master the accordion workshops ph book 2 ‐ session 13...

MastertheAccordionWorkshops PHBook2‐Session13

HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]

1

Palmer&HughesBook2–Session13

InstructionandCompanionMaterial

PresentersSheliaLee&MarkRopel

MastertheAccordionWorkshops

Sponsoredby

5013(c)NonProfit



2

Session13Duringoneofyourpracticesessionseachweek–pleaseGRABatleastoneormoredrillsANDoneormoreScales.Thisway–youwon’thavetodoallthedrillseverypractice–butwillHITthematleastonceeachweek.

ReviewofDrillso Full“AllWhite”block&Arpeggios(1+3+5+1)o Full“AllMAJOR”block&Arpeggioso C,G,F,D,A,&BbScale–FullOctaveso MajorthenMinorChords–AllWhite.Blocktheminrhythmic

pattern.RolltheminrhythmicpatternSong#13PHBook2–CountryGardensCompanionSongs:

1. BeerBarrelPolka(Chorus)2. BlueSkirtWaltz(Chorus)3. EinProsit4. JulidaPolka(Chorus)5. MussIDenn(WoodenHeart)6. AufWiedersehen(leadLine)

BassSoloReviewandC&GBassScaleLearntoReadBassClefNotesPlay“Full”RHChordstoBeerBarrelPolkaMoreLeadLineWork

Let’sGetStarted: Step1.PlayFirst

Perform3favoritesongstowarmup PlayatperformancespeedwithNOSTOPSFORBOO‐BOOs

Step2.Theory–BassSoloReview&IntrotoBassScales

ReviewBassDrill#2 BassDrill#3

• Learnthe“Words”thathelpreadtheBassClefLines&Spaces(readfromthebottomup)

• NoticetheNEWCbass–2ledgerlinesbelowthestaff• PlayVERYSLOWLY–FingeringwillworkforALLScalesinLH



3

? 43 .. ...˙b

A

.-.˙ .-

.˙.-

.˙ .-

? .. ...˙B

.-.- .˙ œ

œ- œ- œœ œ

FM

? .. ...˙

C

.-.- .˙ œ œ- œ- œ

œ œCM

? .. ...˙D

.˙ .-.˙ œ œ œ-

œœ œCM

? .. ...˙E

.- .˙ .˙ œ œ- œ œœ œGM

Bass Drill #2

© 2010 So Good Productions

Bass Solos Using Counterbasses

Counterbass Row is the closest row of buttons to the bellows.

The counterbass of ANY bass is the 3rd tone of the Bass's Major Scale.

You will know when to play a counterbass when the note has a _ (line) under it.

Bb (C) D F (G) A C (D) E G (A) B

3

43 4 3

43 4

2

4 2 32

4 23

Line your fingers up - 4 on Bb, 3 on F and 2 on C Bass

Play 2 on C - then move the entire lineup of fingers

across to the Counterbass row and Play 4 then 2

Then Return with 3rd finger to the F and follow with the chord pattern

C D E F C D E F

Scale Lead-in Walking Bass Solo

This Scale Lead-in Walking Bass Solo FINGERING works on ANY BASS!

The trick - line up with your 3rd finger on the Bass you want to END on and walk the 2-4-2-3 fingering!

G A B C

2 4 2 3

Arpeggio Walking Bass Solo

Play the 1st, 3rd, and 5th tones of the Major Scale

OR the ending bass, then the bass above and the bass's counterbass

This Arpegio Walking Bass Solo FINGERING works on ANY BASS!

The trick - line up with your 3rd finger on the Bass you want to END on

and play the bass's counter bass and bass above - in any order!

C G E C

G B D G

3 24

3

3 42

3



4

? 44 ˙ ˙2

G

4

FA

- ˙3

E

2

D

œ œ œ- œ œŒ Ó

3

C

? ˙ ˙b2

C

4

BbB

- ˙3

A

2

G

œ œb œ- œ œŒ Ó

3

F

?œ œ œ- œ2 4 3 2

C

œ œb œ- œ2 4 3 2

œŒ Ó

F

2

? ˙-

3

C

2

BD

- ˙4

A

2

G

˙ -

F

4

E

3

˙ ˙

D

2

C

3

?˙ ˙# -

G

3

F#

2

E

- ˙

E

4

D

2˙ -

C

4

B

3

˙ ˙A

2

G

3

Bass Drill #3


Bass Solos Using Counterbasses

Read the Lines & Spaces

of the Bass ClefLines

A-Always

F-Fine

D-Do

B-Boys

G-Good

Spaces

G-Grass

E-Eat

C-Cows

A-All

Bass Solo from Beer Barrel

Down C Major Scale

Down G Major Scale

C & G Down Major Scale



5

Step3.NewSongTechniqueBlock/Absorb/Vertical

o BeerBarrelPolka–SingleNoteVersion KeyofF–allBbs

Block/Absorb/Vertical• NoticethatthereareNOslurmarks–thissongshouldbeplayedALLDETACHED

• Dynamics–ThereareNONMarkedbutyoushouldstillcrescendointothephraseanddiminuendoattheendandstillliftyourhand.

