取了满加固：用一个银色的通风“彗星”把新的楼顶和侧翼连同老建筑的楼顶包裹成一个整体，从而形成一个新的建筑形体。这个特殊的新形体与整座楼牢牢地黏合在一起。　

这将是一个醒目的地标。一束束光线从密实的中心涟漪般散开，拖着一条 200 多米的长尾巴。这颗“彗星”，注定要成为一个标志和城市生活的话题，它的横向延伸与摩天大楼的高度不相上下。

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SKIN FEATURESA silvery airy comet which surmounts and embraces the new building head together with part of the flanks and roof of the building. Transforming it into a rare new creature yet remaining coherent with the overall complex

表皮特点

一个银色的通风“彗星”把新的楼顶和侧翼连同老建筑的楼顶包裹成一个整体，从而形成一个新的建筑形体。

MATERIALThe Comet is the fruit of lengthy research by Mario Bellini Architect(s) starting with the figurative idea and realized with the innovative assembly of materials. It is designed to comprise a total of 8,000 metres of luminescent rays (up to 200 metres long) which will ripple out from a denser nucleus to form a tail.

材料

彗星是建筑师马里奥贝利尼经过漫长的研究后取得的成果，它开始于意象，由创新组件所实现，组件的材料包括总长达 8 000 米的光纤（单根长 200 米），光线从密实的中心散开形成一条尾巴。

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The “Comet ”: Details and Materials

The Comet is the fruit of lengthy research by Mario Bellini Architect(s) starting with the figurative idea and realized with the innovative assembly of materials which can easily be obtained on the market. It is designed to comprise a total of 8,000 metres of luminescent rays (up to 200 metres long) which will ripple out from a denser nucleus to form a tail.

- Each ray is composed of 4 ribbons side by side, pre-formed sections of ultrathin microperforated aluminium, anodised silver (making the entire structure even lighter and semitransparent).

- Each ray is supported by lightweight three-dimensional reticular steel structures along the centre of which run 8,000 metres of channelled lighting (in microprism finish extruded transparent polycarbonate tubes) produced by low energy LED lights (only 1 Watt per metre).

- Along each section, it is possible to insert a photovoltaic panel (composed of thin layers of amorphous silicon), light sensitive even in the absence of sunshine, as is often the case in Milan. Each metre can generate 25 Watts.

In theory, if the entire Comet was covered with photovoltaic panels in this way, 800,000 Watts could be generated. But in order to light up the Comet, at zero cost, it will be sufficient to install 400 metres of photovoltaic panels. All of these materials can be recycled.

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“彗星”: 细节和材料

“彗星”是建筑师马里奥贝利尼经过漫长的研究后取得的成果，它开始于意象，由创新组件所实现，组件的材料很容易在市场上获得。组件设计包括总长达 8 000 米的光纤（单根长 200 米），光线从密实的中心散开形成一条尾巴。

- 每束光纤都由 4 根条形纤线并列组成，预先形成的超薄微孔铝合金和电镀银色使整个建筑更轻盈且呈半透明状。

- 光纤由轻型三维网状钢结构支撑，沿中心散发出 8 000 米的光束，（在微棱镜的透明聚碳酸酯管内）光束由节能 LED 灯（每米 1 瓦特）产生。

- 每一组光纤都可以接入一个由非晶硅薄膜层组成有光伏面板，这样，即使在阴天时仍会有光感应，而阴天在米兰很常见。每米可以生成 25 瓦特电量。

在理论上，假如整个“彗星”都以这种方式铺满太阳能光伏板，将可以生成 80 万瓦特电量。不过，为了照亮“彗星”，在零成本的情况下，它将足够安装 400 米的太阳能光伏板。所有材料都可以回收利用。

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凝固的文化

阿姆斯特丹市立博物馆扩建及翻新Architect: Benthem Crouwel Architects, Amsterdam设计公司：阿姆斯特丹 Benthem Crouwel Architects

首席建筑师：Mels Crouwel项目建筑师：Joost Vos工程师：Arup技术工程师：Imtech技术工程师顾问：Huisman en Van Muijen客户：阿姆斯特丹市政府项目地点：荷兰阿姆斯特丹项目面积：9 423 m²（总面积）、3 400 m²（画廊及项目空间）

Lead Architect: Mels Crouwel

Project Architect: Joost Vos

Engineers: Arup

Technical Engineer: Imtech

Technical Engineering Advisor: Huisman en Van Muijen

Client: City of Amsterdam

Location: Amsterdam, the Netherlands

Area: 9,423 m2 in total, 3,400 m2 gallery and program spaceSHAPE FEATURESWhereas the old building has straight lines and corners, Benthem Crouwel decided that the new one should have smooth, curved lines. The wing-shaped, cantilevered roof over the square at the height of the stone frames, reinforces the open transition from the square to the building and removes any doubts about the whereabouts of the entrance.

造型特点

虽然先前的建筑带有直线和转角，但边沁 • 克劳威尔（Benthem Crouwel）决定，新建建筑应具有光滑的弧形线条。在广场上方，悬臂式翼状屋顶与石制框架齐平，强调了从广场到建筑的开放式过渡，消除了对入口位置的质疑。

STEdElIJk MUSEUM EXPANSION

RENOvATION,amsterdam


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Site Plan

总平面图

dESCRIPTIONoverview

Complete renovation of the historic building of the Stedelijk Museum (A.W. Weissman, completed 1895) has been brought it up to be the best current museum standards and convert virtually all program spaces into galleries for the renowned permanent collection.

Construction of an adjoining new building (two stories above grade, one below) has been underway to house galleries for temporary exhibitions, visitor services, public amenities, library and offices.

