5

4 2 1

Allegro giusto.Lively, wi th .t i rm rhythm.

4 3 1 2 4

4a n 5 2 ••••-•_•----.....,._• A l m l o w a m 111111111111111M

W A I I I N I M I I M A MEIN ' JIMMIEI I ti'd allIIIMEI M E M MK Ammuno-1111111111r J I M E E M EI LWA I I I I I I I " • • • • " ' 1 6 M M E

M O M

A l i k t I M EM I LEININIFAIMINIEN•-•

-•.-udi111111110.,111PNLIWIElloinw11•1116011P"MoM111111"1=

11111•1111111ABEIMPOWIEB••.•---106.41mmir

61111116.111E1P911111M11•••••111•11•111E Inolloom

•EniEliM k B M W A I M I = I I I N I E N I E N P " M M E P S N M =ENV AM m i l m i m w - i m m o o r

' m o m A M M I E l h o l I P • m i a l l i e lsionnoomor

m• marM E N .311111111111

SPINI M I I M M = 1 1

dim.5 3•••••••••

M i n

AMMAIMIEW"SLallalM,9111•W

5 2 3

55 _ 2 •••••••••._

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3

2 5 3 2

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41 31 2 4 1 -3-ss•I v a . Elm

NIP .4•1•1111.ELEAKPNIAIIIIP1111111 1 1 1 1 1 = 1 . 1 • 11 - !3 .01•1116/11-W I i m o m m o r 111111 0 M 11111 • 111 W I N O 9 1 . . M I M I l ls w i m M A N I P U R ' 3 1 • W Eor Jon-domenonnumnomonsim IMMEEMEIMMLAIME

11111.111. M a w

3•

/ : • 3 0 d 1 1 1 1 1K A M A =

IsELAN 1111111111111

M E M O - . . . : • • • • • a i i i =

5

mow Jonsummor!hdr ElrliallEIP•11rmor m a l e i n e l m u L d o o r i t - a n u m iWNW I , ICE IMIIIIIIIKUMIUM•1111111•111111fall• ann111111= 1onommkor immomoommounolso•-

5 4 3

3 ' 24 3

m o w 2111111 = M E ; B M A IIMINIMME11111116111111 I N a n M a n n " ! IEm111111.1111.1101,1111•Em : 1 4 1 1 . 1 1 = 1 1 O M E N E l l i n A M I N O-r"11•1••••••:-...•••••••11-•--••111111P•TPIIIIMP MB

0"•-•411111111111111 7

I) According to the preceding canonic scheme,it would be natural to f ind a t both of these,designated places, — instead of what follows — a quarter and a 16th rest.One must —of the four eighth-notes —make the f i r s t two somewhat prominent, through

which the effect o f the imitat ion w i l l receive i t s f u l l value.F.13.3127.

pianodragon.com

J.S. BachBusoni

Invention 13

5 3 2 3 1

2)linguntstr mow mar ant AnIkuumE m i g n a m m a t o r 11•1111111111 11•111WEICIK2VIED

f(wik - d • - • —11WMIlwillEMEMIWWWWWW•it M I M MI M M O

.••••••••11../mni v o n e t o m m o i t mar am- mom-ninilaNNIEWMPM•il ...dr.s.amc-instomownemmr Jammir 221r .11111! AlmiSil l • • - • - •1111111111MAIMIAINI• • • •11011/Wel iul lommE1111111•1111( .1111•11=1,111f A M M O

111.11EMIEMEEWIIMESWILAMIN 1111INIMI I W • • • • • - E w . u . E . E . I . . m . n . . p w

a I 5 2 3 5 4 le • • • • • • - ' M i nt o t e t a n n i f i r a r o m m i m m . - -_ i n t i . n a m i n g • i e r t u m o N O M 11111 0 = 1111 r .11/"El l I r lbAr M I N I M ' . i r a u m m u r /111111111111111111. A r i a l

I / W W M I I M E I W I I I I M A I I M A / M 4 11 7 . 7 111 . . . 7 • 1 9 V E R FA M O I 1111 0 111 E t .IMIL411MINAMI..11r0000001000001;0.0000„... M r • o l p a l l . . A m m a r A m o r A n w a n o u s A i rme.deormat•mona n o m

• 4 4 . 1 1 1 1 MWAIMINEMIU1=1•1111•111:Mt. W I I I I M I I I I I I I e a . 1 MII I I I I I I ILI IMI•MII I1.10111.11111111•11 1 • • • • • I N I : P L A I E L I M M a l l t E E P 9 1I n a I M E I W W E I I I I E r I L A I M I I M I Z I E W 1 1 . 1 1 0 1 1 1 1 - -••••111 C 1 . 4 1 1 1 1 1 = 1 1 r M O W Anommour a n s a n o - - - - - - m m o m m u r l - m w o o - d i s t u r g L anErAmon-Anoimsommlinaleva 7.--Emer•mmemomommourAlmommonmanoolom - - - - -mum.- - - ; -Emmor3. • • • •

n i i i i M r id , ' • i i- - - . . _ , A • • • • • ; , . . 1 . 1 8 • 0 • • • - - ...-- En- . - - - - - s w Will WWII••••- - - - - - - .

