master the accordion workshops ph book 2 ‐...

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Master the Accordion Workshops PH Book 2 ‐ Session 14 HAPi * 1547 S. Richey Rd., Pasadena, TX 77550 * 281‐780‐8656 *[email protected] 1 Palmer & Hughes Book 2 – Session 14 Instruction and Companion Material Presenters Shelia Lee & Mark Ropel Master the Accordion Workshops Sponsored by 501 3(c) Non-Profit

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MastertheAccordionWorkshops PHBook2‐Session14

HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]

1

Palmer&HughesBook2–Session14

InstructionandCompanionMaterial

PresentersSheliaLee&MarkRopel

MastertheAccordionWorkshops

Sponsoredby

5013(c)Non­Profit

MastertheAccordionWorkshops PHBook2‐Session14

HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]

2

Session14Duringoneofyourpracticesessionseachweek–pleaseGRABatleastoneormoredrillsANDoneormoreScales.Thisway–youwon’thavetodoallthedrillseverypractice–butwillHITthematleastonceeachweek.

ReviewofDrillso Full“AllWhite”block&Arpeggios(1+3+5+1)o Full“AllMAJOR”block&Arpeggioso C,G,F,D,A,&BbScale–FullOctaveso MajorthenMinorChords–AllWhite.Blocktheminrhythmic

pattern.RolltheminrhythmicpatternSong#14­PHBook2–MerryWidowCompanionSongs:

1. SeaChanty2. HavaNagila3. Miserlou4. Sunrise,Sunset5. Minka6. TimeinaBottle

PHIntrotoMinorLHChords1­2fingeringforrapidrepeatednotesMoreLeadLineWork

Let’sGetStarted: Step1.PlayFirst

Perform3favoritesongstowarmup PlayatperformancespeedwithNOSTOPSFORBOO‐BOOs

Step2.Theory–IntrotoMinorChords&SpeedDrill3• ReviewPHMinorChordsExercise

• SpeedDrill#3o Playevenanddetachedfirst–thenlegato

• PlayMinka

o Playdetachedandevenly

MastertheAccordionWorkshops PHBook2‐Session14

HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]

3

MastertheAccordionWorkshops PHBook2‐Session14

HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]

4

MastertheAccordionWorkshops PHBook2‐Session14

HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]

5

Step3.NewSongTechnique­Block/Absorb/Vertical

o MerryWidowWaltz KeyofF–allBbs MiddleReedshift

IntrotoAbsorb• PlayFMajorScale• PlayChordsforeachBass

o FM,CM,BbM,Dm,Gm,&AM

Block• Noticethatthereareslurmarks–thissongshouldbeplayedALLLEGATO

• BlockoutHandpositions• Dynamics–youshouldcrescendointothephraseanddiminuendoattheendandstillliftyourhand.Watchformf,p,&F

Vertical• NO8thnoteordottedquarternotes• Legato–holdbeyondbassvalueandliftatendofslur

• WATCHBbanddoublenotes• Glissando–holdnotefullvaluethenslide

Startatlast4measures• PlayLegato• Adda”basssolo”F­A­Cbeforeglissando

NowBackuptoPdynamicmeasure

• Practicebassfirst• WatchBbbassandjumptoAbass&MinorBasses

• WatchDynamicchanges

MastertheAccordionWorkshops PHBook2‐Session14

HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]

6

MastertheAccordionWorkshops PHBook2‐Session14

HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]

7

Step3.NewSongTechnique­Block/Absorb/Vertical

o Miserlou KeyofD(notnotedinkeysignature) Absorb–PlayblockchordsforallBasses

• LearnEbbassandEbRHBlockChord• PlayDMajorScale(F#&C#)• PlayChromaticScale

MiddleReed BLOCKHandPositions

• ReviewBasses–Notice8thnotepattern‐chords• NoticeChromaticruns

Vertical• Lookfor8thnotesanddottedquarternotes• Playinhandseparatefirst

Step2.TechniqueDrill#14

o TechniqueDrill#14 LearntoRapidlyrepeatanoteusing1&2 Practiceevenlyanddetached Parkthumband2onthesamenote

Step4.ReadNewSong(Sight­Read)

o HavaNagila BLOCK(KeyofE&Am)

• Blockouthandmoves Absorb

• PlayRHChordsforeachBass• BlockMajorChordforallbassesnotedas7thchord(wewilllearn7thRHchordssoon)

Vertical• PracticeBassSoloandLetterDrepeatednotes

MastertheAccordionWorkshops PHBook2‐Session14

HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]

8

&?

