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MODERN AND CONTEMPORARY ART ONLINE | JAKARTA (OJ002) 現當代藝術網上專場 | 雅加達 23 Apr - 10 May 2020 SUNARYO

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Page 1: MODERN AND CONTEMPORARY ART ONLINE | JAKARTA (OJ002 ...€¦ · Modern and Contemporary Art Online | Jakarta (OJ002) is open for bidding from 23 April 2020, 3:00 PM WIB and closes

MODERN AND CONTEMPORARY ARTONLINE | JAKARTA (OJ002)

現當代藝術網上專場 | 雅加達 23 Apr - 10 May 2020

SUNARYO

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ONLINE NOW | 23 April - 10 May 2020

Modern and Contemporary Art Online | Jakarta (OJ002)

SALE OVERVIEWModern and Contemporary Art Online | Jakarta (OJ002) is open for bidding from 23 April 2020, 3:00 PM WIB and closes on Sunday, 10 May 2020, 5:00 PM WIB (UTC+7). This online-only auction is an excellent opportunity for new and established collectors alike to acquire works by notable Indonesian artists like Srihadi Soedarsono, Sunaryo, Widayat, Arie Smit, Heri Dono, Eddie Hara and many more at very attractive prices.

BUYER’S PREMIUM RATE15% of the hammer price.

ENQUIRIESWA: +62-81188-1133Email: [email protected]

REGISTER YOUR BIDS ON33auction.com/auction/oj002

BROWSE CATALOGUES, FOLLOW AUCTION LOTS, PLACE BIDS ANYTIME FOR BEST MOBILE EXPERIENCE DOWNLOAD 33 AUCTION APP

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ALIMIN TAMIN阿里咪.撻咪

ARIE SMIT艾利·斯密特

BATARA LUBIS芭達啦.魯畢斯

DONALD FRIEND唐納德·弗林德

EDDIE HARA艾迪 哈讓

ERICA HESTU WAHYUNI艾麗嘉

HAJI WIDAYAT 維達雅

HERI DONO 海利·多諾

I NYOMAN GUNARSA伊·紐曼·古納沙

Index of Artists

藝術家索引

20

9, 10

19

22

11

25, 26, 27, 28, 29

6

12

7, 8

JEIHAN SUKMANTORO皆罕·素可曼多羅

NASIRUN納斯倫

PAULHUSNER保羅·胡什納

ROEDYAT MARTADIREDJA羅岱·瑪塔蒂勒加

RUSTAMADJI魯斯塔嗎紀

SRIHADI SOEDARSONO斯里哈迪·蘇達索諾

SUNARYO蘇納里奧

SOETOPO蘇托波

S.P. HIDAYAT喜大業

18

30

21

23, 24

17

1, 2

3, 4, 5

13, 14

15, 16

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1SRIHADI SOEDARSONO(Indonesian, b.1931)

Penari dan Kipas

signed and dated 1990 upper rightoil on canvas130 x 100 cm

IDR 900,000,000 - 1,000,000,000 USD 57,700 - 64,110 斯里哈迪·蘇達索諾《扇子舞》1990 年作油彩 畫布 畫框

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Srihadi Soedarsono is one of Indonesia’s most accomplished master painter.Graduating from the Bandung Institute of Technology in 1959, Srihadi pursued a master’s degree at the Ohio State University where he was immensely influenced by Abstract Expressionism. His artistic practice underwent many changes over the years.

In the earlier years, he followed he Bandung style of Cubism that was characterized by a kaleidoscopic use of colours. Through many experimentations of various artistic styles, Soedarsono eventually found his visual language via a minimalistic visual expression that continues to define him as one of the greatest painters in Indonesia. In time, Soedarsono gained worldwide recognition for his expressionist minimalistic paintings with its bold application of colours. Today, the minimalist visual language of Soedarsono continues to mark him as one of the most celebrated artists in Indonesia.

The subject matter of dancer forms an integral theme to his artistry, defined by the purposeful choice of colour to personify the expressive mood and aura of the subjects.The gist and mood of each dance performance is what the maestro aims to capture and translates on to canvas. To the artist, dance offers a panoramic perspective to the human lives. His fluid portrayals of beautiful dancers embody inner spiritual beauty that connects the visual to the divine.

