malaysia, southeast asian & chinese art modern and ... · 蔡小丁 chuah siew teng 107...

SUNDAY10 DECEMBER 2017 | 1pm

Malaysia, Southeast Asian & Chinese Art

Modern and Contemporary Art

113 DATO’CHUAH THEAN TENG 蔡天定 Milking

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045 杨善深七言对联

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All lots are sold subject to our WELLS Auction Terms and Conditions printed at back of this catalogue which

apply to both buyers and sellers. Prospective buyers should also read our Buying at WELLS Auction guide.

Catalogue descriptions do not state any imperfections. However, condition reports can be obtained by

contacting the personnel listed below. This service is provided for the convenience of prospective buyers and

cannot be taken as the sole and absolute representative of the actual condition of the work. Prospective buyers

are advised to personally examine the works and not rely solely on WELLS’s description on the catalogue or

any references made in the conditions reports.

The buyer’s premium shall be 12% of hammer price plus any applicable taxes.

All lots from this sale not collected from WELLS seven days after the auction will incur storage and insurance

charges, which will be payable by the buyer.

Our team will be present during all viewing times and available for consultation regarding artworks included

in this auction. Whenever possible, our team will be pleased to provide additional information that may be

required.

WELLS’s NOTICE

Sandra Yeoh

+6012 209 9531

Irene Yap

+6019 460 5550

General

+603 2022 2886

[email protected]

Sunday 10 December 2017

AUCTION

1pm

AUCTION VENUECCEC Nexus 3, Bangsar South City, Kuala Lumpur

PREVIEW5 – 7 December 2017

11am to 6pm

@ JETH Art Gallery1.3 / 1.4 / 1.5, 1st Floor, Selangor Complex,Jalan Sultan, 50000 Kuala Lumpur, Malaysia

Malaysia, Southeast Asian & Chinese ArtModern and Contemporary Art

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073 1992年无飞勐海茶厂7542

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033 钟正山不作嗟来客

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127 TEW NAI TONG Bali Boats

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CONTENTS

002 WELL’S NOTICE

003 AUCTION INFORMATION

008 INDEX

011-068 书画专场

070-100 陈茶专场

102-141 CONTEMPORARY ART

142 IMPORTANT NOTICE WELLS AUCTION TERMS AND CONDITIONS

143 APPENDIX – DEFINITIONS AND GLOSSARY

144 ABSENTEE / TELEPHONE BIDDING FORM

145 BIDDER REGISTRATION FORM

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ARTIST LOT NUMBER

郑浩千博士 DR CHENG HAW-CHIEN 001, 026

姚拓 002

任雨农 REN YU NONG 003

吕介文 LE CHEK WEN 004, 021

叶逢仪 YAP HONG NGEE 005

余东灯 006

继程法师 JI CHENG 007

王嘉堃 ONG CHIA KOON 008

李抱一 009

谭昌镕 010, 011

蔡寅坤 012

高张南雁 013

谢忝宋博士 016, 017, 018, 019,

DR CHEAH THIEN SOONG 025, 037, 038, 047

钟正川 014, 015, 052, 053, 089

CHUNG CHEN CHUAN

施香沱 020, 027

星云大师 022, 042, 043

俞鸿钧 023

黎潮湘 024

钟正山 028, 029, 030, 031, 032, 033

CHUNG CHEN SUN

丁衍庸 DING YAN YONG 034

黄尧 HUANG YAO 035, 036, 054, 055

伯圆长老 BO-YUEN 039, 040

竺摩法师 DATO’ZHU MO 041

佘雪曼 SHE XUE MAN 044

杨善深 YANG YI SHEN 045, 046

刘创新 048

符永刚博士 DR FOO YONG KONG 049, 108

崔大地 050, 051

90年初1035茉莉花 056

90年代水仙AT117 057

90年代正溪茶 058

A7306 敦煌牌一枝春 059

ARTIST LOT NUMBER

90年代玉鳳水仙 060

1999年下关8653铁饼 061

2004年勐海茶厂孔雀之乡 062

2004年红大益 063

2003年7542紫大益 064

2001年勐海茶厂八中简笔云(7542) 065

70年代大红嚴 066

70年代老六堡 067

60年代大马仓老六安 068

70年代双兰宝兰六堡茶+70年代四兰宝兰六堡茶 069

2007年嘉木堂藏寿易武茶王 070

2005年云南普洱正山贡茶六大茶山茶马古道山 071中传奇

70年代高铁（高泉发铁饼）原包 072

1992年无飞勐海茶厂7542 073

2001年勐海茶厂橙中橙 074

2001年勐海绿大树 075

2006年下关茶厂销马七子圆茶 076

90年代勐海七子青饼 077

2007年嘉木堂藏寿冬菇茶 078

2008年嘉木堂陈远号冬菇茶 079

2008年嘉木堂陈远号易武茶皇冬菇茶 080

2001年勐海茶厂青饼7542八中简笔云 081

普洱茶92青饼（含飞） 082

80年代8582薄纸普洱茶青饼 083

80年代初云南普洱竹盒原件木箱 084

2003年勐海茶厂青饼黄大益 085

1992年无飞勐海茶厂7542 086

70年代高铁（高泉发铁饼）原包 087

RAPHAEL SCOTT AHBENG 088, 110

杨刚 YANG GANG 090

刘自明 LAU THOW BENG 091

林圣扬 092

KWAN CHIN 093, 106

王永浓 WONG JONG NONG 094, 118

INDEX

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ARTIST LOT NUMBER

ISMADI SALLEHUDIN 095, 116

YEE MOK SIN 096

杨觉昇 JAYSON YEOH 097

KHALIL IBRAHIM 098, 111

FENDY ZAKRI 099

范友卓 FUNG YOW CHORK 100, 105

黄则强 TONY NG 101

VOON KIM CHEONG 102

LEE WENG FATT 103

黄国良 NG KOK LEONG 104

蔡小丁 CHUAH SIEW TENG 107

蔡佳甬 DENIS CHAI 109

张耐冬 TEW NAI TONG 89, 112, 117, 127

蔡天定 DATO’CHUAH THEAN TENG 113

SUZLEE IBRAHIM 114, 123

ISMAIL LATIFF 115

NIZAR KAMAL ARIFIN 119

葉振和 YAP CHIN HOE 120

余荣兴 YEE ENG HIN 121

YUSOF GHANI 122

许西亚 KHAW SIA 124

江石文 CHIANG SHIH WEN 125

林金海 LIM KIM HAI 126

INDEX

10

025 谢忝宋竹韵诗声

11

书画专场

024 黎潮湘水面细風

12

001郑浩千

书法纸本立轴

33cm x 67cm

来源

本地藏家

RM2,000－3,500

郑浩千博士 Dr Cheng Haw-Chien（b.1948 Penang）

本名庆龙，一九四八年生于马来西亚槟城，马来西亚籍华裔

画家。早年留学港台，英国牛津圣乔治大学美术史博士，曾

任马来西亚中央艺术学院院长。现任大马中央艺术研究院院

长，中国北京人民大学客座教授。

自幼喜爱绘画，曾师事竺摩长老、吴公虎、赵少昂、梁寒操、

刘太希、易君左、张寿平等，转益多师。创作方面，受恩师竺

摩长老影响，对诗、书、和文学有深入研究。喜旅游写生，足

迹遍及世界各名山大川，游纵所至，必有佳作问世。曾在世

界各地举办个展百余次，享誉国际画坛。作品亦在中国各艺

术馆收藏。

作品讲述：他的绘画艺术具备传统神韵，又继承岭南派画

风，笔墨浓淡枯湿有致，着色鲜艳明丽，题材广泛，频出新

意，充满性灵及艺术修养，在他笔下无论山水、花卉、还是

人物、鸟兽都能随心所欲，尽情表现。

13

002姚拓

书法纸本立轴

45cm x 96cm

来源

本地藏家

RM2,000－3,000

姚拓（b.1922 Henan～2009）

姚拓，本名姚天平，马华文坛著名作家、书法家及出版

人。1922年生于中国河南，1957年移居马来西亚。曾主

编《大学生活》、《学生周报》、《蕉风月刊》，及任马来

西亚友联文化出版社、文化事业有限公司的总编辑。同

时，他也是花踪世界华文文学奖18位终身评委之一。被称

为“蕉风之父”。姚拓任《蕉风》社长期间，栽培无数作

家、鼓励文学活动。唐林在〈姚拓的蝴蝶梦〉中，称姚拓

为“蕉风之父”。中小学华文教科书多由他编纂出版，对

教育界贡献良多。著有小说集《二表哥》、《五里凹之花》

、《弯弯的岸壁》等；散文集《美丽的童年》、《墙头上的

小红花》；剧本《姚拓戏剧选》一、二集。曾获第三届《马

华文学奖》、1994年曾获马来西亚第3届华文文学奖、台

湾中国文艺协会第35届文艺奖；1996年获亚洲华文作家

协会文艺基金会文艺奖金及纪念牌；1997年获台湾教育

文化部教育文化奖。姚拓爱好中国书法，与友人发起创

办“马来西亚书法艺术协会”。姚拓在2005年出版的自传

《雪泥鸿爪――姚拓说自己》，是他最重视的自传。

姚拓生性好客，有朋友自远方而来，他尽管行动不便，

依然撑着拐杖接待后辈。尽管他已经不再写作，但还是

经常练毛笔字；在他的桌案前还摆着学生成语字典。他

说，“我眼力不太好，但是还是很喜欢阅读，常常都把这

些字典拿出来看。”姚拓虽然有时记不起一些以前的事，

但说起许多作家、书法家的近况，他依然记得很清晰。于

2009.10.7上午九时在吉隆坡医院病逝，享年88岁。

14

003任雨农

书法纸本立轴

30cm x 89cm

来源

本地藏家

RM2,500－3,000

任雨农（b.1910 Penang～d.2009）

任老是马来西亚教育家，毕生为华教鞠躬尽瘁，凭一

手苍劲有力的书法为华教筹获逾百万款项，完成华

教百年传承事业。

任老作为一代书法大师，留下的墨宝和历代各家大

师的字画书卷多不胜数，任老一生酷爱书法，退休后

更日日练字强身强精神，丝毫没有放松。他的书法在

1987年已入选中国北京翰苑碑林，位列当代文化艺

术流后世作品，供人收藏。

除了传扬后世之作，其作品1993年更获中国颁赠

“北京书法艺术荣誉奖”赠书，奠定艺术地位。

15

吕介文 Le Chek Wen（b.1934 Melaka～d.1988 Negeri Sembilan）

吕介文乃马来西亚著名水墨画画家及教育家，自幼就对绘画艺术产生

浓厚的兴趣，并誓志成为一名画家。青年时期进入新加坡南洋美专就

读，1956年以优秀的成绩毕业。1961年在著名画家钟正山的推介下，出

任森美兰州芙蓉中学美术主任，服务37年，直至于1988年逝世为此。作

品曾在国外展出，让人留下深刻印象。其“空山灵水”1988年度获得北

京国际水墨画画展大奖，轰动一时。只可惜英年早逝，遗留人间的画作

并不多。

作品讲述：作品基于在传统水墨画的技巧与意境创作方面取得突破的

进展，大胆创作把水墨画现代化，其作品保有他自己独特的面目和精

神。尽可能把自然界一切形象压缩到简洁的程度而表出之，取其神而舍

其貌，以求达致艺术上超逸的境界。技巧上，他采纳横扫千军的大笔泼

墨法，气势宏伟，水墨淋漓，确能令人心广神怡。高雅纯朴的感觉。

004吕介文

花鸟

水墨纸本立轴

58cm x 30cm

1985

来源

本地藏家

RM3,000－5,000

16

005叶逢仪

花鸟

水墨纸本镜框

49cm x 100cm

来源

本地藏家

RM3,000－5,000

叶逢仪 Yap Hong Ngee（b.1943 Pahang）

叶逢仪乃马来西亚著名画家，祖籍广东汕头，自幼长于异国他

乡。早年曾留学日本研习美术，打下了扎实的基本功，唯钟爱水

墨画艺术，勤于创作，收获颇丰，其作品先后在马来西亚、中国、

美国、日本、菲律宾、匈牙利、罗马尼亚等国多次举办展览。

作品讲述：擅长花鸟画，兼作山水。画作取材来自生活，源自生

活，画面立意新颖，构图奇特，不落俗套，独具匠心；笔墨轻松自

如，浓淡相宜，清新雅致。尤其善于画“小麻雀”、“茶壶”系列

小品，看似不经意，却是其心的写照；小小的麻雀在他的笔下表

现得灵动机智，有声有色，或立于窗头，冷眼旁观、或跳跃树间，

展翅鸣唱于热闹的世界，有如人间喧嚣的写照。

17

006余东灯

牡丹

水墨纸本镜框

70cm x 138cm

来源

本地藏家

RM3,000－5,000 余东灯 Yee Chin Ming（b.1935 Perak～d.2017）

少年时代自修水墨画基本功，临芥子园山水花鸟等，对台名家画风有所

喜爱艺术的追求和严谨的态度像一个和蔼可亲的老师细心地传授给学

生，生活虽然朴实简陋。但他的艺术笔记却像宝贝般珍惜。对南洋画派

的特点是「不中不洋、既中又洋」，他认为因为身处南洋的地域它们必须

要融入了［西洋技法、中国传统、当地风情］三者结合为综合体，作品才

能在当地生存。也就演变出来今天我们熟知的：刘抗、陈文希、施香沱、

钟泗滨等大画家了。余东灯一生为追求艺术的真谛抛弃婚姻抛弃优越的

物质生活。

作品评述：埋头于研究中国画的变化和色彩学的调配甚至对书法理论的

研究，这种「苦行僧”式的狱练是当今“艺术家”无法比拟的！

18

007继程法师

喫茶去

书法纸本镜框

47cm x 94cm

来源

本地藏家

RM3,000－5,000

继程 Ji Cheng（b.1955 Taiping）

释继程法师，俗名周明添，1978年依止竺摩上人出家，同年赴台湾松山寺依印顺导师受

具足戒，并于佛光山佛教研究院研究部研读佛法，亲近星云法师。后依圣严法师修习禅

法，承传历代祖师教示，并因应现代社会所需，多年来在世界各地系统指导禅修，注重

知见的提升和实证的修行相结合，令无数修习者受用无穷！

作品讲述：继程法师这幅“喫茶去”三个字，充满禅意。

“喫”字仿如泼墨，平常自然，随缘任运。茶为主体，“茶”字早已祛除心中杂念，端端

正正，如清澈湖水，一目了然。

“去”字和上述两字相比，显得较小，为什么？小有小的好，大有大的好。正如枯树有枯

树缘由：荣树有荣树道理。

会喝茶的人，有着“喫茶去”相伴，境界自高。

会喝茶的人，对着“喫茶去”三个字喝茶，会了悟禅机，更上一层楼。

“喫茶去”三个字，来源与赵州禅师有关。

赵州禅师崇茶爱茶。这一天，甲乙两僧人来访，想与禅师谈禅论法。禅师问甲僧：“来

过这里吗？”甲僧答：“来过”禅师说：“喫茶去！”又问乙僧，回答：“未来过！”禅师又

说：“喫茶去！”甲乙两僧离开，院主问禅师：“为何都叫人喫茶去？”禅师大叫一声院

主，院主应一声，禅师又说：“喫茶去！”三句“喫茶去”是要修禅人随缘任运，平常自

然。禅师开口闭口喫茶去，是将佛法修持融进喫茶中。

自此之后“喫茶去”成了禅林机锋之语。

19

008王嘉堃

书法中堂纸本立轴

68cm x 138cm

来源

本地藏家

RM3,000－5,000

王嘉堃 (b.1972 Melaka)

王嘉堃，生于马六甲，书画工作二十余年，书写和画作都尽力体

现马来西亚特有的东、西与本土文化交流交汇而成的马来西亚

风格。对其而言书法是缤纷色彩，未被开拓的新世界。他认为

书法自甲骨文开始，经经文、小篆汉简、隶书、行书、草书，最后

到唐楷，并不是结束，而是进入书法新世界大门的钥匙，接下去

会有各个朝代都会有书法家创造及发现不同的书法风格。一直

到现在，书法以不同地域以不同面貌呈现。这几十年的变化，

就是书法的传统。而他认为不停随时代和环境而变，这就是传

统的精髓。

作品讲述：他喜欢写歌词、散文、短文、现代诗或是自己的短

文，因为他认为是最贴近生活，投入在其中的乐趣是无穷，更

全面用书法表达出心中所想，所以对他来说书法就是生活，就

是生命。

20

009李抱一

山道

水墨纸本镜框

46cm x 68cm

庚午年

来源

本地藏家

RM4,000－5,000

李抱一 Li Bao Y i (b.1941 Henan)