1 2

NNW' 1 4 1 4 1 3 L 2- t m a n n ai l l=1 .1111 .1 .9 •111W"•111111•1 .11111wiwomENE awl am ww•WIls1111111•1111--

I l i w a n t i m m - m • P u l t : r w i m u m o n o n o m m o n o n n i u m mIIIMUMA4 N E W r l • i l M i r D'"•11111=110"

E N .nom moolmommonow-ommommen=Elwmon mommoomirwmonnommoommow

M O W

1 5 2 5 2 --•••••11111111111111111•1•11111”

E l l l i w n e • • • - - - • = 1 - 11 • 1 • 1 . 111 I E L L I N I ' : / m I E I N I E M I C I E l t • • • = 4 1 4 • 1 1 1 1

IIEWM1111111Jr..."WEIBIE."11111 . 1 1 1 1 1 . 1 1 . 1 r Angnor

54 4 5 - 3 )

ArAIP•11•111P91%0II MEWL 1111111AII l i n n o r /1011P96/4111111”1 1 5 • = • • • • • • • • • - - - - W i l k• 2 2 11 2 1 2 oINE•01.411111WP•IIMMIIIIWIWIMEMIsenowwWW11111---- M A I Mw • I u m r A n o r J o n - a P P 9 o - m i o n o w I I IM I I I I INWI I IL f i r W Eirmr. „M•4111•11•1111•4111111111•411iMar JIMMIWO•Noll i .al l IMII IMIW M I I I I I I I I I I I I I N I M I W I E N I I I I M I• f au l lE t In f /1111111•11111•11111•11IMIME.11.4.1.1.111111111.111.11:INIIIIIIIEWINI Mil WWWWw1111111EINWIONIIIIIIIWI•0111111IND" & M E W A U 16•11P•111 „WII I IMI IM IK I W T A I I I I I I I I I I I I I I I M I W W w w i e • _ . . . . . „ . . . . . . . . z - , • • • • • • • • „ • • • • • - • . 1 1 _ _ _ _ _ _ _ . . . . .11•111ENEINIIIIMEIP • I P " I•-•.--- . . . . . . , - . . . . . . . - - . . . • - - _ , . . . . • • • • • . • • • • • • - • - . . . — . . -....-----

lecer:09111W =hoffin11111.1111111 t o l '1:11WM?"3•AIWIEMILed i i . d o n g tgm, 4111111Minin m g . = W I N

ANIM m a i n111.1111111.111

••dElt...../•MW•mum -d!r= =

N.

2) I n many editions A flat is erroneously given instead of A.3) The attempt—the possibility of which is easily explained-to play this passage two -voiced

is by no means to be allowed. The chordfigure of this belated quarter note is not

• a t e n / p a3 2 5

3 5 .3allarg a placere) (3 1) 2 - . -

2 - 4 5 3

•

-r•an ornamental end-flourish, for it finds its conception in the beginning of the third measure

a n d therebyi s giveni t s truesignificance.

N. B. Seemingly the chief characteristic of this form is its duality, in which each of thetwodivisions is again subdivided into halves.

It would also be justifiable to divide the work into three parts i to make such a divisionclear, one must recognize the ideal connection between the first half of the 13th and theand the last half of the 17t.11 measures, and regard all the intervening passage as transitionfrom the second to the third division. i .e. 13th nieasure

E .B . 312'7.

W - ' • • • • • • • - • • • • • • • , •

N.B•17th measure

------ 1 53 2 4 2

3 1 2 4 2 5 1

4 5 35

27

3 1 4 22 4 2

According to which eachportion is presented as anindependent division.

The analysis in Friedemann Bach's "Clavier - Biichlein" ("Little Pianobook") only admitsof the three divisions. This brings, instead of the 16th and n t h measures, the following variantof both, and omits the next four measures going at once to the 2211_d thus

16(11 measure 1 7 1 h mcastire 2 2 n d measureIS AI.

•••••••••