paper shifting styles

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 1 Shifting Styles: The Greek Architectural Orders in the Early Classical Period The Roman architect Vitruvius provides much of the information preserved from antiquity on the Greek architectur al orders. His treatise, known as The Ten Books on Architecture, was written in the late 1 st  c. B.C.E. but drew on Greek sources. Since its “rediscovery” in the 15 th  c. Vitruviustext has held considerable authority and has, in fact, become the basis f or modern views on ancient architecture. Particularly important for this paper are his statements concerning the origins of the Doric and Ionic orders, from which we derive our own understanding of their use, distribution, and significance. SLIDE: DORIC AND IONIC ORDERS According to Vitruvius, the Greeks developed t wo systems, or what we refer to as orders, of architecture. Doric is characterized as having a heavy, fluted column shaft without a base, a rounded capital, and a frieze consisting of an alternation of triglyphs and metopes. Ionic columns rest on a base, have a slenderer but als o fluted shaft, and terminate in a capital with a rounded c entral element (echinus) framed by volutes. SLIDE: MAP Vitruvius tells us that the orders originated in separate parts of the Greek world and at a very early time. He attributes the initial use of the Doric order to Doros, the leader of the Dorian Greek tribe, for a temple in the Sanctuary of Hera at Argos, whi ch is located in mainland Greece. Later, with the migration of Ionians to the coast of Asia Minor, the style was transplanted there and was subsequently replaced b y Ionic for construction of the Temple of Artemis at Ephesos.

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  • 1

    Shifting Styles: The Greek Architectural Orders in the Early Classical Period

    The Roman architect Vitruvius provides much of the information preserved from

    antiquity on the Greek architectural orders. His treatise, known as The Ten Books on

    Architecture, was written in the late 1st c. B.C.E. but drew on Greek sources. Since its

    rediscovery in the 15th c. Vitruvius text has held considerable authority and has, in

    fact, become the basis for modern views on ancient architecture. Particularly important

    for this paper are his statements concerning the origins of the Doric and Ionic orders,

    from which we derive our own understanding of their use, distribution, and significance.

    SLIDE: DORIC AND IONIC ORDERS

    According to Vitruvius, the Greeks developed two systems, or what we refer to as

    orders, of architecture. Doric is characterized as having a heavy, fluted column shaft

    without a base, a rounded capital, and a frieze consisting of an alternation of triglyphs

    and metopes. Ionic columns rest on a base, have a slenderer but also fluted shaft, and

    terminate in a capital with a rounded central element (echinus) framed by volutes.

    SLIDE: MAP

    Vitruvius tells us that the orders originated in separate parts of the Greek world and at

    a very early time. He attributes the initial use of the Doric order to Doros, the leader of

    the Dorian Greek tribe, for a temple in the Sanctuary of Hera at Argos, which is located

    in mainland Greece. Later, with the migration of Ionians to the coast of Asia Minor, the

    style was transplanted there and was subsequently replaced by Ionic for construction of

    the Temple of Artemis at Ephesos.

  • 2

    Vitruvius chronology is vague and even contradictory, but his association of the two

    orders with different geographical regions is generally supported by the archaeological

    evidence. That is, the Doric order is typically used in mainland Greece, although it is

    also adopted in southern Italy and Sicily. The Ionic order is characteristic of Asia Minor

    but it may have appeared even earlier in the Aegean Islands.

    During the Early Classical period (ca. 480-450 B.C.E.), however, a major change

    occurred in the geographical distribution of the architectural orders in the area sometimes

    referred to as Old Greece. The Cyclades, one of the originators of the Ionic order, moved

    exclusively to Doric. Athens, which had previously employed the Doric order

    characteristic of mainland Greece, began to use Ionic forms for its buildings, leading in

    the Classical period to the creation of its own distinctive Attic-Ionic style. My paper

    examines this shift in styles and the possible reasons for it by focusing on the most

    prominent representatives of the new traditions, first in the Cyclades and then in Athens.

    SLIDE: GREAT TEMPLE OF APOLLO

    During the second quarter of the 5th

    c. B.C., construction was initiated on the Great

    Temple of Apollo on Delos, although it was only finished in the last quarter of the fourth

    century. In contrast to earlier traditions in the Cycladic Islands, the temple was built in

    Doric style. In his publication of the building, Fernand Courby argued that the temple had

    been planned from the beginning as Doric, although with certain anomalies.1 William

    Bell Dinsmoor, however, was so convinced that a Doric temple of such importance

  • 3

    would not have been constructed in the Aegean Islands at this time that he assumed it to

    have been initiated as Ionic.2 Since then, evidence has come to light of the increasing

    popularity of the Doric order in the Cyclades from the late 6th

    c. onward.3 Much of the

    evidence consists of isolated members, but enough is preserved of the Temple of Athena

    at Karthaia, on the island of Kea, to demonstrate that it was executed fully in the Doric

    style already in the late 6th c.4 Although certain characteristics of the Apollo temple

    remain unusual for Doric architecture, they may be explained as a reflection of this

    emerging Cycladic-Doric tradition.

    SLIDE: GREAT TEMPLE, PLAN

    Scholars have been especially puzzled by the lack of corner contraction, which would be

    expected in a Doric building at this time. J.J. Coulton attributed it to influence from

    Western Greece,5 but by the early 5

    th century, Western Greek architects had also adopted

    corner contraction. Instead, we might better explain this anomaly as resulting from a

    carry-over of Ionic practices into the newly adopted Doric order. Ionic architecture,

    which did not use a triglyph-metope frieze, employed the same spacing for columns at

    the corners as elsewhere in the building.

    An Ionic interpretation of Doric architecture may also explain other unusual features of

    this temple. These include the relatively slender columns, with a height calculated

    around 5.5 diameters, comparable to those of the Parthenon.6 Such proportions may be

    ascribed to influence from Ionic shafts, which are typically slenderer than Doric7 and

    seem to have inspired the characteristically narrow columns of Cycladic-Doric already by

  • 4

    the late Archaic period. The anta returns are also severely truncated, projecting 5 cm on

    the interior and only 7 mm on the exterior.8 This is in contrast to the marked projections

    of Doric architecture but in keeping with the unenlarged Ionic anta.