李包一，曾用名李国庆，是中国著名人物画家，现居北京，任开

封市美协副主席，他自幼展现过人的绘画天分，无论是水墨还

是油画，都能驾驭自如。曾从事舞台美术设计、群众艺术馆美术

辅导、开封书画院副院长、开封书法导报社美编辑、中国美术

家协会会员、河南美协中国画人物画艺术委员会副主任、开封

市美协副主席及泰华艺术协会荣誉顾问。李抱一曾在多个亚洲

国家举办个人展，作品也获得多所美术馆和私人收藏家欣赏而

收藏。他曾获得中国第六届全国美展优秀作品奖、首届世界华

人书画展银奖、中国画三百家铜奖、中亨杯全国书画大展银奖、

中韩国际书画交流展重大贡献奖、连续6届获开封文学艺术创

作基金奖。1995年李抱一应马来西亚邀请，在各州举行［李抱

一画展］。出版有［李抱一画集］之［马来西亚版、泰国版］、［

李抱一国画艺术］之［古代人物巻］、［西域风情巻］、［扇面、

小品巻］等。

作品收藏于中国美术馆、河南博物天津艺术博物院、宁夏美术

馆、佛山石景宜艺术馆、日本高松市政厅、泰国泰华艺术协会、

马来西亚吉打协会以及海内外收藏家。

21

010谭昌镕

荷花

水墨纸本立轴

68cm x 138cm

来源

本地藏家

RM4,000－6,000

谭昌镕（b.1933 Sichuan）

谭昌镕斋号没名堂，生于中国四川省，现为中国艺术

家协会会员，四川中国画研究会会长，中国舞台美术家

协会理事，中国戏曲家协会会员，中国舞台艺术家协会

四川分会理事，谭昌镕艺术馆名誉馆长等职位，中国当

代最有创意的现代画家之一。

年幼时期就养成早起即画的习惯，不管身在何处，只要

桌上有笔墨，他就会不停作画。秉持此信念至今，所以

他的画功造诣已经达到非常高的境界。

他的作品有独特的个人风格，几十年的艺术实践使他

的艺术创作日臻完美，且画路极广，花鸟走兽--涉猎、

山水、人物也能自成一家，先后送往英国、美国、日

本、加拿大、法国、比利时、瑞士、新加坡、马来西亚等

十余个国家展出，并获得普遍成功。

人赠雅号“谭鸡公”的谭昌镕以画鸡、画孔雀著称。美

国前总统卡特访华时，谭昌镕的《雄鹰图》就曾作为国

礼赠送给卡特。

22

011谭昌镕

孔雀

水墨纸本镜框

68cm x 136cm

来源

本地藏家

RM5,000－6,000

谭昌镕（b.1933 Sichuan）

谭昌镕斋号没名堂，生于中国四川省，现为中国艺术家协会会

员，四川中国画研究会会长，中国舞台美术家协会理事，中国

戏曲家协会会员，中国舞台艺术家协会四川分会理事，谭昌镕

艺术馆名誉馆长等职位，中国当代最有创意的现代画家之一。

年幼时期就养成早起即画的习惯，不管身在何处，只要桌上有

笔墨，他就会不停作画。秉持此信念至今，所以他的画功造诣

已经达到非常高的境界。

他的作品有独特的个人风格，几十年的艺术实践使他的艺术

创作日臻完美，且画路极广，花鸟走兽--涉猎、山水、人物也

能自成一家，先后送往英国、美国、日本、加拿大、法国、比利

时、瑞士、新加坡、马来西亚等十余个国家展出，并获得普遍

成功。

人赠雅号“谭鸡公”的谭昌镕以画鸡、画孔雀著称。美国前总

统卡特访华时，谭昌镕的《雄鹰图》就曾作为国礼赠送给卡

特。

23

012蔡寅坤

水墨纸本立轴

68cm x 134cm

来源

本地藏家

RM4,000－6,000蔡寅坤 Cai Yin Kun（b.1963 Chengdu）

字深地，号墨出，回族，生于四川成都。现为成都画院专职

画家，中国美术家协会会员，中国当代大写意花鸟画家，四

川省青年联合会委员。

蔡寅坤先生作品入编《中国当代美术全集》、《中国首届花

鸟画作品集》、《中国当代著名花鸟画作品集》、《中国第

十一届、十二届、十三届、十四届画花鸟作品集》、《当代中

国画扇面集》、《当代中国画杰出人才集》、《中国画三百

家》、《当代中国画名家杜甫诗意画邀请集》、《水墨传承·

当代中国花鸟画十人展集》、《水墨动向·第三届当代著名

中青年国画家学术邀请展集》、《“红梅八哥”中国第二届

花鸟画学术提名展集》、《“相依图”全国中国画名家邀请

展集》等大型辞书画集，并荣获“中国花鸟画成就奖”和“

当代中国画杰出人才奖”。曾为中央军委创作巨幅大画《

鹤》，为天安门城楼创作巨幅大画《池塘昨夜惊风雨》。

作品赴日本、美国、新加坡、马来西亚、瑞士和台湾、香港

等地展出并被有关机构收藏。曾先后多次在国内外举办大

型个人画展、联展。《美术》、《中国书画》、《江苏画刊》、

《人民日报》等多家报纸杂志曾专题介绍其艺术成就。

出版有《蔡寅坤画集》、《蔡寅坤的画》、《蔡寅坤大写意花

鸟画》、《蔡寅坤花鸟画精品集》、《当代中国花鸟画坛10

名家·蔡寅坤作品集》、《走进野风堂》等多部专集。

作品讲述：寅坤先生在创作中重视画面全局的结构气势

和笔墨运用，重视对物象特征的强化，重视对物象真情的

感受。他苦心营造画面结构、造型，从不放弃感受而迁就

表象。品读他的作品不仅能领略到高洁之美，同时还能体

会出一种雄浑的气势。蔡寅坤把自己特有的个性、气质、

生活经历融合在绘画当中，形成了“重、拙、大、豪”之美

的独特画风，在中国大写意花鸟画坛独树一帜。尤其花鸟

画，司雄放一路。大笔，浓墨，重彩，满构图，大气势，纵横

恣肆，酣畅淋漓，可为真正的大写意。

24

013高张南雁

水墨纸本镜框

59cm x 96cm

来源

本地藏家

RM4,000－8,000

高张南雁（b.1919 Guangzhou～d.1993）

高张南雁又名慧英，祖籍广州中山人，生于广州。四岁随父母迁居上海，

在上海渡过她的童年和教育。中学毕业后，她最先进入医学院成为一

位护士，仅接着她又投入上海美专，在1942年毕业于纯美术及图案设

计。1950年与毕业于岭南大学的化学师高为参结婚，成为岭南派画家高

奇峰侄媳妇。这一个渊源，卒使她后来在大马艺坛上产生一种自发的使

命感，要承担、发扬和壮大岭南派的责任。

1951年随夫南来，居于巴生。1953年迁居吉隆坡，任教于循人中学为图

工教员，1954年参加教育部主办之美术教育师资训练班。同年参加［星

期三画会］，这是她正式参与绘画活动的开端。

1963年她获得英国伦敦Winchestes Art Competition设计组首奖。1966

年正式从钟正山习水墨画。自此艺术开始真正进入她的生命，1972年从

黄磊生教授习岭南洋派。画艺大进。她原是契扬岭南画派的高家人，如

今她回返岭南画派，无论对画，对她自己，都特具意义。1982年出任马来

西亚艺术学院财务任职，1986年自艺术学院退休后，便全然投入绘画和

教会活动，1990年与林丽香、杨建正等组成马来西亚岭南绘画会，并出

任会长，自至亡故。同年受聘为美国岭南画会及国际华人艺术学会（纽

约）顾问。1991年担任马来西亚雪隆水墨画会副会长。1993年逝世，享

年70岁。

25

014钟正川

五福

水墨纸本镜框

70cm x 72cm

来源

本地藏家

RM2,500－4,000

钟正川 Chung Chen Chuan（b.1945 Melaka）

现为马来西亚水墨画协会总会长、香港世界艺术家联合总会副主席、新

加坡书法家协会及新加坡书法研究院院士、钟正川画院院长、马来亚国

立大学教授、北京市希望书库基金会海外荣誉副会长、马来西亚华人文

化协会视觉艺术主任等。其作品被马来西亚国家艺术馆、马来西亚国家

迎宾馆、中国艺术研究院、齐白石纪念馆、张大千纪念馆、韩国文化艺术

馆、台湾国立教育美术馆、马来西亚前任首相阿都拉、朝鲜前领袖金日成

将军、朝鲜劳动党主席金正日等多国元首、政要、大使、国家级美术馆收

藏。被誉为“马来西亚的齐白石”。

曾参加亚洲美术联盟美展、马来西亚十大名家作品展、国际现代水墨画

名家精选巡回展等。2008年6月，与靳尚谊、吴冠中、朱德群、王明明入

选由中国文联书画艺术专业委员会、文化部对外艺术展览中心、中国大众

文学学会联合编制的《海内外中国书画艺术当代名家集五大名家》，中国

国家画院艺术交流中心、中国油画学会、文化部艺术品评估委员会提供

学术支持。2008年4月，为庆祝海南建省办经济特区20周年，中共海南

省委宣传部和中央数字电视书画频道在海口及三亚举办由钟正川领衔的

《马来西亚水墨画协会大型画展》。

26

015钟正川

群蛙图

水墨纸本立轴

34cm x 68cm

1986

来源

本地藏家

RM3,000－5,000


现为马来西亚水墨画协会总会长、香港世界艺术家联合

总会副主席、新加坡书法家协会及新加坡书法研究院院

士、钟正川画院院长、马来亚国立大学教授、北京市希望

书库基金会海外荣誉副会长、马来西亚华人文化协会视

觉艺术主任等。其作品被马来西亚国家艺术馆、马来西

亚国家迎宾馆、中国艺术研究院、齐白石纪念馆、张大千

纪念馆、韩国文化艺术馆、台湾国立教育美术馆、马来西

亚前任首相阿都拉、朝鲜前领袖金日成将军、朝鲜劳动

党主席金正日等多国元首、政要、大使、国家级美术馆收

藏。被誉为“马来西亚的齐白石”。

曾参加亚洲美术联盟美展、马来西亚十大名家作品展、

国际现代水墨画名家精选巡回展等。2008年6月，与靳

尚谊、吴冠中、朱德群、王明明入选由中国文联书画艺术

专业委员会、文化部对外艺术展览中心、中国大众文学学

会联合编制的《海内外中国书画艺术当代名家集五大名

家》，中国国家画院艺术交流中心、中国油画学会、文化

部艺术品评估委员会提供学术支持。2008年4月，为庆祝

海南建省办经济特区20周年，中共海南省委宣传部和中

央数字电视书画频道在海口及三亚举办由钟正川领衔的

《马来西亚水墨画协会大型画展》。

27

016谢忝宋

竹韵

水墨纸本镜框

34cm x 135cm

来源

本地藏家

RM3,500－5,000

谢忝宋博士 Dr Cheah Thien Soong（b.1942 Seremban）

谢忝宋是一位独具一格的高知名度画家,他立足南洋,放眼世界,以丰

厚的学养,凝练的笔墨语言,独特的艺术视角,不仅把括起南洋风的第

一代画家陈文希,钟泗滨,陈宗瑞和施香陀的治学精神进一步光大,

而且独树一帜, 别开生面, 多维拓展艺术空间,开创了跨世纪的现代

水墨新南风。作品经常于国内外展出，获得极高评价，画作被各国

人士所珍藏，另外也收藏于各企业、美术院以及美术馆内。获奖的

有：国际书画杰出奖、古典现代诗书画院士、中国当代艺术界名人录

作品展示得金鼎奖、世界文化名人成就金像奖、世界学术奉献奖以

及其他奖项。

作品讲述：谢忝宋无疑是经营空间艺术的大师,他将画面的空间语言

几乎发挥到了极致,以他“独此一家,别无分店”的艺术语言符号,为

众生对话和人与自然的对话创造了一个活脱脱的充满灵性美的世

界。他重视艺术心态的平衡和守恒,注重表达物象内涵的量感和空

间感,融西方艺术的具体美于抽象中,更新开拓了一片慰借精神艺术

天地, 给人以安详,宁静和笔墨难以形容的审美愉悦。

28

017谢忝宋

胸有成竹

水墨纸本镜框

34cm x 135cm

来源

本地藏家

RM3,500－5,000

谢忝宋博士 Dr Cheah Thien Soong

（b.1942 Seremban）

谢忝宋是一位独具一格的高知名度画家,他立足南洋,放眼

世界,以丰厚的学养,凝练的笔墨语言,独特的艺术视角,不仅

把括起南洋风的第一代画家陈文希,钟泗滨,陈宗瑞和施香

陀的治学精神进一步光大, 而且独树一帜, 别开生面, 多维

拓展艺术空间,开创了跨世纪的现代水墨新南风。作品经常

于国内外展出，获得极高评价，画作被各国人士所珍藏，另

外也收藏于各企业、美术院以及美术馆内。获奖的有：国

际书画杰出奖、古典现代诗书画院士、中国当代艺术界名人

录作品展示得金鼎奖、世界文化名人成就金像奖、世界学

术奉献奖以及其他奖项。

作品讲述：谢忝宋无疑是经营空间艺术的大师,他将画面的

空间语言几乎发挥到了极致,以他“独此一家,别无分店”的

艺术语言符号,为众生对话和人与自然的对话创造了一个

活脱脱的充满灵性美的世界。他重视艺术心态的平衡和守

恒,注重表达物象内涵的量感和空间感,融西方艺术的具体

美于抽象中,更新开拓了一片慰借精神艺术天地, 给人以安

详,宁静和笔墨难以形容的审美愉悦。

29

018谢忝宋

众生

水墨纸本镜框

63cm x 67cm

来源

本地藏家

RM3,500－6,000


谢忝宋是一位独具一格的高知名度画家,他立足南洋,放眼世界,以丰厚的学养,凝练的笔墨语

言,独特的艺术视角,不仅把括起南洋风的第一代画家陈文希,钟泗滨,陈宗瑞和施香陀的治学精

神进一步光大, 而且独树一帜, 别开生面, 多维拓展艺术空间,开创了跨世纪的现代水墨新南

风。作品经常于国内外展出，获得极高评价，画作被各国人士所珍藏，另外也收藏于各企业、

美术院以及美术馆内。获奖的有：国际书画杰出奖、古典现代诗书画院士、中国当代艺术界名

人录作品展示得金鼎奖、世界文化名人成就金像奖、世界学术奉献奖以及其他奖项。

作品讲述：谢忝宋无疑是经营空间艺术的大师,他将画面的空间语言几乎发挥到了极致,以他“

独此一家,别无分店”的艺术语言符号,为众生对话和人与自然的对话创造了一个活脱脱的充满

灵性美的世界。他重视艺术心态的平衡和守恒,注重表达物象内涵的量感和空间感,融西方艺

术的具体美于抽象中,更新开拓了一片慰借精神艺术天地, 给人以安详,宁静和笔墨难以形容的

审美愉悦。

30

019谢忝宋

花鸟

水墨纸本镜框

70cm x 75cm

来源

本地藏家

RM3,500－5,000


谢忝宋是一位独具一格的高知名度画家,他立足南洋,放眼世界,以丰厚的学养,凝练的笔墨语

言,独特的艺术视角,不仅把括起南洋风的第一代画家陈文希,钟泗滨,陈宗瑞和施香陀的治学精

神进一步光大, 而且独树一帜, 别开生面, 多维拓展艺术空间,开创了跨世纪的现代水墨新南

风。作品经常于国内外展出，获得极高评价，画作被各国人士所珍藏，另外也收藏于各企业、

美术院以及美术馆内。获奖的有：国际书画杰出奖、古典现代诗书画院士、中国当代艺术界名

人录作品展示得金鼎奖、世界文化名人成就金像奖、世界学术奉献奖以及其他奖项。

作品讲述：谢忝宋无疑是经营空间艺术的大师,他将画面的空间语言几乎发挥到了极致,以他“

独此一家,别无分店”的艺术语言符号,为众生对话和人与自然的对话创造了一个活脱脱的充满

灵性美的世界。他重视艺术心态的平衡和守恒,注重表达物象内涵的量感和空间感,融西方艺

术的具体美于抽象中,更新开拓了一片慰借精神艺术天地, 给人以安详,宁静和笔墨难以形容的

审美愉悦。

31

020施香沱

鹦鹉

水墨纸本立轴

29cm x 116cm

来源

本地藏家

RM6,000－7,000

施香沱（b.1906 Fujian～d.1990）

施香沱出生于书香门第，祖上几代人都擅长书画。香沱九岁始学书画。毕业

于龙溪商业学校，在东华小学任教。1938年到新加坡谋生。为支援抗日斗争，

他在新加坡与有关部门联系、筹划后，在新加坡举办个人书画展，将所得的款

项全部捐作赈济中国难民基金。1941年，香沱受聘在新加坡美术专科学校任

教。1976年被选为新加坡中华美术研究会会长。曾任新加坡访华文化考察团

副团长，回国在北京等地考察，为中新文化交流做出贡献。

作品论述：施香沱的画，设色喜用趙之谦的艳丽，并将许多东南亚当地景象和

现实生活中的题材入画，如神仙魚、天堂鸟、胡姬花等，在传统绘画上，有所创

新，且形神兼备，韵味无穷。他的人物画、山水画较之于花鳥画数量要少得多。

他被推崇为南洋風格绘画的鼻祖，也是新加坡、马来西亚影响最为深远的一位

金石书画家。

32

021吕介文

水墨纸本镜框

56cm x 68cm

来源

本地藏家

RM6,000－7,000

吕介文 Le Chek Wen（b.1934 Melaka～d.1988 Negeri Sembilan）

吕介文乃马来西亚著名水墨画画家及教育家，自幼就对绘画艺术产生浓厚的兴趣，并誓

志成为一名画家。青年时期进入新加坡南洋美专就读，1956年以优秀的成绩毕业。1961

年在著名画家钟正山的推介下，出任森美兰州芙蓉中学美术主任，服务37年，直至于

1988年逝世为此。作品曾在国外展出，让人留下深刻印象。其“空山灵水”1988年度获得

北京国际水墨画画展大奖，轰动一时。只可惜英年早逝，遗留人间的画作并不多。

作品讲述：作品基于在传统水墨画的技巧与意境创作方面取得突破的进展，大胆创作把

水墨画现代化，其作品保有他自己独特的面目和精神。尽可能把自然界一切形象压缩到

简洁的程度而表出之，取其神而舍其貌，以求达致艺术上超逸的境界。技巧上，他采纳横

扫千军的大笔泼墨法，气势宏伟，水墨淋漓，确能令人心广神怡。高雅纯朴的感觉。

33

022星云大师

色即是空空即是色

书法纸本镜框

29cm x 47cm

2002

来源

台湾藏家

RM6,000－9,000

星云大师（b.1927 Jingsu）

星云法师，十二岁于南京礼志开上人出家。1957年

创办佛教文化服务处，后改为佛光出版社。1967

年创建佛光山、以弘扬「人间佛教」为宗风，树立

「以文化弘」扬佛法，以教育培养人才，以慈善福

利社会，以共修净化人心宗旨，致力推动佛教教

育、文化、慈善、弘法事业，并融古汇今，手拟规

章制度，将佛教带往现代化的新里程碑。先后在

世界各地创建二百余道场，如西来、南天、南华等

寺，分别为北美、澳洲、非洲第一大佛寺。并创办

九所美术馆、二十六所图书馆、出版社、十二所书

局、五十余所中华学校、十六所佛教丛林学院。

34

023俞鸿钧

书法纸本镜框

33cm x 66cm

来源

本地藏家

RM5,000－8,000

俞鸿钧 O.K.Yui（b.1898 Guangdong～d.1960）

广东省新会县人，上海圣约翰大学毕业，国民政府

高级官员，财经专家。北伐时出任上海市财政局代

理局长而迈入政坛，以具备杰出英语能力和财政专

长而知名。

1919年毕业于上海圣约翰大学，历任英文《大陆晚

报》记者、国民政府外交部长陈友仁的英文秘书、

上海市政府英文秘书兼宣传科长，抗战初期已担任

上海市长，中国政府撤往重庆後调任外交部政务次

长，中央信托局局长，财政部长。胜利後接任中央

银行总裁，於动员戡乱时受命主持上海央行黄金储

备运往台湾。国民政府迁台後复任财政部长兼任央

行总裁与交通银行、中国农民银行、台湾银行董事

长。1953年出任台湾省政府主席，兼任台湾後备司

令部司令。1954年至1958年升任行政院长，因拒

绝监察院约询案遭到弹劾。辞职後复任中央银行总

裁，1960年病逝台北，年六十四岁。对於俞鸿钧之贡

献，国民政府曾颁发褒扬令明令褒扬。

35

024黎潮湘

水面细風

水墨纸本镜框

68cm x 68cm

来源

本地藏家

RM4,000－5,000

黎潮湘 Li Chao Xiang（b.1948）

黎潮湘生于1948年,画名常署南湘子、湘子、阿湘。早年自学,后进修于香港沧江艺文学

院,函授中国画山水科,刘春草水墨画研习营。1998年开始追随谢忝宋老师学习水墨画创

作。草堂门金石书画会副会长,马来西亚国际现代书画联盟彭亨联委,马来西亚艺术家协

会会员,大马水墨画协会会员

36

025谢忝宋

竹韵诗声

水墨纸本镜框

68cm x 136cm

来源

本地藏家

RM10,000－15,000










及其他奖项。







37

026郑浩千

山水

水墨纸本立轴

46cm x 104cm

来源

本地藏家

RM13,000－20,000

郑浩千博士 Dr Cheng Haw-Chien（b.1948 Penang）

本名庆龙，一九四八年生于马来西亚槟城，马来西亚籍华裔画

家。早年留学港台，英国牛津圣乔治大学美术史博士，曾任马

来西亚中央艺术学院院长。现任大马中央艺术研究院院长，中

国北京人民大学客座教授。

自幼喜爱绘画，曾师事竺摩长老、吴公虎、赵少昂、梁寒操、

刘太希、易君左、张寿平等，转益多师。创作方面，受恩师竺

摩长老影响，对诗、书、和文学有深入研究。喜旅游写生，足

迹遍及世界各名山大川，游纵所至，必有佳作问世。曾在世界

各地举办个展百余次，享誉国际画坛。作品亦在中国各艺术馆

收藏。

作品讲述：他的绘画艺术具备传统神韵，又继承岭南派画风，

笔墨浓淡枯湿有致，着色鲜艳明丽，题材广泛，频出新意，充

满性灵及艺术修养，在他笔下无论山水、花卉、还是人物、鸟

兽都能随心所欲，尽情表现。

38

027施香沱

对联

书法纸本立轴

33cm x 134cm x 2

来源

本地藏家

RM12,000－15,000

施香沱（b.1906 Fujian～d.1990）

施香沱出生于书香门第，祖上几代人都擅长书画。香沱九岁始学

书画。毕业于龙溪商业学校，在东华小学任教。1938年到新加坡

谋生。为支援抗日斗争，他在新加坡与有关部门联系、筹划后，在

新加坡举办个人书画展，将所得的款项全部捐作赈济中国难民基

金。1941年，香沱受聘在新加坡美术专科学校任教。1976年被选

为新加坡中华美术研究会会长。曾任新加坡访华文化考察团副团

长，回国在北京等地考察，为中新文化交流做出贡献。

作品论述：施香沱的画，设色喜用趙之谦的艳丽，并将许多东南亚

当地景象和现实生活中的题材入画，如神仙魚、天堂鸟、胡姬花

等，在传统绘画上，有所创新，且形神兼备，韵味无穷。他的人物

画、山水画较之于花鳥画数量要少得多。他被推崇为南洋風格绘画

的鼻祖，也是新加坡、马来西亚影响最为深远的一位金石书画家。

40

钟正山 Chung Chen Sun(b.1935 Melaka)

