Qreat nn'sc s not create by great muscans. It k the vor o1great melL hey are not ft.e oth'er tnen for t|tey o not frayeamqtoTls, tfrey hale reams. )4/e create Caron lvlusic so thatther reams wou not ae forgotten.

.f o g,on ?fsca no es o6ra e grtnes mscos sno e hombresexce1conafes sn atnbcones J'ero con gra'nes sueos.

^fosotl,oshemos creao Caron n4ustc para que esos s ueos TLo seanoh,'lzos.

r-a Brana? musrque n est ?ar creee par ae l l rands musrctens.T,[[e est tpl,nre e gral.ts homnes, honmes hors u Couw|n1tn.I[s n'ont yas ambton, [s ont es ryes. Nous allons crCaron n7usc 1cour que feurs ryes ne soent Lts oubfs,

3{antt on '|ar D omnai?r e s 'ent' C ar on hlus r

Vicente Emilio Sojo

Works for Guitar

Vol3

Sx Tenezuefan Dances fromtfr.e rg'n Century

ranscrtbe for Lwo guitarsby Afonso Monts an Iina Ktrcher

Revised by Alirio Daz

,,\ ,

Vcente,Lmlo 5ooIk.e Jater oflenezuekn musrc

s{e oyyoset{ |ik co1'mt1.y,\ L)ctdtorsh! anc was e[ectec[ seyera[ tmls d senlltor o tle ?c?ubtic ng t|ierenl1.n to tf12 emocacy 1|ftcfr he act^,e[! |uorte'

tente Tmrlo sojo eL Cclacas on Au|,ust 1974.

1zy rcpnte'Ln1ho soJo L\ n| o11[y one othemost sBnltdnt igures n the cuftwa[ hstory oJlenezue[a but akocL mod[ an ilte[reuat rerence oftfu hghest mortanca

sojo i,as 6o1n in 87 in Quatlre n the state o ]nnafu{d' war the estate o,Pafe sojo' lvho tllas hnseff tfucieatoT o t{ie ]8,t Centuy n1L|ta[ moyen4nt Ltu\n a5 t|e cf,Lacdo scfloof.

3{e b?J]an Lis 1|l1lscd[ stuus .wth tfu \Laestro ,, Catt'L Brguo ?co' Jrom hom fu receve a goo{musta[formiiton, genetous[y g^,en ree o cidf1e. sojo began wot.ing as a'ch[c[ so that h2 cout teh hs am|:1j.at tfu age oJ 4 |ie sett[et[ m Caracas ytere |ie Nent to the Actlpmia e ttseffes ATte| (no tIe tscue[a.de

'\lusc{L Jos Anle[ lamn, to sturfy harmony .||th Ancfrs De[gacdo Paxdo. sojo ako stui. on hs o.\yn ustL7 thP

tiea"y oJ harmony ant{ conntelont by :]{[afn TSNL a comJ,oser Jyom Naarr''

ii' rst comlost1ons \ere wrtten at th! lprn: t1e sLrq qllartat fi t], te trisd Cora[ in ]915, tp lMis&crntca ii ou, tfu llsa a santl7 Tdu1]uls m n'q and w :l'hsa n santa TJ1lena n 4.35; other refqinus\|orfr| : L\otets' tfu Cantcrta' the Requem ln tr,lp|\onam ?atrts 'latrue; choraf anloca[ltor[s; chfc[ren\ songsan nunerous atrangements an harmmisdtons o trac'tona[ otk arupyu[ar me[odes om jenezlufa.

In $3o' ycente Em[o sojo create the lenezuekn Sym1lhoty 1c|iescl 1|th ycente xartucc &ncl. ounc[er{tne oion famas' twl o tfu most |restBolLs mlscafn|ttuto1ls menBzupfa.