    SLIDE: EXTERIOR RECONSTRUCTION

    Finally, the exterior triglyph-metope frieze is crowned with a moulding, which was

    executed in the second phase of construction but, on the basis of proportions, was

    probably planned from the beginning.9 A moulded crown would be almost unique for a

    Doric frieze, although it is noted by both Courby and Coulton for the late 6th

    c. Temple of

    Athena at Paestum, in southern Italy. It has also been recognized in an unknown building

    at Sybaris and in a funerary naiskos from Megara Hyblaia, both also in western Greece

    and datable to the later 6th

    c.10

    These western buildings show features that suggest Ionic

    influence and the crowning moulding, which was typically placed above a continuous

    Ionic frieze, may be counted among them. Its use above the Doric frieze of the Temple

    of Apollo likely arises from familiarity with local, Ionic tradition.

    SLIDE: PRONAOS FRIEZE

    Perhaps the most unusual feature of the Apollo temple is the frieze associated with its

    cella building. Nothing is preserved of it above the pronaos, but Courby calculated the

    size and spacing of the members here from faint traces of the regula on the architrave.

    This yielded a total of 8 triglyphs and 7 metopes. Not only do these numbers contrast

    with the 7 triglyphs and 6 metopes of the opisthodomos frieze, but they prevent the usual

    alignment of alternate triglyphs with supporting columns. Such a flexible approach to the

  • 5

    frieze is more in keeping with the continuous Ionic member than its rigidly prescribed

    Doric counterpart.

    According to Courby, the minimal projection of the exterior anta return and the

    treatment of wall blocks demonstrate the continuation of these porch friezes onto the

    sides of the cella building. Such an arrangement is almost unique in peripteral

    architecture. A precedent may exist, however, in the Cycladic-Doric Temple of Athena

    at Karthaia, on Kea, built in the late 6th

    c.11

    Moreover, local traditions may provide an

    explanation for this unusual feature.

    SLIDE: OIKOS OF THE NAXIANS

    In contrast to their counterparts in Asia Minor, Ionic temples in the Cyclades usually lack

    a peristyle. Thus their entablatures, including friezes, run above walls and porches. This

    is the case with some of the earliest religious buildings known, as in the early 6th

    c. Oikos

    of the Naxians on Delos and in the fourth Temple of Dionysos at Yria on Naxos, dated

    ca. 580-570 B.C.12

    The Cycladic-Doric temples of Kea and Delos reflect Doric traditions

    in the incorporation of the peristyle, but their architects preserved the earlier, Ionic

    treatment of the cella building with its crowning frieze. The combination resulted in a

    Doric frieze on the sekos of a peripteral structure.13

    Another connection with Cycladic architecture may be found in the different heights of

    the friezes on the Apollo temple, with that on the pronaos being slightly smaller than

  • 6

    elsewhere. This characteristic is paralleled in the gradual tapering of the Ionic frieze in

    the nearby Oikos of the Naxians, which was executed about a century earlier.14

    SLIDE: INTERIOR CORNER BLOCK, Reconstructed

    Finally, interior corner blocks preserving traces of a half-triglyph next to a surface with

    anathyrosis provide evidence for an interior frieze in at least the pronaos and probably

    also in the opisthodomos of the Apollo temple.

    SLIDE: INTERIOR CORNER BLOCK, view

    SLIDE: AEGINA, OLDER TEMPLE OF APHAIA

    The only parallel for an interior porch frieze known to me is in the pronaos of the

    Older Temple of Aphaia on Aegina, constructed around 570 B.C.15

    That building was in

    the Doric order and therefore also used a triglyph-metope frieze, but in this case it

    extended around only three, rather than four, sides of the pronaos. The temple was

    dismantled for construction of its successor, which scholars traditionally assume was

    begun ca. 500 B.C.16

    Recently, it has been suggested that the Older temple may have

    stood until 480 B.C. and have been destroyed during the Persian Wars.17

    Either way,

    there would be a gap between its destruction and the construction of the Apollo temple.

    With the second chronology, however, that gap would perhaps have been small enough to

    allow for some influence. Without this precedent, one can only ascribe the interior

    friezes in the Temple of Apollo to experimentation by its architect.

  • 7

    Indeed, the adoption of the Doric order in the Cyclades seems to have been a process

    of experimentation and adaptation. By about 480 B.C., Doric is used exclusively for

    Cycladic buildings. Yet as shown by the Temple of Apollo, it is a local version of the

    order, and one that was influenced by previous Cycladic-Ionic traditions. This has

    important consequences for our understanding of the choice of architectural order.

    Several scholars have associated the adoption of Doric architecture in the Cyclades,

    and especially in the Temple of Apollo on Delos, with political events, namely the

    establishment of the Delian League and the increasing role of Athens as leader of the

    Ionians. Athens had traditionally used the Doric order for her monumental architecture,

    despite the Ionian heritage of her citizens. When, between 425 and 417 B.C., the

    Athenians constructed another temple to Apollo on Delos alongside the early classical

    one, it was fully in the Doric order. In fact, the Temple of the Athenians mimicked the

    Parthenon in some of its characteristics. It might not be surprising, then, that a temple

    built under the hegemony of Athens would reflect the architectural style of that city.

    Yet during the Early Classical period, while continuing to use the Doric order, Athens

    also began to adopt Ionic. Thus we see a shift in architectural styles in Attica as well.

    Some scholars have attributed this development to political motives. Indeed, at least one

    scholar cites the same motives as those presumed responsible for the Doric style in the

    Islands, that is, Athens role as leader of the Delian League.

  • 8

    The strongest case has been made in regard to the Stoa of the Athenians at Delphi. It

    demonstrates one of the earliest uses of Ionic columns on the exterior of an Attic

    building.18

    SLIDE: ATHENIAN STOA, VIEW

    The Stoa was dated by Pierre Amandry just after 480 B.C. on architectural and

    epigraphical grounds and associated with an episode in the Persian War.19

    John Walsh

    subsequently argued for construction in the 450s and in conjunction with the beginning of

    the Peloponnesian War. Nevertheless, both authors attributed the choice of the Ionic

    order to an expression of Athenian allegiance with Ionians of East Greece and the Aegean

    Islands. In the first instance this would have occurred with the establishment of the

    Delian League;20

    in the second with the increasing polarization of Greeks into Dorians

    and Ionians.21

    The architectural forms used in the Athenian Stoa, however, belong to the Attic

    tradition. This is exemplified in particular by the column capitals.

