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Kurt Kren Kurt Kren (September 20, 1929 - died in Vienna on June 23, 1998) was an Austrian avant-garde filmmaker. He is best known for his involvement with the Vienna Aktion- ists and the group of films that resulted, although this ac- counts for only a part of his career, and he later returned to the Structural roots of his third film 3/60: Bäume Im Herbst. Although not a seminal Structural film, 31/75: Asyl is arguably one of the more satisfying films of the movement. 1 Biography Kurt Kren was born in 1929 in Vienna, Austria to a family of a Jewish father (a bank employee) and German mother. From 1939 until the end of World War II Kren lived in Rotterdam, where he was sent with one of the Children’s Transports. In 1947 Kren returned to Vienna, and his father provided him a job at the National Bank. He began a film career in the early 1950s creating experi- mental short 8mm films. In 1957 he moved to the 16mm format. In 1966, Kren participated in the Destruction in Art Sym- posium in London. In 1968 he visited the USA for the first time, showing his films in New York and St. Louis. After a participation in a happening “Kunst und Revolu- tion” (“Art and Revolution”) at the University of Vienna in 1968, Kren’s films were confiscated and he was fired from the National Bank. Kren participated in 1970 in the International Under- ground Film Festival (London, UK) and 1971 in the Cannes Film Festival. He moved to Cologne, Germany for five years. Retrospective screenings took place in 1976 in National Film Theatre, London, 1978 in New York, 1979 in Museum of Modern Art, New York. From 1978 until 1989 Kurt Kren lived in the USA, some- times just in a car, traveling, making presentations and lectures at universities, film schools and the Houston Mu- seum of Fine Arts. In the early 1980s Kren alternated between living in Austin, Texas and Houston, Texas. He began frequent- ing the Texas punk rock clubs and became a fixture of the early Houston punk rock scene. Kren became good friends with punk rock band Really Red and often would show his films as a backdrop to their Texas shows. On their "New Strings for Old Puppets" ep Really Red recorded a song in tribute to Kurt Kren called “Ode to Kurt Kren”. From 1983 until 1989 Kren did work as a security officer at the Museum of Fine Arts (Houston, USA). Kren returned to his native Vienna in 1989. In the 1990s his works were presented worldwide, also by the major museums and cinematheques. He was a co-founder of the Vienna Institute of Direct Art and the Austria Film- makers Cooperative. Kurt Kren died from pneumonia in Vienna, Austria in 1998. 2 Filmography Das Walk (1956) Rom (Fragment) (1956) Klavier Salon 1. Stock (1956) Mobiles (1957) 1/57: Versuch mit synthetischem Ton (Test) / 1/57: Experiment with Synthetic Sound (Test) (1957) 2/60: 48 Köpfe aus dem Szondi-Test / 2/60: 48 Heads from the Szondi-Test (1960) (see Szondi test) 3/60: Bäume im Herbst / 3/60: Trees in Autumn (1960) 4/61: Mauern-Positiv-Negativ und Weg (1961) 5/62: Fenstergucker, Abfall, etc. / 5/62: People Looking Out of the Window, Trash, etc. (1962) 6/64: Mama und Papa (Materialaktion Otto Mühl) / 6/64: Mom and Dad (An Otto Mühl Happening) (1964) 7/64: Leda mit dem Schwan / 7/64: Leda and the Swan (1964) 8/64: Ana – Aktion Brus / 8/64: Ana: Action Brus (1964) 9/64: O Tannenbaum / 9/64: O Christmas Tree (1964) 10/65: Selbstverstümmelung / 10/65: Self-Mutilation (1965) 1

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  • Kurt Kren

    KurtKren (September 20, 1929 - died inVienna on June23, 1998) was an Austrian avant-garde lmmaker. He isbest known for his involvement with the Vienna Aktion-ists and the group of lms that resulted, although this ac-counts for only a part of his career, and he later returnedto the Structural roots of his third lm 3/60: Bume ImHerbst. Although not a seminal Structural lm, 31/75:Asyl is arguably one of the more satisfying lms of themovement.

    1 BiographyKurt Kren was born in 1929 in Vienna, Austria to a familyof a Jewish father (a bank employee) andGermanmother.From 1939 until the end of World War II Kren lived inRotterdam, where he was sent with one of the ChildrensTransports. In 1947 Kren returned to Vienna, and hisfather provided him a job at the National Bank.He began a lm career in the early 1950s creating experi-mental short 8mm lms. In 1957 he moved to the 16mmformat.In 1966, Kren participated in the Destruction in Art Sym-posium in London. In 1968 he visited the USA for therst time, showing his lms in New York and St. Louis.After a participation in a happening Kunst und Revolu-tion (Art and Revolution) at the University of Viennain 1968, Krens lms were conscated and he was redfrom the National Bank.Kren participated in 1970 in the International Under-ground Film Festival (London, UK) and 1971 in theCannes Film Festival. He moved to Cologne, Germanyfor ve years.Retrospective screenings took place in 1976 in NationalFilm Theatre, London, 1978 in New York, 1979 inMuseum of Modern Art, New York.From 1978 until 1989 Kurt Kren lived in the USA, some-times just in a car, traveling, making presentations andlectures at universities, lm schools and the Houston Mu-seum of Fine Arts.In the early 1980s Kren alternated between living inAustin, Texas and Houston, Texas. He began frequent-ing the Texas punk rock clubs and became a xtureof the early Houston punk rock scene. Kren becamegood friends with punk rock band Really Red and oftenwould show his lms as a backdrop to their Texas shows.On their "New Strings for Old Puppets" ep Really Red

