master the accordion workshops ph book 2 ‐ session 11...
TRANSCRIPT
MastertheAccordionWorkshops PHBook2‐Session11
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
1
Palmer&HughesBook2–Session11
InstructionandCompanionMaterial
PresentersSheliaLee&MarkRopel
MastertheAccordionWorkshops
Sponsoredby
5013(c)NonProfit
MastertheAccordionWorkshops PHBook2‐Session11
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
2
MastertheAccordionWorkshops PHBook2‐Session11
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
3
Session11Duringoneofyourpracticesessionseachweek–pleaseGRABatleastoneormoredrillsANDoneormoreScales.Thisway–youwon’thavetodoallthedrillseverypractice–butwillHITthematleastonceeachweek.
ReviewofDrillso Full“AllWhite”block&Arpeggios(1+3+5+1)o Full“AllMAJOR”block&Arpeggioso C,G,F,D,A,&BbScale–FullOctaveso MajorthenMinorChords–AllWhite.Blocktheminrhythmic
pattern.RolltheminrhythmicpatternSong#11PHBook2–GoldenSlippersCompanionSongs:
1. ISawMommyKissingSantaClaus2. PufftheMagicDragon3. Ramblin’Rose4. Smile
LearnChromaticScaleMoreEighthNotes&DoubleNotesLearnMorePhrasing(detachedandlegato)MoreLeadLineMusic
Let’sGetStarted: Step1.PlayFirst
Perform3favoritesongstowarmup PlayatperformancespeedwithNOSTOPSFORBOO‐BOOs
Step2.Theory–ReviewofKeySignatureandAccidentals
TechniqueDrill#6ReviewPLUSNewTechniqueDrill#11• StartSlowandEven• Playeachsectiontwice–LegatoandDetached• Watchforkeysignature&accidentals(#’s&b’snotinthekey
signature ReviewotherTechniqueDrillsateachpracticesession
Review8thNotesandSpeedDrill#2fromPH2
• Practice8thNoteexerciseandSpeedDrill#2–Legato&Detached
MastertheAccordionWorkshops PHBook2‐Session11
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
4
& # # 44 œ œ œ œ1 2 3
œ œ œ œ œ œ œ œ3 1 2
œ œ œ œ1 2 1
œ œ œ œ4 œ œ œ œ œ œ œ œ4 1
& # # # # #8 œ œ œ œ2 1 4 3 œ œ œ œ œ œ œ œ2
œ œ œ œ2 1 3 2
œ œ œ œ3 1
œ œ œ œ2 3 5 1
& # # #14
œ œ œ œ1
œ œ œ œ œ œ œ œ3 1 1 œ œ œ œ3 1 œ œ œ œ3 4 3 œ œ œ œ
& # # # nnnbb20 œ œ œ œ5 œ œ œ œ œ œ œ œ œ œ œ œ3 1 3 œ œ œ œ4 œ œ œ œ2 1 2 1 œ œ œ œ
2 3 5 1
& bb27
œ œ œ œ4
œ œ œ œ1
œ œ œ œ4
œ œ œ œ3 2 1
œ œ œ œ3
œ œ œ œ2 1 2 1
œ œ œ œ3
& bb34
œ œ œ œ2 2 1G
œ œ œ œ2 1 2
œ œ œ œ1 3
œ œ œ œ1 2
œ œ œ œ1 2 4
œ œ œ œ3 1 2 3 œ œ œ œ4 3 2 1
Technique Drill #6
© 2010 So Good Productions
Shelia LeeD Drill
A Drill
Bb Drill
Speed, Technique, and Reading Drill
Based on the D Major Scale
Based on the A Major Scale
Based on the Bb Major Scale
(RULE: if one note in the measure is marked with a # or b -
all notes after in that measure will also be # or b)
SqueezeSqueeze
All Fs & Cs will be Sharp
All Fs, Cs, & Gs will be sharp
All Bs & Es will be Flat
Squeeze
When the key changes
in a song - you will see
the old key naturaled
MastertheAccordionWorkshops PHBook2‐Session11
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
5
MastertheAccordionWorkshops PHBook2‐Session11
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
6
Step3.NewSongTechniqueBlock/Absorb/Vertical
o GoldenSlippers Shift–Useamiddletostartthesongandseehowyouusetherestattheendofline2toshifttoamiddleandlowshift.(hittheshiftjustlikeitwasaNOTEonthe4thcount!)