    SLIDE: STOA CAPITAL, RECONSTRUCTION DRAWING

    Only three examples have been recognized, two fragments by Amandry and a nearly

    complete capital, including the reverse face, by Manolis Korres.22

    Their traits are

    distinctive: carving of the echinus on only one face, the echinus in 2-tiers consisting of an

    ovolo over a cyma reversa, a central band on the bolster, and a cyma reversa profile for

    the abacus.

  • 9

    SLIDE: STOA CAPITAL, VIEW (Meritt 1993, figs. 7-9)

    SLIDE: ATHENIAN VOTIVE CAPITALS

    Several of these traits seem to be borrowed from the Cyclades although they are

    adopted by Athens with the introduction of the Ionic capital for votive dedications during

    the second half of the 6th

    c. 23

    Thus, a smooth or incised, rather than fully carved, rendering of architectural elements

    is characteristic of Cycladic architecture and is attested in capitals as well as other

    components. The earliest example is a small votive column from the sanctuary at Sangri

    on Naxos, which is dated to the late 7th

    century.24

    The volutes and corner palmettes are

    articulated by deep incisions, but the echinus is left smooth. Additional examples of this

    type are known from Delos.25

    These are dated by Roland Martin to the second quarter of

    the 6th

    c.,26

    before the infusion of more plastic influences from Asia Minor in the middle

    of the century. By contrast, Aenne Ohnesorg places the earliest examples at the end of

    the 7th

    century, which fits better with the proposed dating of the Sangri capital and

    accords with her derivation of incised detail from wooden predecessors.27

    Indeed, the

    rendering of these Delian capitals would seem to be partly a factor of chronology, since

    they do not seem to continue after the mid-6th

    c. Moreover, in one of the latest capitals of

    this group, from the eastern porch of the Oikos of the Naxians, the eggs of the echinus are

    rendered in relief.28

  • 10

    Nevertheless, this group is distinctive in its sparing use of carving. A capital from the

    interior of the Oikos of the Naxians shows only lightly incised volutes and a smooth

    echinus.29

    The same treatment appears on at least three other members of this group,30

    whereas additional examples make use of incision to articulate the echinus and

    sometimes also the corner palmette.31

    Even in the capital from the east porch of the Oikos

    of the Naxians where the echinus is executed in relief, the volutes and corner palmettes

    are incised. It would thus seem that a limited use of carved decoration was characteristic

    of Cycladic capitals, at least before the middle of the 6th

    c.

    The earliest Athenian capitals likewise show a preference for smooth surfaces.32

    The

    volute coils were often executed simply in paint or through incision. When carving was

    used, it was limited to the volute element, which could have raised borders or a slightly

    concave rendering of the canalis and coils. Additionally, R. Borrmann notes that the

    contours of the ornament might be lightly incised in the marble to serve as a guide for the

    application of color.33

    Yet the echinus was generally left smooth.34

    SLIDE: ACROPOLIS CAPITAL 7797

    This treatment of the capital continues into the first quarter of the 5th

    c. with three

    additional votive crowns from the Acropolis.35

    The canalis and volutes are concave and

    bordered by raised fillets, but the carved elements are expanded to include raised fan-

    shaped panels at the corners, in one case also with relief palmettes, and floral decoration

    or astragals at the center of the bolster. Despite this greater interest in relief, the echinus

    remains smooth.36

    This combination of concave canalis and smooth echinus will

  • 11

    characterize an entire series of Athenian Ionic capitals from the 5th

    c. and later. The city

    also produces variations of that form, including somewhat different treatments of the two

    sides, as found in the Stoa capitals.37

    SLIDE: AMBELOKIPI CAPITAL

    Such is the case with a series of capitals attributed by Korres to a temple in

    Ambelokipi.38

    The echinus of these capitals is smooth on one face and carved with the

    usual egg-and-dart motif on the other. They bear a similarity to the Stoa capitals in the

    two-tier echinus, although here it consists of a flat band above an ovolo in contrast to the

    ovolo over a cyma reversa of the Stoa. Other elements have also been associated with

    this temple by Korres. On the basis of the capitals, he dates the building 440-430 B.C.

    SLIDE: GERAKAS CAPITAL

    Another variation appears in a capital from Gerakas and its companion piece from

    Stavros. Again, the eggs on the echinos are treated differently: blocked out on one side

    and carved on the other.39

    Yet the diversity in these pieces also extends to the renderings

    of the canalis, convex on the more detailed face and concave on the other. The date of

    this pair from Attica is uncertain. The capitals have been considered late Archaic, but

    various features, including the asymmetry of the corner palmette petals, suggest a date in

    the second half of the 5th

    c.

    SLIDE: ACROPOLIS CAPITAL 13296; AGORA CAPITAL A616

  • 12

    A second pair of Attic capitals, one from the Acropolis and the other found in the

    Agora, likewise shows a difference in carving between the two sides.40

    Here, too, the

    eggs of the echinus are blocked out on one face and fully executed on the other. The

    canalis and corner palmettes are more rudimentary on the former face and the volute eyes

    are carved as smooth disks as opposed to relief rosettes. These pieces have also received

    various dates. Lucy Shoe Meritt, who initially recognized them as a pair, suggested a

    date in the late 6th

    c., but Mbius, noting similarities with the capitals of the Temple of

    Athena Nike, suggested a date between 440 and 420 B.C. More recently, Elizabeth

    McGowan has raised additional arguments in favor of a date in the second half of the 5th

    c., and that indeed seems justified.41

    SLIDE: ACROPOLIS CAPITAL 124 (McGowan pl. 59a)

    The echinoi of the Stoa capitals also reflect Athenian traditions in the division into two

    tiers and the cyma reversa profile. Both features have antecedents in the late 6th

    or early

    5th

    century. A votive capital from the Acropolis, dated by McGowan ca. 510 B.C.,

    provides the earliest known example of a cyma reversa echinus in Athens.42

    The profile

    appears only in the lower portion, where the echinus curves inward to meet the column

    shaft. The projecting surface above is broken away. This makes it impossible to

    determine whether the echinus was executed in two tiers.

