juraj rek - fotografie / photos
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vyber z tvorby / selected workTRANSCRIPT
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Juraj Rek
FOTOGRAFIEPHOTOS
V Ý B E R Z T V O R B YS E L E C T E D W O R K S
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Juraj Rekfotografi eV Ý B E R Z T V O R B Y
foto © 1983 – 2009 Juraj Rek
dizajn & layout © 2009 Viktor Rek
Fotografie nie je možné publikovať
tretími stranami bez predošlého
písomného súhlasu.
V prípade záujmu o jednotlivé fotografie
píšte na [email protected]
Venované otcovi na Vianoce 2009
Juraj RekphotosS E L E C T E D W O R K S
photo © 1983 – 2009 Juraj Rek
design & layout © 2009 Viktor Rek
Photos may not be published by third
parties without the prior written consent.
In the case of interest in individual
photographs, please write to
Dedicated to my father for Christmas 2009th
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arodil som sa v roku 1943 . Tesne po vojne boli
ešte vo vtedajších stánkoch časopisy ako Régards
a Neue Berliner Zeitung, ktoré boli, po vzore ame-
rických Vogue, Life atď., plné skutočne vynikajú-
cich fotografií. Ako štvor-päťročný som nevedel ani
po nemecky, či po francúzsky, no výpoveď týchto
fotiek bola jasná a otvárala mi oči aj svet. Moja
mama ich veľmi rada a pravidelne kupovala, až
kým tomu komunisti nespravili rázny koniec. Ale
aj za ten rok – dva som sa navždy naučil mať rád
dobré fotografie, ktoré vedia rozprávať príbehy. Navyše, v našej rodine bola tradícia
fotografovania udomácnená. Stará mama mala známy fotoateliér a môj otec tradíciu
preniesol aj na mňa. Rád som pozoroval staršieho brata, ako vyvolával fotografie
v polievkových tanieroch, a tak som sa veľmi skoro oboznámil s princípmi vzniku fo-
tografického obrazu. Ako trinásťročný som dostal od rodičov prvý jednoduchý foto-
prístroj, s ktorým som stvoril prvé obrázky a pocit šťastia z vlastoručne zhotovených
fotiek ma neopustil dodnes. ¶ Celý život, s prestávkami, som ostal tomuto koníčku
verný, aj keď profesionálne som bol odviaty inde. Naučil som sa však, že jednotlivé
odvetvia umenia, kde má svoje miesto aj fotografia, sú prepojené základnými postu-
látmi. Je to snaha o komunikáciu s ostatnými, výpoveďou o stave sveta svojimi oča-
mi.Je to o oslovení duše iných ľudí. Naučil som sa, že nemôže byť umenie, ak niekto
koná proti ľuďom, keď ľudský výtvor ide proti dobru a kráse, aj keď prostriedky na
toto posolstvo na prvý pohľad môžu pôsobiť opačne. ¶ Moja tvorba zodpovedá mojej
povahe. Aj keď som vždy okúzlený skvelou dokumentárnou, ale i inou fotografickou
tvorbou, robím takmer výhradne krajinársku fotografiu, čo súvisí s mojim hlbokým
vzťahom k prírode. Využívam výhody digitálnej fotografie a snažím sa zaujímať tole-
rantný postoj aj k novým prejavom fototvorby, ktoré moderné technológie umožňujú.
Myslím si, že vždy je rozhodujúca sila výpovede autora. #
orn in 1943, I experienced the brief post-war pe-
riod when western journals such as Régards or
Neue Berliner Zeitung were still generaly avail-
able. These were – following the examples of
American journals Vogue, Life, etc. – full of tru-
ly oustanding photographs. Four-five years old,
I didn't speak any German or French, but the
message of those pictures was completely clear
and opened both my eyes and my mind. My mom
was an enthusiastic buyer of those journals, until
the communists firmly made away with her passion. But even that short timespan
of year or two sufficed me to learn to love good photographs, the ones that tell
stories. Moreover, the tradition of photography was well established in our family.
My grandma ran an renowned photographic studio and my father passed the tradi-
tion on me. I eagerly watched my brother developing films in our soup plates, so
I acquinted myself with the principles of photographic image creation very early.
I recieved my first simple camera from my parents in the age of thirteen and took
my first pictures with it. The feeling of joy resulting from making the pictures didn't
cease to resurface since then. ¶ I stayed faithful to this hobby my whole life, with
some breaks, even though I settled elsewhere occupationally. I came to know that
various kinds of art – photograpy having a place here – all share some fundamental
postulates. It is an effort to comunicate with others, a tesitmony about the world
condition as seen by one's eyes. It is about speaking to the souls of other people.
I came to know that it certainly is not true art, the one that goes against people.