In ryz, he was nmnec{ yroJesscr oJ utscat heot^y dt the rscueh suJ'eo| e Jvttuca oJ lhich fu becnneDlrector n l,36, frnfLli.n8 this lostolx nr srlotty 6eorc ns cteatfL

3{e ,wa! the it{ea[ mlsc teather. [14 resu[t of thts lor cat 6e seen iL the ne.\ generato11 o contemlorcLta\enezue[4n Nato17a,['composers ,whuh fu for1mect ncfu.{tn.lt Angel \ducp, Anton1o

.Estyez, Tvedo Casie[Iatas'

Alono Jos rla,,nos, Car|is !:]uereo' qozab Caste[[ano Anonn tauro' Jose C[emefute Iayd' tstnta Tsre[I434anxe[,Ri1nos' Inncene Carreo, Anrs Sanckwa[' Netty x\ek 'LcLnt. Jos Ius xtu:1xoz, .t'eqPotltn tstinls,?'amLfufo ?ereia ,I|!7t4, Ll,ochstll Bor ancf Jos Antono AbreL

:){e ,woraet{ l,th ayoton n tIe rcsedch. com?[aton and [1a1.mon5&ton o a ast relertoie o trato1,La[jenezueLtn nus1t 1\,hkh woufcd otflen|,ise certafuty h'aye |leen [ost at tyoull{ h,e isa}eare om tfumusita[ memory of hs country.

Duo tVlontes-KrcherIr7u1 Kcfu & A[o|1so j,|ontesA Na1"r,!rqe o.t'oe an 5|usit

rrJ hP pnp.uphn !'r,1tar6t c,mPoser Alonso 5|onte| ak hs qermak e' Inn Kicner mae tleif e6ut ds a

,l]tar uo m ]f,81 ' 7Iley are iow constere to e one o the 1Le5t uos n tfu uor|tl. yroucttg 18 ecorxtgsan'yerfomllnq more than a lh,usdnc{(o11rens tn J7 \ounlrP''

[Le Intem$ton&[ yress h"as been unanmous n ts fecoglxtion' Tesyect an a.mcLtofu or the Duo, inlaria'tyyrasng ther viuoso techn4ue, th, yrecson a1x co;1x|tkt! oifur }eormance' th ellemtess of sown, anuat x prials mast important' tfr'e en(|rnlous emot(,nafranBe \]th,|uh'cfr t|iey toucfL thef a:uienlJes'

n9 's a uo n the tration the most amous o atr ritaf uos, fuest.taqoya.

hey hLe twht at tfu most m]'ortant eents n the Interfurtiona[ Quta caft c{a, inct nq tfu CambrBeEuliar Ieshv;t, 1e ca ngton summer schoo[' an tfu gutar estlak I 'Los An7eres' \etfu1rlv" Ea1Lsfr.tsrusse(s' Bar,eftna. Parl

Vicente Emilio Sojo

Works for Guitar

Vol3

3{no [.nntseautfut Cht{

(Chrs{nns Caro}

ALlre a= 1oo

Harmonsed by yicente Em|io SojoTra sciber|or fuo guifurs 4r

Irina Kircher arut AlJbnso Montes

Pia o o the repeats

Gtr. 1

Gtr. 2

Gr. I

@T" , i,

I-

1. 2',

CJtr 2

_3_ 2III-L- -;

-.'.. , o o.-. -,-

o,-o

-a -a -J=- oj

r , ,

r J _-____roo oj - !

oGtr. I

Gtr. 2

1)l8 1aI Il

-=r0 ,

i ' I Ln L-._..-- 2l l I

3

oo-J-

a 1'

Ga. 1

Gtr.2

rr:o (

l I

(1) a

-J-

(

Gtr. I

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r

Gts, 1

Gr.2

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3

rit. p Fine

- -r-, l-r -

-i ' l-1-1

rr r

Tno Lnotseautfu[ Ch[d

(Cfrrstm!]s CaroaHatmonsed by |/cente Emilto Sojo

TaL,ctibed Jor two guilars b},Irna Krche| and Alfonsa Montes

t

2

I

2

1T^

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o

P4Iar lhe repeats

Gtr. 1

Gr. 2

o

1

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, ' _"-j r 8.[r 6.--''[fr

r-

vr ( "