    SLIDE: ACROPOLIS CAPITAL 7797

    Only slightly later, in the first decades of the 5th

    c., the cyma reversa is repeated on two

    Acropolis votive capitals, now clearly rendered with a two-tier echinus.43

  • 13

    SLIDE: ACROPOLIS CAPITAL, unnumbered

    Both of these features appear on Acropolis votive capitals even later in the 5th

    c.44

    SLIDE: AGORA CAPITAL

    With the introduction of Ionic forms into Athenian buildings in the Early Classical

    period, this type of capital will also be employed for architectural use.45

    That is the case

    with two pieces now in the Agora, which are dated by Meritt ca. 480-470 B.C.E., thus

    contemporary with or slightly earlier than the Athenian Stoa. One of these is a corner

    capital, a form that would only be required on a building, perhaps, as Korres suggests,

    one that was amphiprostyle.46

    Here the echinus is divided into an upper, sloping member

    and a lower cyma reversa.

    The capitals of the Athenian Stoa differ from these examples, however, in the upper tier,

    which is not flat but instead curved, with a taper toward the bottom. This profile is called

    an ovolo and it is the traditional profile for the echinus of Ionic capitals. As we have

    already noted, on one face it is carved with the egg-and-dart motif, which is also typical

    of the Ionic echinus. Yet the placement of this motif at the top, rather than the bottom, of

    the echinus is virtually unique.

    SLIDE: AKROPOLIS CAPITAL, PAINTED RECONSTRUCTION

    The only parallel known to me for an egg-and-dart ornament in this location appears in

    a votive capital from the Athenian Acropolis, shown here in a 19th

    c. painted

  • 14

    reconstruction. Only traces of the paint are preserved, but they support the accuracy of

    this representation. It is thus tempting to see the unusual location of the decoration as an

    Athenian experiment with the newly adopted Ionic style.

    This two-tiered shape continues in an entire series of Athenian capitals produced

    during the 5th

    and even into the 4th

    century. Indeed, according to McGowan, the two-

    tiered echinus becomes the distinguishing characteristic of fifth-century Athenian Ionic

    capitals.47

    Likewise, the cyma reversa profile becomes one of the regular fifth-century

    forms of Athens.48

    The strong affinity for the two-tiered cyma reversa echinus as well as its early

    appearance in Athens, already in the late 6th

    or early 5th

    c., has led to the assumption that

    it was an Athenian invention, which McGowan associates specifically with votive

    capitals.49

    Yet other evidence points to Cycladic origins and an initially architectural use.

    It is attested on Delos in the later 6th

    c. by a fragmentary member assigned variously to

    the Naxian Stoa or to the Hexagonal Building50

    and a set attributed by Gruben to the

    second Propylon.

    SLIDE: CORNER CAPITAL FROM DELOS

    Gruben includes in the latter set a corner capital previously assigned to the Porinos Naos.

    Here the echinus is carved with the egg-and-dart motif, but its profile shows a slight S-

  • 15

    curve, which Gruben considers to be a characteristic rendering of the ovolo on Naxos and

    Paros.

    SLIDE: NORMAL CAPITALS ASSIGNED TO PROPYLON II, DELOS

    In normal capitals from this group, the echinus is decorated on one side with the usual

    egg-and-dart motif and on the other with the Lesbian leaf. This is significant, since the

    Lesbian leaf ornament is typically associated with the cyma reversa profile.51

    In her

    study of mouldings, Shoe argued for the development of the cyma reversa from the ovolo

    over the course of the 6th

    century. This relationship between the two profiles may have

    led masons in both Athens and Delos to take the unusual step of substituting the cyma

    reversa for the ovolo on their echinoi. Because the remaining examples from each area

    are so close in date, it is impossible to determine whether one influenced the other and, if

    so, which. Yet if, as McGowan suggests, Cycladic artists inspired and in some cases

    executed the earliest Athenian Ionic capitals,52

    they may also have been responsible for

    this unusual variation.

    SLIDE: STOA BOLSTER (bottom)

    Another characteristically Athenian feature of the Stoa capitals appears in the bolster,

    which is smooth except for a central raised band. This arrangement became so familiar in

    Athens that Meritt labeled it typically Athenian.53 Yet the ultimate origin of the motif

    seems to be the Cycladic Islands. Already around the middle of the 6th

    c., masons in this

    area executed capitals with a smooth bolster bearing either two or three central astragals.

    Significantly, however, the capitals were of the Aeolic, rather than the Ionic, order. 54

  • 16

    These examples must have inspired artists in Athens, and occasionally elsewhere, to

    apply a central motif to a smooth echinus on Ionic capitals.55

    The Athenians, however, varied the type of centralized motif. Three late 6th

    c. votive

    capitals from the Acropolis preserve traces of painted vertical stripes,56

    which may be a

    forerunner to the carved decoration seen subsequently. A mid-6th

    c. capital is reported to

    have a slightly raised band in the center of its bolster.57

    In two votive capitals of the first

    quarter of the 5th

    c., the bolster is sculpted in the center with a floral motif directly on the

    surface (Akr. 3776) or on an intervening raised band (Akr. 7797).58

    Other Athenian

    capitals make use of a flat band, including a late 6th

    or early 5th

    c. piece from the

    Asklepieion as well as the capital of the Marathon column, a corner capital (A 1893) and

    its mate (A 1130) from the Athenian Agora, and two unnumbered capitals from the

    Acropolis, all of which probably belong to the second quarter of the 5th

    c.59

    Another

    variation, comprising a pair of astragals, appears on the bolster of the large poros capital

    from the Acropolis (Akr. 13302), dated to the beginning of the 5th

    c. B.C., as well as

    others of later date.60

    These approaches are combined in the capitals from the Stoa of the

    Athenians at Delphi, which display a flat band that separates into a pair of astragals just

    below the abacus.61

    Thus, even if the use of centralized decoration on the bolster

    originated in the Cyclades, its adoption in the Stoa capitals represents an Athenian

    interpretation.62

    SLIDE: COLUMN BASES

  • 17

    The bases of the Stoa columns have fewer antecedents. They consist of the usual

    torus, but over a lower member, or spira, that takes a cyma recta profile.

    SLIDE: BASES OF THE DEINOMENIDS (Guide, fig. 79)

    Amandry has noted the existence of similar campaniform bases for votive dedications at

    Delphi itself. Most are undated, but that dedicated by Gelon of Syracuse may

    commemorate his victory at Himera in 480 B.C.E. and the companion base, given by his

    brother Hieron, would date only slightly later.63

    Both have been reconstructed with a

    bronze column supporting an offering.