Block/Absorb/Vertical
• NoticethatsomesectionshaveNOphrases(playdetached)andothersarelegato(withslurline)
• WatchforPhraseEndings–LiftyourHand• Dynamics‐mf(mezzoforte–MediumLoud)tostartandf(forte–Loud)inlastsection
Vertical• Watchfor8thnotealignmentbetweenRH&LH
• AlternateBasses
StartatLast4Measures• Playdetached(noslur)(Middleandbottomreedshift)
• Noticelastmeasurehasonly3counts(allowsforyoutorepeatandusethepickupnoteascount4)
• Ifyourepeat–shiftbacktomiddlereed(toshifteasily–holdlastnoteonlyfor2countsandshiftoncount3WITHthetogetherbass&chord)
KeepBackingupin4Measuresections
• Blockhandpositions• Continuetoplaytotheend
MastertheAccordionWorkshops PHBook2‐Session11
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
7
MastertheAccordionWorkshops PHBook2‐Session11
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
8
& 44 œ œ œb œ1 2 3
œ œ œ œ œb œ œ œ3 1 2
œ œ œ œ1 2 1
&5
œ œ œb œb4 œ œ œ œ œb œ œ œ4 1 œ œ œ œ
2 1 3 2
& œ œ œ œ œ œ# œ œ#1 3 4 3 œb œ œ# œn
4 3 2 1
& #12
œ œ œ œ3 3 1
œ œ œ œ2 3 5 1
& #14
œ# œ œb œn2 1 2 3
œ# œ œb œ2 1 2 3
œ œb œn œb1 2 3 4
œ œb œn œb1 2 3 4
œn œ# œ œb1 2 3 4
œn œ# œ œb1 2 3 4
& #20
œ œ# œ œb1 3 1 3
œ œn œ# œ1 2 3 1
œb œn œb œn2 1 2 1 w2
Technique Drill #11
© 2010 So Good Productions
Shelia Lee
Speed, Technique, and Reading Drill
Chromatic Scale:
RULE: if one note in the measure is marked with
a # or b - all notes after in that measure will also be # or b
A progression of HALF STEPS
Accidental - any sharp, flat
or natural that is marked and
NOT in key signature
RULE: A Measure bar CANCELS
accidentals
Full Chromatic Scale C to C
(E# - same as F)
MastertheAccordionWorkshops PHBook2‐Session11
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
9
Step4.Read2NewSongs(SightRead)
o ISawMommyKissingSantaClaus PlayLefthandFirst–watchforEm,andB7(aboveE)alternateswithF#‐thebassabove
BLOCK(KeyofC)–Doublenotehandpositions• Blockouthandmoves• Spotalltheaccidentals• LegatoLiftattheendofeachphrase
Vertical• Watchwherecountshit–veryfew8thnotesandonlyonedottedQuarterNote
Then–playbothhands–withNOSTOPS
o PufftheMagicDragon
BLOCK(KeyofF)• PlayLefthandFirst–watchrepeatingpatternofF‐Am‐Bb–HINT–placeyourLHwristhalfwaybetweenBb&Am–“reachupandreachdown”
• BASSHINT–whenmovingacrosslargegapsinbasses–SLIDEyourfingersoverthebassrowandCOUNT–don’tblindlyjump!
• Blockrighthandpositions
Vertical• Watchwherecountshit–veryfew8thnotesandonlyafewdottedQuarterNotes
• Watchfor8threst–pretenditisanote!
Then–playbothhands–withNOSTOPS
MastertheAccordionWorkshops PHBook2‐Session11
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
10
&
?
44
44.˙ œ
I saw
œ œœ
œCM
A
œ œ œ œMom my kiss ing
œ œœ œA m
..˙̇ œœSan ta
œ œ œ œEm
..˙̇ ŒClaus,
œ œœ
œA m
- - -
&
?