Fine

T[afsecitoItt[e,-Wa[tz

Hatmonised by Vicente Emilio SojoTanscribed for ti,|)o guihrc by

Irna Krcher and Alfono Mones

Piano and Pontke o or |he repet|tsl,16

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al \ t\ r .\"9 o I t( )

r 3 2 3(^@

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nw

Gtr. I

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ct. 2

Gts, I

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r l

ro

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Gr. 1

Gr.2

,11 l38

d= 4r;n"1 t)'

Fl 7

o|\ |ooN

gf' 1Y

r)

Gt' 1

Gtr. 2

Grr. I

Gtr. 2

cr. l

Gtr. 2

Gtr. I

G. 2

a-

a-( r rfi r. r

.?"?t ??r

I

1 N), *

1

Que no te quera mds"I sftoufdno [onger [otre you"

(Love Song)

Hatmorised by Vicente Enilio SojoTranscribed far two suars bI

Itina Kircher and Aubnso Montes

Gtr. I

Gtr. 2

GE. I

GE. 2

Ro, ' ))*

r\.usr N.1 a '2

-_T_

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lIi,6 -........ _

(t

GE. I

Cn:.2

Contraanza

Hanofiised by l/ice te E ilio SoioTmnscfibed fof two guiars b)

Iina Krche| and AlJbnso Monte\Modeato .-72 ao

32oo^]

Iat' Mezzo Piano and Po rce oIor th? t"p?ats

-:r 'o

2

Grr. 1

G 2

cir- 1

&.2

;; zc

l l

A, ^.?et ? a-tr2" 2(

{e++p F f? ^.a-

Gtr- I

Gtr.2

Dormte mi }[noS[eey my cfrl Hatmonised lry l4cente Emilto Sojo

T|E|lsctibed o t|L,o guitars byIrina Kirche and Alonso Montes

Guitar 1

Guitar 2

=

, , @ liL ,-) i +

+---1-----]]1

d

lra" I *

-21tzIl1l

'lJ, I

3ts. I

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a

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aM. Stlos-

t a i"i

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fro "**

.'m.3.lor- ms.3.!.s -

ar^.3llos -

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oM' 3d _ am3.lrs_ ,rm. Sdor -

.[.a BartofaaHanno ised by licente Emilo Sojo

Tra scrbedot two guifurs byIrina Kircher aruL Alfonso Mones

\aJ' = seSuitar I

1/2lX

* --+iI n-l .=7 i-

Gtr. 1

Gt. 2

-L-a,=,L.aa,-f?,

I I [aTr rr. r...-(41 ^\r

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I

lJ tin Co,^, hustc Tdltu||s are yrelare an rellse 6y A[iio Dnz .Ln' 11tu'2 a ftvBe coecton o n1]sc

or 7utaf ronL tha fi,r Centwy to the,J,resent ay.

'We afso 1uifrsh a targe setectn o |r sc or orcfustrL lilLno dnl o1re n fdditou)' Polu[ar ctn' Ctsscafstyks.

In yrelaTing the sojo etons, ,\ye f1ae alLr\ere ctoset! to hs or|ncL[ matu.scryts wlch hnle bee1x eisecf byAro Daz.

,we haye nc[uet{ bo ersoB o the chfbtmas Caro[ '^mo 'tno',. one lesoh s ik 2fu as orBnay ritten

6y J4aeso sojo an o,Le erson in 5/8 as ?eto|.nxe by tli2 1lo 3\ontexicer'

Las tdtctotvs para gwtarra e caton1 5lu5k 14n so lf e?ara'{4s y ft,isaas pr A[o Daz e inc|]ryen unn'hl ga

'plp| l nn e fiusn a e'e e( sqto X\I hasla [os l pm|os lrPcnle'.

,}\ttxamns, a'erfu^, Tr|isca ?axa orquesta' liano y voz e laraos est[os kc[uyen'o mtuica fofF,!rica,pyu'tar y cisca.

AI Weparar tas oras e xeflte tmro sojo, 17os he,lLos aante|Lo extTemac[imente fre[rs a s m luscrtosotginnks, ks aahs fran sito resaos lor A[rio D,az.