享誉国际的艺术家和美术教育家。1935年出生于马六甲州，

祖籍广东梅县。毕业于新加坡南洋艺术学院艺术教育系，并

获得旧金山大学公共行政管理系硕士学位。从1967年开始，

先后在中、马两国创办了5所艺术学院。其中包括马来西亚艺

术学院、马来西亚国际资讯艺术学院、中国云南大学国际现

代化设计艺术学院、湖南株洲正山国际现代设计艺术学院及

内蒙古师范大学国际现代设计艺术学院。其艺术教育理念

和所设计的现代艺术设计课程，对中马两国的现代艺术教育

有一定影响与贡献，被誉为“马来西亚现代艺术教育之父”。

钟氏积极参与国际的美术与艺术教育之交流工作，先后担任

过亚太区艺术教育会议主席。1981年发起成立“国际现代水

墨画联盟”，并被推选为主席，长达8年，致力于推动中国水

墨画的现代化。1982年任马来西亚华人文化协会总会长，长

达15年，对马中两国文化交流起桥梁作用。

他个人在艺术创作上的造诣精深，台湾艺术家罗青教授分析

其作品：“从早期的写生、写意、演变精进，纳入东西美学哲

思，有浑厚的传统精神，又能发挥具创建的造型意境，诚为

一代画杰，求之世界画坛亦不多见。”中国著名美术评论家

邵大箴教授曰：“钟正山的艺术创作和所取得的成就具有前

瞻性，对包括中国在内的许多东方艺术家具有借鉴和启发意

义。”

钟氏在艺术创作上的造诣极深，他受过严格的绘画训练，绘

画功底深厚，并谙熟中西艺术的历史演变，特别对老庄的“

道”哲思有深刻的认识，是他艺术创作的源泉。钟氏早期的

作品，滲透了儒、道、佛的思想和观念。他深信“读万卷书，

行万里路”对艺术创作的重要性，身体力行，在世界各地考

察、讲学、生活阅历和人生经验丰富。他以为艺术家的创作，

就好像科学家一样，必须不断的探索，求新求变，才能有所

发明和创造。他不拘泥于一家之法，也不局限于一种技法

上，而是不断的探索绘画和人生的真谛，将不同的时空、经

验、体会、观念和感情塑诸于画面，以寻求变化和突破。钟正

山的创作路线，有清楚连贯一致的线索，那就是，追求艺术

的“真、善、美”。

他的作品先后在马来西亚、新加坡、中国、台湾、香港、泰国、

越南、菲律宾、美国、加拿大、英国、法国、荷兰、比利时、德

国、巴西、奥大利亚、新西兰等二十余个国家地区的国际大

展中展出；国内外举行过二十余次个人画展。作品多被企业、

美术馆、收藏家所藏。

艺术感言：

中华文化博大精深，水墨画是中华文化的精粹。中国画不是

停留或局限艺术层次，它追求精神与宇宙核心的合一，以达

到真善美的境界。我不同意取“一家法”的言论，画家应像

一个科学家一样，不断的探索、不断的发明。在不同的时间

和不同的空间里，将累积的各种经验与生活环境、人生事物

迸发出火花。即使是星星之火，也是珍贵的。我的作品看来

一直在变，每一变似乎看不出痕迹。不过只有一个我要寻求

的“浩然正气”，可看出其一致性。

近百年来，西方艺术波澜壮阔，也有许多值得我们学习的地

方，但是我们必须要立足于东方文化的基础上。去吸取西方

文化的营养，切勿舍本逐末去追随西方。真正的中国艺术，是

哲学思想、人格体现、知识学养的总和。

水墨画是中国传统绘画主要的表达形式。它不仅代表了一种

绘画的形成，它还反映了中华民族的哲学精神，并且融合了书

法、文学和伦理价值的成就，这是中国绘画的特有精神，这

也是人类的精粹部分。

职衔＊学位＊荣誉＊奖项

中国国家画院院委

中国艺术研究院特聘研究员

中国云南财经大学首席教授

马来西亚华人文化协会永久名誉总会长

1982至1997年任马来西亚华人文化协会总会长

1982至1989年任国际现代水墨画联盟主席

1985至1988年任亚洲太平洋地区艺术教育协会主席

1958 马来西亚教育部对其美术教学成绩表示赞赏，特

颁发奖状以示嘉勉

1977 马来西亚最高元首陛下颁赐服务国家有功勋章

1983 台湾台北中华学术院研士

1984 台湾中国文艺协会颁发[荣誉文艺奖]

1999 新加坡南洋美术专科学校（马来西亚）校友会杰出

校友奖

1994 中国西安音乐学院名誉教授

1995 台湾中华文化复兴总会与中华书画印艺学会联合

颁予[国际书画巨匠奖]

2013年马来西亚国家艺术馆55周年庆典授予[对国家文

化艺术有贡献艺术家奖]

2014年中国驻马来西亚大使馆特表扬钟正山多年来为马

中友谊做出杰出贡献

2015年荣誉马来西亚南方大学授予的[南方之鼎]人文精

神奖

2015年荣获世界杰出每人榜[荣誉精神奖]

2016年荣获第一届华穗终身成就奖

41

028钟正山

不可一日无此君也

水墨纸本镜框

59cm x 95cm

来源

本地藏家

RM5,000－8,000

42

029钟正山

待儿扶起娇无力

水墨纸本镜框

62cm x 41cm

来源

本地藏家

RM6,000－7,000

43

030钟正山

怀素书蕉

水墨纸本镜框

69cm x 125cm

来源

本地藏家

RM10,000－20,000

44

031钟正山

唯有饮者留其名

水墨纸本镜框

68cm x 134cm

来源

本地藏家

RM20,000－40,000

45

出版：钟正山的艺术世界画集

Painting of Chung Chen Sun，

1985－第8页，F67/Aa140

032钟正山

坐虎

水墨纸本立轴

68cm x 137cm

来源

本地藏家

RM45,000－60,000

46

033钟正山

不作嗟来客Never Be An Unexpected Vistor

水墨纸本立轴

68cm x 137cm

1985

来源

本地藏家

RM50,000－60,000

出版：钟正山的艺术世界画集

Painting of Chung Chen Sun，

1985-第135页，F129/C75

47

034丁衍庸

花鸟

懊恨幽兰强主张开花不与我商量

水墨纸本镜框

34cm x 69cm

来源

本地藏家

RM20,000－30,000

丁衍庸 Ding Yan Yong（b.1902 Guangdong～d.1978）

本名丁衍庸，后改名丁鸿，字叔旦，号肖虎、丁虎，广东省茂名县（今高州市）

谢鸡镇茂坡村人。16岁开始学习绘画。在叔父丁颖的资助下，被广东省保送赴

日本留学，先后在川端画学校补习素描。1921年考入东京美术学校就读，主习

西画。人体素描、静物、风景，靡不深究，尤醉心野兽画派大师马蒂斯画风，

废寝忘食，成绩斐然，深得校长黑田清辉赞赏，年仅弱冠，作品已人选日本中

央美术展，—呜惊人。

1925年学成返国，在上海立达学园任西画教授，兼任神州女学艺术科西洋

画教授。同年任中华艺术大学董事、教务长、艺术教育系主任，活跃于上海艺

坛。画风由写实而趋于以线为主的造型。1926年与关良、陈抱一等组织洋画家联合展览会，提倡现代艺术。1929年以后开始研习

中国画，并从事篆刻及美术理论撰述。1932年再赴上海，任教于新华艺术专科学校。1941年回粤后，即转往四川省国立艺术专科

学校教授西画。1941年与关良等组织独立画展，继续倡导现代艺术。1946年应聘为广东省立艺术专科学校校长。

1949年10月移居香港，改名丁鸿，先后任教于香港德明中学、诸圣中学，以教画为生。1956年起在香港新亚书院艺术专修科、艺

术系任教。1961年兼任香港德明书院艺术系主任。1973年开始在香港中文大学校外进修部教授国画，兼任清华书院艺术系主

任。

他擅长西画、中国画、书法。西画宗野兽派大师马蒂斯，人体素描基础浑厚，色彩绚艳、线条简练，有“东方马蒂斯”之称。中国画

擅长花鸟、山水、人物，花鸟画撷取朱耷、徐渭、金农的特点，自成一格；山水画笔触胆大豪放，布局革新，留白巧妙，意境深远；

人物画也饶有情趣；书汉擅长草书。书画作品多次在国内外举办作品个展和参加联展。乃中国现代美术的重要倡导者之一，现代

著名国画家、油画家、篆刻家、美术教育家。毕生从事美术教育事业，培养出许多艺术人才。

1978年12月23日因病在香港逝世，终年76岁。去世后香港举办了“丁衍庸遗作展”、“丁衍庸作品回顾展”等，并设立有“丁衍庸

学业成绩奖”、“丁衍庸艺术奖”、“丁衍庸画会”等。出版有《丁衍庸画集》、《丁衍庸画册》、《丁衍庸的书画印章》（法文）等。

作品讲述：丁衍庸将传统笔墨、传统文人画的造型与现代西方绘画的某些观念糅合起来，产生了奇倔幽默、稚拙而奔放的特色。

48

035黄尧

水墨纸本立轴

74cm x 167cm

来源

本地藏家

RM20,000－30,000

黄尧 Huang Yao（b.1914 Shanghai～d.1987 Kuala Lumpur）

本名黄家塘，原籍浙江嘉善，出身书香门第，生长于上海，却在南洋度过半生岁月，特别擅长将不同时期的中国文字，转换成抽象

的造型，在创作牛鼻子的时候开始使用“出云书”。他勤奋临摹历代碑帖，发展出古拙纯朴的书风。

作品讲述：黄尧所有的书法作品都是以“倒书”的写法来进行创作。黄尧把这种独特的书法称为“出云书”。这是他从小孩子纯朴

的笔迹获得启示后，试图模仿并捕捉人性中最纯朴自然的“赤子之心”的美感。黄尧是在创作牛鼻子的时候开始使用“出云书”。

他认为“书法”是“绘画”的基础，也是“书画同源”的根本。

49

036黄尧

面壁图

水墨纸本镜框

50cm x 136cm

来源

本地藏家

RM15,000－25,000

黄尧 Huang Yao

（b.1914 Shanghai～d.1987 Kuala Lumpur）

本名黄家塘，原籍浙江嘉善，出身书香门第，生长于上海，

却在南洋度过半生岁月，特别擅长将不同时期的中国文

字，转换成抽象的造型，在创作牛鼻子的时候开始使用“

出云书”。他勤奋临摹历代碑帖，发展出古拙纯朴的书

风。

作品讲述：黄尧所有的书法作品都是以“倒书”的写法来

进行创作。黄尧把这种独特的书法称为“出云书”。这是

他从小孩子纯朴的笔迹获得启示后，试图模仿并捕捉人性

中最纯朴自然的“赤子之心”的美感。黄尧是在创作牛鼻

子的时候开始使用“出云书”。他认为“书法”是“绘画”

的基础，也是“书画同源”的根本。

50

037谢忝宋

书法手卷镜框

139cm x 23cm

来源

本地藏家

RM4,000－6,000

51

038谢忝宋

无声对语

手卷纸本镜框

240cm x 15cm

来源

本地藏家

RM8,000－12,000










及其他奖项。







52

039伯圆长老

对联

雨晴云有态风定水无痕

书法纸本立轴

24cm x 134cm x 2

来源

本地藏家

RM6,000－10,000

伯圆长老 Bo-Yuen（b.1914 Fujian～d.2009）

伯圆长老，福建福安人，俗姓李。法名圣光。字伯圆，号绿野。十

九岁时依福安县狮峰广化寺静绳和尚披剃；二十二岁受具足戒

于福州鼓山涌泉寺虚云和尚座下，并依虚公习禅，复入福州鼓山

石鼓佛学院参学。后任职于鼓山涌泉寺、福州崇福寺。1947年

由鼓山调派至马来西亚槟城极乐寺任职监院。1961年应邀至吉

隆坡弘法，于八打灵建立湖滨精舍，深受当地信徒之敬仰。师平

素淡泊自适，喜以书画调和禅心。曾任马来西亚佛教总会副主

席、马来西亚佛教青年总会宗教顾问，又常受聘为其他各佛教团

体之导师、顾问等职。着有松涛声里话前尘、五台山上一行者、

睡狮身上的疤痕等书。

作品评述：书画艺术成就，属“文人画”的范畴，绘画的创作结

合了书法、文学，甚至人品诸种元素，乃“修持佛法之余，寄情

于笔墨”，故有“调和禅心”之说。书法作品，则以行草、楷体为

主，观其书法，结体圆胖，用笔拙重，行草错落有致，笔势连绵；

行楷则用笔极为空灵、潇洒、静中带动，散发出疏朗高古、清空

高邈的气质。

画作方面，至于德高望重的长老则因圆融无碍的智慧心，和自

利利他的慈悲心，使吾等可据其书画的一撇一捺之中，以及从他

清明澄澈、自然流露的禅心之中，依指望月，以求能明心见性，

还我本来真面目。

53

040伯圆长老

竹

水墨纸本立轴

35cm x 133cm

来源

本地藏家

RM6,000－10,000

伯圆长老 Bo-Yuen（b.1914 Fujian～d.2009）

伯圆长老，福建福安人，俗姓李。法名圣光。字伯圆，号绿野。十

九岁时依福安县狮峰广化寺静绳和尚披剃；二十二岁受具足戒

于福州鼓山涌泉寺虚云和尚座下，并依虚公习禅，复入福州鼓山

石鼓佛学院参学。后任职于鼓山涌泉寺、福州崇福寺。1947年

由鼓山调派至马来西亚槟城极乐寺任职监院。1961年应邀至吉

隆坡弘法，于八打灵建立湖滨精舍，深受当地信徒之敬仰。师平

素淡泊自适，喜以书画调和禅心。曾任马来西亚佛教总会副主

席、马来西亚佛教青年总会宗教顾问，又常受聘为其他各佛教团

体之导师、顾问等职。着有松涛声里话前尘、五台山上一行者、

睡狮身上的疤痕等书。

作品评述：书画艺术成就，属“文人画”的范畴，绘画的创作结

合了书法、文学，甚至人品诸种元素，乃“修持佛法之余，寄情

于笔墨”，故有“调和禅心”之说。书法作品，则以行草、楷体为

主，观其书法，结体圆胖，用笔拙重，行草错落有致，笔势连绵；

行楷则用笔极为空灵、潇洒、静中带动，散发出疏朗高古、清空

高邈的气质。

画作方面，至于德高望重的长老则因圆融无碍的智慧心，和自

利利他的慈悲心，使吾等可据其书画的一撇一捺之中，以及从他

清明澄澈、自然流露的禅心之中，依指望月，以求能明心见性，

还我本来真面目。

54

041竺摩

书法纸本立轴

93cm x 39cm

来源

本地藏家

RM9,000－12,000

竺摩法师 Dato’Zhu Mo (b .1913 Zhejiang～d.2002)