A skilled colourist, Srihadi’s ability to make use of a limited colour palette transforms the dancers into figures with great vigour and dynamic energy. Throughout his career, he has tirelessly refashioned and reimagined the same subject matter; sometimes making subtle adjustments to the pose, rearranging the composition, varying the proportions or by using different combinations of colours in differing brush strokes and brightness.The reverent corpus of Srihadi Soedarsono’s works unwaveringly continues to define the artistic landscape of Indonesia’s modern art today.

"What Srihadi paints is not a person in the physical sense, but the essence of a person expressed through the use of splashes of colour which give us the image of the attributes and characteristics of a human being."

-art critic Dan Suwarjono

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2SRIHADI SOEDARSONO (Indonesian, b.1931)

The Spirit of Borobudur

signed and dated 2000 upper right; titled, inscribed, signed and dated again versoacrylic on canvas145 x 140 cm

IDR 850,000,000 - 1,200,000,000USD 54,490 - 76,930

斯里哈迪·蘇達索諾《婆羅浮屠的精神》 油彩 畫布

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Armed with the philosophy that art should embody inner spiritual beauty, the paintings of Srihadi Sudarsono is a bridge between the external and the internal; a connection between the visual and the spiritual. In a world that is increasingly fast paced, his paintings provide reprieve for the viewer, like a balm for stressed out city dwellers. Srihadi himself talks of "the ongoing interaction between the physical and the non-physical, the mental and the spiritual". This painting of the Javanese landscape, Borobodur, encourages the viewer to abandon the mental mechanisms of the brain by appealing to our sense of beauty. The horizon line is located near the top of the painting, stretching the perspective of the viewer far into the depths of the landscape. The flowing streaks of long grass manifests the invisible movement of the wind. These different painterly elements combine to reveal a tranquil yet mystical landscape. The painting, Spirit of Borobodur expands on the sense of openness that is only found in nature. Elements are kept deliberately minimalistic, to unclutter the perspective. These two paintings exemplify Sirihadi’s signature style of stratifying the canvas with layers of colours, giving the paintings a point of focus by.

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Sunaryo’s success in the arts began with a simple incident that happened during his early schooldays. He once left a sabak (similar to a chalkboard) in his class and when he rushed back to retrieve it, he saw a drawing of a landscape behind the door. Awestruck, he was inspired to practice art, making this event one of his most memorable ones. Sunaryo Sutono was born in Banyumas, 1943, known to be one of the most prominent artists in Indonesia that play a significant role in the development of the arts in the country.

He studied art at Bandung Institute of Technology and upon graduation, he started his career as an art teacher at the school until 2008. Appointed as the artistic director for major art events such as; Indonesian pavilion in World Expos Forum 1985 which was held in Japan and Canada, Sunaryo’s capacity as an artist is recognized by many. His public works are present in several cities of Indonesia, among others; Monumen Bandung Lautan Api (Bandung), Monumen Perjuangan Rakyat Jawa Barat (Bandung), Patung Soekarno-Hatta in Soekarno-Hatta International Airport (Jakarta), and Patung Jendral Sudirman (Jakarta).

One of his biggest achievements as an artist is the establishment of his own art space in Selasar Sunaryo Art Space in Bandung which was founded in 1998. In regard to his artistic style, Sunaryo revealed that his signature style is spontaneity. In every creative process, he begins with one main idea that evolves during the execution as he improvises spontaneously. Using a variety of media of printmaking, sculptures, paintings, installation, murals, and urban monuments, he raises issues about spiritual, social, and personal goals. His works also encourage deep pondering on the relationship between humans and nature.

SUNARYO (Indonesian,b.1943)

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3SUNARYO (Indonesian,b.1943)

Persiapan Menari

signed and dated 10 lower right mixed media on canvas140 x 120 cm

IDR 600,000,000 - 900,000,000USD 38,470 - 57,700

蘇納里奧《后台梳妝打扮的表演者》2010 年作

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This present lot, Backstage, is one of Sunaryo’s distinctive lyrical paintings that is steeped in tradition, referencing Balinese themes and characters. Sunaryo impressively painted Balinese dancers that seem to be preparing for a traditional Balinese performance called Legong. This performance is believed to have meanings related to religious and historical values. Additionally, Legong is a symbol of the gratitude to the Balinese ancestors who have bequeathed many relics to their heritage. Seen in this present lot, the four standing dancers help each other to spruce up their costumes, while the one sitting on the ground does her make up. Their dark costumes are painted against the red background, making the painting looks alive. Backstage does not only reflect the cultural elegance of Indonesian heritage, but it is also an appreciation towards Indonesia’s culture by representing Balinese dancers in his work.