3{enns inc[u([o c{os lersones e[ agunato .No tno.''uh en 2/4 conn sojo [o escri ot8:|W0nente, yotra e,L 5/8 2 acuero a [a mterletacn e[,Do 3|ontexrcher.

fLes e,t,ons pour gultare e Caro|1l

^lusir sont.J,r?ares et rkes,J'ar Afro Daz et nc,e1lt }u wge

se[erton mu'raft cyul' le X\r:v|ft'Juqua M|re P!oq|E'

Caron !lusc yub[i2 clllssi e [a musque ou orcfustre, !eno et ok' e styfes ler\ cxsique, fo[Fkrique etpyu.fare.

?our ]Jr],arer res @1nres ejcente mifo sojo, nous so'flme' ests trs ),rs es marlu|cts orna1lx, [esquek

Lrent rl,ls ?er Afiro Daz,

!,[ous aons ruhts eux esons e h chauon e Not,,^qa n''. 't'a '),|e iie est en 2h setolx [a ,rsonoriginae dumaestro sojo et a tre est eII5/8 teffe qu'eIQ estjouelaI [e uo 5|oites.Nircfur.

TJt t a great py for Caron| to ]Jubfsh the orps o a7aestTo sojo' the atfu o \enezue[an 31115c.soio\ msc rinn ts Beauty

'anim?ottance \,th {1at o te'great om7oses of the 2o,i Century.t s a treasue strto be djscovere an fuye'

fta:ve aha,ays Jett th&t 1redt colk?osers o not 1vrte m sc, they ,\rte the [es. he musc'of'

:^LaLsto soj; 5'a ?erfect.relresentaton of the man libnseff . dssonate, tlrentec(' cre&tye anfite1|th the ntegrty o [Teat tten.or enezuel uaetto So;1o symbo[ses a t|iat s goo anr{ dr tli'at s yure. 3{e eresent, not onfy[Ls j{atona[ cu(h]e but a[so aprofounc( qeauty that s d unyersaf Lutguage of tt.uth dfut li]rmanty.

It x ow. flo|,e that this 7reat nlusc may tae ts JJ[a'ce on the oT|' st&ge to the erlght o nusc [oe.rsan t he g kty of enezue z

As etor, .lvou [,e to ex?ress my yey ?roounc{ grttur{e fu rrft sojo an hs c|iil'ren Aqufesan Artene for g:vng us t|i2 |ionnur oJrartlrryat,n8 \]Ith thpm n th$ great aenture.A, aJ:rrcnct' I ,;Inor.tfrdnk lh?m ?nough Jor !h^ a|1 oI I onJi1?n| e annen'shtJ' 'Mn?5rro so|o |' fr l un,fe tndp?1 lhdl ti q,ot,t,o' wnu n te yo' 'eue'have bepi 'o ' j tnptu l ra8'm|l lpto his fuy ,wh ,wtt e abte to hot' hx mmory uy to thL ti?ht so thdt t mght sne oier ocean aru{]JLan afu{enter into the hearts onen.

rTLs una gran afegrta yara Caron nLusi ?ubfcar [as obras e[ yc.estro ^vcente Emi[o sojo' yaree fa mkica yene2o[a:|14' La .nrs,na merece, or su bet[eza' yrofunctia e mortancill. utt hqar afIizcto e tas o6ras {B tos comyostores 1ru^ mlortcntes e|: sgro xx' Es 7tn tesoro aa ser c[escberto y

.Los 7ranes co7nostres no escrben rusta' escr,en su! ic(as. LcL 11tsca ef nl.Lestro sEo es t17yetficta ex?resn t[e[ ftomfire msmo: a.pasonad ta[entosd, cTeatiyc| y JJreM e l'a ntegrt[acl. de tosar7|.Ldes hombres.bara enezuez ef !^4aLstro sojo smbofiza tocfo aquelIa que es ?uro y beno. R?yresenta 7o sQ stlcu[tuxa n.lcLtra[ sno aBms, fa bef,[eza que es a su ez ef tenguaje unie1.sa[ e t lerc[a y e fahuwzna

