modernismo brasilero
DESCRIPTION
Modernismo brasilero, décadas de 1920 y 1930. Semana de 1922, Pau Brasil, AntropofagiaTRANSCRIPT
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Modernismo brasilero
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Anita Malfatti
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Anita MalfattiLa estudiante, 1915-1916
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Anita MalfattiLa boba, 1915-1916
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Anita MalfattiMujer de cabello verde
1915-1916
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Anita MalfattiEl hombre amarillo, 1915-1916
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Anita MalfattiEl hombre amarillo, 1915-1916
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Anita MalfattiEl hombre de los siete colores
1915-1916
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Anita MalfattiTorso ritmo, 1915-1916
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Anita MalfattiMario de Andrade, 1921
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Lassar Segall
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Lasar Segall, Interior de Pobres, 1921, óleo sobre lienzo, 140 x 173 cm.
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Máscara cultura Dan, Costa de Marfil Lasar Segall, Interior de Pobres (detalle)
La influencia del primitivismo
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Máscara cultura Dan, Costa de MarfilLasar Segall, Interior de Pobres (detalle)
La influencia del primitivismo
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Lasar Segall, Mis abuelos, 1921, óleo sobre tela, 90 x 73,5 cm
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Máscara Ding, Congo Máscara , Zaire
La influencia del primitivismo
Lasar Segall, Mis abuelos (detalle)
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Lasar Segall, Niño con lagartijas, 1924
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Lasar Segall, Encuentro, 1924
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Lasar Segall, Bananal, 1927
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Lasar Segall, Retrato de Mario de Andrade, 1927
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Lasar Segall, Perfil de Zulmira, 1928
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Lasar Segall, Morro Vermelho, 1926
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Lasar Segall, Mangue, 1928
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Lasar Segall, Duas Mulheres do Mangue, 1929
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Conrad Felixmüller,1919, xilografía, 22 x 9 cm
Conrad Felixmüller, Portada de Sezession Gruppe,1919
La influencia del expresionismo alemán
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Lasar Segall, Casa do Mangue, 1929
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Lasar Segall, Madre Negra, 1928
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Víctor Brecheret
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Víctor Brecheret, Bailarinac. 1920
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Víctor Brecheret, El besoc. 1920
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Víctor Brecheret, La Sepultura, 1923, escultura para la tumba de Olivia Guedes Penteado, Cementerio de la Consolação, San Pablo
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Víctor Brecheret, La Sepultura, 1923 (detalle)
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Víctor Brecheret, Monumento às Bandeiras, granito, 16 x 150 mParque de Ibirapuera, San Pablo (detalle)
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Víctor Brecheret, Monumento às Bandeiras (detalle)
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Emiliano di Cavalcanti: diseño e ilustraciones para el Afiche y el catálogo de la Semana de Arte Moderno
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Emiliano di Cavalcanti
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Emiliano di Cavalcanti, Ilustraciones para Fantoche da Meia-Noite, 1922
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Emiliano Di Cavalcanti, Samba ,1925, óleo sobre tela, 177 x 154 cm
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Emiliano Di Cavalcanti, Meninas cariocas ,1926
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Emiliano Di Cavalcanti, Mulatas,1927, óleo sobre cartón, 50 x 39 cm
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Emiliano Di Cavalcanti
Samba, 1928
óleo sobre tela, 63 x 48 cm
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Emiliano Di Cavalcanti, Mujer y camión, 1932, óleo sobre madera, 46 x 56,5 cm
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Emiliano Di Cavalcanti, Gafieira, 1929, aguada sobre cartón, 41 x 32 cm
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Emiliano Di Cavalcanti, Mangue,1929, grafito y aquarela sobre papel, 37 x 29,5 cm
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Emiliano di Cavalcanti, Auto-retrato, 1943, óleo sobre tela, 33,5 x 26 cm
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Vicente do Rego Monteiro
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Vicente do Rego MonteiroMujer y galgo, 1925
Vicente do Rego MonteiroTenistas, 1928
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Vicente do Rego MonteiroNiño y oveja, 1925-1960, óleo sobre cartón
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Vicente do Rego Monteiro, Menino ,1920
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Vicente do Rego Monteiro, El tirador de arco, 1925
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Vicente do Rego Monteiro, Descendimiento,1924, óleo sobre tela, 80 x 90 cm