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4SUNARYO (Indonesian, b. 1943)

Barong

signed and dated 00 lower right mixed media on canvas150 x 150 cm

IDR 350,000,000 - 500,000,000USD 22,440 - 32,060 蘇納里奧《巴隆》2000 年作 綜和媒材 畫布

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The art of Indonesian artist Sunaryo is folkloric and steeped in tradition, often referencing Balinese or Javanese themes and characters in them. Born shortly before the birth of independent Indonesia, Sunaryo was unburdened with the political inclinations unlike some of the previous generations of Indonesian artists. Joining up with the Decenta art group, Sunaryo was determined to wrest back the artistic battlegrounds back from the abstract-focused and Western leaning “Bandung school” in the 1970s.

It is during those formative years of experimenting and reclaiming of his artistic tradition that Sunaryo made his name as an authority on Indonesian cultural art. The barong is a mythological creature in Balinese culture, who is constantly locked in an eternal battle with the evil rangda, a reincarnation of a witch. Traces of ink-like lines and gradient reminiscent of Chinese calligraphy can be observed in the golden mane of Barong. Sunaryo’s art speak of the complex relationship between man and nature, and his mystical representation of barong in the present lot emulates golden hope in the darkness ensued by mankind.

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5SUNARYO (Indonesian,b.1943)

Instropection

signed and dated 09 lower rightoil on canvas laid on board150 x 100 cm

IDR 90,000,000 - 120,000,000USD 5,770 - 7,700

蘇納里奧《觀察》2009 年作 油彩 畫布 木板

Just like the literal meaning of the title, this present lot, Introspection, is an act of directly examining the states or process of one’s own mind, thoughts, and feelings. The eye is the primary focus in this painting, as it is put in the centre of the canvas. The eye is wide open as if it is magnifying its observation of the one’s mental state, while in spiritual context refers to the one’s soul. Stamped a fingerprint around the eye, making it look like a unique identity to oneself that is different from others. With the use of minimal colours palette in this painting, Sunaryo seems to focus on putting a deep meaning over his subject, in which viewer may be encouraged to reflect on themselves.

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HAJI WIDAYAT (Indonesian, 1923 - 2002)

Widayat emerged artistically during the post-independence state, a significant period in Indonesia’s post-colonial history where art was celebrated and engaged to construct “a new voice” and aims to distinguish the country’s new identity away from the supremacy of colonial art. He seeks to represent the visuals of daily lives, highlighting the sinister reality of life in the new republic.

The present lot depicts a planar field and groups of children flying kites. The strings of the kites are like leading lines to the top edges of the painting, forming an abstract composition that breaks up the scene into fields of plantations. In this way, viewers are on an elevated viewing perspective dwindling upon the activities happening on the ground, giving a sense of gleefulmood when viewing the painting.

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6HAJI WIDAYAT (Indonesian, 1923 - 2002)

Main Layang ( Playing Kites )

signed and dated 74 lower rightoil on canvas laid on board104 x 65 cm

IDR 98,000,000 - 150,000,000 USD 6,290 - 9,620 維達雅《放風箏》1974 年作 油彩 畫布 木板

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7

I NYOMAN GUNARSA (Indonesian,1944 - 2017)

Balinese Dancer

signed and dated 1996/1997 lower rightoil on canvas95 x 95 cm; framed: 126 x 126 cm

IDR 36,000,000 - 50,000,000USD 2,310 - 3,210 伊·紐曼·古納沙《峇里島舞者》2000 年作 油彩 畫布

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8I NYOMAN GUNARSA (Indonesian,1944 - 2017)

Bali Dancer

signed and dated 2000 upper rightoil on canvas175 x 125 cm

IDR 90,000,000 - 120,000,000USD 5,770 - 7,700 伊·紐曼·古納沙《峇里島舞者》2000 年作 油彩 畫布

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9ARIE SMIT (Indo-Dutch, 1916-2016)

In The Village Temple

signed and dated 04 lower left acrylic on canvas, framed32 x 45 cm

IDR 60,000,000 - 80,000,000USD 3,850 -5,130 艾利·斯密特《在村廟裡》2004 年作 亞克力 畫布 畫框

This work is accompanied with a certificate of authenticity signed by the artist

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Arie Smit was a Dutch-born painter who was the most influential artist on the Balinese painting scene. He spent most of his time in Bali, painting depictions of the tropical landscapes of the region. Alandscape of Balinese temples portrayed along with two figures; a woman and a child holding, In The Village Temple presents the daily scene in Bali where everyday activities starts with the offering to the temple.The temples and nature create a beautifulrendition of the rich culture of Bali, and shows how the locals value their tradition by practicing it from a very young age. Using vibrant colours that are reminiscence of those from post-impressionism, there are repeated elements such as the short brushstrokes that create visual rhythms. Smith’s unique experiments with his style In The Village Temples shows a refreshing view of familiar scenes while pampering us with aesthetic pleasure.