竺摩法师，生于浙江乐清县人。幼年于雁荡山出家，自号

雁荡山僧。毕业于闽南、武昌等佛学院。亲近太虚大师，

为入室弟子。曾随学于岭南画家高剑父，遂善绘事。抗日

战争前，曾在香港弘法。一九五三年转往马来西亚槟城。

作品讲述：竺摩法师擅长诗词、散文，书法尤自成一格，墨

宝多为海内外各道场所珍藏。

55

042 星云大师

对联

老实念佛求生净土

书法纸本镜框

15cm x 61cm x 2

2001

来源

台湾藏家

RM9,000－12,000


星云法师，十二岁于南京礼志开上人出家。1957年创办佛教文化服务处，后改为佛光出版社。1967年创建佛光山、以弘扬「人间

佛教」为宗风，树立「以文化弘」扬佛法，以教育培养人才，以慈善福利社会，以共修净化人心宗旨，致力推动佛教教育、文化、慈

善、弘法事业，并融古汇今，手拟规章制度，将佛教带往现代化的新里程碑。先后在世界各地创建二百余道场，如西来、南天、南

华等寺，分别为北美、澳洲、非洲第一大佛寺。并创办九所美术馆、二十六所图书馆、出版社、十二所书局、五十余所中华学校、十

六所佛教丛林学院。

56

043 星云大师

对联

诸恶莫作众善奉行

书法纸本镜框

17/66cm x 2

2001

来源

台湾藏家

RM10,000－15,000


星云法师，十二岁于南京礼志开上人出

家。1957年创办佛教文化服务处，后改为佛

光出版社。1967年创建佛光山、以弘扬「人

间佛教」为宗风，树立「以文化弘」扬佛法，

以教育培养人才，以慈善福利社会，以共修

净化人心宗旨，致力推动佛教教育、文化、

慈善、弘法事业，并融古汇今，手拟规章制

度，将佛教带往现代化的新里程碑。先后在

世界各地创建二百余道场，如西来、南天、

南华等寺，分别为北美、澳洲、非洲第一大佛

寺。并创办九所美术馆、二十六所图书馆、出

版社、十二所书局、五十余所中华学校、十六

所佛教丛林学院。

57

044 佘雪曼

书法纸本立轴

133.5cm x 32.5cm x2

来源

本地藏家

RM8,000－12,000

佘雪曼 She Xue Man（b.1908 Chongqing～d.1993）

字莲裔，号莲斋，重庆巴县人，著名书画家。6岁学书，8岁学画，

毕业于中央大学艺术系，是中国国著名书画家。毕业后，被国民

政府教育部聘为教授，先后在国立女子师范、东北大学、四川大

学、中山大学，香港中文大学及南洋大学任教授、系主任、院长。

1949 年移居香港，旅居香港40余年。1950年在香港建雪曼艺文

院，专门从事书画创作。后捐资15万元在重庆鹅岭公园修建“雪

曼艺文馆”，将其书画艺术品作永久性陈列展出。他擅长泼墨山

水、莲花、牡丹、梅、兰。画以水墨画作品居多，笔墨豪放，具见

气势，而花鸟杂作均行笔简捷，不擅形似，而纯属文人画风格。

于书法一道，佘曼雪先生对历代名迹心摹手追，曾手写中国三千

年百体书法，先后在香港、日本、美国展出，日本著名书家丰道春

海谓之曰：“以一人之力，能写三千年百体书法，前所未有，不胜

欣佩。能写多体书法，尤擅长王羲之书体。一生创作了上万幅书

画作品，出版文学丛书、美术丛书、字帖、画册逾百种，并被译成

日、法等国文字出版。1982年应国家文化部之邀在中国美术馆举

办个人书画展。还先后在美国、日本东京、菲律宾、马来西亚、新

加坡、泰国、台湾台北、北京、南京、香港、成都、重庆等地举办

过个人书画诗文展览。 1989 年受聘为重庆市文史研究馆名誉

馆员。1993年11月病逝于香港，生前曾任全国政协会员。

作品讲述：佘曼雪喜习瘦金书，其用笔多有创新，点如菊，撇捺

如兰叶，横竖似竹干，瘦劲飘逸，虽字亦画，称新瘦全书。他爱作

大字，多盈丈巨幅。有趣的是，他能双手做书画，香港电视台曾邀

其作现场表演，即席双手齐挥，写出“龙飞凤舞”四个字，一反一

正，观者无不称奇。先生之书得自古法，出于心意，勇于创新，数

十年如一日。

58

045 杨善深

七言对联

养就大拙方为妙学到愚时始见成

书法纸本镜框

34cm x 137cm x 2

来源

本地藏家

RM10,000－20,000

杨善深 Yang Yi Shen（b.1913 Guangdong～d.2004）

杨善深先生是岭南派富有创造性的书画家，而今是当代中国书画坛的大师，与赵少昂、关山月和黎雄才被誉为岭南四大家。不少

中外美术爱好人士认为他的艺术成就已经超越了“岭南派”的范畴，并誉为[杨门画派]的立派宗师。

杨善深，1913年生于广东台山赤溪镇，幼年曾受私墪教育。十二岁时，已开始临摹前人的作品，1930年十七岁时移居香港，拜师于

高剑父。1935年得到父亲的支持，东渡时，到都堂美术学校习画。学成回国从事美术创作和美术教育。

杨善深先生的作品极具吸引力，无论什么题材，都会给人带来浓厚的欣赏兴趣。杨先生的书法造诣也很深。他先从［祀三公山

碑]、《广武将军碑》及石门颂〉打下坚实的基础、然后又从古篆、竹简、木简及历史名家书法中取据精华，形成书画合一的艺术效

果。

杨善深先生是当代书坛笔墨精湛、风格独特清新，承前启后的艺术大师。他一生数十年的勤奋和不断求新，勇于探索的精神，为

中国书画坛增添灿烂的光彩。

59

046 杨善深

五言对联

书法纸本立轴

33cm x 135cm x 2

来源

本地藏家

RM10,000－20,000

杨善深 Yang Yi Shen（b.1913 Guangdong～d.2004）

杨善深先生是岭南派富有创造性的书画家，而今是当代中国书画坛的大师，与赵少昂、关山月和黎雄才被誉为岭南四大家。不少

中外美术爱好人士认为他的艺术成就已经超越了“岭南派”的范畴，并誉为[杨门画派]的立派宗师。

杨善深，1913年生于广东台山赤溪镇，幼年曾受私墪教育。十二岁时，已开始临摹前人的作品，1930年十七岁时移居香港，拜师于

高剑父。1935年得到父亲的支持，东渡时，到都堂美术学校习画。学成回国从事美术创作和美术教育。

杨善深先生的作品极具吸引力，无论什么题材，都会给人带来浓厚的欣赏兴趣。杨先生的书法造诣也很深。他先从［祀三公山

碑]、《广武将军碑》及石门颂〉打下坚实的基础、然后又从古篆、竹简、木简及历史名家书法中取据精华，形成书画合一的艺术效

果。

杨善深先生是当代书坛笔墨精湛、风格独特清新，承前启后的艺术大师。他一生数十年的勤奋和不断求新，勇于探索的精神，为

中国书画坛增添灿烂的光彩。

60

047 谢忝宋

无声对语

水墨纸本镜框

24cm x 175cm

来源

本地藏家

RM18,000－25,000










及其他奖项。







61

刘创新（b.1973 Selangor, Klang）

刘创新，号慎斋，石耕庐，文荟堂，和正斋。祖籍福建同安，1973年生于马来西亚雪兰莪州巴生县，现旅居上海。

自幼酷爱书法篆刻尤好收藏书画文玩，设立文荟堂，致力于书画文物鉴赏研究，经营书画收藏咨询及投资规划。书法拜师黄石庵

先生、陈健诚先生，篆刻师承张耕源、韩天衡二位先生，作品四次获西泠印社优秀奖。中国美术学院书法硕士，中国艺术研究院访

问学者、博士研究生。曾任马来西亚全国独立中学高中统一考试书法卷评改员，及马来亚大学华文学会书法篆刻班导师。现为西

泠印社社员、马来西亚书艺协会理事、浙江省篆刻创作委员会名誉委员、中国《篆刻》杂志总编辑、台湾中华文物学会会员、中华

画院副秘书长。著有：《刘创新篆刻作品集》、《南国翰墨缘》、《文荟菁英-和正斋宜兴紫砂藏珍》紫砂收藏曾经在杭州中国茶叶

博物馆展出，并经馆方出版专辑《以适幽趣-明清茶具收藏展》。

048 刘创新

对联

书法纸本镜框

101cm x 23cm x 2

刘创新

横幅格物致知

书法纸本镜框

23cm x 101cm

来源

本地藏家

RM5,000－8,000

62

049 符永刚

锡矿场 Tin Mine

水墨纸本立轴

108cm x 58cm

来源

本地藏家

RM6,000－8,000

符永刚博士 Dr Foo Yong Kong（b.1948 Negeri Sembilan）

符永刚博士获美国Inter America University颁发艺术哲学博士。就读艺术学院时期即获得多项艺术大奖，包括全国画家创作首

奖。为国际资深书画家，从七十年代开始，举办过无数个人画展及参与国家艺术馆主办之海内外书画展及巡回展等。几十年来广

泛地游历亚洲及欧洲国家，并在当地举行个人画展或现代书法展，发表创作经验，同时观摩考察美术发展，作品为多国及私人企

业收藏。得到海内外许多画廊及艺术机构的器重及褒扬和发表文章介绍。近年致力于推广马来西亚书法及水墨画艺术，并成立

了“现代国际书画联盟”，积极推动海内外书画活动。

作品讲述：擅长抽象画，创作元素是将书法线条及中西绘画特性铸熔于个人风格之创作中，画风抽象却含诗意，以诗的手法表现

大自然的山水，以自己的感觉看世界，创作也许天马行空，也可能是抽象的，但个个作品当中一定有他的真挚的情感，让作品中西

交融。

63

崔大地 Tsue Ta Ti（b.1903 Beijing～d.1974）

崔大地，祖籍北京，早年服务于中国军政界，日军轰炸重庆时，家人都罹难，只

有他一个人幸免。1937年离开中国，向南迁移。1945年在泰南合艾市举办书法

个展。1946年定居于新加坡，1953年开始旅居英国四年，同时也在当地举行

书法展，并在现场以大笔当众挥笔，轰动一时。

崔先生是南洋一位著名先贤书法家，培育了无数书法后进，早年在世界各地举

行书法展，包括新加坡、巴黎、英国等地区。他的书法基础扎实稳固，创作态

度严肃谦和，成就有目共睹，早已受到肯定。

作品讲述: 书法“题材多，有神、有劲，亦逸、亦秀;意在笔先，心精手熟，运笔

尽于纯熟，规矩谙于胸襟，务存骨气而兼遵劲;字如其人，刚直豪爽潇洒磊落。

创作当中，他的豪情与学养，让他的画艺自然流露出大气礴、豪迈刚劲的神

韵。

050 崔大地

金文：申作宝鼎

书法纸本镜框

斗方

33cm x 45cm

来源

本地藏家

RM6,000－8,000

64

051 崔大地

觉来盼庭前，一鸟花间鸣借问此何日？春风语流莺节录李白［春日醉起言志］

书法中堂纸本立轴

48cm x 90cm

来源

本地藏家

RM10,000－15,000

崔大地 Tsue Ta Ti（b.1903 Beijing～d.1974）

崔大地，祖籍北京，早年服务于中国军政界，日军轰炸重庆时，家人都罹难，只有他一个人幸免。1937年离开中国，向南迁

移。1945年在泰南合艾市举办书法个展。1946年定居于新加坡，1953年开始旅居英国四年，同时也在当地举行书法展，并在现

场以大笔当众挥笔，轰动一时。

崔先生是南洋一位著名先贤书法家，培育了无数书法后进，早年在世界各地举行书法展，包括新加坡、巴黎、英国等地区。他的书

法基础扎实稳固，创作态度严肃谦和，成就有目共睹，早已受到肯定。

作品讲述: 书法“题材多，有神、有劲，亦逸、亦秀;意在笔先，心精手熟，运笔尽于纯熟，规矩谙于胸襟，务存骨气而兼遵劲;字如

其人，刚直豪爽潇洒磊落。创作当中，他的豪情与学养，让他的画艺自然流露出大气礴、豪迈刚劲的神韵。

65

052 钟正川

老鹰

水墨纸本立轴

97cm x 61cm

来源

本地藏家

RM8,000－10,000


现为马来西亚水墨画协会总会长、香港世界艺术家联合总会副主席、新加坡书法

家协会及新加坡书法研究院院士、钟正川画院院长、马来亚国立大学教授、北京

市希望书库基金会海外荣誉副会长、马来西亚华人文化协会视觉艺术主任等。

其作品被马来西亚国家艺术馆、马来西亚国家迎宾馆、中国艺术研究院、齐白石

纪念馆、张大千纪念馆、韩国文化艺术馆、台湾国立教育美术馆、马来西亚前任

首相阿都拉、朝鲜前领袖金日成将军、朝鲜劳动党主席金正日等多国元首、政

要、大使、国家级美术馆收藏。被誉为“马来西亚的齐白石”。

农村风光钟正川所绘马来西亚的农村风光，更让观众在当下语境完成自我解

读；而其精熟的笔墨造型，在本土文化资源与异域风情之间寻求题材的开掘与风

格的建立。更重要的是，钟正川努力带动了当地一股《齐家（齐白石）用笔》创作

的风气，从而回到一个根源性的生活层面上复活中国水墨产生的形式基因。他

的画不但在形式构图上融入了西洋画的几何形式，更不失中国传统的笔墨与赋

色，画面安排上体现其“疏朗、透气、合理”而堪趋完美。也正谓古人曰：【聚】与

【散】的结合。特别是他画的｛鹭鸟｝和｛鸡｝在形态、机理、眼神上具有特别之神

韵，而且笔笔藏锋力度恰到。这乃是一般专业画家都难以掌握的功力体现。齐白

石老先生曾经对学生说：“学我者死”。今天如果李苦禅、李可染不是脱离了“齐

家”风格而创立了自己的｛鹰｝和｛山水｝画风，也就没有今天的大师了！但是不可

忽略的一点，就是他们在笔触上还是留有“齐家”的影子存在。也应验了【师古

造化】和【笔墨当随时代】的名句！钟正川先生正是体现这二名句的实践者和成

功者。

66

053 钟正川

石榴

水墨纸本立轴

34cm x 70cm

1991

来源

本地藏家

RM5,000－8,000


现为马来西亚水墨画协会总会长、香港世界艺术家联合

总会副主席、新加坡书法家协会及新加坡书法研究院院

士、钟正川画院院长、马来亚国立大学教授、北京市希

望书库基金会海外荣誉副会长、马来西亚华人文化协会

视觉艺术主任等。其作品被马来西亚国家艺术馆、马来

西亚国家迎宾馆、中国艺术研究院、齐白石纪念馆、张

大千纪念馆、韩国文化艺术馆、台湾国立教育美术馆、马

来西亚前任首相阿都拉、朝鲜前领袖金日成将军、朝鲜

劳动党主席金正日等多国元首、政要、大使、国家级美术

馆收藏。被誉为“马来西亚的齐白石”。

农村风光钟正川所绘马来西亚的农村风光，更让观众

在当下语境完成自我解读；而其精熟的笔墨造型，在本

土文化资源与异域风情之间寻求题材的开掘与风格的建

立。更重要的是，钟正川努力带动了当地一股《齐家（齐

白石）用笔》创作的风气，从而回到一个根源性的生活

层面上复活中国水墨产生的形式基因。他的画不但在形

式构图上融入了西洋画的几何形式，更不失中国传统的

笔墨与赋色，画面安排上体现其“疏朗、透气、合理”而

堪趋完美。也正谓古人曰：【聚】与【散】的结合。特别是

他画的｛鹭鸟｝和｛鸡｝在形态、机理、眼神上具有特别之

神韵，而且笔笔藏锋力度恰到。这乃是一般专业画家都

难以掌握的功力体现。齐白石老先生曾经对学生说：“学

我者死”。今天如果李苦禅、李可染不是脱离了“齐家”

风格而创立了自己的｛鹰｝和｛山水｝画风，也就没有今天

的大师了！但是不可忽略的一点，就是他们在笔触上还

是留有“齐家”的影子存在。也应验了【师古造化】和【

笔墨当随时代】的名句！钟正川先生正是体现这二名句

的实践者和成功者。

67

054 黄尧

山水美人烟笼寒水月笼沙，夜泊秦淮近酒家，商女不知亡国恨，隔江犹唱后庭花。

水墨纸本立轴

43cm x 58cm

来源

本地藏家

RM10,000－15,000


本名黄家塘，原籍浙江嘉善，出身书香门第，生长于上海，却在南洋度过半生

岁月，特别擅长将不同时期的中国文字，转换成抽象的造型，在创作牛鼻子的

时候开始使用“出云书”。他勤奋临摹历代碑帖，发展出古拙纯朴的书风。

作品讲述：黄尧所有的书法作品都是以“倒书”的写法来进行创作。黄尧把这

种独特的书法称为“出云书”。这是他从小孩子纯朴的笔迹获得启示后，试图

模仿并捕捉人性中最纯朴自然的“赤子之心”的美感。黄尧是在创作牛鼻子

的时候开始使用“出云书”。他认为“书法”是“绘画”的基础，也是“书画同

源”的根本。

68

055 黄尧

永寿

水墨纸本镜框

30cm x 64cm

1979

来源

本地藏家

RM6,000－10,000


本名黄家塘，原籍浙江嘉善，出身书香门第，生长于上海，却在南洋度过半生岁月，特别擅长将不同时期的中国文字，转换成抽象

的造型，在创作牛鼻子的时候开始使用“出云书”。他勤奋临摹历代碑帖，发展出古拙纯朴的书风。

作品讲述：黄尧所有的书法作品都是以“倒书”的写法来进行创作。黄尧把这种独特的书法称为“出云书”。这是他从小孩子纯朴

的笔迹获得启示后，试图模仿并捕捉人性中最纯朴自然的“赤子之心”的美感。黄尧是在创作牛鼻子的时候开始使用“出云书”。

他认为“书法”是“绘画”的基础，也是“书画同源”的根本。

陈茶专场

080 2008年嘉木堂陈远号易武茶皇冬菇茶

70

056 90年初1035茉莉花

净重：500g x 2盒

茶厂：福建省茶叶进出口公司

RM1,200 - 2,200

71

057 90年代水仙AT117

净重：500g x 4盒

RM4,000 - 6,000

72

058 90年代正溪茶

净重：125g x 20盒

RM3,000 - 4,000

73

059 A7306 敦煌牌一枝春

数量：125克 x 20盒

RM3,000 - 4,000

74

060 A7306 敦煌牌一枝春

数量：125克 x 30盒

RM6,000 - 8,000

75

061 1999年下关8653铁饼

净重：357克 x 7饼

此款铁饼，叶身完整及茶质的丰富，可说是天生丽质。茶汤稠度与口感颇为理想，另，茶胶质厚重，琥珀汤色带透亮，入口青蜜甜

香，口中茶香久聚不散，显得沉实而悠扬，散发出一股下关陈茶特有的香气，即刚强有力而带柔柔的茶韵，再为品茗乐趣添上一

番惊喜!此乃下关茶厂的经典佳茗。

RM7,000 - 15,000

76

062 2004年孔雀之乡

净重：357g x 7饼茶厂：勐海茶厂

RM7,000 - 8,000

77

063 2004年红大益

净重：357g x 7饼

RM4,200 - 7,000

78

064 2003年7542紫大益


RM4,900 - 8,000

79

065 2001年勐海茶厂八中简体云(7542)


