kasimir malevich black circle 1913 oil on canvas 41 1/2 x 41 1/2 in
TRANSCRIPT
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Modern, Postmodern & Beyond
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Europe before W W I
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Kasimir Malevich
Black Circle
1913oil on canvas41 1/2 x 41 1/2 in.
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Kasimir Malevich
Black Square
1913oil on canvas41 3/4 x 41 7/8 in.
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Kasimir Malevich
Black Square and Red Square
1915oil on canvas28 x 17 1/2 in.
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Dadaism Portrait of Tristan Tzara 1916 Geneva, Switzerland Artist: Hans Arp Dadaism – so called for
da da (yes yes) a child’s nonsense word or first word in German, was an attempt to rebel against the war and violence with art
A combination of random shapes and colors make up this work in a world that makes no sense – so should its art make no sense
This is a portrait of the artist’s friend Tzara a poet
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Dadaism Fountain 1917 New York Artist: Marcel Duchamp Claimed Dada was French
for rocking horse to further confuse the meaning of the movement
Saw it as anti-art Claimed what mattered
most about art was who made it not its aesthetic qualities
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Dadaism L.H.O.O.Q. 1917 New York Artist: Duchamp When the letters are
pronounced in French they form a pun that means this woman has a hot ass
He used puns to further undermine the stability of meaning in art
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Duchamp, In Advance of a Broken Arm, 1915
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Marcel Duchamp
Bicycle Wheel
1913assemblage23 3/4 in. high
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Marcel Duchamp
The Bride Stripped Bare by Her Bachelors, Even (The Large Glass)
1915-23oil, lead wire, foil, dust, varnish, glass8 ft. 11 in. x 5 ft. 7 in.
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Man Ray
Gift
1921flatiron with nails6 1/2 in. high
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Surrealism/Automatism Painting 1933 Paris, France Artist: Joan Miro Seems inhabited by
abstract creatures in constant motion
Claimed he painted entirely from hallucinations
Automatism – drawing liberated from planning
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Surrealism
Person Throwing a Stone at a Bird
1926 Paris, France Artist: Joan Miro “Biomorphic
Abstraction” Art taken from the
dream world and the subconscious
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Giorgio De Chirico
The Melancholy and Mystery of a Street
1914oil on canvas34 1/4 x 28 1/4 in.
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Giorgio De Chirico
The Great Metaphysician
1917oil on canvas41 1/8 x 27 1/2 in.
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Surrealism
The Persistence of Memory
1931 Paris, France Dali was a Spanish
born painter The melted watches
represent that time is relative and not fixed
Many of his paintings depict the impossible and the dreamlike
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Salvador Dali
Anthropomorphic Bread
1932oil on canvas24 x 32 cm
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Dali, Soft Construction w Boiled Beans (Premonition of Civil War), 1936
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Dali, Apparition of a Face and a Fruit Dish on a Beach, 1948
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Dali, Hallucinogenic Toreador, 1969-70
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Dali, Corpus Hypercubicus (Crucifixion), 1954
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Dali, Sacrament of the Last Supper, 1955
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Salvador Dali
The Metamorphosis of Narcissus
1937oil on canvas51.2 x 78.5 cm
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Salvador Dali
Young Virgin Autosodomized by Her Own Chastity
1954oil on canvas
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Max Ernst
The Robing of the Bride
1940oil on canvas129.6 x 96.3 cm
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René Magritte
The False Mirror
1928oil on canvas21 1/4 x 21 7/8 in.
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René Magritte
The Treachery of Images
1928-29oil on canvas23 1/4 x 31 1/2 in.
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Meret Oppenheim
Object
1936fur-Covered cup, saucer and spoon2 7/8 in. high
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De Stijl Movement Composition in Red,
Yellow, and Blue 1920 Paris, France Artist: Piet Mondrian Dutch by birth De Stijl means the style
in Dutch – the movement championed pure abstraction
Mondrian took cubism to its extreme and just painted abstract shapes and primary colors
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Piet Mondrian
Broadway Boogie Woogie
1943oil on canvas50 x 50 in.