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10ARIE SMIT (Indo-Dutch,1916-2016 )

The Village Temples

signed and dated 2002 lower rightacrylic on canvas95 x 95 cm

IDR 300,000,000 - 400,000,000USD 19,240 - 25,650

艾利·斯密特《鄉村神廟》2002 年作 亞克力 畫布

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Born with the name of Adranius Wilhelmus Smit, Arie Smit was a Dutch-born painter who was the most influential artist on the Balinese painting scene. He spent most of his time in Bali, painting depictions of the tropical landscapes of the region. In this present lot, a landscape of Balinese temples are portrayed along with two figures; a woman and a child holding hands while they walk with the offerings placed on top of their heads. The temples and nature create a beautiful rendition of the rich culture of Bali, and shows how the locals value their tradition by practicing it from a very young age. Using vibrant colors that are reminiscence of those frompost-impressionism, there are repeated elements such as the short brushstrokes that create visual rhythms. Arie’s unique experiments with his style in The Village Temples shows a refreshing view of familiar scenes while pampering us with aesthetic pleasure.

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11EDDIE HARA (Indonesian, b.1957)

Paman Koboi Gembul

signed and dated 2018 & 2019 lower leftacrylic on canvas80 x 100 cm

IDR 70,000,000 - 100,000,000USD 4,490 - 6,420艾迪 哈讓《胖牛仔叔叔》2018 & 2019 年作亞克力 畫布

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12HERI DONO (Indonesian, b.1960)

Playing Chess Pawns

signed with artist’s monogram and dated 2019 lower leftacrylic on canvas150 x150cm

IDR 130,000,000 - 250,000,000USD 8,340 - 16,030 海利·多諾《下棋》2019 年作 亞克力 畫布

A master in bridging tradition and modernity, Heri Dono is best-known for his transcending and innovative works that carry deep and bold message in the defiance of the innocent cartoon-like aesthetics. Playing Chess, like a theatre stage shows 2 figures that takes on the flattened frontal profileplaying a small board chess. These figures remind us of the wayang kulit puppets in Javanese culture. The staged-like setting and extensive use of colours tapes into the artist’s rich tapestry of imagination and intention to conduct a story-telling commentary of the society he lives in.

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13SOETOPO (Indonesian, b. 1931)

Gulali

signed and dated 2001 lower rightoil on canvas120 x 152 cm

IDR 60,000,000 - 80,000,000USD 3,850 - 5,130

蘇托波《棉花糖》2001 年作 油彩 畫布

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14SOETOPO (Indonesian, b. 1931)

Pasar Ayam

signed and dated 1970 lower leftoil on canvas130 x 118 cm

IDR 55,000,000 - 80,000,000USD 3,850 - 5,130 蘇托波《雞肉市場》1970 年作 油彩 畫布 畫框

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15S.P. HIDAYAT (Indonesian,, b.1969)

Keemasan di Pagi Hari ( Panen )

signed and dated 11 lower rightoil on canvas145 x 200 cm

IDR 50,000,000 - 80,000,000USD 3,210 - 5,130 喜大業《收穫》2011 年作 油彩 畫布

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16S.P. HIDAYAT (Indonesian, b. 1969)

Lenggak Lenggok Sang Penari

signed and dated 10 lower leftoil on canvas200 x 145 cm

IDR 50,000,000 - 80,000,000USD 3,210 - 5,130 喜大業《舞者》2010 年作 油彩 畫布

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17RUSTAMADJI (Indonesian, 1932-1990)

Woman Sitting at The Beach

signed lower left acrylic on canvas100 x 70 cm

IDR 40,000,000 - 80,000,000USD 2,570 - 5,130 魯斯塔嗎紀《坐在海灘的婦女》 油彩 畫布 畫框

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18JEIHAN SUKMANTORO (Indonesian, 1938 - 2019)