44

44

..

...œ jœb œ# œ

1 2 3 1

œœ

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A

.œ Jœb œ# œ2

œœ

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œœDM

w

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œœ

&

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5

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œ Œ œ œb œ# œ1 2 3 4

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&

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œœ# œb œ œ œ3

œbœb œ œb œEbM

1.

˙ œ œb œ# œ

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.˙ Œ

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Miserlou

© 2010 So Good Productions

arr. by Shelia Lee

from Motion Picture "A Swingin Affair" released in 1963

Music by Nicholas Roubanis

Introduced to American Rock N Roll by Dick Dale and the Del Tones in 1962.

The Beach Boys recorded the song for the album Surfin' USA from 1963.

Opening Song for Motion Picture "Pulp Fiction"

MastertheAccordionWorkshops PHBook2‐Session14

HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]

9

&

?

17 2.

w

œœ œ

œœDM

œ œ œ# œ œ# œ œ œ#1 2 1 2 1 2 3

œœ

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w4

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C

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œ

&

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21

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w5

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-

&?

26 .˙ Œ3

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D œ œ œ œ œb4 2

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&

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32

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&

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w

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2.

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œ Œ Œ œœ

œœ

œœœœ# Œ Óœœ Œ Ó

Miserlou2

MastertheAccordionWorkshops PHBook2‐Session14

HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]

10

&?

44

44œ œ œ œ œ œ œ œ2 1 2 1 2 1 2 1

œ œœ

œGM

A

œ œ œ œ œ œ œ œ2 1

œ œœ

œCM

œ œ œ œ œ œ œ œ2 1

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&?

4

œ œ œ œ œ œ œ œ2 1 1

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œ œœ

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œ œ œ œ œ œ œ œ2

œ œœ

œGM

&?

œ œ œ œ œ œ œ œ2 1 2 1 2 1 2 1

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B

œ œ œ œ œ œ œ œ

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&?

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&?

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œ œ œ œFMCM

œ œ œ œ Œ2 2 1 2

œ œ œœ ŒGM CM

Technique Drill #14

© 2010 So Good Productions

arr. by Shelia LeeIntro to Fingering for Rapidly Repeating Notes

MastertheAccordionWorkshops PHBook2‐Session14

HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]

11

&?

44

44Œ œœœ# Œ œœœ

Intro

œ œ œ œEM

Œ œœœ# Œ œœœ

œ œ œ œ

œœœ# Œ Ó

œœ œ œ# - œ# -&?

..

..

4

œ Œ ˙Ha va

œ œ œ œEM

A

œ œ# œ œna gi la

œ œ œ œœ# Œ ˙

Ha va

œ œ œ œœ œ œ œ#

na gi la

œ œ œ œ- - - - - -

&?

..

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8

œ Œ ˙Ha va

œ œœ

œA m

œ œ œ œna gi la

œ œœ

œ˙# œ œ œv' nis mi'

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wcha.

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- - - - -

&?

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12

œ# ˙ œHa va n'

œ œ œ œEM

B

œ œ ˙ra n' na

œ œ œ œœ ˙ œ

Ha va n'

œœ

œœD m

œ œ ˙ra n' na

œœ

œœ- - - - -

Hava NagilaAbraham Z. Idelsohn

© 2010 So Good Productions

arr. by Shelia Lee

Traditional Hebrew

2B 4C#

2D#

1 4

5 2 2

4

MastertheAccordionWorkshops PHBook2‐Session14

HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]

12

&?

..

..