茶厂：勐海茶厂

RM15,000 - 20,000

80

066 70年代大红嚴

净重： 125克 x 1罐

茶厂：中国茶叶土场进出口公司福建省茶叶分公司厦门支公司

RM5,000 - 7,500

067 70年代老六堡

净重： 250克 x 2 罐

茶厂：中国土产畜产进出口公司广西庄族自治区分公司出品

RM6,000 - 9,000

81

068 60年代大马仓老六安

净重：500克

优质六安茶的干茶具有黝黑光亮的色泽，茶渣呈现铁锈般的暗红色，茶汤汤色红浓且清澈，香气陈香甘醇，带有西瓜皮味，滋味

爽口且耐泡。

品六安老茶的意境便是深沉、悠逺、文雅、安定，呈现出与普洱茶的大气有截然不同的优雅氛围。它的香气带有清凉的蔘味，茶汤

细、润、甜、口感细腻，茶气足，气感服贴 ;茶人们总是说它有药味，具备使人感到舒服的微凉感，喝下去

时茶气深入五脏六腑，慢慢渗透至全身，让人有种精神上的升华感，是养生的药茶，更是一款修身养性的茶，使人感觉到心灵

上的沉稳与安定。

RM6,000 - 8,000

82

069 70年代双兰宝兰六堡茶 + 70年代四兰宝兰六堡茶

净重：250克 x 2 罐

RM7,000 - 9,000

83

070 2007年嘉木堂藏寿易武茶王


坚持以传统工序压制本身品牌茶的台湾普洱茶人陈怀远，可谓是为目前“百茶争鸣”的市场，创造出另一股“清流”，不禁令爱茶

人对他所压制的“陈远号”系列茶品刮目相看。

嘉木堂陈远号主人陈怀远先生，九四年初深入云南易武茶山，将传统手工石磨制茶技术恢复，二十多年来奔走于云南古老茶

山，2002年在易武创立了［嘉木堂陈远号］，本次拍品2005年山中传奇，2007年藏寿易武茶王及茶皇冬菇茶，都是大马仓存茶十

年以上的云南易武传统手制古树普洱茶品。

RM10,000 - 15,000

84

071 2005年云南普洱正山贡茶六大茶山茶马古道山中传奇


RM17,000 - 21,000

85

072 70年代高铁（高泉发铁饼）原包


70年代昆明茶厂铁饼大马俗称（高泉发铁饼）70年代初高泉发茶行从中国进口至大马销售至今，最具有大马70年代纯干仓代表

的普洱茶品，高铁观其茶饼，干净油亮，充分显示纯干仓的优质仓储，闻之鼻翼两侧充满鲜爽的香气，冲泡后更惊喜，噗鼻的香

气中满满甜樟香的飞韵，初尝茶汤滑且饱满，入口后甘味快速蔓延，整体的表现稳定且其有标准的水平，舌尖充满j匀称回韵，茶

气为力灌丹顶，此香在叶底更为明显，茶汤呈通透的红栗色，汤厚有力，具扩张威，实足以作为70年代大马纯干仓普洱代表。

注：藏家早期购自吉隆坡高泉发茶行

RM45,000 - 55,000

86

073 1992年无飞勐海茶厂7542

净重：357克 x 5饼茶厂：勐海茶厂

此款茶品在大马有仓刚好25年，是一款90年代勐海茶厂出品的早期普洱茶辩识度最高的明星茶品，业界称之为88青饼接班

茶。

由于此茶是大马纯干仓自然陈化，纯干仓茶指茶品在正常温度之下的仓储长年保存，此茶品表面油亮或油光，无任何仓味或杂

味，茶面干净匀整，此茶甘香清甜，清新兼清爽。开汤后茶香较为收敛丰富，有一股深藏的茶质。茶汤呈深栗色，通透；其扩放

性，平顺幽柔带甜，回甘持久。有质感，具有相当活恬，底质佳，值得藏家收藏的明星茶品。

RM30,000 - 50,000

87

074 2001年勐海茶厂橙中橙


RM12,600 - 17,500

88

075 2001年勐海绿大树

净重：357克 x 7饼

RM14,000 - 20,000

89

076 2006年下关茶厂销马七子圆饼 84 + 1pcs

净重：357克x 85饼

此茶乃台湾普洱茶达人（飞台公司）主人郭再添先生于2006年特别向下关茶厂订制的精品茶，市场上多款明星茶如2003年金大

益、2003年银大益亦是飞台公司订制茶品。销马七子圆茶经过十多年在大马仓的存放，本茶品整体表现勺本称圆润，茶性强、茶

气强劲、樟香浓郁，汤韵饱满而活力、茶质醇厚、香气十足、回甘迅速，值得珍藏。

RM12,600 - 15,000

90

077 90年代勐海七子青饼

净重：357克先6饼

RM24,000 - 36,000

91

078 2007年嘉木堂藏寿易冬菇茶


RM11,000 - 16,000

92

079 2008年嘉木堂陈远号冬菇茶


RM20,000 - 25,000

93

080 2008年嘉木堂陈远号易武茶皇冬菇茶


RM20,000 - 25,000

94

081 2001年勐海茶厂青饼7542简笔云


此款勐海茶厂2001年出品的7542茶品是目前中期茶的明星茶品，辨识度非常高。此茶亦是大马仓存茶，茶饼干净油亮，茶色已

转，茶芽也显暗金黄色。茶干香气清新、爽新、爽朗、香甜、开扬，茶汤入口汤厚，水质丰富、喉韵佳，喝后慢慢回甘有存留，是厚

重好茶。

RM20,000 - 25,000

95

082 普洱茶92青饼（含飞）

净重：340g + 294g x 2饼茶厂：勐海茶厂


茶。




RM15,000 - 20,000

96

083 80年代8582薄纸普洱青饼

净重：330g + 293g x 2饼

8582青饼乃80年代香港南天茶行贸易有限公司向勐海茶厂订制的特殊茶品，此茶品外形圆厚，条索肥壮，滋味醇厚，香味纯正，

不同于以往勐海茶厂饼茶以青壮叶为底料，8582以三至八级茶青饼配紧压，三四级为铺面，五六七八级为里茶，七八级为主，此

茶外形端正，茶面条索肥硕口感厚重，吸引了一大批普洱茶爱好者。

而薄纸8582的香气比同期厚纸8582更突出，陈香果香气味纯正，茶汤质感强劲厚重，六七泡以后口感及滋味比较稳定，香味可

口，茶质也较活泼具层次。

RM35,000 - 50,000

97

084 80年代初云南普洱竹盒原件木箱

净重：4.8公斤 / 80克 x 60盒

此件八中云南普洱茶竹盒压原件木箱茶品在普洱市场上是非常罕见的早期普洱茶品，这款陈期超过35年的大马仓普洱茶，其原

料选自特级云南普洱茶制成，经过35年的存放，茶气、茶香、茶质、茶韵决不输给印字级茶，此茶品饮后有清淡优雅的兰樟香回

盪齒舌间，堪稱大马仓普洱的精品。

RM50,000 - 65,000

98

085 2003年勐海茶厂青饼黄大益


RM16,000 - 20,000

99

086 1992年无飞勐海茶厂青饼



茶。




RM30,000 - 50,000

100

087 70年代高铁（高泉发铁饼）原包


70年代昆明茶厂铁饼大马俗称（高泉发铁饼）70年代初高泉发茶行从中国进口至大马销售至今，最具有大马70年代纯干仓代表

的普洱茶品，高铁观其茶饼，干净油亮，充分显示纯干仓的优质仓储，闻之鼻翼两侧充满鲜爽的香气，冲泡后更惊喜，噗鼻的香

气中满满甜樟香的飞韵，初尝茶汤滑且饱满，入口后甘味快速蔓延，整体的表现稳定且其有标准的水平，舌尖充满j匀称回韵，茶

气为力灌丹顶，此香在叶底更为明显，茶汤呈通透的红栗色，汤厚有力，具扩张威，实足以作为70年代大马纯干仓普洱代表。

注：藏家早期购自吉隆坡高泉发茶行

RM45,000 - 55,000

101

M O D E R N A N D C O N T E M P O R A R Y A R T

126 LIM KIM HAI 林金海 Joy Living

102

088 RAPHAEL SCOTT ABENG

CORE II, 2013

Mixed Media on Canvas24cm x 34cm

PROVENANCEPrivate Collection，Malaysia

RM1,500 - 2,000

Raphael Scott Ahbeng is one of the most

established Borneo artists. He attended an

Art and Photography course at Bath Academy

of Art, United Kingdom from 1964 to 1967

and a drama course in London in 1973. He

won first price at the Sarawak Shell Open Art

Competition in 1959, 1982 and 1983, and third

prize in the Natural Malaysia Art Competition

in Kuala Lumpur in 1991. He served as an

advisor in the Sarawak Artist’s Society from

1999 to 2000. His paintings have been held in

the permanent collections of public institutions

and private collectors in Malaysia and the

surrounding region.

It is hugely remarkable that Raphael Scott

Ahbeng still keeps painting at his secluded

studio in Bau after all these years, at the

age of 78 and with a host of ailments, more

recently gout. It is as if painting is a great

therapy although it is his passion that keeps

the white canvas filled. Form, composition

and colours – the tripod structure behind his

art, whatever the subject or medium. He has

been practically painting since the age of 9,

and professionally from 1990. It’s standard to

peg his art career from 1964, when he took

up an Art and Photography course at the Bath

Academy of Fine Art in Britain, until 1967. But

in 1954, he already had his first solo. Raphael

is truly a legend, who is adept in painting in

oil, acrylic and watercolours, besides drawings

and doing cartoons for newspapers, which

show up his humorous side. He had also been

a teacher and radio producer, from a Sarawak

Government grant to do a Drama course in

London in 1973. In 1959 he won 1st Prize in the

Shell Open art competition and was 3rd in the

Natural Malaysia competition in Kuala Lumpur

in 1991. In this work titled Sugar Mountain,

which is not about any real mountain like the

one in South Carolina in the United States, he

turns it into a great abstract play of patterns,

drips, trellis, blobs and with a large frontal part

negativised to bring out the silhouette of its

vegetative surface.

103

089 CHUNG CHEN CHUN 钟正川

Fishing Village 渔乡

Oil on Canvas 油画61cm x 61cm2014


RM2,500 - 4,000


现为马来西亚水墨画协会总会长、香港世界艺术家联合总会副主席、新加坡书法家协

会及新加坡书法研究院院士、钟正川画院院长、马来亚国立大学教授、北京市希望书库

基金会海外荣誉副会长、马来西亚华人文化协会视觉艺术主任等。其作品被马来西亚

国家艺术馆、马来西亚国家迎宾馆、中国艺术研究院、齐白石纪念馆、张大千纪念馆、

韩国文化艺术馆、台湾国立教育美术馆、马来西亚前任首相阿都拉、朝鲜前领袖金日成

将军、朝鲜劳动党主席金正日等多国元首、政要、大使、国家级美术馆收藏。被誉为“马

来西亚的齐白石”。

曾参加亚洲美术联盟美展、马来西亚十大名家作品展、国际现代水墨画名家精选巡回

展等。2008年6月，与靳尚谊、吴冠中、朱德群、王明明入选由中国文联书画艺术专业

委员会、文化部对外艺术展览中心、中国大众文学学会联合编制的《海内外中国书画艺

术当代名家集五大名家》，中国国家画院艺术交流中心、中国油画学会、文化部艺术品

评估委员会提供学术支持。2008年4月，为庆祝海南建省办经济特区20周年，中共海南

省委宣传部和中央数字电视书画频道在海口及三亚举办由钟正川领衔的《马来西亚水

墨画协会大型画展》。

104

090 YANG GANG 杨刚

Sisters

Pastel on Paper 蜡彩画20cm x 38cm1979


RM2,800 - 3,800

YANG GANG 杨刚 (b.1946 China Henan)

Yang Gang was Born in 1946 in Henan China province,He was admitted to the middie school attached to the Central

Academy of Fine Art, in 1963 to study western painting techniques, in 1973 he went to work at the Culture Central of

Abahanar County, inner Mongolia. He entered the Central Academy of Fine Art, in 1978 as a graduate student majoring in

Chinese figure painting and become a professional painter at Beijing Studio of painting and sculpture in 1981. He is also a

member of the Beijing Artists Association and the Oriental Society of Fine Art.

杨刚，河南槐店镇人。1946年出生于中国河南。1963年考入中央美术学院附中学习西画基础。1969年到内蒙古乌珠穆沁草原放

牧。1970年回校下放劳动。1973年到内蒙古锡林浩特文化馆工作。1978年考入中央美术学院国画系研究生班。1982年参加美国

六城市巡回画展, 1993年香港一画廊《极古极新杨刚画展》。1994年参加中国美术馆《张力的实验’94表现性水墨展》。1995年

参加西班牙巴塞罗那桑塔莫尼卜艺术中心《中国现代艺术展》。1996年参加英国大英博物馆《20世纪中国绘画传统与创新》大型

展览, 同年在中国美术馆举办《超越自我’96杨刚艺术展》。1998年香港一画廊《曾经草原》个展。1981年到北京画院工作至今。

北京画院一级美术师。

105

刘自明 (b.1954 Muar)

刘自明柔佛州人，出生在麻坡，早年在台湾受教育，获奖无数。接着又以最卓越学生代表台湾留学

法国，在法国，以杰出的创作，很快展露头角。成为世界艺坛重视版画家。扬名海外的他，在祖國

人眼裡却顯得陌生。但是在欧美，他的创作获得很高的评价。世界级艺术大师赵无极，在法国参

观他的画展后，对刘自明说：“21世纪的世界艺坛，肯定有你的一席地位。”如今，他已经跻身世界

版画艺坛。他的版画，有自己独特的风格。他采纳了中国传统艺术的要素，而拒绝了光辉俗丽。他

具有传统优良精神，而创造出来的又是非常现代的版画。权威的评论家也肯定了刘自明的版画，已

经达到自由挥洒的境界，而且又能一丝不苟的掌握技巧。所以称他为“版画大师”并不为过。1995

年，获得挪威国际版画展评审团奖，1996年又获得西班牙国际版画展特别荣誉奖。

作品讲述：许多人都不知道，在巴黎艺坛名家辈出之都，要以版画立足，比油画还要艰难。但是以

刘自明独树一帜的版画，就算在世界艺术之都的巴黎，也令人刮目相看。这一副版画，是他钟爱的

作品之一，乃是一幅小品版画，也是抽象作品，由八十八个“积点”组成。而且每一个“积点”形状

不一，乍看之下，有点不知所谓，但是认真解读，会发现每一个“积点”宛如一幅独立的小画。所以

拥有这一幅小品，等于拥有八十八幅画。

虽然它是抽象，但是你又能从中探索出具象。所以刘自明的风格，是独特的，前无古人，因为独特，

所以他的作品可能令你找不到起点和终点。也因为独特，也会让你产生一些联想，让你可以随心所

欲的自由探索。

091 LAU THOW BENG 刘自明

Engraving 版画22cm x 27cm


RM4,000 - 6,000

106

092 林圣扬

Waterfall 瀑布

Oil on Paper47cm x 70cm1984


RM4,000 - 6,000

林圣扬 (b.1917 Bangkok)

林圣扬，祖籍广东澄海县。1944年毕业于国立杭

州艺术专科学校，并在法国国立巴黎最高艺术学

院及在欧洲做研究。曾任国立台湾师范大学艺术

系教授、艺专兼教授、全国美展、及其他有关美术

展览之审查委员。应邀参加国内外联展，及国际艺

展，还有办过多次个人展。1959年应邀来巴西参加

圣保罗双年国际艺展（BIENAL DESAOPAULO）

及评审。1965年在该展举办特展。1960年与夫人

邓贵珠（国画家）定居巴西，从事艺术工作，同任

巴西哲学艺术学院教授。在巴西期间曾在中南美

洲、欧洲、东南亚、南太平洋、大洋洲、西印度群岛

等地画展讲学作品，广受欢迎。好多作品都被美

术馆、巴西前总统、千里达前总统何才、欧洲列支

登士敦王子、圣保罗双年展会长马他拉索等，均有

收藏。他的作品也曾代表巴西送往北京作艺术交

流展览。荣获中华学术院、巴西艺术学院名誉院

士。得到新艺术金牌奖及巴西JOSE BONIFACIO

DO GOVERNO BRASILEIRO 奖状勋章。

107

093 KWAN CHIN

Batik68cm x 68cm


RM2,800 - 3,800

KWAN CHIN (b.1946 Kuala Lumpur)

Kwan Chin was born in Kepong, Kuala Lumpur in 1946. He attended the Nan

Yang Academy of Fine Art in Singapore, where he learned using traditional

media including charcoal, watercolour and oils. A stint as a commercial artist in

an advertising firm followed, but a brief introduction to batik sparked his interest

and he quickly turned to batik art, which he became very famous for. Vividly

coloured batik paintings are his specialty and collectors all over the world tend

to have a copy of Kwan Chin’s works of art, which mainly depict scenes of

Malaysian life. Having been exhibited in London and Miami.

Distinctively Kwan Chin, depicted here is a group of boys and girls gathered to

feast on mangosteen. Kwan Chin’s expertise in batik and elaborate detailing

(such as the owers, the patterns on the materials) is showcased here in his

usual theme of Malaysian life, as they enjoy the“queen of fruits”. Always

direct in his message and portrayals, his technique is anything but that. From

the laborious task of producing the material from scratch to the detailing of the

gures, the sceneries and the colours, the artists’ labourious efforts are worth it

in the end, for he created an alive, exquisite piece of visual delight that is simply

bursting with colour.

108

094 WONG JONG NONG 王永浓

Coconut Trees

Oil on Canvas60cm x 50cm2002


RM3,000 - 4,500

WONG JONG NONG 王永浓 (b.1944 Singapore ~ d.2010 Selangor)

Wong Jong Nong graduted from the Nanyang Academy of Fine Art(NASA),Singapore

in 1964. Wong Settles down in Kuala Lumpur. Thoughout the years, he has never stop

painting.He specialized in oil painting. Scenes of nature, fishing villages and country

sceneries are he favorites. Through brilliant colors, and rustic brush-stokes, he reflects

life along riverbanks and coastal line on canvases. Wong allows art to document the

natural surrounding and enhances our knowledge about the world we live in.

王永浓1964年毕业于新加坡南洋美专。毕业后他的画笔未尝停过，多少年来仍保持每周

写生的艺术作息。王永浓最擅长油画，最喜爱画自然风景和渔村。他以明亮的色彩和质朴

的笔触反映河岸和海边的生活，透过艺术去记录这个时代的自然环境，并且增长我们对生

活中世界的认识。

109

095 ISMADI SALLEHUDIN

Kaki Perempuan



RM3,000 - 5,000

ISMADI SALLEHUDIN (b.1971 Pahang)

An artist from Raub, Pahang with over 20 years experience in arts industry. Ismadi graduated from UiTM, Kuala Lumpur and

obtained his Masters degree at De Monfort University, UK. The theme of his work is the relationship between humans and

animals.

Ismadi explore the process of paint, using the human form as a vehicle to create emotion. Life, death, change and time are

predominant themes running through his works. Along with his feelings of a seemingly uncontrollable grasp that controls

our destiny. Our knowledge and inspiration born from our mistakes and decisions, offers us both pleasure through our

expression and uncontrollable frustration when our world is not created and shaped in the way we want it to be – helpless

in our search for perfection.

The expression of colours are very important to Ismadi. His works are accidental in the sense that he uses different

techniques like scratching on the canvas, splashing of colours, quick strokes of the brush strokes, spontaneous brush flow

and combinations of other techniques to produce on the art works.