Vertical• NO8thnoteordottedquarternotes• NoticetheBasssolos–learnedinexercise• WATCHBbandBnaturals

Startatlast4measures• Playdetached(noslur)• WorkeachmeasuretogetBassSolosgoing• HavefunwithNEWEnding–“Shave&aHairCut–2bits”

NowBackup4measureorbackto#17

• PlayBassesFirst• BlockHandMoves• Phrasein4measuresections

o BeerBarrelPolka–FullChordVersion• Learnbackwards–justlikeSingleNoteversion• Takeyourtime–EachChordis“SIMPLE”



6

&?

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44

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wRoll

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q=160 .˙ œnout the

œ œ œ œ

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œ œ œ œ

w

œ œ œ- œ-

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œ œ œ œ

œ ˙ œnbar rel of

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wfun.

œœ œ œC 7

- -

&?

b

b

8

w

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wRoll

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.˙ œ#out the

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w

œœ œ œ

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œœ œ œ

œ ˙ œbblueson the

œœ œ œ-

&?

b

b

15 wrun.

œ œ œ œFM

w

œ œ œ- œ-

wZing!

œ œ œ œFM

17 .˙ œnBoom! Ta

œ œ œ œ

œ .˙rar rell!

œ œ œ œ

w

œ œ œ- œ-

œ ˙ œring out a

œ œ œ œFM

- -

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b

22 œ ˙ œsong of good

œ œ œ œF 7

wcheer.

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w

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Now's the time to

œ œœ

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-

&?

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b

28 ˙ œn œfor the

œ œ œ œ

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wall

œ œ œ- œC 7

œ œ œ œb œhere.

œœ Œ ÓFM

Œ œ œ Œ

Œ œœ œœ ŒC 7 FM

Beer Barrel Polka Lew Brown, Wladimir A. TimmJaromir Vejvoda and Vasex Zeman


arr. by Shelia Lee

2 4 3 22 4 3 2

2

3 3 2

1 2

2 1 3 1 3 1

2 1 1

3 2 4 2

3 2 4 2 3 2 4 2



7

&?

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b

44

44

wwwRoll

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q=160

...˙ œœnout the

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œ œ œ œ

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œœœ ˙ œœœwe'll have a

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œœ œ œC 7

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b

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www

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www

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œœ œ œ

œœœ ˙ œœœbblueson the

œœ œ œ-

&?

b

b

15 wwwrun.

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www

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wwwZing!

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17 ...˙ œœnBoom! Ta

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œœœ ...˙rar rell!

œ œ œ œ

www

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22 œœœ ˙ œsong of good

œ œ œ œF 7

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28 ˙ œn œœœfor the

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œœœ œ œ œb œhere.

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Œ œœ œœœ Œ

Œ œœ œœ ŒC 7 FM

Beer Barrel Polka Lew Brown, Wladimir A. TimmJaromir Vejvoda and Vasex Zeman


arr. by Shelia Lee

2 4 3 22 4 3 2



8

Step3.NewSongTechniqueBlock/Absorb/Vertical

o CountryGardens KeyofC MiddleReed BLOCK(KeyofC)

• ReviewBasses–NOTNAMED• ReviewRightHandPositionChanges• NoticeDynamicsareEXTREMEftop

Vertical• Lookfor8thnotesanddottedquarternotes• ViewandPlayin2countsections

Step4.Read2NewSongs(SightRead)o MussIDenn(WoodenHeart)

PlayLefthandFirst–AlternatingBasses–7thChordsalternatefirst

BLOCK(KeyofC)• Blockouthandmoves• Blockbasssolos

Vertical• Watchwherecountshit–watchfordottedQuarterNotes

Then–playbothhands–withNOSTOPS

o BlueSkirtWaltz PlayLefthandFirst–AlternatingBasses–7thChordsalternatefirst

BLOCK(KeyofC)• Blockouthandmoves• Blockbasssolos

Vertical• Watchwherephrasesendandlifthand• PlayNON‐phrasedsectionsdetached

Then–playbothhands–withNOSTOPS



9



10

&

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c

c

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Œ Œ œ œCanAndAndCan'tAndCan'tAnd

youif

!

