india’s classical age (volume b). background vedic canon brahman ātman moksa karma dharma

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India’s Classical Age (Volume B)

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Page 1: India’s Classical Age (Volume B). Background Vedic Canon Brahman ātman moksa karma dharma

India’s Classical Age (Volume B)

Page 2: India’s Classical Age (Volume B). Background Vedic Canon Brahman ātman moksa karma dharma

Background

Page 3: India’s Classical Age (Volume B). Background Vedic Canon Brahman ātman moksa karma dharma

Vedic Canon

• Brahman• ātman• moksa• karma• dharma

Page 4: India’s Classical Age (Volume B). Background Vedic Canon Brahman ātman moksa karma dharma

Maurya Dynasty (321–180 B.C.E.)• central administration• diplomatic and trade

links with Europe and Central Asia

• Emperor Aśoka (269–232 B.C.E.)

• “wheel of dharma”• Brahmi script, rock

inscriptions• multilingual pluralism• Buddhism and

ahimsa

Page 5: India’s Classical Age (Volume B). Background Vedic Canon Brahman ātman moksa karma dharma

Kusana Empire (100–300 C.E.)

• Kaniska• Buddhism• kāvya

Page 6: India’s Classical Age (Volume B). Background Vedic Canon Brahman ātman moksa karma dharma

Gupta Empire (320–550 C.E.)

• Candragupta Vikramaditya (375–415 C.E.)

• improved agriculture• improved economics• shift in trade with

China and Southeast Asia

• changes in Hinduism• rājakavi

Page 7: India’s Classical Age (Volume B). Background Vedic Canon Brahman ātman moksa karma dharma

Gupta (continued)

• shift in literacy among castes

• Jainism and their monasteries

• Tamil lyric

Page 8: India’s Classical Age (Volume B). Background Vedic Canon Brahman ātman moksa karma dharma

• katha, tale

• akhyayika, nonfiction histories and biographies

• Bana, Kadambari and Harsacarita

• Ramayana and Mahabharata as kavyas

• additional function of poetic works

Classical Genres

Page 9: India’s Classical Age (Volume B). Background Vedic Canon Brahman ātman moksa karma dharma

• kavi

• pratibha, conception

• aucitya, urbane decorum

• sahitya, literature

• “mutual benefit”

• audience as “true companion at heart” (sahrdaya)

Poets

Page 10: India’s Classical Age (Volume B). Background Vedic Canon Brahman ātman moksa karma dharma

• Bharata, Discipline of the Performing Arts (2nd century C.E.)

• rasa, essence of human emotion

• Dandin, The Ideal of Poetry

• alamkara, embellishment of language

• Anandavardhana, The Radiance of Suggestion (9th century C.E.)

• three levels of language: denotation, connotation, and suggestion

Aesthetics

Page 11: India’s Classical Age (Volume B). Background Vedic Canon Brahman ātman moksa karma dharma

India100–1000

Page 12: India’s Classical Age (Volume B). Background Vedic Canon Brahman ātman moksa karma dharma

Classical Indian culture was marked by which of the following?

a. religious persecutionb. social equalityc. religious toleranced. a growing middle class

Test Your Knowledge

Page 13: India’s Classical Age (Volume B). Background Vedic Canon Brahman ātman moksa karma dharma

During which imperial reign did India’s classical period come to maturity?

a. Guptab. Aśokac. Delhi Sultanated. Ottoman

Test Your Knowledge

Page 14: India’s Classical Age (Volume B). Background Vedic Canon Brahman ātman moksa karma dharma

Which of the following characterized the ideal writer during India’s classical period? He was a:

a. connoisseurb. religious asceticc. moralistd. mystic

Test Your Knowledge

Page 15: India’s Classical Age (Volume B). Background Vedic Canon Brahman ātman moksa karma dharma

According to classical India aesthetics, which of the following levels of meaning is the most important for producing poetic effect?

a. suggestionb. connotationc. allusiond. denotation

Test Your Knowledge

Page 16: India’s Classical Age (Volume B). Background Vedic Canon Brahman ātman moksa karma dharma

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