Ismadi Sallehudin explores the relationship of nature and life in his works. A fine art graduate of Universiti Teknologi MARA

(UiTM) in 1994, he attained his Masters Degree in Art and Design from De Montfort University, Leicester, United Kingdom

in 1999. Besides painting, Ismadi is also adept in etching, drawing and monotype print. His works have been exhibited

extensively at home and abroad. His roles as an art educator included lecturing at UiTM (1994 to 1997) and Kolej Bandar

Utama (1995 to 1997). He has also held numerous academic positions such as Head of Programme, Kolej Shahputra-UiTM

(2008), Deputy Dean, University College Shahputra, Pahang (2011) and he currently serves as Dean of Faculty of Fine Art,

Akademi Seni Budaya & Warisan Kebangsaan (ASWARA), Kuala Lumpur.

110

096 YEE MOK SIN

Watercolour on Paper56cm x 76cm


RM2,000 - 3,000

YEE MOOK SIN (b.1943 Perak ~ d.2013)

Yee Mook Sin was born in 1943 at Ipoh, Perak. He graduated from

Federation Military, Pork Dickson and Specialist Teachers Training Instilute,

Cheras and also Lecturer Malayan Teachers’ College,Penang. He was

awarded 1st and 2nd prize Terengganu Art Exhibition, Goverment Services

Excellent award at 1995,he was a Assistant Secretary Perak Art Society,

also President Contemporary Malaysian Watercolourist Association

at 2008-2010. Held 9 solo art exhibitions in Ipoh、Penang、Alor setar

also actively participated in group exhibitions locally and abroad since

1970, participated 5th-6th world Watercolour Exhibition at 1997-1999,

2000-2008 participated 15th-20th Asia watercolour Painting Alliance

exhibitions in China、Korea、Malaysia、Singapore、Taiwan、Japan, also

2005-2006 World Watercolour Painting Federation Art Exhibition

Korea、2007 participated 1st International Art Expo Malaysia. At

2008 participated International Artist exchange exhibition between

China、South Korea、Malaysia and Xuchang, China, and 2009 World

Watercolour Art Exhibition, Korea.

111

097 JAYSON YEOH 杨觉昇

Accumulate #88 Watercolor on Paper55cm x 75cm


RM5,000 - 6,000

JAYSON YEOH 杨觉昇 (b.1963 Kedah)

Born in 1963 at Kedah, Jayson Yeoh is a self-taught watercolor

artist. His passion and love for art started at young age. Being

self-taught is not easy, especially taking up the brush after 15

years of not touching it. But he always felt that that“passion”

is a very powerful force, which motivates him to progress in his

art. In art there are both joys and challenges, and understanding

comes after many falls. This also built up his determination to

move forward. When it comes to creation, he believe in being

true to his inner voice, to“draw what I love, and love what I

draw”. After many years, holding the brush no longer is a chore

but an enjoyment. And the joy is indescribable.

生于1963年，吉打州。杨觉昇是自学水彩画家，他自小就对画画有深

入的喜爱和热爱。他认为自学是一件不容易的事，更何况是相隔将

近十五年之后，欲重拾画笔，实在是’苦差’。但是，总觉的’热爱’

是一股很强劲的力量，对他起了很大的催化作用，催促着他，不断往

前精进。艺途中，苦乐参半，跌跌撞撞中之体悟，也助他成长，更坚

定了勇往直前的信心。对于创作，他选择了忠于自己内心的诉求，’

画我所爱，爱我所画’，多年后的今天，挥舞着画笔，不再是’苦差’

，而其中乐趣，不可言喻，任然乐此不彼。

112

098 KHALIL IBRAHIM

Untitled

Watercolour on Paper 17cm x 23.5cm 1994

17cm x 23.5cm1998


RM6,500 - 10,000

KHALIL IBRAHIM (b.1934 Kelantan)

Khalil graduated with a National Diploma of Design in Fine Arts at the prestigious

St. Martin’s School of Art and Design in London in 1964 (post-graduate in 1965).

He turned into a full-time artist in 1966 – a career now spanning 51 years. Khalil

was a co-founder of the Malaysian Watercolour Society and had his first double

solo of London works and Malaysian batiks at Samat Art Gallery, Kuala Lumpur

in 1970. That year, he also had a solo exhibition in Indonesia, the first Malaysian

to have done so. He has participated in numerous solo and group exhibitions in

Malaysia, Singapore, Indonesia and Switzerland and his works has been collected

by the National Museum in Singapore, Fukuoka Museum of Art in Japan, New

South Wales Museum of Art in Sydney and the Royal National Art Gallery of

Jordan.

113

FENDY ZAKRI (b.1982 Kuala Lumpur)

Fendy Zakri was born in 1982. Fendy Zakri is an artist based in Kuala Lumpur.

He held his first solo exhibition Seeing The Unseen at Richard Koh Fine Art, Kuala

Lumpur in 2014. Fendy zakri has a primal relationship with his art. He talks about

appreciation of mystery and women, and in the same breath addresses-with much

enthusiasm-topics like lust, desire and artistic taste.

His group exhibitions include Buka, Artelier Gallery, Kuala Lumpur (2013), Inventing

Abstraction, Tapak, Shah Alam (2013),Peace of Me, White Box, Publika , Kuala Lumpur

(2013), Anniversary Show, Pace Gallery, Kuala Lumpur (2012) and MEAA(Malaysian

Emerging Artist Award), Soka Gakkai, Kuala Lumpur (2011), Locals Only!, Taksu,

Kuala Lumpur (2010) and Young Art, R A Fine Art, Kuala Lumpur (2009). His awards

include Incentive Award, Mekar Citra Gallery, Shah Alam (2012), and Finalist MEAA

(Malaysian Emerging

His work might look like a mess of colours and lines on canvas, but fendy insists that

every stroke of the brush is deliberate, every line is carefully composed-not unlike

what happens behind the scenes with an orchestrated car crash in an action movie.

“I play with space, texture, colours, form, composition and balance ... And then

distort it to make my artwork look abstract. And to hide the images within my

painting even better, I explore ambiguous space, flat space and deep space,” he

says.

099 FENDY ZAKRI

Serotonin

Oil on Jute153cm x 183cm2017


RM4,000 - 5,000

114

100 FUNG YOW CHORK 范友卓

Untitled Oil on Canvas47cm x 37cm1978


RM4,000 - 6,000

FUNG YOW CHORK 范友卓 (b.1918 China ~ d.2013 Selangor)

Fung Yow Chork was only 13 when he picked up the finer points in art from an artist

in China who had studied Impressionism in Japan. In 1933, his family migrated to

Singapore and there, he forged a friendship with Professor Zhong Bai-mu, a lecturer

of the Nanyang Academy of Fine Arts who occasionally guided him on painting in oils,

even when he (Bai-mu) had returned to Hong Kong. After moving to Kuala Lumpur

in 1934, he worked as a salesman, shop-assistant and typesetter with a Chinese

newspaper, painting only on Sundays and during holidays and more so after he retired

in 1977. In 1957, he won a prize in the Merdeka Independence Trade Fair Art and

Photographic exhibition. He held his first solo exhibition at Chin Woo Art Gallery in

1981. On landscape, he told Halinah Todd in an interview published in The New Straits

Times in 1981: “The landscape thinks itself in me and I am its consciousness.”

115

101 TONY NG

My Playground

Acrylic on Canvas61cm x 61cm2017

This Lot is accompanied witha certificate


RM3,800 - 4,500

TONY NG 黄则强 (b.1980)

Tony Ng Chit Keong keeps a comparatively low

profile, with his works seldom found in the main

gallery circuit. Yet, in recent years, this artist trained

at the Kuala Lumpur College of Art, now defunct,

has caught the attention with his still-life works of

fruits and batik. The batik tablecloth with the red

backdrop has big floral designs with the pointillist

dots of the type found in a Hashim Hassan painting.

116

102 VOON KIM CHEONG

A Ball Game


This Lot is accompanied witha certificate


RM5,500 - 6,500

VOON KIM CHEONG (b.1968 Kuala Lumpur)

Born in 1968, in Kuala Lumpur, Voon Kim Cheong graduated from Saito Academy of Graphic Design in 1992. he sought

further training as a fine art artist and made a living in illustration, design and painting. Voon had been working intensely

on still-life and scenery sketching, using pencil and oil painting techniques from year 1993 through 2001, experimenting

with different approaches to his work. This experimentation instigated his first series - the ‘Performer Series’, and has

eventually led to the ‘Drum and Drummer Series’ also including the ‘Wau Series’ and ‘Gasing Series’ from year

since 2002.

In Voon’s vivacious oil canvases, reminiscent of italian futurism, curved kites dart and sway in the wind – tossing and

turning amidst turbulent thermals. Gyroscopically spinning tops whirl and jostle while lively multi-racial drummers pound

out the country’s life beat, reverberating and resonating with a dynamic passion displayed in a sultry equatorial Malaysia.

Voon is very fascinated by the sight and sound of our Malaysian cultural dances, particularly drums and the drummers. He

look at a round-shaped drums as the amalgamation of the sun and moon. They have active and passive characteristics, but

rely on the drummers to bring out the best vital – bring the strength and vibrancy to the team!

There is a tremendous energy and movement which emanates from the works of Voon Kim Cheong - a resonance and a

vibrancy which almost catches the casual viewer off-guard with stunningly beautiful paintings.

In Voon’s vivacious oil canvases, reminiscent of Italian Futurism, curved kites dart and sway in the wind - tossing and

turning amidst turbulent thermals. Gyroscopically spinning tops whirl and jostle while lively multi-racial drummers pound

out the country’s life beat, reverberating and resonating with a dynamic passion displayed in a sultry equatorial Malaysia.

117

103 LEE WENG FATT

Petaling Street, KL - Million Line Series

Ink on Canvas61cm x 61cm2016


RM4,800 - 6,000

LEE WENG FATT (b.1967 Kuala Lumpur)

Lee Weng Fatt is a Kuala Lumpur kid, graduating with a Diploma in Art & Design

at the Kuala Lumpur College of Art in 1989. He started painting in watercolours

before switching to oil in 1995.

Lee Weng Fatt recieved his formal artistic training at the Kuala Lumpur College

of Art and is currently full time artist who his works are exhibit both locally

and internationally. In a words of formal Cultural Minister, Dato’Dr Rais Yatim,

Weng Fatt can revitalize Malaysia heritage and can change the mindset with

unfortunately currently puts modern progress over heritage.

His first solo was at the Art Salon, Kuala Lumpur, called Harng Kai/Jalan Jalan in

1994, then at other venues in Kuala Lumpur like Joshua Fine Art Gallery (2000),

Art House (2004) and TJ Fine Art (2010).

118

104 NG KOK LEONG

Charcoal Factory #1

Acrylic on Canvas80cm x 120cm2015


RM4,800 - 5,800

NG KOK LEONG 黄国良 (b.1973 Perak)

Ng Kok Leong was born in 1973 Born Perak, Graduated from The One

Academy in 1994，futher he completed his degree at Beijing Film

Academy in 2001.In year 2008，he worked as Assitant Film Director and

has a role as Art Diretor (Advertising) in 2002 at Beijing.

Since 2015，he came back from Beijing and has participated in various

art shows at some local galleries and also at Taiwan.

In 2016, he won a prize in the Most Promising Artist of the year Malaysia

by 35th UOB Painting of the year.

119

105 FUNG YOW CHORK 范友卓

Forest



RM5,000 - 6,000

FUNG YOW CHORK 范友卓 (b.1918 China ~ d.2013 Selangor)

Fung Yow Chork was only 13 when he picked up the finer points in art from an artist in China

who had studied Impressionism in Japan. In 1933, his family migrated to Singapore and there,

he forged a friendship with Professor Zhong Bai-mu, a lecturer of the Nanyang Academy of Fine

Arts who occasionally guided him on painting in oils, even when he (Bai-mu) had returned to

Hong Kong. After moving to Kuala Lumpur in 1934, he worked as a salesman, shop-assistant

and typesetter with a Chinese newspaper, painting only on Sundays and during holidays and

more so after he retired in 1977. In 1957, he won a prize in the Merdeka Independence Trade

Fair Art and Photographic exhibition. He held his first solo exhibition at Chin Woo Art Gallery in

1981. On landscape, he told Halinah Todd in an interview published in The New Straits Times in

1981: “The landscape thinks itself in me and I am its consciousness.”

120

106 KWAN CHIN Batik76cm x 77cm


RM5,000 - 8,000

KWAN CHIN (b.1946 Kuala Lumpur)

Kwan Chin was born in Kepong, Kuala Lumpur in 1946. He attended the Nan

Yang Academy of Fine Art in Singapore, where he learned using traditional

media including charcoal, watercolour and oils. A stint as a commercial artist

in an advertising firm followed, but a brief introduction to batik sparked his

interest and he quickly turned to batik art, which he became very famous for.

Vividly coloured batik paintings are his specialty and collectors all over the

world tend to have a copy of Kwan Chin’s works of art, which mainly depict

scenes of Malaysian life. Having been exhibited in London and Miami.

Distinctively Kwan Chin, depicted here is a group of boys and girls gathered to

feast on mangosteen. Kwan Chin’s expertise in batik and elaborate detailing

(such as the owers, the patterns on the materials) is showcased here in his

usual theme of Malaysian life, as they enjoy the “queen of fruits”. Always

direct in his message and portrayals, his technique is anything but that. From

the laborious task of producing the material from scratch to the detailing of

the gures, the sceneries and the colours, the artists’ labourious efforts are

worth it in the end, for he created an alive, exquisite piece of visual delight that

is simply bursting with colour.

121

107 CHUAH SIEW TENG

Mother and Son

Batik90cm x 59cm


RM13,500 - 18,000

CHUAH SIEW TENG 蔡小丁 (b.1944 Penang)

Chuah Siew Teng, the eldest son from the House of Teng, that is batik-art founder and doyen Dato Chuah Thean Teng, is

well-rounded in Western aesthetics, Chinese art and above all, batik painting. Trained at the Ravensbourne College of Art

(1965-1966) and the City and Arts Guild (1966-1969) in London, he had sound foundation. His prizes in the North Malaya

Open and national art competitions in the early 1960s attested to his talent. In 1992, Unicef used his image from his work

entitled, The Monkey, for its greeting card. It was a symbolic tribute to S. Teng, as he is known, for he was born in 1944, the

Chinese lunar Year of the Monkey. Despite being low-key in his early career, he had had solo exhibitions in London (1969),

United States (1971), Australia (1972) and Japan (1975).

122

108 DR FOO YONG KONG

Waterfall



RM9,000 - 15,000

DR FOO YONG KONG (b.1948 Negeri Sembilan)

Born in 1948 and graduated from Art School in Malaysia in 1970, majoring in Oil and Chinese Ink Painting, as well as

Calligraphy. From 1972 to 1985 he studied art abroad and travelled extensively throughout Asia, holding numerous art

exhibitions. During this time he also toured several European countries to learn further.

His overwhelming desire to create art that is universal in nature led him to explore the field of abstract art. His Abstract-

Expressionism works which symbolise his own signature style combine the philosophies of the east and west into

a harmonious, distinctive artform. Over the years his abstract paintings have evolved from the representational to the

spontaneous, reflecting the free flow of his thoughts and emotions.

Throughout his career he has held many solo and group exhibitions, including international Biannual Exhibitions. Achievements

include winning the Young Artists’Award and bagging the Grand Prize in the All Malaysian Artists’Exhibitions, way back in

the 1970s. His paintings take pride of place in many private and public collections including those of High Commissioners to

Malaysia, various corporations and discerning private collectors, both locally and abroad. Currently he has some of his works

being exhibited at international Art Galleries in the major cities of Europe, USA and Asia.

In recent years he took part in the Asia-International Art Exhibition 2002 in Busan; The Biannual of Florence, Italy 2003; the

International Ink Paintings Exhibition 2004, Tokyo, Japan; the Korea Malaysia Abstract Art Exhibition, 2005; and the Beijing

Malaysia Calligraphy Solo Exhibition, 2005.

For his contributions to the advancement of art, he was awarded a Doctorate in Fine Arts by the Inter American University

in 2003. Currently, as president of the Malaysian Contemporary Chinese Painting & Calligraphy Association, he is actively

involved in the development and promotion of Chinese Ink Painting and Calligraphy both locally and on an international level.

123

109 DENIS CHAI

In Search of Lost Memories #2寻找消失的记忆＃2

Acrylic on Paper56cm x 76cm2016


RM7,000 - 8,000

DENIS CHAI 蔡佳甬 (b.1974 Kuala Lumpur)

Denis Chai was born in 1974. He graduated from Kuala Lumpur College of

Art, major in Fine Art year 1996. After graduation he was assigned by a local

well-known publisher E.D.M as a contract base illustrator for many years.

In year 1998 he established Pure Art Studio committed to promoting junior

art education, of the rest; not forgetting his personal creations. He also

held solo exhibitions in year 2011 and 2014, respectively. Denis has actively

participated in both local and International Art Fair. His works have been

selected into the“1stInternational Watercolor Biennale” of Canada, Thailand

and Hong Kong 2016. Year 2017 his works also been selected into “Fabriano

in Acquarello”Italy .Many of his works are in the collection of galleries and

collector both at home and abroad.Wood is always his creation elements,focus

on the expression of the pristine and delicate in life enlightenment and this

make him develop a distinctive personal art style.

124

110 RAPHAEL SCOTT ABENG

Sugar Mountain

Mixed Media on Canvas61cm x 61cm2014


Koy In Squre Jar

Mixed Media on Canvas 61cm x 61cm

2014

RM8,000 - 10,000

Raphael Scott Ahbeng is one of the most established Borneo

artists. He attended an Art and Photography course at Bath

Academy of Art, United Kingdom from 1964 to 1967 and a drama

course in London in 1973. He won first price at the Sarawak Shell

Open Art Competition in 1959, 1982 and 1983, and third prize in

the Natural Malaysia Art Competition in Kuala Lumpur in 1991.

He served as an advisor in the Sarawak Artist’s Society from

1999 to 2000. His paintings have been held in the permanent

collections of public institutions and private collectors in Malaysia

and the surrounding region.

It is hugely remarkable that Raphael Scott Ahbeng still keeps

painting at his secluded studio in Bau after all these years, at

the age of 78 and with a host of ailments, more recently gout. It

is as if painting is a great therapy although it is his passion that

keeps the white canvas filled. Form, composition and colours

– the tripod structure behind his art, whatever the subject or

medium. He has been practically painting since the age of 9, and

professionally from 1990. It’s standard to peg his art career from

1964, when he took up an Art and Photography course at the

Bath Academy of Fine Art in Britain, until 1967. But in 1954, he

already had his first solo. Raphael is truly a legend, who is adept

in painting in oil, acrylic and watercolours, besides drawings and

doing cartoons for newspapers, which show up his humorous

side. He had also been a teacher and radio producer, from a

Sarawak Government grant to do a Drama course in London in

1973. In 1959 he won 1st Prize in the Shell Open art competition

and was 3rd in the Natural Malaysia competition in Kuala Lumpur

in 1991. In this work titled Sugar Mountain, which is not about

any real mountain like the one in South Carolina in the United

States, he turns it into a great abstract play of patterns, drips,

trellis, blobs and with a large frontal part negativised to bring out

the silhouette of its vegetative surface.