!enemo\, md, qup la ?5p?ranza, (a certeza que esla musrca vd ct ocul1ar un fugar muu tmportanle ?nere5|?narw mntat'yara !, l dbr!.ule c{e foi ptegoo', ap n' amanle t{e h nu'su a u ara ta g[ora eenezuea,

Como editor' quero ex|,resar m rouLa' grattu a rrn sojo y a sus hios A4u[es y Arfene yorlia6e1.nos penntda e[ lianor e pdtcpaT con effos en esta hermosa aentura.Como am1io' no tengo pa(abras'sufitteites para compensa.r est& pl.ueba e confanza y arnxtat{.1! 'Mae'|o solo ?'.rpalmpnLc afo|rnnaao porque :us prande' cuaft,{aes han. ,ao tan eficadampntptransmito sw fiereeros qu1enes manienian su pmor,a como una tuz 6ri[[nt{o sobre oceanos ytarulras yara entrar en e[ corazn e ros hom,bres.

|-'est avec uw gratue 1ot que Caron 57ust Jntb[e fes @1les u j4&estro cente mto sojo' tb?re c ta musque c(1L nzu[L .fa nus'que e Sojo' par sa beaut et son m?o|ta1ue, Jrrenlce1arm ce[tes es 1l[us gftLns comyosteurs 1'L XX-" scte. .Ee est un trsor d cour:r et Li cherr.

J'a toujol11.s eu [e sent:,|I.nt que [2s com|'ostews n'caent JJas e Ll musique, mds fp1ff ye. .tamus41l2 u L\aestro sojo est ra]Jtu larate ex?esson e son caracte . ?assonn' cfat et em[une ntBrt ?rg)re B g1,ans honmes.rour k nu[a' [e 5,tdesto sojo symo[se m .[a[ e uret et e bont, [ e?rsente nonseuement sa cu[ture natonak mds a ss ne aeant nersere tfans un |'angage c[e t etfrunant,

],tous esrons que cette gran.{e n squ? tTo\.ye sa J'[dce &ns [e concert u mone ?ouf tb !fus grafufqonfuur es m[oma\es et lo 7 JJhls lrane gtore cu nzufa.

Tn tant qu'iteua' je souflate ex|'rmef ma yrnr[e reconnassance ri rrn sojo et ses enfants,Aqure, et Arrene PouT nous al,or olm opyorhmt r[e ?atd1eT cette Brane alenture.Tn tant qu,am je [es emeTcl trs cha[eueusement )'ou:r (& conance qu,fs m'ont accore.Le ak7estro sojo a eu fp qonheur e transmettre fes granes quafts qu'fossc[ait a sd tfescenen:e,zque(te honorera toujos sa mmore, e sorte que sa 'Lmre b[[e ans [e ceur c{ps hommes au.de[iides ocans et es y[aines-

1,trf V e wout p to ip o11, tleppst ant[ sfLcerest t[1rLnps to Carotx nfus a11' ts I\ese\t Count ?eter

j{am[ton LLacDofihfuL[I, ts ce ?eschnt 3cLestro A[rio Daz a to ?foesso 3{erney ],lir1lor alI thntthey hav one fot us dn fo tfrPt otp, n tfu yrouction cLn yromoton of ttese com?o|tions L enezuefaaru{ tfuoughout tfu wor[,

frn lkent e sojo :],|onter oCaracas, 3"arch 2oo].

Nuestro lrouno y sincero agIaecmento }aa caron lusc' a su ?resente e[ Cone ?eter 3{am(tonl|acDom|ina[[ a su ycelresiente \[aestro Aftro Diaz y a[ ?roesor 3{e1"ney 5,aTbL ]Wnente, nuestorecoiocimi'ehto or (a klo constdnte w eros esem?eLaon haJta [a lubticatin y j)Jn e estasCanturds erL e 42 2[a y etnlm{o,.