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Vicente do Rego Monteiro, Cena, témpera sobre tela, 1925, 110 x 130 cm
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Vicente do Rego Monteiro, Adoración de los reyes magos, 1925, óleo sobre tela, 81 x 100 cm
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Klaxon
1922
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Portadas de los tres primeros números de la revista Klaxon
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Pau Brasil
1924
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Madera y tinta del Palo Brasil
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Oswald de Andrade, Pau Brasil,1925Ilustraciones de Tarsila Do Amaral
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Tarsila Do Amaral, Dibujos para el libro Pau Brasil,1925
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Caravana modernistaal nordeste brasilero
1924
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Portada de Feuilles de route de Blaise Cendrars, 1924 ilustrado por Tarsila Do Amaral
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Tarsila Do AmaralApuntes tomados en el viaje
al nordeste del Brasil
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Barroco colonial
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El Aleijadinho (Antonio Francisco Lisboa), Los 12 profetas
en el Santuario del Buen Jesús de Congonhas, Minas Gerais (detalle) SXVIII-XIX
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El Aleijadinho, Buen Jesús de Congonhas, Minas Gerais (detalle) SXVIII-XIX
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El Aleijadinho, esculturas de madera policromada
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Casas de Promesas
en el nordeste brasileño
Ex-votos
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Ex-votos
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Ex-votos
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Literatura de Cordel en el nordeste brasileño
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Literatura de Cordel
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Literatura de Cordel: Puesto de venta
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Los poetas violeros: cantores y poetas del sertón en el interior del nordeste brasileño (xilografía)
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El poeta en su puesto
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Viaje de Mario de Andrade
a la Amazonia
1926
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Convento de San Francisco, fotografía de Mario de Andrade
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Volviendo del paseo por Assacaio
fotografía de Mario de Andrade, 1927
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Tapuios de Parintins,
fotografía de Mario de Andrade, 1927
Mercado de Ver-o-Peso Belém , fotografía de Mario de Andrade, 1927
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Tarsila do Amaral
Etapa Pau Brasil
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Tintes Pau Brasil
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Tarsila do Amaral, Morro do Favela ,1924
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Fernand Léger,1922, Mujer recostada con libro
La influencia del cubismo légeriano
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Tarsila do AmaralCarnaval em Madureira,1924
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Tarsila do Amaral, Estrada de Ferro Central do Brasil,1924
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Tarsila do Amaral, Palmeiras,1925
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Tarsila do Amaral, O Mamoeiro,1925
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Tarsila do Amaral, A Cuca,1924
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Antropofagia
1928
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Tarsila do Amaral, Abaporu,1928, óleo sobre tela. 85 x 73 cm
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Tarsila do Amaral, Antropofagia,1929, óleo sobre tela, 126 x 142 cm
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Tarsila do AmaralLa Negra, 1923óleo sobre tela100 x 81 cm
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Tarsila do Amaral, Cartao Postal,1929
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Tarsila do Amaral, Sol Poente,1929
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Tarsila do Amaral, O Lago,1928
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Cándido Portinari
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Cándido Portinari con Mario de Andrade, Río de Janeiro, 1942, foto Hart Preston
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Cándido Portinari, Morro, 1933, óleo sobre tela, 114 x 146 cm.
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Cándido Portinari, Mestizo,1930
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Cándido Portinari, Café,1935
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Cándido Portinari, Colona sentada, 1935
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Cándido Portinari, 1942, Río de Janeiro,foto Hart Preston Cándido Portinari,
Casamientos en el sertón
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Cándido Portinari, Grupo de niñas,1940, óleo sobre tela, 100 x 80 cm
Cándido Portinari, Niños con globos, 1936
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Cándido Portinari, Jangada do Noroeste (Panel para la Feria de Nueva York),1939
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Candido Portinari, Retirantes,1944
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Candido Portinari, Niño muerto,1944