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Abstract Art Bird in Space 1928 Paris, France Artist: Constantin
Brancusi Romanian born Brancusi favored
simple forms and shapes in his sculptures
It does not depict a bird but rather the flight of a bird
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Abstract Art
Three Forms 1935 London, England Artist: Barbara
Hepworth Created shortly after
the birth of her own triplets – the egg shaped forms perhaps represent this event
Egg-like in shape and smooth
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Europe before WW II
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Abstract Art Reclining Figure 1939 London, England Artist: Henry Moore In a classical reclining
pose similar to the Parthenon sculptures
His admiration for Stonehenge and weathered prehistoric art can be readily seen here
He attempted to obtain that same weather & time worn look
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Abstract Art Triple Gong 1951 Paris, France Artist: Alexander
Calder American born Invented the mobile Art that was
responsive to the environment; some of the shapes did not move intentionally as a contrast
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Abstract Art Kouros 1944 – 1945 Poston, Arizona Artist: Isamu Noguchi Sculpted while in an
interment camp in Arizona
Used flat slabs of marble because they were inexpensive
Kouros is Greek for boy Carved and constructed
so it uses two opposing techniques; viewed from different angles changes how it appears
Demands that the viewer moves to see it all
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American Modernism Winter, Fifth Avenue 1893 New York Artist: Alfred Stieglitz Leading photographer of
his day Taken during a winter
storm – shows nature’s ability to overcome progress
Hw introduced European modernism to America through his studio in NY
He purchased the 1st Picasso in America
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American Modernism Yellow Calla 1929 New York Artist: Georgia
O’Keefe O’Keefe painted
flowers close up and animal bones
She emphasized the abstract forms and patterns of a flower close up
Many art critics say that O’Keefe’s work has many sexual symbols in it – she denied this completely
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Georgia O’Keeffe
Music—Pink and Blue, II
1919oil on canvas35 1/2 x 29 in.
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Georgia O’Keeffe
Jack in the Pulpit IV
1930oil on canvas
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O’Keefe
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American Modernism Aucassin and
Nicolette 1921 Lancaster,
Pennsylvania Artist: Charles
Demuth Took architectural
landscape of American cities and turned them into basic shapes similar to Picasso’s cubism
The title actually refers to famous medieval lovers
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Surrealist
Guernica 1937 Paris, France Artist: Picasso Painted on a 11 x 25 foot canvas to commemorate the massacre
of the city of Guernica by German supported air force and Franco The city burned for 3 days – and thousands were killed Picasso captures the chaos in this work It was returned to Spain in 1981 on Picasso’s wish that when
Spain returned to democracy it could regain the painting
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Photography Migrant Mother, Nipomo,
California 1936 Nipomo, California Artist: Dorothea Lange Lange included only 3 of
this woman’s 10 children to not cause widespread anger and resentment towards the upper classes
Part of a project by FDR to show that American farmers needed help and the FSA (Farm Security Administration) to give them aid
These photos are propaganda in style not just social conscience
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Imogen Cunningham
Frida Kahlo Rivera-1931
1929gelatin-silver print
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Imogen Cunningham
Triangles
1923gelatin-silver print
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Ansel Adams
Monolith, the Face of Half Dome
1926gelatin-silver print
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Ansel Adams
Frozen Lakes and Cliffs, The Sierra Nevada, Sequoia National Park, California
1932gelatin-silver print
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Man Ray
Larmes (Tears)
1932-33gelatin-silver print
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Man Ray
Prayer
1930gelatin-silver print
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Man Ray
Minotaur
1934gelatin-silver print
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Photography At the Time of the
Louisville Flood 1937 Louisville, Kentucky Artist: Margaret Bourke-
White Captured moments like
these during the great depression
Irony is key here as people in soup line form behind government propaganda sign
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Futurists
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Futurist Art Unique Forms of
Continuity in Space 1913 Rome, Italy Umberto Boccioni Called for the
destruction of museums and all existing art forms
Ironic his works are exhibited in many museums
“An image of speed”
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Giacomo Balla
Dynamism of a Dog on a Leash
1912oil on canvas2 ft. 11 3/8 in. x 3 ft. 7 1/4 in.