5
œ œ œ œun der neath the
œ œœ
œCM
œ œ œ œmis tle toe last
œ œœ
œw
night.
œœ œ œG 7
˙ Œ œShe
œœ œ œ
- - - -
&
?
9
œ œ œ œ#did n't see me
œœ œ œ
..˙̇ œ œcreep down the
œœ œ œ
œœ œœ œœ## œœstairs to have a
œ œ œ œCM C dim
˙̇ Œ œpeek, she
œ œœ
œCM
-
&
?
13
œ œ œœ# œœthought that I was
œœ
œœD 7
œœ# œœ## œœ œœ#tucked up in my
œœ
œœ
œ œ œ œbed room fast a
œ œœ
œG 7
..˙̇ œsleep. Then
œ œœ
œ- -
I Saw Mommy Kissing Santa Claus
© 2010 So Good Productions
arr. by Shelia Lee
Words & Music by
Tommie Connor
51214
2
2
1 2
1
5 2 1 1 2 5
42
14 4
2
3
1
2
14
2
4
2
4
2 54
2
3
1
3
11
1
2
2
1 3 1 3 2
1
5
If the double notes prove too hard,
Play top note ONLY.
MastertheAccordionWorkshops PHBook2‐Session11
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
11
&
?.˙ œ
I saw
œ œœ
œCM
B
œ œ œ œMom my tick le
œ œœ œA m
..˙̇ œœSant ta
œ œ œ œEm
..˙̇ ŒClaus,
œ œœ
œA m
œ œ .œ jœun der neath his
œ œœ
œCM- - - - -
&
?
22
œ œ œ œbeard so snow y
œ œœ
œC 7
wwhite.
œ œ œ œFM A 7
˙ ‰ œ# œ œOh,what a
œœ œ
œ ŒDM
œœ œœ œœ œœlaugh it would have
œ œ œ œFM
-
&
?
26 ..˙̇# œ#been, if
œ œœ#
œB 7
œ œ œ œ œDad dy had on ly
œ œœ œCM A 7
˙ œ œseen Mom my
œœ
œ œD m
G 7
œ œ œ œkiss ing San ta
œ œœ
œCM
- - - - -
&
?
..
..
30 ˙ ˙Claus last
œœ
œ œD 7 G 7
1.wnight.
œ œœ
œCM
˙ Ó
˙̇ ˙̇G 7
2.wnight.
œ œœ
œCM
œ œ œŒ
œœ œœœœ Œ
CM G 7 CM
I Saw Mommy Kissing Santa Claus 2
1 5
2 1 2 3
14
1
4132145
33
1
4-12
5
MastertheAccordionWorkshops PHBook2‐Session11
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
12
&
?
b
b
44
44
..
..
œ ‰ jœ œ œPuff the mag ic
œ œ œ œFM
A
˙ ˙drag on
œ œœ
œA m
˙ œ œlived by the
œ œœ
œBbM.˙ œ
sea and
œ œ œ œFM
- -
&
?
b
b
5
œ œ œ œfrol icked in the
œ œœ
œBbMœ œ œ œ œau tumn mist in a
œ œœ
œFMD m
œ œ œ œland called Ho nah
œ œœ
œG 7
wlee.
œœ œ œC 7
- - - -
&
?
b
b
9
.œ jœ œ œLit tle Jack ie
œ œ œ œFM
˙ ˙Pa per
œ œœ
œA m
œ œ œ œloved that ras cal
œ œœ
œBbM.˙ œ
Puff and
œ œ œ œFM
- - - -
&
?
b
b
13
œ œ œ œbrought him strings and
œ œœ
œBbMœ œ .œ jœ
seal ing wax and
œ œœ
œFMD m
œ œ œ œo ther fan cy
œ œ œ œG 7C 7
˙ ˙stuff Oh!
œ œ ˙̇FMC 7
- -
Puff, The Magic Dragon
© 2010 So Good Productions
arr. by Shelia Lee
Words Leonard Lipton
Music Peter Yarrow
2. Together they would travel on a boat with billowed sail
Jackie kept a lookout perched on puff’s gigantic tail,
Noble kings and princes would bow whene’er they came,
Pirate ships would lower their flag when puff roared out his name.