Raphael Scott Ahbeng says“Sugar Mountain is an imaginary art

piece that I so intensely took up, as humour. There are salt hills

but this is a figment of joy, just playing around with shapes and

colour.”

125

111 KHALIL IBRAHIM

Dance Series 1

Ink on Paper27cm x 19cm 1983


RM10,000 - 12,000

Dance Series 2

Watercolour on Paper26cm x 20cm1998

KHALIL IBRAHIM (b.1934 Kelantan)

Khalil graduated with a National Diploma of Design in

Fine Arts at the prestigious St. Martin’s School of Art

and Design in London in 1964 (post-graduate in 1965).

He turned into a full-time artist in 1966 – a career

now spanning 51 years. Khalil was a co-founder of the

Malaysian Watercolour Society and had his first double

solo of London works and Malaysian batiks at Samat

Art Gallery, Kuala Lumpur in 1970. That year, he also

had a solo exhibition in Indonesia, the first Malaysian

to have done so. He has participated in numerous solo

and group exhibitions in Malaysia, Singapore, Indonesia

and Switzerland and his works has been collected by the

National Museum in Singapore, Fukuoka Museum of Art

in Japan, New South Wales Museum of Art in Sydney and

the Royal National Art Gallery of Jordan.

126

112 TEW NAI TONG 张耐冬

Oil on Canvas123cm x 121cm


RM25,000 - 35,000

TEW NAI TONG 张耐冬 (b.1936 Selangor ~ d.2013)

Tew Nai Tong received his early art education at the Nanyang Academy

of Fine Arts in Singapore, graduating in 1958. He worked for a while to

raise funds for his studies at the Ecole Nationale Superieure des Beaux

Arts, Paris (1967 - 1968). In the early years, he signed his work as‘Chang

Nai Tong’. His first solo was at the British Council, Kuala Lumpur in 1964

and he had his Retrospective at the National Art Gallery in 2007. He

taught at the Malaysian Institute of Art from 1969 to 1980, the Central

Academy of Art from 1982 to 1985, and the Saito Academy of Art (head of

department, 1986 - 1988). He concentrated full-time in art in 1992. His

awards included Second Prize, Chartered Bank Mural Design Competition

(1964); Shell Watercolour Award (1981); Best Award, Esso (1982); Dunlop

Watercolour Award (1983); and Grand Prize Asia Art Award (Malaysia) in

Seoul in 2009. He is the co-founder of the Malaysian Watercolour Society

(1982 - 1983), the Contemporary Malaysian Watercolourist Association

(1994) and the now defunct Le Beaux Art Gallery.

127

113 DATO’CHUAH THEAN TENG 蔡天定

Milking

Batik46cm x 60cm1983


RM33,000 - 40,000

DATO’CHUAH THEAN TENG 蔡天定 (b.1912 China ~ d.2008 Penang)

Teng, as the artist is more popularly known, was hailed by Professor Michael

Sullivan as the‘Father of Batik Painting’(Chinese Art in the 20th Century,

1959). He developed the traditional craft into a fine-art construct in 1953 and

unveiled the innovations to great fanfare in his first solo at the Arts Council

Penang in 1955 (He also had a solo of his batik art in London in 1959). The

images of his works, Two Of A Kind, and Tell You A Secret, were chosen for

Unicef’s greeting cards in 1968 and 1988. Teng was accorded a Retrospective

in 1965 and a Tribute in 2008 by the National Art Gallery, and was invited

to showcase among the Commonwealth’s greatest artists in an exhibition

in London to mark Queen Elizabeth II’s Silver Jubilee in 1977. The Penang

State Government Awarded him the Dato title in 1998 and named him a Living

Heritage in 2005.

128

SUZLEE IBRAHIM (b.1967 Terengganu)

Suzlee Ibrahim was born in Kuala Terengganu (1967), has shown a remarkable

achievement in his 30 years career as a painter (1987- 2017). He has had 32 solo

exhibitions and exhibited in more than 20 countries all over the world. Among the

countries are the United Kingdom, USA, Denmark, Germany, France, Belgium,

Italy, Brazil, Cuba, Spain, Canada, China, Japan, Argentina, Greece, Poland, UAE,

Singapore, Australia, Nepal and Bangladesh.

In art education, Suzlee started as a part time lecturer at the School of Art &

Design, Institut Teknologi MARA in 1993 (later known as the Faculty of Art and

Design, Universiti Teknologi MARA). Suzlee is now lecturing at the Faculty of

Visual Communication Design, ASWARA (National Academy of Arts, Culture &

Heritage). Other universities and organizations also sought Suzlee’s expertise

and advice in fine arts as facilitator in art workshops, jury and curator. Among

the professional bodies are such as Pusat Kebudayaan Universiti Kebangsaan

Malaysia/ UKM (National University) and Pusat Perkembangan Professional

INTAN (Bukit Kiara, Kuala Lumpur).

114 SUZLEE IBRAHIM :

Reflection Series - After The Storm



RM19,800 - 22,000

129

ISMAIL LATIFF (b.1955 Melaka)

Melaka born artist who gained his formal training at Mara Institute of Technology, Ismail Latiff has shown his work locally as

well as internationally.“ I embarked on a conquest of inner space, texture and colour bringing the beauty of the natural world

indoor, that is transformed onto paper and canvas. I have explored my work in such a way which might lead to confusion and

curiosity on the part of my viewers, I hope that the viewer will explore my work through his or her own individual imagination

and perception of the world. I have arrived at my philosophy of life and work: Art is Life and one of the Best Introduction to Art

is Nature.”

Ismail Latiffs abstract and mystical artworks have gained recognition locally and internationally. A graduate in fine arts, Ismail

Latiff started his career in the advertising industry before becoming a full-time artist. Malaysian art writer Ooi Kok Chuen

introduced him as“... one of the greatest escape artists ever to wield the brush. His is the realm of the enchanted and the

enchanting, an utopian world built on love, beauty, purity and power.” Ismail’s works reflect a combination of movement, or

gerak, a Malay word and mythology or sakti, a Sanskrit word. Unique to all his paintings, is the shape of a circle that is placed in

the centre of each of his work. The circle according to Ismail, is a symbol of perfection and balance, and embodies his search

for wholeness, and oneness with the cosmos.

Deviating from his usual calm blues and soothing colours, Ismail Latiff opts for a stronger, striking and highly-contrasting

colours with a bold hue of red framing the canvas at the top. It speaks of congestion and overcrowding, if the title is anything

to go by. If interpreted from a different perspective, it does seem like an aerial view of the Earth, with Ismail Latiff’s circle of

balance posing as the moon. Perhaps, what the artist wishes to relay to the audience is that the earth is so lled with wonder

and magni cence, so much so that it feels like the world has no room for more. The different strings and splashes of colours

can signify the diversity on Earth, all amalgamating with one another.

115 ISMAIL LATIF

Pura Raju Ayu Bumi Manusia



RM18,000 - 30,000

130

116 ISMADI SALLEHUDIN

Keroncong untuk Ana-Musikal Kampung Semasa Kenduri Kahwin

Mixed Media on Canvas 153cm x 213cm2009


RM9,000 - 15,000

ISMADI SALLEHUDIN (b.1971 Pahang)

An artist from Raub, Pahang with over 20 years experience in arts industry.

Ismadi graduated from UiTM, Kuala Lumpur and obtained his Masters degree

at De Monfort University, UK. The theme of his work is the relationship

between humans and animals.

Ismadi explore the process of paint, using the human form as a vehicle to

create emotion. Life, death, change and time are predominant themes running

through his works. Along with his feelings of a seemingly uncontrollable

grasp that controls our destiny. Our knowledge and inspiration born from our

mistakes and decisions, offers us both pleasure through our expression and

uncontrollable frustration when our world is not created and shaped in the

way we want it to be – helpless in our search for perfection.

The expression of colours are very important to Ismadi. His works are

accidental in the sense that he uses different techniques like scratching

on the canvas, splashing of colours, quick strokes of the brush strokes,

spontaneous brush flow and combinations of other techniques to produce

on the art works.

Ismadi Sallehudin explores the relationship of nature and life in his works. A

fine art graduate of Universiti Teknologi MARA (UiTM) in 1994, he attained

his Masters Degree in Art and Design from De Montfort University, Leicester,

United Kingdom in 1999. Besides painting, Ismadi is also adept in etching,

drawing and monotype print. His works have been exhibited extensively at

home and abroad. His roles as an art educator included lecturing at UiTM

(1994 to 1997) and Kolej Bandar Utama (1995 to 1997). He has also held

numerous academic positions such as Head of Programme, Kolej Shahputra-

UiTM (2008), Deputy Dean, University College Shahputra, Pahang (2011) and

he currently serves as Dean of Faculty of Fine Art, Akademi Seni Budaya &

Warisan Kebangsaan (ASWARA ), Kuala Lumpur.

131

117 TEW NAI TONG 张耐东

Joy of Living



RM15,000 - 22,000

TEW NAI TONG 张耐冬（b.1936 Selangor ~ d.2013)

Tew Nai Tong received his early art education at the Nanyang Academy of Fine

Arts in Singapore, graduating in 1958. He worked for a while to raise funds for his

studies at the Ecole Nationale Superieure des Beaux Arts, Paris (1967 - 1968). In

the early years, he signed his work as‘Chang Nai Tong’. His first solo was at the

British Council, Kuala Lumpur in 1964 and he had his Retrospective at the National

Art Gallery in 2007. He taught at the Malaysian Institute of Art from 1969 to 1980,

the Central Academy of Art from 1982 to 1985, and the Saito Academy of Art (head

of department, 1986 - 1988). He concentrated full-time in art in 1992. His awards

included Second Prize, Chartered Bank Mural Design Competition (1964); Shell

Watercolour Award (1981); Best Award, Esso (1982); Dunlop Watercolour Award

(1983); and Grand Prize Asia Art Award (Malaysia) in Seoul in 2009. He is the co-

founder of the Malaysian Watercolour Society (1982 - 1983), the Contemporary

Malaysian Watercolourist Association (1994) and the now defunct Le Beaux Art

Gallery.

132

118 WONG JONG NONG 王永浓

Untitled

Oil on Canvas 60cm x 146cm2007


RM6,000 - 9,000

WONG JONG NONG 王永浓 (b.1944 Singapore ~ d.2010 Selangor)

Wong Jong Nong graduted from the Nanyang Academy of Fine Art (NASA), Singapore in 1964. Wong Settles down in Kuala

Lumpur. Thoughout the years, he has never stop painting.He specialized in oil painting. Scenes of nature, fishing villages

and country sceneries are he favorites. Through brilliant colors, and rustic brush-stokes, he reflects life along riverbanks

and coastal line on canvases. Wong allows art to document the natural surrounding and enhances our knowledge about the

world we live in.

王永浓1964年毕业于新加坡南洋美专。毕业后他的画笔未尝停过，多少年来仍保持每周写生的艺术作息。王永浓最擅长油画，最

喜爱画自然风景和渔村。他以明亮的色彩和质朴的笔触反映河岸和海边的生活，透过艺术去记录这个时代的自然环境，并且增长

我们对生活中世界的认识。

133

119 NIZAR KAMAL ARIFIN

Faces & Faces - Suri Kota ＃32



RM6,000 - 8,000

NIZAR KAMAL ARIFIN (b.1964 Pahang)

Nizar Kamal Ariffin was born on the 9th of September, 1964 in Kuala

Lipis, Pahang. He was a member of SENIKA, Kuantan’s state of art

society. While working with the Ministry of Culture and Youth, he was

appointed the Taman Seni Budaya Pahang’s Resident Artist. After

having graduated from University Sains of Malaysia and trained in Fine

Arts and Graphics, he became a full-time artist and joined the Conlay

Artist Colony in 1998 at Craft Complex Malaysia.

134

120 YAP CHIN HOE

Oriental Passage Series I



RM6,000 - 8,000

YAP CHIN HOE 葉振和 (b.1970 Klang)

Yap Chin Hoe born in 1970, Klang, Selangor. Graduated from the Malaysia Institute of Art with a Double Major in Oil Painting

and Print Making in 1991. Chin Hoe is well known for his mesmerizing still-life paintings,with the depiction of Peranakan

porcelains and antique Chinese furniture which reflects the artist’s Malaysian Chinese heritage. Skillfully juxtaposed with

the setting the artist so meticulously composed, are intricate details such as the dancing dragonflies, the elegant poise of

the foliage or the richly patterned translucent draperies. These delicate touches create an added dimension of movement

and energy to the painting making it both refreshing and poetic.

He was awarded In Finalist - PNB National Creative Art Competition(1997)，1st Prize in Art Competition held in conjunction

with Estee Lauder Breast Awareness Campaign(1996), 2nd Prize - Art Competition organized by Holiday Inn(1988), 1st Prize

- Art Competition, Alam Semulajadi Sedunia(1987)

135

121 YEE ENG HIN 余荣兴

Back to Puala Ketam

Oil on Canvas 油画60cm x 90cm


RM6,000 - 10,000

YEO ENG HIN 余荣兴 (b.1956 Pulau Ketam)

Yeo Eng Hin was born in Puala Ketam in 1956.At the age of 17,he moved to Kuala

Lumpur where he had his early art education under the artist, Chia Yu Chian. He

graduated from the Nanyang Academy of Fine Arts,Singapore in 1977 and thereafter

spent four years of further studies at the famed Ecole National Superieurre Des

Beaux Arts in Paris.

Upon his return to Malaysia, he held the post of head of fine art at the Central Arts

Academy from 1987 to 1989.

In 1986, he started the Art Specialist Centre of which he is the Director.Besides

teaching, he paints to experiment and perfect his own personal style. Yeo has

participated in and also held numerous solo exibitions locally as well as overseas in

singapore, China, London and Paris.

余荣兴在1956年出生于吉胆岛。 17岁时到吉隆坡尊孔国中求学时，向已故画家谢玉谦

学画。他在1977年毕业于新加坡南洋美专后，再前往法国巴黎高等美院深造四年。

回国后，除了曾担任中医艺术学院纯美术系主任外，他也创办了专业美术中心及加影马

乡艺术学院。

教学之余，他勤奋作探索，步入中年，终于自创一格。除了马来西亚，他的作品也在新加

坡、中国、英国及巴黎展出过。

Documented in Experssions From The Heart & Soul, Published by Action Foundation Art Specialist Centre, Cover

出版：心灵画语余荣兴画选，元生基金会专业美术中心, 封面

136

122 YUSOF GHANI

Topeng



RM19,000 - 25,000

YUSOF GHANI (b.1950 Johor)

Yusof Ghani started out doing Art-related jobs for 10 years without formal education. He was artist-illustrator at the

Agriculture Ministry (1967), instructor in the Fisheries Institute, Penang (1971) and a graphic artist at Radio-Television

Malaysia (1977). Then he got a scholarship to study for his BFA at the George Mason University in the United States (1981),

and MFA at the Catholic University in Washington, USA (1983). On his return, he lectured at the Universiti ITM with the rank

of Associate Professor, but unleashed some of the most memorable art series: Tari, Topeng, Wayang, Hijau, Segerak, Biring,

Wajah and Ombak. He singlehandedly organised the Shah Alam Biennale involving artists from 15 countries on Sept 21-Oct

1, 2016. Yusof Ghani made his London foray with an exhibition, Segerak VI -Transcendent Figures, at the Asia House, on

April 3-7, 2017.

Bold and abrasive, this piece makes as strong a statement as its execution. Although the colours seem to work harmoniously,

there is a certain conflict that hangs heavy in the atmosphere. Perhaps it is the mystery behind the distorted mask or the rough

lines that bring out its shape, but Yusof Ghani had always been taken with masks. It started when he travelled to Sarawak in

1988 and 1991, and being exposed to the Kenyah and Kayan masks inspired him-both artistically and philosophically. It can

be used for a cultural statement as well as a personal one, as the artist himself had said that everybody was hiding behind

masks, sometimes for good reasons and sometimes not. One is a different person in front of friends compared to when

one is with his or her boss.

The slowly eroding local cultures, as seen in Sarawak, are also part of the main focus point in this series. There are many

faces, personalities and attitudes and culture that were involved in making this piece, therefore it is not meant to look nice,

according to the artist himself. This piece makes a statement without too many details, and induces a myriad of thoughts

and feelings from the viewers.

137

SUZLEE IBRAHIM (b.1967 Terengganu)

Suzlee Ibrahim was born in Kuala Terengganu (1967), has shown a remarkable

achievement in his 30 years career as a painter (1987- 2017). He has had 32

solo exhibitions and exhibited in more than 20 countries all over the world.

Among the countries are the United Kingdom, USA, Denmark, Germany,

France, Belgium, Italy, Brazil, Cuba, Spain, Canada, China, Japan, Argentina,

Greece, Poland, UAE, Singapore, Australia, Nepal and Bangladesh.

In art education, Suzlee started as a part time lecturer at the School of Art &

Design, Institut Teknologi MARA in 1993 (later known as the Faculty of Art and

Design, Universiti Teknologi MARA). Suzlee is now lecturing at the Faculty of

Visual Communication Design, ASWARA (National Academy of Arts, Culture &

Heritage). Other universities and organizations also sought Suzlee’s expertise

and advice in fine arts as facilitator in art workshops, jury and curator. Among

the professional bodies are such as Pusat Kebudayaan Universiti Kebangsaan

Malaysia/ UKM (National University) and Pusat Perkembangan Professional

INTAN (Bukit Kiara, Kuala Lumpur).

123 SUZLEE IBRAHIM

Nyanyian Alam



RM23,000 - 35,000

138

124 KHAW SIA 许西亚

Orchid

Watercolour on Paper49cm x 67cm


RM16,000 - 22,000

KHAW SIA (b.1913 China ~ d.1984)

Khaw Sia is a China born artist who migrated to Penang in 1937 and made

this place his home. He graduated from the Sung Hua Academy in 1932 in

Shanghai where he met Xu BeiHong, one of the most famous Chinese brush

artists ever lived who commended highly on his work as well as undertaking a

private tuition in watercolour painting under Sir Russell Flint in England. Using

the Malaysian culture as his objects and subject matter, Khaw Sia’s work is

unique and original as it has a fusion of the various elements of his life. His

background and natural talents in Chinese art and the techniques of English

water colouring and the subject matter of the Malaysian lifestyle and culture.

Besides a master in oil, pastel and watercolour painting, he is also an expert

in the cultivation of orchids. He has received a number of awards for his art,

notably from the Le Salon Paris in 1956 and the National Society 25th Exhibition

in England in 1958. His paintings are collected all over the world, including the

National Art Gallery, Kuala Lumpur. His art has been exhibited in London, Paris,

Penang and Perak, among others. He died in 1984 at the age of 71 years. but

his works live on and today it still can be seen in various spaces that include the

permanent collection of the National Art Gallery of Malaysia.