Risani

signed and dated 2k lower right oil on canvas140 x 140 cm

IDR 35,000,000 - 50,000,000USD 2,250 - 3,210 皆罕·素可曼多羅《里薩尼》2000 年作 油彩 畫布 This work is accompanied with a certificate of

authenticity signed by the artist

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19BATARA LUBIS (Indonesian,1927 - 1986)

Jogja Pasar (Wet Market in Yogyakarta)

signed and dated 57 lower left oil on canvas78 x 48.5 cm

IDR 30,000,000 - 40,000,000USD 1,930 - 2,570 芭達啦.魯畢斯《日惹市集》1957 年作 油彩 畫布

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20ALIMIN TAMIN (Indonesian, b.1932)

Tanah Lot

signed and dated 70 lower leftoil on canvas63 x 140 cm

IDR 60,000,000 - 80,000,000USD 3,850 - 5,130 阿里咪 . 撻咪《海神廟》1970 年作 油彩 畫布

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21PAUL HUSNER (Indonesian, b.1942)

Three Musicians

signed upper rightoil on canvas90 x 90 cm

IDR 35,000,000 - 60,000,000USD 2,250 - 3,850 歐瑪亞亞《快樂的演奏者》1980 年作 油彩 畫布

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22DONALD FRIEND (Australian, 1915-1989)

Herding the Ducks

signed upper leftmixed media on paper60 x 38 cm

IDR 30,000,000 - 40,000,000 USD 1,930 - 2,570 唐納德·弗林德《趕鴨子》 綜和媒材 紙本

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23ROEDYAT MARTADIREDJA (Indonesian,1930 - 2002)

Preparation To Give Offerings

signed and dated 70 lower rightoil on canvas80 x 136 cm

IDR 22,000,000 - 40,000,000USD 1,420 - 2,570羅岱·瑪塔蒂勒加《供品》 油彩 畫布

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24ROEDYAT MARTADIREDJA (Indonesian, 1930 - 2002)

Market Crowds

signed and dated 1970 lower rightoil on canvas76 x 170 cm

IDR 15,000,000 - 30,000,000 USD 970 - 1,930 羅岱·瑪塔蒂勒加《市集》 油彩 畫布

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25ERICA HESTU WAHYUNI (Indonesian,b.1971)

Verf De Schoonheid Van De Netherlandse

signed and dated 2014 lower rightacrylic on canvas80 x110 cm

IDR 20,000,000 - 30,000,000USD 1,290 - 1,930艾麗嘉《畫荷蘭的美麗》2014 年作 油彩 畫布

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26ERICA HESTU WAHYUNI (Indonesian,b.1971)

My Wonderful Hong Kong

signed and dated 2015 lower left acrylic on canvas80 x110 cm

IDR 20,000,000 - 30,000,000USD 1,290 - 1,930艾麗嘉《我美好的香港》2015 年作 亞克力 畫布 畫框

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27ERICA HESTU WAHYUNI (Indonesian,b.1971 )

Serial Ketoprak Songgo angit, The Djoko Tarub

signed and dated 2017 lower right acrylic on canvas80 x110 cm; framed: 115 x 135 cm

IDR 20,000,000 - 30,000,000USD 1,290 - 1,930艾麗嘉《天空之歌》2017 年作 亞克力 畫布 畫框

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28ERICA HESTU WAHYUNI (Indonesian,b.1971 )

The King is Painting

signed and dated 2019 lower right acrylic on canvas80 x 110 cm;framed: 107 x 138 cm

IDR 20,000,000 - 30,000,000USD 1,290 - 1,930艾麗嘉《國王在畫》2019 年作 亞克力 畫布 畫框

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29ERICA HESTU WAHYUNI (Indonesian, b.1971)

Enjoying with My Lovely Truck ( Limited Edition )

signed and dated 2011 on the sculptureacrylic on toy truck72 x 51 x 116 cm

IDR 30,000,000 - 50,000,000USD 1,930 - 3,210艾麗嘉《享受我的可愛卡車》2011 年作 亞克力 玩具車

Limited Edition ; This work is accompanied with a certificate of authenticity signed by the artist

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30NASIRUN (Indonesian, b.1965))

2 Figur

signed and dated 98 lower leftoil on canvas46,5 x 34,5 cm

IDR 13,000,000 - 18,000,000 USD 840 - 1,160 納斯倫《兩人物》1998 年作 油彩 畫布

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JAKARTA JL.BRAWIJAYA 1C NO. 4 JAKARTA 12160 INDONESIA+62-811-881133

[email protected]

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