mel_katchi_ sketchbook_2012.pdf

8/12/2019 MEL_KATCHI_ SKETCHBOOK_2012.pdf

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sketch


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HEREWE GOtogether


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Meline Katchi

A COLLECTION OF MY

PERONAL DRAWINGS CREATED AND

HIDDEN FOR MANY YEARS .


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CREDITSSTYLINGKATE ROSE MORRISPHOTOGRAPHYKRISTIN VICARIMODELZHANNA E AT FM MODELS

MAKE UPCIARA OSHEA USING DECLEOR AND ELLIS FAASHAIRTEDDY MITCHELL USING KIEHLSNAILSSOPHIE HARRISGREENSLADESHOOT LOCATION223 CLUBSHOESKAT MACONIE

WEBSITEKEITH BAKER AT FORMANDCUE AW 12/13SS 12

AW 11/12SS 11

THE TEATUM JONES WOMAN IS EFFORTLESSLYCHIC AND UNCOMPROMISINGLY NONCHALANT.SHE IS DRAWN TO THE LABEL

Autum/Winter13


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NaturallyTEATUM

JONES

PRESS RELEASE: REFINED, ELEGANT ANDULTRA FEMININE MIDI SILHOUETTES THATHARK TO A BYGONE HOLLYWOOD ERA ARETHROWN OUT OF CONTEXT WITH THE IN-JECTION OF A CHILDLIKE PERCEPTION OFSCALE AND COLOUR.

Autum/Winter 13


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13 Autum / Winter


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04 MAN SANDAL


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Spatially ANGLED


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Take aBOW

05 ILLUSTRATE


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This amazing structural jacket inspired the drawings below


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NaturallyPROENZA

PROENZA SCHOULER IS DEFINED BY ITSFUSION OF CRAFTSMANSHIP AND ATTEN-TION TO DETAIL WITH A SENSE OF RE-FINED EASE. INSPIRATION DRAWN FROMCONTEMPORARY ART AND YOUTH CUL-

TURE IS COMBINED WITH AN EMPHASISON TAILORING AND THE USE OF CUSTOMDEVELOPED FABRICS.

05 PROENZA


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Tieared & ANGLED


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Are


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e pages from yourSKETCHBOOK..? Analog sketches in Prismacolor/ Sharpie marker

E


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Wonderfully WHIMSICAL


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&


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08 BALLERINA


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Personal sketchbook notes and drawings Man these ne art/ ashi n ima es bec me the inspirati n r

my interior related skethes. The forms are so refreshing and unique every time.


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A WORK OF ART GOES

THROUGH MANY PHASES OF DE -

VELOPMENT , BUT IN EACH PHASE

IT IS ALWAYS A WORK OF ART .

(THEREIN LIES THE IMPORTANCE

OF SKETCHES .) A WORK OF ART

IS FINISHED , FROM THE POINT

OF VIEW OF THE ARTIST , WHEN

FEELING AND PERCEPTION HAVE RESULTED IN A SPIRITUAL SYN-

THESIS . - H ANS HOFMANN


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Marian KEYS ONCE SAIDI never wear ats. M sh es are s hi h that s metimes when I step t them, pe p e k

ar nd in c n si n and ask, Whered she ? and I have t sa , Im d wn here.

08 UNIQUE


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SHOE DESIGNER NICHOLASKIRKWOOD HAS CREATEDCATWALK SHOES FOR DESIGNERINCLUDING GHOST, JOHN ROCHA,ERDEM, RODARTE AND POLLINI

AND WAS A FINALIST FOR THE IN-

Nicholas Kirkwood

Wonderfully WHIMSICAL

11 UNIQUE


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Its just some PAPER S metimes I draw n napkins se papers I nd ie t behind n a desk.

These pieces have become some of my most treasured drawings.

A


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Opening CEREMONY

OPENING CEREMONY BRINGS TOGETHEREMERGING AMERICAN TALENT WITH BOTH

YOUNG AND ESTABLISHED DESIGNERS AND ARTISTS FROM ABROAD. EACH YEAR,

10 RAW HYDE


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S Man Sh es,SO LITTLE TIMETHIS COMPILATION OF VARIOUS SHOE STYLES AND BRANDS CAN MAKE

ANY SHOE LOVER GIGGLE WITH JOY.