    Another relatively early example from Delphi seems to have Athenian associations

    since it bears the name Alkibiades.

    SLIDE: BASE OF ALKIBIADES (BCH 46, 1922, facing p. 440)

    On the basis of letter forms and the identification of the dedicator as the son of one of the

    opponents of the Peisistratids, it has been dated about 475 B.C.E.,64

    approximately

    contemporary with or slightly earlier than the Athenian Stoa.

    Although some scholars have been reluctant to accept a relationship between bases

    used in buildings and in votive supports, we have already noted that the capital type of

    the Athenian Stoa was initially developed in votive monuments. Moreover, the function

    of the building was votive, serving as a dedication to Apollo and a receptacle for war

    tokens.

  • 18

    Other potential models exist in monumental architecture, but the connections are less

    apparent.

    SLIDE: EPHESOS, RECONSTRUCTED BASES, fig. 278

    Thus, Burkhardt Wesenberg traces the development of the Athenian Stoa base from the

    leaf torus traditionally associated with Aeolic capitals and found in some Ionic buildings.

    Perhaps the most famous examples come from the Temple of Artemis at Ephesos and are

    identified by Wesenberg not in the usual manner as crowns for the sculpted column

    drums, but as spiras for the column bases.

    SLIDE: IONIC TEMPLE, METAPONTION

    A better parallel comes from the Ionic temple at Metapontion, dated ca. 480-475

    B.C.E. As in the Athenian Stoa, the spira of the base is lower in height than the torus,

    which is unusual in Ionic architecture.65

    The profiles of the spiras of these two buildings

    are also comparable, in that both possess a concave section terminated by a small base

    astragal, although with an initial convex curve in the Athenian Stoa.

    The lack of obvious predecessors may suggest that the Stoa base is an experimental

    combination of models current in both votive offerings and buildings.

    Whatever its origins, it is generally acknowledged as the first representative of the

    distinctive Attic-Ionic form, best known from the Temple of Athena Nike.66

  • 19

    SLIDE: COLUMN BASE, TEMPLE OF ATHEN NIKE

    Thus, the bases of the Stoa also reflect Athenian tradition.

    Although dedications in sanctuaries were by nature political, the adoption of the Ionic

    order for the Stoa of the Athenians does not necessarily demonstrate the Ionian heritage

    or political affiliations of the Athenians. Rather, their use of a distinctively Athenian

    form of Ionic capital may make an even stronger local statement. Moreover, the

    innovations found in the capital and base forms suggest an openness to new ideas from

    different regions of the Greek world and even other types of dedicatory monuments.

    SLIDE: TEMPLE OF ATHENA, SOUNION

    Similar conclusions may be drawn from the other major Ionic construction of Early

    Classical Attica, the Temple of Athena at Sounion. This temple, built around 460-450

    B.C., was approximately contemporary with the Stoa and it, too, used the Ionic order

    exclusively. Indeed, it is the first Attic temple to do so. Political motives have been seen

    in this choice, which John Onians claims as a gesture of friendship with the Eastern

    Greeks.67 Yet the location of the building may offer a better explanation. Sounion is the

    southernmost point of Attica and the first landfall when coming from the Aegean.

    Indeed, several characteristics of the temple suggest Aegean connections.

    SLIDE: PLAN

  • 20

    The plan of the building is unique in having colonnades on only two, but adjacent sides.

    Despite this peculiarity, the limited use of colonnades and the simple plan of the cella

    building find their closest parallels in the Aegean.

    SLIDE: COLUMN SHAFTS

    The column shafts in the temple at Sounion also differ from the norm in that they are not

    fluted, that is, they lack the typical vertical grooves. Instead, the shaft consists of a

    continuous cylinder with a slightly roughened surface. We have already noted the

    Cycladic preference for smooth, rather than carved, forms. This preference was not

    limited to column capitals but extended to their shafts and bases as well.

    SLIDE: NAXOS, TEMPLE OF DEMETER AND KORE, SANGRI

    A fairly well preserved example of that treatment appears in the Temple of Demeter and

    Kore at Sangri, dated ca. 530 B.C.

    This building also demonstrates the Cycladic interest in textural contrasts, as in the

    smooth anta capital above the rough wall end.

    SLIDE: SOUNION CAPITAL

    Similar contrasts are exploited for decorative effect in the Sounion capitals. The volute

    member shows a roughened concave face and its coil terminates in a smooth domed eye.

  • 21

    While certain characteristics of the Sounion temple thus derive from Island traditions,

    others, especially in the capitals, clearly reflect Athenian developments. The echinus, or

    element between the volutes, shows the distinctive Athenian reverse curve at the bottom.

    The surface of the echinus was also smooth, but it was painted with patterns. Most of

    that paint is now worn away. We can see what the patterns were, though, because the

    surface of the stone was slightly roughened to make the paint adhere. These capitals

    must have been very ornate, but in a manner that relied more on color than on carving in

    relief.

    There is no doubt that the Temple of Athena was constructed under strong Cycladic

    artistic influence. But, as with the Athenian Stoa, it reflects an Athenian interpretation of

    Cycladic forms. In explaining the use of the Ionic order for the Athenian Stoa, Walsh

    argued that the Greeks must have been familiar with the architectural styles of their

    neighbors.68

    That familiarity certainly accounts for the adoption of the reverse order in

    both Athens and the Cyclades by the turn of the 5th

    century. Yet as we have

    demonstrated, this was not a new development.

    Already in the late 6th

    c., long before the formation of the Delian League, the Cycladic

    Islanders begin to use the Doric order of their mainland Greek neighbors. Around the

    same time, Athens also embraces Ionic forms for personal monuments. By the Early

    Classical period, then, the opposite order was already familiar in each area. The choice

    of Doric for the Temple of Apollo on the Cycladic Island of Delos and of Ionic for

    Athenian buildings must thus be understood as part of a process that had been evolving

  • 22

    for at least a generation in each area. This is demonstrated also by the use of local

    interpretations for the individual components of buildings. If a viewer did associate their

    architectural style with a particular location, it was more likely Athens or the Cyclades

    than the historical home of the order.