%˙ œ œ

seeyou

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love"Good

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œCM

A

˙ œ œyou.bye"

Pleasethen

don'tI

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œ˙ œ œdo,die

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œ œœ

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..

8

˙ œ œdon't have a

œœ œ œG 7

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œœ œ œ

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œœ Œ ÓCM

2.

wheart.

œ œ œ œCM

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˙ œ œThere's no

œœ Œ ÓCM

-

&

?

14

.˙ œstrings up

œœ œ œG 7

B

˙ ˙on this

œœ œ-

œ

.˙ œlove of

œ œœ

œCM

˙ œ œmine, it was

œ œœ

œ

Muss I Denn


(Wooden Heart)arr. by Shelia Lee

Weisman, Twomey, Wise & Kampfert

2 1 2

4

2 1 1 3

5 2

3C 4A 2G3E

4B



11

&

?

18

˙ ˙al ways

œ œ œ œFM

˙ œ œyou from the

œ œ œ œ

wstarts.

œ œ- œ œ-CM

œ Œ œ œTreat me

œœ Œ Ó

&

?

22

˙ œ œnice, treat me

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œCM

C

˙ œ œgood, treat me

œœ œ œG 7

.œ jœ œ œlike you real ly

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wshould/cause

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&

?

26

.œ jœ œ œI'm not made of

œ œœ

œ˙ œ œ

wood, and I

œ œœ

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don't have a

œœ œ œG 7

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30 1.

wheart

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œœ Œ Ó

2. wheart.

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œ Œ Ó

œœ Œ Ó

2Muss I Denn

Muss i denn, muss i dennZum Stadtele hinausStadtele hinausUnd du, mein schat, bleibst hier?

There's no strings upon this love of mineIt was always you from the startSei mir gutSei mir gutSei mir wie du wirklich sollstWie du wirklich sollst'Cause I don't have a wooden heart

1 2

3 5C 3

1 2 1



12

&?

43

43

..

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.I

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œ œ œ

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14

˙ œheart for

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œ œ œFM

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œ œ œ.˙

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21

œ œ œjust like the

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œœ œ

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28 .˙back.

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œ œ œCM

œ œ œœœ Œ Œ

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œ œ œmore.

œ œ œCM

œœœ Œ Œœœ Œ Œ

CM-

Blue Skirt WaltzMitchell Parish & Vaclav Blaha


arr. by Shelia Lee3 1 4

3 5 3 1 2

4 3

1 23

If you don't know or

don't have 7th

chords on your bass -

play M instead.

5

3 4 3 4 3 1 2 5

2 4 2

2 4 2

2 4 2



13

Step4.SightRead3Songs(2areLeadLineStyle)

o AufWiedersehenExercise LeadLine–Reviewthebasses(GuitarCues) PracticeHOWtheBASS&CHORDareplayedwithDottedQuarternotes

o AufWiedersehen–LeadLine

SightReadingRules• ReviewBasses–watchfor7thchords

o Whenonly2countsforbass–DONOTALTERNATE1ston7thchords

• Playwithoutstoppingforbooboos



14

& 44 ..ÓAuf

2

.œ jœ ˙Wie der sehen

D m G 7A

˙auf

.œ jœ ˙wie der sehen

CM

˙ ˙we'll- - - -

&6

.œ jœ ˙meet a gain

D m

˙ ˙sweet

5G 7

wheart.

4CM

˙ ˙2

This

5C 7

- -

&10 .œ jœ ˙

love ly day

1FM

˙ ˙has

5G 7

.œ jœ ˙flown

4

a way

1CM

˙ ˙the

2

A m

- -

&14

.œ jœ ˙time has come

D 7

˙to

wpart.

G 7

˙We'll

& .œ jœ ˙kiss a gain

D m G 7B

˙ ˙like

.œ jœ ˙this a gain

CM

˙ ˙don't- -

&22

.œ jœ ˙let the tear

D m

˙ ˙drops

G 7

wstart.

4CM

˙ ˙2

With

5C 7

-

&26 .œ jœ ˙

love thats true

1FM

˙ ˙I'll

5G 7

.œ jœ ˙wait for you

1CM

˙Auf

2CM

& ..30

œ œ ˙Wie

1

der

2

sehen

3F mD m

˙ ˙sweet

5G 71.wheart

CM ˙Auf

G 72.wheart.

CM w- - -

Auf Wiedersehen


arr. by Shelia Lee

Eberhard Storch,

John Sexton, John Turner



15

& b 44 Œ Œ Œ œ ˙ œ œF

˙ œ œ œBb

˙ ˙F C 7

.˙ œ

& b6

˙ œ œ œ œ œ œ œBb ˙ ˙

C 7

.˙ ŒF

Ein Prosit


arr. by Shelia Lee

German Beer Drinking Toast

(With Beer stein or glass in hand)

Ein Prosit, Ein Prosit, der Gemütlichkeit

Ein Prosit, Ein Prosit, der Gemütlichkeit

(Cheer!) Eins, zwei, drei g'suffa!