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The softness of FOLDSTHIS PARTICULAR DESIGN WAS CREATED

RIGHT ON THE VERY FOOT OF THE MODEL. TALK ABOUT A PERFECT FIT

F


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12 HAND MADE


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19 CUSTOM FOR YOU


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A T ch Evi A

VISION OF ABSTRACTIONFINDING THE RIGHT

BALANCE BETWEEN THE EDGY AND THE ELEGANTTHE RAW AND THE BEAU-

TIful.

Stina Persson has


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S


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ne b line, SKETCH BY SKETCHWe see hand I strati ns sin a variet materia s inc din waterc rs, penci ,Me ine

Katchi also has formal training in art and fashion.

E


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16bHAND MADE

PINK AND ORANGEPURPLE ANDORANGE

YELLOW AND TURQUOISEDEEP RED ANDBROWN

CORAL, TAN ANDRED

BRIGHT YELLOW,PINK AND MINTGREEN

WHITE, YELLOW AND COBALT BLUE

TURQUOISE, BURNTORANGE AND RED

BLACK, WHITE ANDRED

BRIGHT ORANGE,INDIGO PURPLE

AND PINK .

The DressTHtE DANCE


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I


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like it, OR LOVE Its eas t be ieve in the idea i strati n as a t r sh win the

hidden beautiful side of the ordinary things.

E


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16bHAND MADE

Be BOLD & BRAVEWere per ecti nists, pers na and individ a , s it is j st in r nat re t p sh rse vesand t r w s methin and keep a thr h ine. Jack McC h


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Proenza SchoulerTHE PATENT

PINK AND ORANGEPURPLE AND ORANGE

YELLOW AND TURQUOISEDEEP RED AND BROWNCORAL, TAN AND RED


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Center c ns e wraps p and ws d wn int the rear cabin

Gauge which are touch screen & offer a sense of Augmented reality


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Fashion Illustration has gone from be-ing one of the sole means of fashion com- munication to having a very minor role.The rst ph t raphic c ver V ewas a watershed in the history of fashion

illustration and a watershed mark of itsdec ine. Ph t raphs, n matter h w a -tered r ret ched, wi a wa s have s massociation with reality and by associa-tion truth. I like to think of them [fashion Illustrations] as prose poems and having m re cti na narratives. The are m re

bvi s tered thr h an individ avisi n than ph t s. I strati n ives n,but in the position of a poor relative to the ashi n.

laird B rre i, a th r fashi n I strati n

Le Simple

18 LE INTERVIEW


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Its CHROMOTHERAPYColors have different associations in different countries and cultures.


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14 HAND MADE


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NOT ONLY DO FASH-ION ILLUSTRATIONS

SHOW A REPRESENTA-TION OR DESIGN OF AGARMENT BUT ALSOSERVED AS A FORM

OF ART.

VisualLUXURY

FASHION ILLUSTRATION IS THE COMMU-NICATION OF FASHION THAT ORIGINATES

WITH ILLUSTRATION, DRAWING & PAINT-ING.

Drake, Nic as. (1994). fashi n I -strati n T da (Revised Editi n),

Thames & H ds n ltd., l nd n.


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14 HAND MADE

ITS THE

FAN-TASTIC WORLD

OFFASH-ION &


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16 HAND MADE

Its CHROMOTHERAPYColors have different associations in different countries and cultures.


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For the fashion lov-ers & SINNERS

CREATING MAGIC WITH LINES. FASHIONINSPIRES THE ENERGY TO CREATE NEW& FRESH FOOTWEAR SILHOUETTES. EX-TREME SIDE VIEWS CREATE A REFRESH-ING NEW VISION FOR KILLER HEELS.


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S Man Sh es, s LITTLE TIME Its ver imp rtant t exp re vari s rms and shapes that are whimsica .

L


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20 CREATING


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Take aSTEP

DRAWING INNOVATIVE FASH-ION FOOTWEAR CAN BE AP-PROACHED AS THE ART OR PRAC-TICE OF SHAPING FIGURES ORDESIGNS IN THE ROUND OR INRELIEF. DRAWING IN TWO-DIMEN-SION, JUST AS ONE WOULD CHIS-EL MARBLE, MODELING CLAY, ORCASTING IN METAL.