    Moreover, we do not know whether and, if so, how thoroughly the Greeks equated the

    orders with particular ethnic groups. Herodotus, writing his Histories around the middle

    of the 5th

    c., was at pains to define the Ionians (I, 142-46), who spoke different dialects,

    originated in a variety of locations, and intermarried with Carians. This situation changes

    with the later 5th

    c. writings of the historian Thucydides. His world clearly divided into

    Dorians and Ionians, whom he distinguished not only on the basis of geography but also

    of ethnic heritage. Yet he mentions nothing about architectural style. In fact, there is no

    evidence that the terms Doric and Ionic were attached to architecture before the late 5th c.

    and they remain rare in the ancient Greek language.69

    While the adoption of Doric forms

    in the Cycladic Islands and Ionic ones in Attica have been seen as a reflection of political

    and ethnic associations, no such explanation is possible with the 4th

    c. adoption of Ionic

    interiors of Peloponnesian temples. Indeed, the association of the orders with separate

    ethnic groups may not have occurred much before the time of Vitruvius. We should thus

    see the choice of Doric and Ionic in the buildings under consideration not as a statement

    of political affiliations, but rather of the expanding contacts and shifting tastes within the

    Greek world by the Early Classical period.

  • 23

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  • 25

    Kallipolites, B.G. and B.Ch. Petrakos. 1963. Euboia, ArchDelt 18, 115-27.

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    Palagia. Oxford: Oxbow Books.

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    Martin, R. 1959. Chapiteau ionique dHalicarnasse, REA 61, 65-76.

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    Meritt, L.S. 1982. Some Ionic Architectural Fragments from the Athenian Agora,

    Hesperia Suppl. 20, 82-92.

  • 26

    Meritt, L.S. 1993. The Athenian Ionic Capital, 315-25. In Eius Virtutis Studiosi:

    Classical and Postclassical Studies in Memory of Frank Edward Brown (1908-1988),

    eds. Scott, R.T. and A.R. Scott. Washington: National Gallery of Art.

    Meritt, L.S. 1996. Athenian Ionic Capitals from the Athenian Agora. Hesperia 65,

    12174.

    Mertens, D. 1979. Der ionische Tempel von Metapont: Ein Zwischenbericht, RM 86,

    103-37

    Mbius, H. 1927. Attische Architekturstudien, AM 52, 162-96

    Ohnesorg, A. 1993. Parische Kapitelle, 111-18. In Les Grands ateliers darchitecture

    dans le monde egeen du Vie siecle av. J.-C., eds. J. des Courtils and J.-C. Moretti. Paris:

    De Boccard.

    Ohnesorg, A. 1996. Votiv- oder Architektursulen? 39-47. In Sule und Geblk, ed. E.-

    L. Schwandner. Mainz am Rhein: P. von Zabern.

    Onians, J. 1988. Bearers of Meaning. Princeton: Princeton University Press.

    stby, E. 1980. The Athenaion of Karthaia, Opuscula Atheniensia 13, 189-223.

    Puchstein, O. 1887. Das Ionische Capitell, Berlin: 47. Berlin Winckelmannsprogram,

    Verlag G. Reimer.

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    de Gruyter.

    Stewart, A. 2008. The Persian and Carthaginian Invasions of 480 B.C.E. and the

    Beginning of the Classical Style: Part 2, The Finds from Other Sites in Athens, Attica,

  • 27

    Elsewhere in Greece, and on Sicily; Part 3, The Severe Style: Motivations and Meaning.

    AJA 112, 581615.

    Vallois 1966. Larchitecture hellnique et hellnistique Dlos, II. Paris: De Boccard.

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  • 28

    1 Courby 1931.

    2 Dinsmoor 1975, 184 and n. 5. Dinsmoor believed that only the first two steps were

    constructed in this initial phase and even these were left unfinished. His designation of

    the plan as Ionic was based not just on historical factors but also on the absence of corner

    contraction, which he assumed must have existed in a Doric building of this date so close to the centre of development. 3 Schuller 1985.

    4 stby 1980.

    5 Coulton 1984. Coulton cites other characteristics of the Temple of Apollo as evidence

    for Western Greek influence, which he attributes to a Cycladic refugee who returned

    from the West. 6 The height of the columns is not known, but Courby 1931, 15-16 estimates a range of

    5.05-5.25 m. from the diminution of the shaft. With an average diameter of ca. 0.95, this

    would yield a ratio for diameter to height of ca. 1:5.3-5.5. Coulton 1984, 44 accepts

    about 5 diameters for their height. By comparison, Gruben 2001, 180 cites 5.32 lower

    diameters for the Temple of Aphaia at Aegina and 5.48 lower diameters for the

    Parthenon. 7 See the table of dimensions of 5

    th c. Ionic columns in Mertens 1979, where the ratio of

    diameter to height ranges from 1:8 to 1:9.8. 8 Courby 1931, 72 for the exterior return and Courby 1931, 101 for that on the interior.

    9 Courby 1931, 94, 105. Coulton 1984, 44 also accepts that the crown was part of the

    original design. Both authors note an earlier parallel for the frieze crown in the Temple

    of Athena at Paestum. 10

    Barletta 1990, 68 and nn. 152-153, 72. 11

    stby1980, 205. 12

    For the Oikos of the Naxians, see Gruben 1993, 105-106; 1997, 344-45. For the Yria

    temple, Lambrinoudakis and Gruben 1987, esp. 607; Gruben 1993, 102-105. 13

    The Parthenon demonstrates a variation of this arrangement. Its architects included a

    frieze, although of continuous Ionic type, around the exterior of its sekos, despite the fact

    that it was difficult to see within the (Doric) peristyle. For a discussion of this frieze, see

    Barletta, 2009. 14

    Gruben 1993, 105-106, fig. 4; Gruben 1997, 344-45, figs. 3, 41. 15

    Schwandner 1985. 16

    Bankel 1993, 169-70. 17

    Stewart 2008, 593-97, who argues that its successor, the Late Archaic Temple of

    Aphaia, was begun in the 470s. 18

    Walsh 1986, 331 claimed that this building was the first to use the Ionic order for an

    exterior columniation. He argued that the stoa was built ca. 460-450 B.C. and placed the

    Temple of Athena at Sounion, another example of an Ionic exterior, around the time of

    the Parthenon (ca. 447 B.C.). The latter is now, however, generally assigned to the same

    decade. 19

    P. Amandry 1953, 108. 20

    Amandry 1953, 115 n. 1. 21

    Walsh 1986, 333-34.