Relocation of the main entrance onto the great public lawn of Amsterdam’s Museum-plein (Museum Plaza) has successfully creatde an active, common ground for the first time among the Stedelijk Museum, the Van Gogh Museum, the Rijksmuseum and the Concertgebouw.

Location

The Stedelijk Museum is located in Amsterdam’s Old South district in the Museum Quarter, near the intersection of Paulus Potterstraat (where the 1895 building had its main entrance) and Van Baerlestraat.

Exterior Form

The Stedelijk’s new building appears from the outside to be an entirely smooth white volume, oblong in shape and canted upward at one end, which is supported on white columns. Already known by some in Amsterdam by the nickname “the bathtub”, this floating form, which spreads outward at the top into a broad, flat roof, is actually the envelope for the second-floor galleries, auditorium and offices above. It is entirely encased in glass at the transparent ground-floor level, which houses the main entrance and lobby, museum shop and restaurant.

Roof and Outdoor Plaza

The roof of the new building matches the height of the original building’s cornice line. The roof’s overhang creates a sheltered outdoor plaza at ground level, where programmed activities can be staged and where visitors will be protected from the elements.

Façade Material

The smooth white surface of the facade is made up of 271 panels of a pioneering new composite material with Twaron® fiber as its key ingredient. The panels are attached to the steel structure by 1,100 aluminum brackets. Twaron, a synthetic fiber, is extremely lightweight (27 kilograms per square metre, or less than half the weight of a normal curtain wall), is five times as strong as steel, maintains its shape and strength in varying weather conditions and does not melt in fire. Because the composite with carbon fiber and Twaron can be molded, it permits the creation of a smooth, seamless surface of virtually any area. Twaron is ordinarily used for the hulls of motorboats and racing yachts, sailcloth, aerospace and industrial components and sports equipment such as tennis rackets and hockey sticks. At the Stedelijk, it is being used for the first time for a large-scale architectural facade.

项目概况

城市建筑师 A.W. Weissman 于 1895 年设计了阿姆斯特丹市立博物馆。如今，旧馆的翻新工作已结束，该博物馆成为目前最好的博物馆，几乎所有的项目空间都转换成展示永久著名藏品的画廊。

在博物馆的装修期间，在相邻区域修建了一栋新建筑（该建筑地上两层，地下一层）作为临时展馆、游客中心、公共设施、图书馆及办公室。

主入口迁移至阿姆斯特丹博物馆广场的公共绿地处，第一次为市立博物馆、凡·高博物馆、阿姆斯特丹国家博物馆及阿姆斯特丹音乐厅打造了一个活泼、大众化的场所。

位置

阿姆斯特丹市立博物馆坐落在阿姆斯特丹老博物馆广场的南区，靠近 Paulus Potterstraat（这里曾是 1895 年建成的老博物馆的主入口处）和 Van Baerlestraat 的交叉路口。

外部形状

从外表看，阿姆斯特丹市立博物馆新建筑的外形为一个十分光滑的白色量体，椭圆的形状朝着一头略微倾斜并由白色量体支撑。因为这样的形状，博物馆在阿姆斯特丹当地被人们赠以“浴缸”的绰号。这种漂浮的形状（在顶端时向外扩展成宽敞的屋顶平台）实际上将二楼的画廊、礼堂及办公区域包裹起来。底层全部采用玻璃包覆，显得通透明亮，这里有主入口及大堂、博物馆商店及餐厅等。

屋顶及户外广场

新建筑的屋顶与原始建筑檐口线的高度相匹配。屋顶的悬垂部分为底层创建了一个带遮蔽的户外广场。这里可以用作项目活动的舞台，也为游人提供了阴凉、避雨的空间。

外立面材料

外立面的白色光滑表面由 271 块面板构成，这是一种探索性的新型复合材料，主要成分为 Twaron® 纤维。这些面板附着在由 1 100根铝支架组成的钢结构上。Twaron 是一种合成纤维，质量轻（琉璃幕墙每平方米用料 27 千克，而采用这种材料的话将不到普通玻璃幕墙的一半重量）而坚固（是钢的 5 倍），其形状及强度能够承受不同的天气状况且阻熔。经与碳纤维合成后，Twaron 可以塑形，保证了在任何区域都能够构建一个平滑、无缝的表面。Twaron 通常被用于摩托艇及竞赛帆船的外壳、帆布、航空航天及工业元件以及运动设备（例如网球球拍、曲棍球球棍）等。此次市立博物馆的翻新，Twaron 是第一次被用于大型建筑外立面。

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Section剖面图

SKIN FEATURESAfter plastering and sanding the facade, it was painted with a white glossy finish identical to the gleaming hull of a luxury yacht. To prevent visible stripes, the entire 100 metres-by-15 metres façade was painted in one go, by using paint sprayers on three levels, which drove in perfect synch with each other in front of the whole facade.

表皮特点

在抹灰和打磨之后，在外立面上涂上一种透亮的白色抛光材料，这种材料与豪华游艇外壳使用的喷涂材料相同，可以使建筑物闪闪发光。为避免出现可见缝隙，采用喷漆枪在 100 米长、15米宽的外立面上一次性喷涂三层，每一层的外立面喷涂均完全同步。

MATERIALAn important part of the architects’ vision was that the sur face of the facade should be seamless. Such a large area would need to be made out of a number of smaller panels. Therefore, the 100 metres long white smooth volume is made from fiber enforced composite, since this composite offers a minimal thermal expansion, making a seamless facade possible.

材料

在建筑师的设计愿景中，其中一个重要目标就是实现无缝隙的外立面。但由于面积庞大，而且同时需要使用很多小面板接合，因此，加强型复合纤维材料就被选用，用以建造 100 米长的白色光滑外立面，因为这种复合材料具有最低限度的热膨胀特性，所以也就可以实现无缝隙的外立面。

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