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American Regionalism/ Realism Nighthawks 1942 Chicago, Illinois Artist: Edward Hopper Captures the solitude and
loneliness of the American city after hours
Documented middle class American scenes is a realistic rather than abstract manner
Regionalism was a reaction against abstraction – American painters felt that abstract was a European movement and did not represent America properly
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American Regionalism / Realism
Missouri Mural (section) 1936 Jefferson City, Missouri Artist: Thomas Hart
Benton Inspired by Mexican
muralists Project to decorate public
buildings in USA was funded by the Works Progress Administration of FDR
The radically anti-European Benton claimed art for American themes
Every aspect of Missouri life was depicted in this mural
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American Regionalism They Also Found
Discrimination 1940 – 1941 Washington, DC Artist: Jacob Lawrence From his series of
woodcuts titled “The Migration of the Negro”
Shows blacks with no face and divided from whites who sit leisurely
Even up north African-Americans faced discrimination – it was not purely a southern phenomenon as depicted here
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Abstract art as Propaganda
Beat the Whites wit h the Red Wedge
1919 St Petersburg, Russia Artist: El Lissitzky Abstract art was
seen as art for the masses; and as such was used by the artist as a tool for propaganda and information
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Murals
Detroit Industry 1932 – 1933 Detroit, Michigan Artist: Diego Rivera Mexican born Rivera
had tremendous influence on the murals of Benton
Expose of worker’s plight and a plea for social reform
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Modern African Art
Cocoa-Pod-Shaped Coffin
1970s Ghana Artist: Kane Kwei Coffin size and shape He was an informally
trained carpenter who made coffins in unique shapes
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Modern Latin America
Diego and I 1929 Mexico Artist: Frida Kahlo Reveals the pain
of her all powerful and all-seeing husband who is always on her mind
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Frida Kahlo
The Broken Column
1944oil on canvas
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Modern Latin America The Jungle 1943 Havana, Cuba Artist: Wilfredo Lam He studied in Paris where
we can see Picasso had a great influence on him
It is a record of his reaction to being placed in a prison camp in Martinique by the Nazis
Density is focus and African masks
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Modern Latin America Mona Lisa at the Age of
Twelve 1959 Colombia Artist: Fernando Botero Famous for his bloated
figures Attempt to show the
Latin American aristocracy’s gluttony and their ability to consume the land and its people
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Botero
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Britto
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Modern Europe
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American Abstract Expressionism Art
Autumn Rhythm: Number 30
1950 New York Artist: Jackson Pollock “Drip Paintings” Unrolled canvas on floor
and dripped, threw and splattered paint on it – he claimed he knew what he was trying to achieve before starting the painting although they appear accidental
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Action Jackson
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Abstract Expressionism
Excavation 1950 New York Artist: Willem de
Kooning Dutch born
immigrant Human figures can
be barely seen to arise throughout the painting
The red white and blue splotch in the middle suggests an American flag
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Abstract Expressionism
Woman I 1950 New York, NY Artist: Willem de
Kooning Large brush strokes
with clumps of paint Here is his favorite
theme of the earth mother/fertility goddess
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Abstract Expressionism Red, Brown, and Black 1958 New York Artist: Mark Rothko Russian immigrant to
America His art contained only flat
color fields and an absence of recognizable subjects
Made shapes fuzzy without clear lines
Believed these works allowed viewers to experience their feelings
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Abstract Expressionism
Mauve District 1966 New York Artist: Helen
Frankenthaler Worked on raw
canvas, no glue or white background
Some areas were even left unpainted intentionally
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Yves Klein
Anthropometry
1960pigment in synthetic resin on paper on canvas145 x 248 cm
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Yves Klein
Anthropometry Performance
Galerie Internationale d’Art ContemporainParis, FranceMarch 9, 1960
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Yves Klein
Untitled Fire Painting
1961charred pasteboard on wood50 x 38 cm