  • 29

    22

    Korres 1996, 110-12 and fig. 32. This capital is also discussed by Daux 1960, 756;

    Meritt 1993, 319, figs. 7-9 23

    For a discussion of Cycladic capitals as models for early Athenian ones, see McGowan

    1997, 222-26. 24

    Gruben 1989. McGowan 1997, 223-24 offers a lower date, in the first quarter or third

    of the 6th

    c. In general, however, McGowans chronology is lower than generally accepted. 25

    These capitals were first discussed by Vallois 1966, 168-70, 175-78. Subsequently,

    Martin 1973, 382-91 republished them with illustrations. Martin labeled the group

    votive, with the exception of those attributed to the porch and interior of the Oikos of the

    Naxians. Courbin 1980, 53 and nn. 5, 7, suggests that Martins capital 5 (R.V. 3) may also have been architectural. See Courbin 1980, 51-55 for the (single) capital assigned to

    the interior and 103-105 for that of the porch. The porch column was discussed by

    Vallois 1966, 176-7, no. 11 and by Martin 1973, 389-90, no. 9, but he erroneously cites

    fig. 18 as the illustration, as noted by Courbin 1980, 103 n. 7. 26

    Martin 1973, 391. 27

    Ohnesorg 1996, 40 n. 9 for the assignment of two examples to the end of the 7th

    c. 28

    Courbin 1980, 95, 105 dates the eastern porch slightly before the middle of the 6th

    c.

    and places its extant capital at the end of the series. McGowan 1997, 225 suggests a date

    late in the third quarter of the 6th

    c. 29

    Vallois 1966, 177, no. 12 and Courbin 1980, 52-53 and 53 n. 1 state that the volutes are

    slightly engraved, whereas Martin 1973, 390, no. 10-11 says that all of the surfaces are

    smooth. Martin also mentions two fragments, whereas Courbin cites only one. This

    capital is considered to be among the earliest of the series and has been dated around 575

    B.C.E.: Courbin 1980, 43 n. 1, 55 nn. 3, 4, 93). Gruben 1997, 308, dates the construction

    of the building 590/80. McGowan 1997, 225 n. 82 considers either date too high and

    cites parallels with capitals of around 550-540 B.C.E. 30

    Vallois 1966, 169-170 nos. 4-5, 7 and Martin 1973, 385-86, no. 6, figs. 12-13 (no inv.

    no.). McGowan 1997, 223 n. 69, pl. 59:d, gives the inventory no. Delos A 1548 for

    Vallois nos. 4 and 5. Although not preserving the echinus, a fourth capital also shows an incised volute: Vallois 1966, 170, no. 6; Martin 1973, 374-75, no. 2 (Delos A 4213),

    erroneously classified as Aeolic, as noted by Ohnesorg 1996, 40 n. 9. 31

    See Vallois 1966, 169-70, nos. 3; Martin 1973, 382-84, no. 5, figs. 9-11 (= same

    capital, no inv. no.). McGowan 1997, 225, n. 78, pl. 60:d states that the bolster is

    smooth, in contrast to the representation published by Martin. 32

    See, for example, Borrmann 1888a, 15, pl. 29, 2 (Akr. 135), where the canalis is

    rendered in slight relief and double fillets border the volute coils on the faces and an egg-

    and-dart motif is carved above the bolsters on the sides. Meritt 1993, 316; 1996, 125-29,

    143-47, nos. 1-4. McGowan 1993, 95-96, distinguishes Akr. 135 and N.M. 85 from the

    others on the basis of their incised decoration and concave canales. McGowan 1997,

    214-222. 33

    Borrmann 1887, 8, no. 1, pl. 18, 1 (Akr. 3853); Borrmann 1888b, 280. 34

    The single exception seems to be N.M. 85, where pendant leaves are incised on the

    echinus: McGowan 1997, 215.

  • 30

    35

    McGowan 1997, 210-14, pls. 55, 56, 57a (Akr. 3776, 7797, 13302), who dates them

    between 490 and 480 B.C.E. 36

    In at least two examples, however, the echinus is given a cyma reversa profile: Akr.

    3776, 7797. 37

    In fact, the juxtaposition of two different types of surface treatment characterizes an

    entire series of 5th

    century Attic capitals, as discussed by Meritt 1996, 136-37, Type IV.

    Another example of different treatments is found in a piece known as the capital near the

    Tower of the Winds: Alzinger 1972) 201-202, 209-10, fig. 37 a, b; Korres 1996, 110, n.

    50, fig. 31. The difference seems to be limited to the canalis, which is flat on one side

    and concave on the other. 38

    Korres 1996, 103-109. 39

    Mbius1927, 167-70, fig. 3, pl. 27. 40

    Mbius 1927, 171-73; L. S. Meritt 1982, 82-88; Meritt 1996, 163-66. 41

    McGowan 1997, 229 n. 93. 42

    Akr. 124, with a cyma reversa echinus, is considered by McGowan to represent an

    initial stage in the development of the two-tiered echinus with cyma reversa base profile

    and dated to the last decade of the 6th

    c.: McGowan 1997, 217-20. 43

    McGowan 1997, 210-13, 217-18, 228, who dates the Archaic capitals, Akr. 3776,

    7797, to the first quarter of the 5th

    c. 44

    McGowan 1993, 100 n. 66, cites two other small-scale capitals with multiple-tiered

    echinoi from the Acropolis, neither of which has an inventory number. Both are

    published by Puchstein 1887, 8, fig. 5; 10, fig. 7 and Brouskari 1974, 38, fig. 51; 45, fig.

    78, respectively. Brouskari labels both Archaic, although McGowan places the latter at

    the end of the Archaic period and the former mid-fifth century or later. See also Meritt 1993, 322, who considers the capitals probably from the fifth century. Meritt 1996, 135, dates the unnumbered Acropolis capitals not earlier than the second quarter of the 5

    th century.