3. A dragon lives forever but not so little boys
Painted wings and giant rings make way for other toys.
One grey night it happened, jackie paper came no more
And puff that mighty dragon, he ceased his fearless roar.
4. His head was bent in sorrow, green scales fell like rain,
Puff no longer went to play along the cherry lane.
Without his life-long friend, puff could not be brave,
So puff that mighty dragon sadly slipped into his cave.
4 1 3
2 1 2 4
3
2 2 4
MastertheAccordionWorkshops PHBook2‐Session11
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
13
&
?
b
b
œ ‰ jœ œ œPuff the mag ic
œ œ œ œFM
B
˙ ˙drag on
œ œœ
œA m
˙ œ œlived by the
œ œœ
œBbM.˙ œ
sea and
œ œ œ œFM
- -
&
?
b
b
21
œ œ œ œfrol icked in the
œ œœ
œBbMœ œ œ œ œau tumnmist in a
œ œœ
œFMD m
œ œ œ œlandcalled Ho nah
œ œœ
œG 7
wlee.
œœ œ œC 7
- - - -
&
?
b
b
25
œ ‰ jœ œ œPuff the mag ic
œ œ œ œFM
˙ ˙drag on
œ œœ
œA m
˙ œ œlived by the
œ œœ
œBbM.˙ œ
sea and
œ œ œ œFM
-
&
?
b
b
..
..
29
œ œ œ œfrol icked in the
œ œœ
œBbMœ œ œ œ œau tumn mist in a
œ œœ
œFMD m
1, 2, 3.
œ œ œ œland called Ho nah
œ œ œ œG 7 C 7
˙ ˙lee. Oh!
œ œ ˙̇FMC 7
- -
&
?
b
b
334.
˙ ˙land called
œ œœ
œG 7
˙ ˙Ho nah
œœ œ œC 7
wlee.
œ œ œ œFM
œ Œ Ó
œœ Œ Ó- -
You'll Never Walk Alone2
3
1 2 4
3
1 2 4
MastertheAccordionWorkshops PHBook2‐Session11
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
14
Step4.Read2NewSongs(LeadLineStyle)
o Ramblin’Rose&Smile LeadLine–Reviewthebasses(GuitarCues)
• NC–Means–NoChord–playnobasses• AlternateallbassesandalternateFIRSTwhenplaying7thchords
• F/A–means–playFMchordandinsteadofFbass–playtheletterfollowingtheSLASHasthebass–inthiscase–itistheCounterbassofF
• FdimfornowDON’Talternateondiminishedchords
• WhenchordcuesarenotatedinameasurewherethereisNORightHandNotes–atleastHoldtheBass&Chordforthevaluenoted.Thentrytoaddthechordintherighthand
SightReadingRules• Afterreviewinglefthand–blockhandpositionmoves
• Lookfor“goofy”countsthatcouldmesswiththelefthand“placement”orcounts
• Playwithoutstoppingforbooboos
MastertheAccordionWorkshops PHBook2‐Session11
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
15
& 44 ˙ ˙Ramb lin'
wrose
G 7
˙ œ œramb lin'
wrose
C
˙ œ œwhy you
&6 ˙ ˙
ram ble
D 7 ˙ œ œno one
wknows
G 7 ˙ œ œwild and
C 7 ˙ ˙wind blown
F
&11
˙ œ œthat's how
˙ ˙you've grown
C
˙ œ œwho can
˙ ˙cling to
D m
œ œ œ œa ramb lin'
G 7
&16
wrose?
C
œ Œ œ œRam blin'
wrose
G 7A
˙ œ œramb lin'
&20
wrose
C
˙ œ œwhy I
˙ ˙want you
D 7 ˙ œ œheav en
wknows
G 7
&25 ˙ œ œ
tho' I
C 7 ˙ ˙love you
F
˙ œ œwith a
˙ ˙love true,
C
˙ œ œwho can
&30
˙ ˙cling to
D m
œ œ œ œa reamb lin'
G 7 wrose.
