la voz de claudio rodríguez: propuesta para una escucha crítica
DESCRIPTION
By starting from Claudio Rodríguez’s recordings, this paper suggests a way of listening voice in poetry pointing out some interesting aspects and problems that arise when establishing a new encounter not just between the poet’s voice and the listener, but also between the poet’s voice and the critic. The physical voice of a poet reading aloud his own poems re-projects and restructures constituting elements of poetic language (i.e. enjambment and caesura) making evident variations between published version and vocalized one. Moreover, it always has a specific tone or a particular inflection, an accent or a personal prosody that contrubute to the listener’s comprehention of the text. Through the vocal execution the text is re-evoked always in a different way within a specific time and space as well as re-given a new relationship with the subject who is listening and understanding it.TRANSCRIPT
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Revista Caracteres. Estudios culturales y críticos de la esfera digital
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ISSN: 2254-4496
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Índice Editorial, PÁG. 5
Artículos de investigación: Caracteres•Ciberpoetas y ciberlectores: arquitectos del ciberespacio. DE CELIA CORRAL CAÑAS, PÁG. 11
•El descubrimiento de los manuscritos del mar Muerto y su digitalización. DE CARLOS SANTOS CARRETERO, PÁG. 18
•Nuevas reflexiones sobre por qué he dejado de crear e-Literatura. DE EUGENIO TISSELLI, PÁG. 32
•La violencia puesta en escena: Información para extranjeros, de Griselda Gambaro. Intersecciones entre las estrategias espaciales empleadas en esta obra de teatro y en los videojuegos. DE MARÍA JESÚS BERNAL MARTÍN, PÁG. 41
•Crisis de identidad y revolución digital. DE DANIEL ESPARZA, PÁG. 77
•La rostrificación del cuerpo abyecto en el entorno de las redes sociales. DE ISRAEL RONCERO, PÁG. 86
•Hypertexts: From the digital environment to the printed books of children’s literature: a case in Greek. DE TZINA KALOGIROU Y VASSILIKI GKOUNI, PÁG. 97
•Stop-motion: comunicación, creación y diversión. DE J. DANIEL GARCÍA MARTÍNEZ, PÁG. 107
•Posibilidades abiertas por las nuevas tecnologías en el desarrollo de los cines africanos contemporáneos. DE BEATRIZ LEAL RIESCO, PÁG. 119
Reseñas•El lectoespectador, de Vicente Luis Mora. POR CELIA CORRAL CAÑAS, PÁG. 130•Elogio del texto digital, de José Manuel Lucía Megías. POR SHEILA LUCAS LASTRA, PÁG. 133•La estrategia del simbionte, de Fernando Broncano. POR DANIEL ESCANDELL MONTIEL, PÁG. 139•Literatura más allá de la nación, de Francisca Noguerol (et al.) (eds.). POR VEGA
SÁNCHEZ APARICIO, PÁG. 144
Artículos de divulgación: Intersecciones•De arqueología (pública) y publicaciones (digitales) accesibles. DE JAIME ALMANSA
SÁNCHEZ, PÁG. 152•La voz de Claudio Rodríguez: propuesta para una escucha crítica. DE ALESSANDRO
MISTRORIGO, PÁG. 157•La gestación de libros digitales y de bibliotecas virtuales en el marco de la Unión Europea (y el caso concreto de España). DE ENRIQUE MARTÍN MARTÍN, PÁG. 166
•Vibraciones digitales. Una breve historia sobre los recursos electrónicos y digitales en la música. DE PAU DAMIÀ RIERA MUÑOZ, PÁG. 171
Sobre los autores, PÁG. 177
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Artículos de divulgación:
Intersecciones
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Caracteres. Estudios culturales y críticos de la esfera digital. Vol. 1 Nº1 mayo 2012
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Sobre los autores
![Page 15: La voz de Claudio Rodríguez: propuesta para una escucha crítica](https://reader033.vdocuments.pub/reader033/viewer/2022052411/557210af497959fc0b8d8d58/html5/thumbnails/15.jpg)
Sobre los autores
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