A human creation that acts against the good and the beauty is not a true art, even
if the means of that message make the opposite impression. ¶ My works reflect
my character. Although I am always enchanted by a great documentary or other
photographic creation, I myself produce almost exclusively photographies of land-
scape, the fact given by my deep affection to the nature. I take an advantage of the
digital photography. I also try to develop a tolerant attitude to the new expressions
in a photographic work enabled by the new technologies. I think it is the power of
author's testimony that is decisive. #
Juraj Rek
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landscapes
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SPOJNICEFLOWLINES
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CESTA POĽOM 2FIELD TRIP 2
CESTA POĽOM 1 FIELD TRIP 1
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CESTA POĽOM 3FIELD TRIP 3
ZBIEHANIECONVERGENCE
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V ŽITEIN THE RYE
CESTA POĽOM 4 FIELD TRIP 4
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CESTA POĽOM 6FIELD TRIP 6
CESTA POĽOM 5 FIELD TRIP 5
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CESTA POĽOM 7 FIELD TRIP 7
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ČIARY,PÁSY,
HORIZONTYLINES,
STRIPES,HORIZONS
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TVARY POĽAFIELD SHAPES
DLHÁ ORÁČINALONG SEEDBED
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VRÁSKY ZEMEEARTH WRINKLES
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ZIMA PRIŠLAWINTER COMES
ZASLÚŽENÝODPOČINOKWELL-EARNED REST
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BEZ NÁZVUUNTITLED
STROM A POLIATREE AND FIELDS
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Z POĽAFROM FIELD
ORBAPLOWING
ROLIČKY V TEPLIČKESEEDBEDS IN TEPLIČKA
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POD MALOU FATROUUNDER MALÁ FATRA
PODHORSKÁ ORÁČINAUNDERHILL PLOWING
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O KOSTOLÍKUABOUT THE LITTLE CHURCH
ŠTYRI SVOJHO DRUHUFOUR OF ITS KIND
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FARBY LETA 2SUMMER COLORS 2
FARBY LETA 1SUMMER COLORS 1
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BRÁZDY NAD HÔRKAMIPLOWING OVER HÔRKY
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BRÁZDYPLOWING
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PRÍŤAŽLIVOSŤPROTIKLADOV
ATTRACTIONOF
OPPOSITIES
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ÚZEMNÉ STRATYTERRITORIAL LOSSES
PASTELOVÝ MOTÍVPASTEL MOTIF
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« NAD SÍDLISKOMOVER THE HABITATION
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»KTO Z KOHO
WHO FROM WHOM
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HLBOKÝVZŤAH
DEEPAFFECTION
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VÝPARYVAPORS
VÝPARY A LÚČEVAPORS AND RAYS
«INÁ PLANÉTAANOTHER PLANET
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PAHÝLESTUMP
POZDRAVUJ OBLAKYGREET CLOUDS
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FROSTY SPRINGGREET CLOUDS
ZA RÁNAIN THE MORNING
DOZRIEVANIEMATURATION
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BIELY KÔŇWHITE HORSE
ČIERNE KONEBLACK HORSES
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ZÁZRIVSKÉ PANÁKYZÁZRIVÁ DUMMIES
NA PAŠIFREE RANGE
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NÁLADAFEATHER
HMLISTÉ RÁNOCLOUDY MORNING
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... ANEJAKÉ
STROMY... ANDSOMETREES
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LESNÁ STRÁŽFOREST GUARD
CESTA POĽOM 8FIELD TRIP 8
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KONÁRBRANCH
SÚMRAČNOTWILIGHT
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ROHÁČSKE PLESÁROHÁČE LAKES
POD ROHÁČMIUNDER ROHÁČE
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KONIEC CESTYEND OF THE ROAD
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LESNÉ ZASTAVENIEFOREST STOP
»MORDORMORDOR
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MRAZIVÉ ŠATY 1CHILLY CLOTHES 1
BEZ NÁZVUUNTITLED
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the city
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NEVŠEDNÉVŠEDNOSTI
UNUSUAL COMMONPLACES
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CITY ROOF 1CITY ROOF 1
CITY ROOF 2CITY ROOF 2
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SPRÁVNY SMER 1, 2, 3RIGHT DIRECTION 1, 2, 3
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NEPOUŽITÉUNUSED
SARKOFÁGSARCOPHAGUS
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ODRAZREFLECTION
MONUMENTYMONUMENTS
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V ZAJATÍIN CAPTIVITY
MRAZIVÉ ŠATY 2CHILLY CLOTHES 2
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POPODBENEATH
SMER TATRYDIRECTION TATRY
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SYMETRIASYMETRY
NÁZNAKSUGGESTION
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STARÁTEPLÁREŇ
OLDHEAT
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Z MÔJHO
BYTUFROM
MY WINDOW
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OTLAČKYIMPRINTS
DVORYARD
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... A EŠTE HORŠIE
... AND WORSEZLÉ...BAD...
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KRIVKYCURVES
SPOMIENKYMEMORIES
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KONIECEND
ĎAKUJEM ZA POZORNOSŤ! THANK YOU FOR YOUR ATTENTION!