ALLOW THE PAPER TO FUNCTION AS APLAYGROUND FOR YOUR ART TOOLS. PRI-MA COLOR, PEN, MARKER, & GRAPHIC TAPECAN BE USED AS MEDIUMS OF CHOICE


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S uniq e, itsMUSICAL


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26 IM HERE

MelineKATCHI


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THE UPPER DESIGN IS BLENDED INTO THE HEEL AS WELL

Le Simple


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I


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Double TROUBLE Dive ri ht in and d nt be a raid t et r ima inati n r n ree.


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12 ELEGANCE

Experimenta meetsELEGANTCERTIAN SHAPES THAT LOOK IMPOSSIBLE TO CREATE CAN BE DEVELOPED

BY USING INNOVATIVE MATERIALS.


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Kurven Chair is made of bent plywood, White Oak veneer, and leather. It alsofeatures a berglass reinforcement.The leather seat can easily be attachedor detached from the chair. Its alsobacked with a canvas material to pre-

vent stretching.

Meline Katchi


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F


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fr m Drawin , t DESIGNING Many times I take my drawings and use them as a underlay for creating #D Models

T


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22


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1920

IN THE MANIFESTO GABO CRITICISEDCUBISM AND FUTURISM AS NOT BECOMINGFULLY ABSTRACT ARTS AND STATED THATTHE SPIRITUAL EXPERIENCE WAS THEROOT OF ARTISTIC PRODUCTION.

Le Simple


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a Realistic Manifesto


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25 STYLISH STEPS


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Take it orLEAVE IT

THE PROPORTION AND STANCE OF THESEHEELS ARE AGGRESSIVE YET PROTECTIVEFOR THE WEARER.


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Curved HEELSTHE HEElS CREATE A PERCEPTIoN of SPACE, TIME AND MoVEMENT.

32 HEELS

Take it orLEAVE IT


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Rythmic INTERIOR IN fACT, THE ElEMENT of MoVEMENT IN My INTERIoR RESEMBlES

STRoNg SCulPTuRAl SENTIMENTS of RHyTHM, MoRE IMPlICIT AND DEEPER THAN THE CHAOTIC PATTERNS OF THE DRAWING ITSELF.


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sex a itof the SHOE

I didnt need it [formal training], because Ive gotthe best taste in the world. -Manolo Blahnik


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Lets Get SMART monochromotic palatte allows for the true deisngs of the shoe to be the highlight.

O


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100%HUMANHAIR

CREATIVE, ENTHUSIASTIC, DYNAMIC ANDMOTIVATED IS EXACTLY WHAT THESESHOES REFLECT.

15 HAND MADE


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13a HAND MADE

InspirationFLORIAN DOVILLEZ HATS


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Experiment with BALANCECool DoESNT go ouT of STylE

29 JUST THE 2 OF US


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Sculpted to resemble structural, yetfunctional ready to wear heels


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Drawing the WEDGE

CONCAVE AND CONVEX SURFACES;THE DISCOVERY AND STRENGTHOF AN INNER/NEGATIVE SPACE

12 SPACE


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Bold & BEAUTIFULTo emphasize the form she uses matte monochrome colours.


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RE_de nedFOR THE USERThe method of locking varies between models.


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AN EMPHASIS ON TAILORING ANDTHE USE OF CUSTOM DEVEL-OPED FABRICS.

proenza schouler 2011 Ripe pomogranate

Dry sage

ruch plum

12 PROPORTION

Drawing theHEEL


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Long LiveTHE WEDGE Ima inati n in this sense, n t bein imited t the acq isiti n exact kn w ed e b threq irements practica necessit , is, p t a certain p int, ree r m bjective restraint


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12 IMAGINE


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Use yourIMAGINATION Takin bjects r m rea percepti ns, the ima inati n ses c mp ex If-

functions to develop new or revised ideas.


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37 CLASSIC

Turning KEYSon smart ke s stems ike these, the driver needs n t wa k p t the

car and the doors unlock automatically.


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My thoughtsEXACTLY


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Burned into my MIND f sed dep siti n m de in (fDM) is sed in traditi na rapid pr t t pin

V


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41 DOMINATE


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DISCIPLINE IN ART IS A

FUNDAMENTAL

STRUGGLE TO

UNDERSTAND ONESELF,

AS MUCH AS TO

UNDERSTAND WHAT ONE

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