139

125 CHIANG SHIH WEN 江石文

Old Shop House

Oil on Canvas 61cm x 92cm2004


RM14,000 - 18,000

CHIANG SHIH WEN 江石文 (b.1949 Melaka)

Chiang Shih Wen was born in 1949. A Melaka born, bred and still residing, he

graduated with a degree in Fine Art from the KL College of Art in 1974 and has

been holding exhibitions ever since. A prolific painter, his pure joy derived from

his ability to communicate in this medium is evident to all. His work is exciting

and breathtaking within a scope of skilled compositions replete with stunning

colour that have become his signature in the art world. He believes that art

must break away from rigid rules to make way for freedom of expression. From

realism, to the study of perspectives, to the play of shadow and light, Chiang

has steadily evolved, establishing a fresh style in art.

He was awarded In Outstanding Award:“Young Artist Competition” in 1981,

organized by“Nanyang Siang Pau”,“Malaysia Landscape in Water Colour” in

1982, organized by The National Art Gallery.

Cubo-Futurism is a mix of two art movements emanating from Western

Europe in the early 20th century. From France came the Cubism bold, stylistic

art of Pablo Picasso and Braque from Italian the fluid and pulsating Futurism

style of Baccioni and Marinetti. Both art forms greatly appealed to the leading

Russian artists of the day when they combined major elements of the two.

Cubist and Cubo-Futuristic styles feature bold colours and the fragmentation

of the objects painted on the canvas. In Cubo-Futurism though, there is also

a fragmentation of forms, and a focus on movements as well as the absence

of the objectivity towards their subjects. There works are not static but have

visible thrust and energy to them, Chiang’s work is emblematic of the best

of this art form. His works integrate the elements of light, colour and space to

vividly create layers that accommodate much more of the subject in view. His

passion for the portrayal of buildings, together with the skillful integration of the

three elements has brought forth an art collection that views the environment

from a totally new light.

140

126 LIM KIM HAI 林金海

Joy Living

Oil on Canvas30cm x 30cm 2015


RM23,000 - 25,000

LIM KIM HAI 林金海 (b.1950 Selangor)

Lim Kim Hai studied at Nanyang Academy of Fine Arts,Singapore and Ecole

Nationale Superieure des Beaux Art,Paris.He won the Golden Award from Salon des

Artists Fancais,Paris in 1982,Silver from Salon Internationale, Du Val D’Or, France

in 1984; Prix Henri Lehmann from istitut de France, Academy des Beau in 1986. His

Works have been showcased widely in France, Moscow, China, Vietnam, Taiwan,

Indonesia, Thailand, Singapore and Malaysia. He returned to Malaysia for good in

2002.

He has shown a lifelong affinity for apples, and has chosen them as his subject

matter because they are inexpensive, have longer shelf life than most fruits and

there are more than a hundred varieties. Kim Hai paints by looking at real apples

as he gets to touch and feel them, observe from different perspectives and place

them in various arrangements. Apples are his props for grand designs to project

life lessons and at the same time boast their beauty-shape, size and colour. Like a

manual from Sun Tze, Kim Hai orchestrates the apples into inner dramas of thoughts

to reflect human traits and conditions.

141

127 TEW NAI TONG

Bali Boats



RM22,000 - 32,000

TEW NAI TONG 张耐冬 (b.1936 Selangor ~ d.2013)

Tew Nai Tong received his early art education at the Nanyang Academy of Fine

Arts in Singapore, graduating in 1958. He worked for a while to raise funds for his

studies at the Ecole Nationale Superieure des Beaux Arts, Paris (1967 - 1968). In

the early years, he signed his work as‘Chang Nai Tong’. His first solo was at the

British Council, Kuala Lumpur in 1964 and he had his Retrospective at the National

Art Gallery in 2007. He taught at the Malaysian Institute of Art from 1969 to 1980,

the Central Academy of Art from 1982 to 1985, and the Saito Academy of Art (head

of department, 1986 - 1988). He concentrated full-time in art in 1992. His awards

included Second Prize, Chartered Bank Mural Design Competition (1964); Shell

Watercolour Award (1981); Best Award, Esso (1982); Dunlop Watercolour Award

(1983); and Grand Prize Asia Art Award (Malaysia) in Seoul in 2009. He is the co-

founder of the Malaysian Watercolour Society (1982 - 1983), the Contemporary

Malaysian Watercolourist Association (1994) and the now defunct Le Beaux Art

Gallery.

Documented in SHIAN’S ART BILINGUAL 102Tew Nai Tong：An Appreciation, Pg6, 61

出版：向艺人文艺术杂志 102 张耐冬的艺术之旅, 第6, 61页

142

IMPORTANT NOTICE –WELLS AUCTION TERMS AND CONDITIONS

BRIEF ON CATALOGUEBidders are strongly encouraged to read carefully. All lots are sold on an “as is” basis. The lots are available for inspection and a bidder must form your own opinion and judgement in relation to it. Bidders are strongly advised to examine any lot or have it examined on your behalf by an expert before the sale.

ESTIMATES Estimates are based upon prices recently paid at auction for comparable property, condition, rarity, quality and provenance. Estimates are subject to revision. Buyers should not rely upon estimates as prediction of actual selling prices. The estimates printed in the catalogue do not include the buyer’s premium.

RESERVESThe reserve is the confidential minimum price the seller will accept and below which a lot will not be sold.

BUYER’S PREMIUMWells Auction Sdn Bhd (WELLS) charges a premium to the buyer on the final bid price of each lot sold at the rate of 12%.

GSTa) The standard rate of 6% GST will be charged on hammer price

ONLY for lots marked with * and will be borne by the buyer. b) For commissions and related charges concerning the purchase

of a lot, 6% GST will be charged where applicable, ie commissions, insurance, transportation.

c) If any other applicable taxes as may be set and revised by the Malaysian government, the buyer shall pay the tax at the rate and time as required by the relevant law.

PRE-AUCTION VIEWINGAll lots on offer at the auction will be exhibited prior to the sale, for public viewing free of charge. WELLS personnel will be available to assist prospective buyers at the public viewing times or by appointment. We encourage prospective buyers to examine the lots thoroughly and to request for condition reports from WELLS.

CONDITION REPORTSThe catalogue descriptions do not state any imperfections in the lot(s) and prospective buyers are encouraged to request for condition reports from WELLS. Conditions reports are provided as a service to its clients free of charge. References in the condition reports to damage or restoration are for guidance only and should be evaluated by personal inspection by the prospective bidder or a knowledgeable representative. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others.

BIDDER REGISTRATIONProspective buyers should register for a numbered bidding paddle. Details of bank accounts are required for credit reference purposes.

BIDDINGa) The Auctioneer accepts bids from those present in the

saleroom, from telephone bidders or by absentee written bids left with WELLS in advance of the auction. The auctioneer will not specifically identify bids placed on behalf of the seller.

b) WELLS has the right at its absolute and sole discretion to refuse admission to its premises to any person and to refuse any bid.

c) Bidding will be done in Ringgit Malaysia (MYR). d) Notices and announcements affecting the sale may be made

during the auction without prior written notice and these form part of the Auction Conditions, provided that the conditions set out herein will prevail over any inconsistency unless expressly stated otherwise.

e) The buyer agrees to be bound by the Conditions of Sale when he/she bids to purchase a lot.

BIDDING INCREMENTBidding increments shall be at the auctioneer’s sole discretion.

NON-PAYMENTWhere a buyer fails to make payment with cleared funds within the stipulated time, WELLS and/or the seller shall be entitled, in addition to all other rights and remedies available under the law, to: a) charge default interest at the rate of 1.5% per month on the

outstanding sums due from the buyer; b) to commence legal proceedings against the buyer for recovery

of all outstanding sums, including interest, legal fees, costs and other expenses on a full indemnity basis;

c) rescind the sale of the Lot; d) to resell the property on such terms as they deem fit and to

set-off the proceeds of sale against the outstanding sums unpaid by the buyer;

e) to hold the lot as security; pledge or lien pending payment of all outstanding sums due from the buyer.

COPYRIGHT WELLS shall have the absolute right (on a non-exclusive basis) to potographs, videos and otherwise reproduced images of Lots consigned to WELLS for sale. The copyright of all images, illustrations,written materials and published contents produced by or on behalf of WELLS relating to each lot shall remain at all times the property of WELLS and shall not be used by any person without the prior written consent of WELLS.

MISCELLANEOUS a) WELLS is not responsible for the authenticity of the auction,

including exchange, returns and refund. b) Notwithstanding anything stated in these Conditions, the

buyer shall indemnify WELLS and the seller on a full indemnity basis, in respect of any loss, damage, cost or expense that may be incurred by either the consignor of WELLS in respect of any breach by the buyer of these Conditions.

c) If any part of this agreement is found by any Court to be invalid, illegal or unenforceable, that part may be discounted and the rest of the agreement shall continue to be valid and enforceable to the fullest extent permitted by law.

d) The singular includes the plural and vice versa where the context requires.

143

APPENDIX –DEFINITIONS AND GLOSSARY“Bidder” means person who carries out bids in the auction.

“Buyer” means person who makes the highest bid in the auction accepted by auctioneer. “Buyer’s premium” means the commission on the hammer price of each lot sold payable to WELLS by a buyer at the rate of 12% together with all applicable taxes as may be set and revised by the Malaysia government from time to time.

“Catalogue” means the auction catalogue prepared by WELLS describing and illustrating all lots for sale by WELLS.

“Estimates” means the estimated price a lot may achieve at the auction and does not include the buyer’s premium.

“Full amount due” means the hammer price in respect of the lot sold together with any premium and any additional charges payable by a buyer or defaulting buyer under these conditions.

“Hammer price” means the price at which a Lot is knocked down by the auctioneer.

“Lot” means each piece of property as described in the catalogue.

“Reserve price” means the confidential minimum price determine between the seller and WELLS.

“Sale proceeds” means the hammer price of the lot sold to the extent received by WELLS in cleared funds, less WELLS’s commission and expenses.

“Seller” means the owner or consignor who is offering the Lot for saleIncluding their agents, executors or personal representatives or the owner’s agent or the person in possession of the Lot consigned.

“WELLS” means Wells Auction Sdn Bhd (Company No. 1216367-U)

ABSENTEE BIDS Absentee bids are written instructions from prospective buyers directing WELLS to bid on their behalf up to a maximum amount specified for each lot. WELLS’s staff will attempt to execute an absentee bid at the lowest possible price taking into account the reserve price. If identical bids are received from two or more parties, the first bid received by WELLS will take priority. The auctioneer may execute absentee bids directly from the rostrum. Absentee Bids Forms are available in this catalogue.

Absentee bids submitted on “no-reserve” lots will, in the absence of a higher bid, be executed at the amount of the bid.

TELEPHONE BIDSProspective buyers may bid by telephone during the course of the auction. Arrangements for this service must be confirmed with the Bid Department at least 2 hours prior to the auction. Telephone bids may be recorded. By bidding on the telephone, prospective purchasers consent to the recording of their conversation. WELLS offers all absentee and telephone bidding services as a convenience to our clients, but will not be responsible for errors or failure to execute bids.

SUCCESSFUL BIDSThe fall of the auctioneer’s hammer indicates the final and highest bid, at which time, the buyer assumes full responsibility for the lot. Successful bidders will be required to sign a buyer’s acknowledgement form upon the fall of hammer and to make payment of 5% of hammer price (or RM500, whichever is greater) as a non-refundable earnest deposit before leaving the sale room.

Failure to sign the form and make payment for the earnest deposit will render the sale to be null and void and the auctioneer may re-offer the lot for sale.

WARRANTY OF TITLE AND AVAILABILITY The seller warrants to WASB and the buyer that the seller is the true owner of the property consigned or is properly authorized by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

AGENCYWells Auction Sdn Bhd and its authorized auctioneer act as exclusive agent for the seller and is not responsible for any default by the seller or the buyer. Any concluded Contract of Sale for a lot is made directly between the seller and the buyer.

AUCTION RESULTSThe auction results can be requested from WELLS by contacting +603-2022 2886.

PAYMENTThe balance of the full payment due (which includes the hammer price in respect of the lot sold, together with the buyer’s premium and any charges, fees, interest, taxes and expenses due from a buyer) shall be payable no later than seven (7) days after the date of sale.

WELLS can only release the lot to the buyer upon full payment made in good cleared funds.

COLLECTIONThe buyer shall collect the purchased lot from WELLS’s sale room no later than seven (7) days after the date of sale. The buyer will be responsible for all packing, removal, storage and insurance charges.

TRANSFERRING RISKThe risk in and responsibility for the lot will transfer to the buyer from whichever is the earlier of the following : a) When the buyer collects the lot ; orb) At the end of the 7th day following the date of the sale, even

if the buyer has not collected the lot by this date.

PLEASE SELECT YOUR BIDDING OPTION:

WRITTEN BID PHONE BID

TITLE (MR, MRS, MS, DR) OR COMPANY NAME IF APPLICABLE

LAST NAME FIRST NAME

CLIENT ACCOUNT NO. (IF KNOWN)

ADDRESS

TELEPHONE (HOME / MOBILE) (BUSINESS / FAX)

EMAIL

TICK IF THIS IS AN UPDATED ADDRESS

TELEPHONE NUMBER DURING THE SALE: 1. (FIRST PRIORITY)

(FOR TELEPHONE BIDS ONLY) 2. (ALTERNATIVE)

Please send or fax this form together with copy of identity card / passport to:

WELLS AUCTION SDN BHD (1216367-U)

1.3 / 1.4 / 1.5, 1st Floor, Selangor Complex, Jalan Sultan, 50000 Kuala Lumpur, Malaysia.T. +603 2022 2886 E. [email protected]

I agree that I am bound by WELLS AUCTION SDN BHD which are published in the catalogue for the sale that govern all purchases at auction that I make. If any bid is successful, I agree to pay the published buyer’s premium on the hammer price.

Signed : Dated :

ARRANGING PAYMENTIt is WELLS Auction’s policy that all cheque / payments must be cleared before purchases will be released. Payments may also be made by direct debit or telegraphic transfer to WELL Auction account indicated in the invoice. Please include your name, WELLS Auction client’s account number and invoice number with your instructions to your bank. Credit card payment (Visa, MasterCard and UnionPay) are also accepted.

It is WELL Auction’s policy to request any buyer preferring to make cash payments to provide: proof of identity with attached photograph (example: passport, driving license, identity card) and confirmation of permanent address. Thank you for your kind cooperation.

SHIPPING: IF YOU ARE SUCCESSFUL AND WANT US TO CONTACT YOU REGARDING SHIPPING, KINDLY TICK HERE

ABSENTEE / TELEPHONE BIDDING FORM

SALE NUMBER :

SALE DATE :

LOT LOT DESCRIPTION MAXIMUM MYRNUMBER (TICK FOR PHONE BIDS)

(POSTAL CODE)

IMPORTANT :Kindly note that the execution of written and telephone bids are offered as an additional service at no extra charge, and at the bidder’s risk. It is undertaken subject to WELLS Auction’s other commitments at the time of the auction. WELLS Auction therefore cannot accept any liability for failure to place such bids, whether through negligence or otherwise.

Please note that we may contact new clients to request a bank reference.

WELLS Auction will require sight of government issued ID / Passport and proof of address prior to collection of purchases.

All payments are due within 7 days after successful sale.

FOR WRITTEN/FIXED BIDS:Bids will be executed for the lowest price as is permitted by other bids or reserves.

“Buy” or unlimited bids will not be permitted and neither do we accept “plus one” bids. Please place bids in the given order as per catalogue.

Alternative bids can be placed by using the word “or” between lot numbers.

Where appropriate your written bids will be rounded down to the nearest amount consistent with the auctioneer’s bidding increments.

FOR TELEPHONE BIDSPlease clearly specify the telephone number on which you may be reached at the time of the sale, including the country code.

We will call you from the saleroom shortly before your lot is offered.

In the event of identical bids, the earliest bid received will get priority. Bids must be submitted in Ringgit Malaysia at least 24 hours before the auction.

BIDDER REGISTRATION FORMTo be completed by the person who will be bidding in the auction saleroom.

BILLING NAME CLIENT NUMBER (FOR OFFICE USE ONLY)

ADDRESS I/C / PASSPORT NO.

CITY POSTAL CODE

OFFICE PHONE NO. MOBILE PHONE NO.

EMAIL ADDRESS FAX NO.

SALE TITLE SALE DATE

IDENTIFICATION / FINANCIAL REFERENCE(Please attach the following documents when submitting your registration form)

Proof of Identity (circle) : Identity Card / Passport / Driving Licence / Company Registration / Others (please state) ________________________________________

Proof of Address : Utility Bill and Bank Statement (issued within the last 6 months) (for office use)

(Financial references are to be furnished to WELLS Auction upon request)

NAME OF BANK ACCOUNT NO.

BANK ADDRESS

CONTACT PERSON AT THE BANK TELEPHONE NO. (OF BANK CONTACT)

CERDIT CARD NO. CREDIT CARD TYPE ISSUING BANK

I have read the Conditions of Business. Guide to Buying at WELLS Auction Sdn Bhd and Important Notices printed in the auction catalogue, and hereby agree to be bound by them.

I hereby confirm that I am registering to bid at the auction as principle and will be held personally and solely liable for the bid, in particular to pay the purchase price, which is the hammer price plus the buyer’s premium (12% of hammer price) and all applicable taxes, plus all other applicable charges. I understand that the invoice will be made out in my name, unless it has been explicitly agreed in writing with WELLS Auction Sdn Bhd before the commencement of the sale that I am acting as agent on behalf of an identified third party (hereinafter referred to as “disclosed principal”) acceptable to WELLS. In such circumstances, both myself and my disclosed principal will be jointly and severally liable for all obligations arising from the bid and my disclosed principal shall be bound by the Conditions of Business by my bid as his agent in the same way as if he were bidding personally.

I further understand that if my bid is successful, I will be asked to sign a buyer’s acknowledgement form upon the fall of hammer and to make payment of 5% of hammer price (or RM500, whichever is greater) as a non-refundable earnest deposit before leaving the sale room. Failure to sign the form and to make payment for the earnest deposit will render the sale to be null and void and the auctioneer may re-offer the lot for sale.

I understand that the auction catalogue does not state any imperfections to the lot(s) and I can obtain condition reports from WELLS upon request. I further understand that all references in the catalogue entry or the condition report are for guidance only and should be evaluated by personal inspection as all lots are sold “as is”, and I am responsible for examining a lot prior to the sale and to satisfy myself as to the condition of the lot and that the lot matches any written or oral description provided by the seller or WELLS.

I also understand that the estimated price range provided in the catalogue should not be relied on as a statement that this is the price at which the lot will sell or its value for any other purpose, and it does not include the buyer’s premium.

I hereby authorise WELLS Auction Sdn Bhd and its bank representative to request for bank references relating to the account(s) specified by me above.

SIGNATURE DATE

PRINT NAME (IN BLOCK LETTERS)

ASIAN & CHINESE ART 18 JUNE 2017

083 80年代8582薄纸普洱青饼

055 黄尧永寿

1.3 / 1.4 / 1.5, 1st Floor, Selangor Complex, Jalan Sultan, 50000 Kuala Lumpur, MALAYSIA

T. +603 2022 2886 M. +6012 209 9531 E. [email protected]

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