16

˙ .œ jœHa va n'

œœ

œœ

œ œ ˙ra n' na

œœ

œœ

˙# œ œ œv' nis m'

œ œ œ œEM

1.

w#cha.

œœ œ œ# - œ# -

2.

w#cha.

œ œ œ# - œ# -- - - - - -

&?

21

wU

œ œœ

œA m

C

wru

œ œœ

œ˙ ˙u ru

œ œœ

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œ œœ

œ- - -

&?

25

œ œ œ .œ Jœu ru a chim b'

œ œœ

œA m

D

œ œ œ œlev sa me ach

œ œœ

œœ œ œ .œ Jœu ru a chim b'

œ œœ

œœ œ œ œ

lev sa me ach

œ œœ

œ- - - - - - - -

&?

29

œ œ œ .œ Jœu ru a chim b'

œ œ œ œE7

œ œ œ œlev sa me ach

œ œ œ œ

œ œ œ .œ Jœur ru a chim b'

œ œ œ œ

œ œ œ œlev sa me ach

œ œ œ œ- - - - - - - -

&?

33

œ œ œ ˙u ru a chim

œ œ œ œ

œ œ œ ˙u ru a chim

œ œ œ œœ œ œ œ œ œ#

b'lev sa me

œ œ œ œ.˙ Œ

ach.

œ œ œœ ŒA m- - - - - -

Hava Nagila 2

5

5 1

1

1 2 1 4 1 2 1 13 2 1 2

1

2 1 1 2 1

1 2 1

MastertheAccordionWorkshops PHBook2‐Session14

HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]

13

Step4.ReadNewSong(Sight­Read)

o SeaChanty BLOCK(KeyofDm)

• Blockouthandmoves Absorb

• PlayRHChordsforeachBass• PlayRHChordsalongwithBass(CompStyle)

Vertical• PracticeRepeatednotefingering

Step4.ReadNewSong(LeadLineStyle)

o Sunrise,Sunset BLOCK(KeyofGm)

• RelativeMinorforBbMajor• PlayBbMajorScale(Bb&Eb)• Blockouthandmoves

Absorb• PlayRHChordsforeachBass(PlayMfor7th)

Vertical• Watchfor8thnotelineupwithbasses

Step4.ReadNewSong(LeadLineStyle)

o TimeinaBottle BLOCK(KeyofDm&DM)

• DmisRelativeMinorforFMajor• PlayFMajorScale&DMScale• Blockouthandmoves

Absorb• PlayRHChordsforeachBass• Dm/CmeanstoplayDmchordwithCBass(4thfingeronCBass)

• PlayRHChordsalongwithBass(CompStyle) Vertical

• PracticeRepeatednotefingering

MastertheAccordionWorkshops PHBook2‐Session14

HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]

14

&

?

44

44

œ œ œ œ œ œWhat shall we do with the

œœ

œœD m

œ œ œ œdrunk en sai lor,

œœ

œœ

œ œ œ œ œ œwhat shallwe do with the

œ œ œ œCM

œ œ œ œdrun ken sai lor,

œ œ œ œ- - - -

&

?

5

œ œ œ œ œ œwhat shallwe do withthe

œœ

œœD m

œ œ œ œdrun ken sai lor

œœ

œœ

œ œ œ œear ly in the

œ œ œ œCM

˙ ˙mor ning?

œœ

œœD m

- - - -

&

?

9

˙ .œ jœHur ray and

œœ

œœD m

œ œ œ œup she ri ses,

œœ

œœ

˙ .œ jœhur ray and

œ œ œ œCM

œ œ œ œup she ri ses,

œ œ œ œ- - - -

&

?

13

˙ .œ jœhur ray and

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œœD m

œ œ œ œup she ri ses,

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œ œ œ œear ly in the

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˙ ˙mor ning.