C œ Œ Ó
Ramblin' Rose
© 2010 So Good Productions
arr. by Shelia Lee
NC
NC - No Chord
means do not play any
Bass or Chord
NC
NC
Noel Sherman &
Joe Sherman
51 3 2-12 5
3 1
1 3 2 1 2 1-3
2 5
1 5
MastertheAccordionWorkshops PHBook2‐Session11
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
16
& b 44 ˙ œ œSmile,
Light
though
up
your
your
F
œ œ œ œheart
face
is
with
ach
glad
ing.
ness.
˙ œ œSmile,
Hide
e
ev
ven
'ry
œ œ œ œthough
trace
it's
of
break
sad
ing.
ness,
& b5
˙ œ œWhenAl
therethough
area
F/A
˙ œ œclouds
tearin
maythebe
F dim
˙ œ œsky,
eyou'llver
getso
G m
˙# œ œby.
near.If
That'syouthe
D 7
& b9
˙ œ œsmile
time
through
you
your
must
G m œ œ œ œfear
keep
and
on
sor
try
row,
ing,
˙ œ œbsmile
smile,
and
what's
may
the
Bbm œ œ œ œbe
use
to
of
mor
cry
row,
ing.
Eb
& b13
˙ œ œyou'll
You'll
see
find
the
that
F
œ œ œ œsun
life
come
is
shin
still
ing
worth
.˙ œthrough
while,
for
if
G m
& b ..16 1.
.˙ Œyou.
C 7
!
G m C 7 2.
˙ ˙you'll just
C 7
wsmile.
F
.˙ Œ
Smile
© 2010 So Good Productions
arr. by Shelia Lee
Charles Chaplin, Geoffrey
Parsons& John Turner
53 3
2 1 2 2 1
3 3
1 2 3 1
5 5 3
MastertheAccordionWorkshops PHBook2‐Session11
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
17
Step5.CoolDownSectiono Play3EasyTones–canbesame3youstartedwitho EndonesongwithaGlissandotoaMajorChord(135)o EndAnotherwithaRollOverorRollingArpeggioso AddabasssoloatphraseendingortheendwithaArpeggio
MusicNotebookYouhave46SongsinyourEASYTUNEsectionofyourRingBinderandyoushouldbepracticingthemALLforyourFUTUREWARMUPorCOOLDOWNTUNES.
1. QueSera,Sera2. DeColores3. Du,DuLiegstMirImHerzen4. CamptownRaces5. WhentheSaintsGoMarchingIn6. CavallitoBlanco7. ThisLandisYourLand8. Jambalaya9. BigParade10. InHeaventhereisNoBeer11. WearingoftheGreen12. RockyTop13. YouAreMySunshine14. CaissonsGoRollingAlong15. WhiteChristmas16. VieniSulMar17. WingsofaDove18. Hofbrauhaus19. TheWildColonialBoy20. I’mAYankeeDoodleDandy21. BlueChristmas22. JingleBells(ALL)23. OhMyPaPa24. BambooFlute
25. MarinesHymn26. AmazingGrace27. ElPaso28. TheLittleCafébytheHarbour29. DeepintheHeartofTexas30. MacktheKnife31. You’llNeverWalkAlone32. JesusLovesMe33. ViveL’Amour34. Sugartime35. Edelweiss36. Rockin’AroundChristmasTree37. Don’tBeCruel38. NorwegianWood39. AwayinaManger40. WeWishYouaMerryChristmas41. OvertheWaves42. ISawMommyKissingSantaClaus43. PufftheMagicDragon44. Ramblin’Rose45. Smile46. GoldenSlippers
CONGRATULATIONS!
YouhavenowcompletedSession#11Remembertofollowthesestepsforeachofyourpracticesessions:
1. WarmUp‐Starteachpracticesessionwithyourfavorite3songs2. TechniqueBuilder–doadrillor2–likeascale,speeddrill,chordstructure
(Chordsonly–accompaniment)ofsong,etc.3. WorkonNewSongs–practiceassignedsongs.Startwithsection4. SightReading‐Whileyouarenowyourmostalert–readanewsong(sight‐
read)–startwithchordstructurefirst5. CoolDown–withyourfavorite3songs–canbethesame3youwarmedup
with