Zicke, zacke, zicke, zacke, hoi, hoi, hoi,

Zicke, zacke, zicke, zacke, hoi, hoi, hoi,

Prosit!

1 5 1 41

3 1 4 1 2

o EinProsit(BeerDrinkingToast)

KeyofF Reviewthebasses(VerySimple) ReviewRighthandPositions Playwithougstopping

o JulidaPolka Reviewthebasses(VerySimple) ReviewRighthandPositions BlockDoubleNotes PlaywithoutStopping

Step5.CoolDownSectiono Play3EasyTones–canbesame3youstartedwitho EndonesongwithaGlissandotoaMajorChord(135)o EndAnotherwithaRollOverorRollingArpeggioso AddabasssoloatphraseendingortheendwithaArpeggio



16

& C œœ ˙ œœI

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like

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Bud

C

˙ ˙girl

walk

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friending,

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drinks

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co

ey.ing.

la.

G 7

-

--

-

--

-

&5 œœ ˙ œœ

SheMoon

I

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dance

lyso

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˙ ˙wantsshin

Pol

meey

ka,

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the

˙ ˙monpin

Hu

ey.ing.

la.

C

-

-

--

-

&9

œœ ˙ œœWhenShe

Moy

Isaid

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am"What"

Ju

˙ ˙bustJohn

li

edny

da

œœ ˙ œœShe

Please

Moy

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ya

disnot

Ju

˙ ˙gusttease

li

edme

da

G 7

-

-

-

-

-

-

-

&13 œœ ˙ œœ

MoyMoy

Moy

yaya

ya

JuJu

Ju

˙ ˙lili

li

dada

da

œ œ œœ œœShe'sShe's

She's

thethe

the

girlone

girl

forfor

for

œœ œœ œœ Œme.me.

me.

C

--

-

--

-

Julida Polka


arr. by Shelia Lee(Zulidy Zulida)

Lyrics creatively compiled

2

1

5

1

3

12

1

5

3

2

1

4

15

3

1

2



17

MusicNotebookYouhave52SongsinyourEASYTUNEsectionofyourRingBinderandyoushouldbepracticingthemALLforyourFUTUREWARMUPorCOOLDOWNTUNES.

1. QueSera,Sera2. DeColores3. Du,DuLiegstMirImHerzen4. CamptownRaces5. WhentheSaintsGoMarchingIn6. CavallitoBlanco7. ThisLandisYourLand8. Jambalaya9. BigParade10. InHeaventhereisNoBeer11. WearingoftheGreen12. RockyTop13. YouAreMySunshine14. CaissonsGoRollingAlong15. WhiteChristmas16. VieniSulMar17. WingsofaDove18. Hofbrauhaus19. TheWildColonialBoy20. I’mAYankeeDoodleDandy21. BlueChristmas22. JingleBells(ALL)23. OhMyPaPa24. BambooFlute25. MarinesHymn26. AmazingGrace27. ElPaso28. TheLittleCafébytheHarbour29. DeepintheHeartofTexas30. MacktheKnife31. You’llNeverWalkAlone

32. JesusLovesMe33. ViveL’Amour34. Sugartime35. Edelweiss36. Rockin’AroundChristmasTree37. Don’tBeCruel38. NorwegianWood39. AwayinaManger40. WeWishYouaMerryChristmas41. OvertheWaves42. ISawMommyKissingSantaClaus43. PufftheMagicDragon44. Ramblin’Rose45. Smile46. GoldenSlippers47. Chiapanecas48. LosMachetes49. LasMananitas50. SenoraSantana51. ElCondorPasso52. ElTambordelaAlegria53. CountryGardens54. BeerBarrelPolka(Chorus)55. BlueSkirtWaltz(Chorus)56. EinProsit57. JulidaPolka(Chorus)58. MussIDenn(WoodenHeart)59. AufWiedersehen(leadLine)

CONGRATULATIONS!LookatwhatyouhaveLEARNED!

Remembertofollowthesestepsforeachofyourpracticesessions:1. WarmUp‐Starteachpracticesessionwithyourfavorite3songs2. TechniqueBuilder–doadrillor23. WorkonNewSongs–practiceassignedsongs4. SightReadingreadanewsongor2(sight‐read)5. CoolDown–withyourfavorite3songs

master the accordion workshops ph book 2 ‐ session 13...

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