œœ

œœD m

- -- -

Sea ChantyTraditional

© 2009 So Good Productions

arr. by Shelia Lee

2 1 2 3 22 2 1 2 2 12 1

2 3 4 3 2 1 2

2 3

4 2 1 2 2 11

2 2 1 2 1 2 3 2 2 1 2 1 2 3

4 2 1 2 3 4 3 2 1 2 1

MastertheAccordionWorkshops PHBook2‐Session14

HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]

15

& bb 43 .. œ œ œ1 2 4G mA

œ œ œ# œ3 1 3

D 7

.˙2

G m

.˙1

œ œ œ œ œ œ# œD 7

& bb7

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!

G 7

œ œ œ1 2 4C m

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.˙1

& bb13

.˙A

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B

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G 7

& bb25

œ œ œ1 2 4C m

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& bb31 .˙D .˙D 7

Œ œ œ3 4G mC

œ œ œC m

Œ œ œG m œ œ œ2

C m

Sunrise, Sunset

© 2010 So Good Productions

arr. by Shelia Lee

Music & Words by

Jerry Bock, Sheldon Harnick

(G A Bn)

(D E F#)

(G A Bn)

Bass Solos are notated

in brackets below measure

(D E F#)

MastertheAccordionWorkshops PHBook2‐Session14

HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]

16

& bb37

Œ œ œ3G m

œ œ œG m C mC m .˙5G m .˙3G 7 œ œ œ4

C mD œ œ œ œF 7

& bb43 .˙3Bb.˙1 œ œ œ3

A m7

œ œ œ œD 7

.˙G m

& bb Œ œ œ3 4G mE

œ œ œC m

Œ œ œG m œ œ œC m

Œ œ œG m

œ œ œG m C mC m

& bb55 .˙5G m .˙3G 7 œ œ œ4C m œ œ œ œD 7 .˙3G m

.˙1C 7

& bb ..61 œ œ œ3

C m

œ œ œ œ3D 7

1.

.˙1G m

.˙2.

.˙G m

Sunrise, Sunset 2

(D E F#)

(G A Bn)

(G A Bn)

Verse 1:

Is this the little girl I carried?

Is this the little boy at play?

I don't remember growing older

when did they?

When did she get to be a beauty?

When did he grow to be so tall

Wasn't it yesterday when

they were small?

Chorus:

Sunrise, sunset. Sunrise, sunset

swiftly flow the days

Seedlings turn overnight to sunflowers

blossoming even as we gaze

Sunrise, sunset. Sunrise, sunset

swiftly fly the years.

One season following another

Laden with happiness and tears.

Verse 2:

Now is the little boy a bridegroom

Now is the little girl a bride.

Under the canopy I see them

side by side.

Place the gold ring around her finger

share the sweet wind and break the glass

Soon the full cirlce will have

come to pass

MastertheAccordionWorkshops PHBook2‐Session14

HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]

17

& b 43 ..Œ Œ œIf

.œ Jœ œI

I

could

could

save

make

D mA

˙ œ œtime

days

in

last

a

for

œ ˙bot

ev

tle

er

D m/C

-

-

& b5

˙ œthe

if

œ œ œfirst

dreams

thing

could

that

make

G m

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wish

like

es

to

come

.˙do

true

A

-

& b9

˙ œ œis

I'd

to

A 7

˙ œ œsave

save

ev

ev

r'y

ry

D m

˙ œ œday

day

til

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e

a

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ni

ure

ty

and

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-

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-

& b13

œ œ œpass

then

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a

˙ œ œway

gain

just

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to

would

D m

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spend

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them

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with

G m

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you

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- -

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& b .. n# #17 1.

˙ œIf

2.