    45 Architectural examples include two capitals from the Athenian Agora (A 1130 and

    A1893), one of which is a corner piece, those of the Temple of Athena at Sounion, and

    some from an unknown building at Akarnai, as well as those of the Athenian Stoa. The

    Agora has also yielded fragments of others, as discussed by Meritt 1996, 131-36, Type

    III. The date of each of these structures is not precisely determined. The Agora capitals

    have been dated by Meritt ca. 480-470 B.C. The Temple of Athena at Sounion has been

    placed variously in the decade before or after 450 B.C. 46

    Korres 1996. Although he does not provide a specific date for the building or the

    members attributed to it, Korres implies that it would have been from the Classical

    period, thus the second half of the 5th

    c. 47

    McGowan 1997, 210; see also 229-30 for an explanation of this development. 48

    Meritt 1993, 323. 49

    McGowan 1997, 228-31. 50

    This capital was first associated with the Naxian Stoa by Courbin 1982, but has been

    reassigned hypothetically by Gruben 1997, 363-72, to the Hexagonal Monument. For the

    Naxian Stoa: Hellmann and Fraisse 1979, 85-124; Martin 1973, 392-98, nos. 12-17, for

    capitals; Bruneau and Ducat. 2005, 199-200.

  • 31

    51

    One of the capitals was recovered at Pheia, the harbor of Olympia, and published by

    Mallwitz 1980, 372-79. 52

    McGowan 1997, 226-27, 229. 53

    Meritt 1993, 317. 54

    McGowan 1993, 28-34, 226-232, 236-39. Cat. Nos.15-17, 19. McGowan 1997, 226, n.

    83 cites four Cycladic Aeolic capitals from Naxos (Delos) and Paros bearing two to three

    central astragals on the bolster. For Paros Museum No. 1006 + 1007, see Ohnesorg 1993,

    116-17, with a date at the turn from the third to fourth quarter of the 6th

    c. Paros Museum

    737 is briefly discussed by Gruben 1972, 379, fig. 37. This seems to be the same piece

    that Ohnesorg 1993, 117, pl. XXII, 3-4 labels a perirrhanterion of the mid-6th

    c.

    McGowan 1993, 33 suggests a date in the first half of the 5th

    c. and McGowan1997, 226

    notes that it might possibly be as late as the mid-5th

    c. The unnumbered capital from

    Delos is discussed by Martin 1973, 375, no. 3, figs. 4-5 and Delos 202 by Vallois 1966,

    165-68, no. 2; Martin 1973, 374; Ohnesorg 1996, 44, n. 31, fig. 4 a-b, who dates it around

    the middle of the 6th

    c. In Delos 202, the central element of the astragal band is wider

    than the others and is described by McGowan 1993, 236, no. 15 as an arris. 55

    The treatment appears on a presumably votive capital from Eretria datable about 500

    B.C. as well as two votive examples from the early 5th

    c., one from Halicarnassos and the

    other now in the Ankara Museum. For the Eretria capital, see Kallipolites and Petrakos

    1963, 126-27, pl. 62; for that from Halicarnassos, Martin 1959, esp. 66; for the Ankara

    capital, Akurgal, 1961, 279-80, fig. 249, dated 470-460 B.C.E.; Alzinger 1972-75, 180-

    82, fig. 11. 56

    Akr. 3850, 124, N.M. 85: McGowan 1997, 215. 57

    Athenian Agora A 3054. Meritt 1993, 316, fig. 3; 1996, 128, 143-46, no. 2, fig. 7, pl.

    33, who dates it to the middle of the 6th

    c. 58

    McGowan 1997, 211. 59

    Asklepieion: Martin 1944-45, 343, fig. 2. Marathon: Meritt 1996, 128, dated 480-470

    B.C. Agora: Meritt 1996, 134,158, nos. 16A and 16B, figs. 23-24, dated 470-460 B.C.E.

    Acropolis: Brouskari 1974, 38, fig. 51; 45, fig. 78. 60

    See Korres 1997, 98, fig. 7 II; McGowan 1997, 213-14, pl. 56:d for Acropolis 13302,

    which is tentatively dated 490-480 B.C. Central astragals are also found, for example, on

    the bolsters of two very similar painted capitals from the Athenian Agora, on a matched

    pair from the Agora (A616) and Acropolis, and on an example of canonical form from the Acropolis: Meritt 1996, 154, nos. 14A-B, figs. 20-21; 163 no. 18; 167-69 no. 21,

    respectively, all dated later than the Athenian Stoa capital. 61

    Meritt 1996, 134. 62

    The addition of an abacus to the capitals of the Stoa and other Athenian monuments

    also distinguishes them from Cycladic examples, which generally do not include abaci:

    McGowan 1997, 223, 227. McGowan attributes the change in Athens to influence from

    Doric capitals or from the crowning of the cavetto capital used for stelai. She associates

    the use of a cyma reversa profile for this member with the development of other

    characteristics of the Athenian Ionic capital in the late Archaic period. 63

    Amandry 1987, 80-92. Bommelaer and Laroche. 1991, 188-89, no. 518, fig. 79. 64

    Daux 1922. Still another example of the type, from the Ptoion sanctuary, was

    dedicated by Hipparchos, son of Peisistratos, according to a reconstruction of its

  • 32

    inscription: Bizard 1920, 237-41 and fig. 4. It is dated by letter forms and historical

    circumstances between ca. 520 and 514 B.C. From the photograph, the profile of this

    piece may be slightly more complex, but it compares at least to some campaniform bases

    in being reconstructed as a support for a votive column, perhaps in turn bearing a statue

    of Athena. 65

    See the table of proportions published by Wesenberg 1971, 125 for sixth-century

    buildings. In the Athenian Stoa, the torus measures 11.8 cm. in height and the spira 10.4

    cm, for a proportion of 1:0.881. For the Metapontion temple the dimensions are 36.1 and

    24.7 cm, respectively, for a ratio of 1:0.684. The difference between the two in the latter

    building is clearly much greater. 66

    See Wesenberg 1971, 130, who notes that other scholars hold this view, although he

    argues against it. To be sure, the Attic-Ionic base does differ somewhat from that of the

    Athenian Stoa, in that the convex curve of the spira is eliminated in favor of a full scotia,

    while the base astragal becomes more prominent. Nevertheless, if one accepts the

    position of the Stoa bases at the beginning of the series and their possible influence from

    nearby votive bases at Delphi, experimentation is to be expected. 67

    Onians 1988, 15. 68

    Walsh 1986, 333 and n. 62. 69

    Hellmann 1992, 116-17.