    recorded a song in tribute to Kurt Kren called Ode toKurt Kren. From 1983 until 1989 Kren did work as asecurity ocer at the Museum of Fine Arts (Houston,USA).Kren returned to his native Vienna in 1989. In the 1990shis works were presented worldwide, also by the majormuseums and cinematheques. He was a co-founder ofthe Vienna Institute of Direct Art and the Austria Film-makers Cooperative.Kurt Kren died from pneumonia in Vienna, Austria in1998.

    2 Filmography Das Walk (1956) Rom (Fragment) (1956) Klavier Salon 1. Stock (1956) Mobiles (1957) 1/57: Versuch mit synthetischem Ton (Test) / 1/57:

    Experiment with Synthetic Sound (Test) (1957)

    2/60: 48 Kpfe aus dem Szondi-Test / 2/60: 48Heads from the Szondi-Test (1960) (see Szondi test)

    3/60: Bume im Herbst / 3/60: Trees in Autumn(1960)

    4/61: Mauern-Positiv-Negativ und Weg (1961) 5/62: Fenstergucker, Abfall, etc. / 5/62: People

    Looking Out of the Window, Trash, etc. (1962)

    6/64: Mama und Papa (Materialaktion Otto Mhl)/ 6/64: Mom and Dad (An Otto Mhl Happening)(1964)

    7/64: Leda mit dem Schwan / 7/64: Leda and theSwan (1964)

    8/64: Ana Aktion Brus / 8/64: Ana: Action Brus(1964)

    9/64: O Tannenbaum / 9/64: O Christmas Tree(1964)

    10/65: Selbstverstmmelung / 10/65: Self-Mutilation(1965)

    1

  • 2 3 EXTERNAL LINKS

    10b/65: Silber Aktion Brus / 10b/65: Silver: ActionBrus (1965)

    10c/65: Brus wnscht euch seine Weihnachten(1965)

    11/65: Bild Helga Philipp (1965) 12/66: Cosinus Alpha (1966) 13/67: Sinus Beta (1967) 14/67: Kurdu (Gebetsmhle) (1967) (The DVD dis-tributor INDEX lists this lm as lost in its biographyof Kurt Kren.)

    15/67: TV (1967) 16/67: 20. September / 16/67: September 20 (1967) 17/68: Grn - rot (1968) 18/68: Venecia kaputt (1968) 19/68: White-black (1968) 20/68: Schatzi (1968) 21/68: Danke (1968) 22/69: Happy End (1969) 23/69: Underground Explosion (1969) 24/70: Western (1970) 25/71: Klemmer und Klemmer verlassen die Welt(1971)

    26/71: Zeichenlm - Balzac und das Auge Gottes /26/71: Cartoon: Balzac and the Eye of God (1971)

    27/71: Auf der Pfaueninsel (1971) 28/73: Zeitaufnahme(n) (1973) 29/73: Ready-made (1973) 30/73: Coop Cinema Amsterdam (1973) 31/75: Asyl / 31/75: Asylum (1975) 32/76: An W+B / 32/76: To W+B (1976) 33/77: Keine Donau (1977) 34/77: Tschibo (1977) 35/77: Dogumenta (1977) 36/78: Rischart (1978) 37/78: Tree Again (1978) 38/79: Sentimental Punk (1979) 39/81: Which Way to CA? (1981) 40/81: Breakfast im Grauen (1981)

    41/82: Getting warm (1982) 42/83: No Film (1983) 43/84: 1984 (1984) 44/85: Foot'-age Shoot'-out (1985) 45/88: Trailer (1988) 46/90: Falter 2 (1990) 47/91: Ein Fest (1991) 48/94: Fragment W.E. (1994) 49/95: Tausendjahrekino / Thousand-Years-Cinema(1995)

    50/96: Snapspots (for Bruce) (1996)

    3 External links Kurt Kren at the Internet Movie Database Sixpack Film Vienna-based distributor of Krenswork

    Few lms for downloading and an essay about Kren Biography (also used as one of the sources for thisarticle)

    About Kurt Kren in Bright Lights Film Journal

  • 34 Text and image sources, contributors, and licenses4.1 Text

    Kurt Kren Source: https://en.wikipedia.org/wiki/Kurt_Kren?oldid=660043419 Contributors: Hyacinth, YUL89YYZ, Rjwilmsi, FlaBot,Bartleby, Gaius Cornelius, SmackBot, Alex Ex, Lugnuts,Waacstats, WayneMiller, Iohannes Animosus, RogDel, Dj Transpacicus, Addbot,Yobot, Razzle Bathbone, RjwilmsiBot, J R Gainey, VIAFbot, Seppnono, KasparBot and Anonymous: 5

    4.2 Images

    4.3 Content license Creative Commons Attribution-Share Alike 3.0

    BiographyFilmographyExternal linksText and image sources, contributors, and licensesTextImagesContent license