˙ œ œbut there

%œ œ œ œ

nev er seems to

DB

œ œ œ œ œbe e nough time to

D/C

- -

& # #21

œ œ œ œdo the things you

œ œ œ œ œwant to do once you

D/A

œ ˙find them

G

˙ œEm

Time in a Bottle

© 2010 So Good Productions

arr. by Shelia Lee

3

2 1

2 3 2 1 3

Words & Music Jim Croce

MastertheAccordionWorkshops PHBook2‐Session14

HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]

18

& # #25

œ œ œI've

A

œ œ œ œlooked a round e

D

œ œ œ œnough to know that

D/C

œ œ œ œyou're the one I

D/B

- -

& # # nnb29

œ œ œ œwant to go thru

D/A

œ ˙time with

G

.˙D

˙ œEm7

To Coda fiœ œ œ œ

If

A

& b ˙ œ œI had a

D mC

˙ œ œbox just for

D m/C

œ ˙wish es

˙ œand

D m/B

-

& b38

˙ œ œdreams that had

G m

œ œ œnev er come

.˙true

A

˙ œthe

A 7

-

& b42

˙ œ œbox would be

D m

œ œ œemp ty ex

D m/C œ œ œcept for the

G m

œ œ œmem ry of- - -

& b n# #46

˙ œ œhow they were

D m

œ œ œan swered by

G m

.˙you

A D.S. al Coda

˙ œ œbut there-

& # #50

fiCoda

œ œ œA

.˙D

Time in a Bottle2

2 3 1 2 1 2

5 4 3 2 1 2 1 2 3 1 3

MastertheAccordionWorkshops PHBook2‐Session14

HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]

19

Step5.CoolDownSection

o Play3EasyTones–canbesame3youstartedwitho EndonesongwithaGlissandotoaMajorChord(1­3­5)o EndAnotherwithaRollOverorRollingArpeggioso AddabasssoloatphraseendingortheendwithaArpeggio

CONGRATULATIONS!LookatwhatyouhaveLEARNED!

Remembertofollowthesestepsforeachofyourpracticesessions:1. WarmUp‐Starteachpracticesessionwithyourfavorite3songs2. TechniqueBuilder–doadrillor23. WorkonNewSongs–practiceassignedsongs4. SightReadingreadanewsongor2(sight‐read)5. CoolDown–withyourfavorite3songs

MastertheAccordionWorkshops PHBook2‐Session14

HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]

20

MusicNotebookYouhave66SongsinyourEASYTUNEsectionofyourRingBinderandyoushouldbepracticingthemALLforyourFUTUREWARMUPorCOOLDOWNTUNES.

German 1. BeerBarrelPolka(Chorus)2. BlueSkirtWaltz(Chorus)3. EinProsit4. JulidaPolka(Chorus)5. MussIDenn(WoodenHeart)6. AufWiedersehen(leadLine)7. Du,DuLiegstMirImHerzen8. InHeaventhereisNoBeer9. Hofbrauhaus10. Edelweiss11. OvertheWaves

International12. VieniSulMar13. WearingoftheGreen14. TheWildColonialBoy15. BambooFlute16. HavaNagila17. Miserlou18. Minka19. SeaChanty

OldiesbutGoodies20. QueSera,Sera21. OhMyPaPa22. TheLittleCafébytheHarbour23. MacktheKnife24. Don’tBeCruel25. NorwegianWood26. Sugartime27. PufftheMagicDragon28. Smile29. TimeinaBottle30. Sunrise,Sunset

Sacred31. WhentheSaintsGoMarchingIn32. AmazingGrace33. You’llNeverWalkAlone34. JesusLovesMe35. WingsofaDove36. YouAreMySunshine

Patriotic37. MarinesHymn38. CaissonsGoRollingAlong39. I’mAYankeeDoodleDandy40. ThisLandisYourLand41. DeepintheHeartofTexas

Christmas42. WhiteChristmas43. BlueChristmas44. JingleBells45. AwayinaManger46. WeWishYouaMerryChristmas47. ISawMommyKissingSantaClaus48. Rockin’AroundChristmasTree

SouthoftheBorder49. DeColores50. CavallitoBlanco51. Chiapanecas52. LosMachetes53. LasMananitas54. SenoraSantana55. ElCondorPasso56. ElTambordelaAlegria

Country57. Ramblin’Rose58. ElPaso59. RockyTop60. Jambalaya

Folk61. CamptownRaces62. BigParade63. ViveL’Amour64. GoldenSlippers65. CountryGardens66. MerryWidow

MastertheAccordionWorkshops PHBook2‐Session14

HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]

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