x n cente soj o \tont eroCaracas' narzo p 2oo1

Nous ac{essons notre yroJone Br&ttur[e li Caron xusic' ti son lfsent te comte ?ete 3{dm[ton]'4acDomlinat, d son icersi.{e|xt te maestro A[o Daz et au ?toes|eu 3{e|.ney xlariL et notrerecotvnassance 1ow fe taal, cont n qu'k ont ourn }our ?uref et c[user ces o Canfuas , au lnzuLtet mu fe mone,

rn ^l/cente sojo onteto,caacas' mds 2oo!,

our sncerest tfrans to.EJrn sEo an hs ch.(en Aquiks et Arkne' the amq o Antono 't'a To' the a1n^J o R'a1it tso1,Bes'vo[lln'l figuercc{o e ,I

Si* ,tn,n, from the Caronhusc corecton are a,dn,bfB in tie CD ,' usc of s}ain a|.fat,1

A,fueica,, (Ca:rolLi ]|ltuc) 9erfor,lhe {iy A:ro Daz.

ses pezds toma'r{ds e |1:L Coeccn Caron n,hric esttin disyonbfes eft ef CD ":Mllsc o sJ'din an.fl1ti\|Ambka'' ( CaI. on 3|1us c ), ntetyr et acz 1oT A[ro Di|Lz.

sx pces extr.Ltes ! ! 7 co[\cton Caron ^lusc

sont s?onib[,es L{ans [e CD ,,51usc o s|'&n an[

't.dt'n Amrca,' (Caron nl sc\ nter?rte ]'& A[To D!.z.

ot l C zool : Nataliayeke N" 3o[ 2 C 2oo2 : rf j'|a:rabno' Angosha, Caror&of 3 C 2oq : aa Lusa, f'|dtafa ake 3" 3

of1o C 2oro:.E[ohmo 2 Quaends

foT eI nornLdton concernn| CcLron aLusic anr{ ts ?ubfc&tons an CDs' yrces an etveryscheu[es, ]lrease contact :

?dr& mayol- nfonnacn so6re CcLon lMusc ls econes y scos com?a1tos' ?reLns y feL|ia\ es?onrirl' ueen contactan\os tL [,Ls sgILentes reccoILes :

Pour toute nonnaton conceTnant Caon:}i4usc' ses tons et ses CDs, [es J,rix et c{ates e [1.rason,ous ]'ouez nous contacte a x atkesses suyantes :

Carunl Slusttchteau Atcangues 61200 A:I1c.L}'tEu.Es . f.ILA.NC

FtLx : oo ss b) sso li lo 41 ' E.maf : caronn'lsc@hobn@Lcom

.Atk|ratsc{ t tsA:B, rue e Ioustcl[ot - 61200 .Lj'{qL.E - J.:I1.A.NC[: oo 3 b) 55g 52 84 oo . .ma[ : cLtfantca@dtfantcd.r

Caron fuluscrtor cLnDrector of tfu .Ecttol1s :

Ai|1o Diaz

?esfuf,ent :? et er 5{amt on lr|atD mn'aitr

Assocate ?fouces :urc2t Arcanquzs an' Lo|,k ?2e Arcdngues

Co oinator of the editD11s :ular,'pba T.o6erti

Drector of the tr 1scrptorL team :Ahra f. Ea'a

?aqe sett:|lqs'':Jean."au EesCo1,er es,]n :

^ta&ge Dafteb1!., asie s?dtaru. 1.int Ah2tz.ftcfrzbe, Iern2 I4u2t

Coye alnting :PiIai lazque z

Imstatons :K'ea AFxo (zigar)

CARONI MUSIC CATALOGT]E 2OO1- C.2O2l Yol. 2l

(suire and orchestra)- C.2022 Yol. 22

- C-2O23A1516 YoL 23-21-25-26Sonss(voice and guit) (i) (ii) (iii) (iv)

- C.2O27B|9 Yol. 27 "24-29A[msements (vi) (vii) (viii)

- C.2030/31 Vol. 30-31Songs by venczue]an composes(voice and guit) (i) (ii)

- C.2032l33 Vol. 32-33sonas by Europee Composes(voice md suitar) (i) (ii)

- C.2l31l5l6n YoL 34-35-36-37Guit Trios (i) (ji) (iii) (il)woks for Vious Instruments

- c.2038/39 vol. 38-39chTal woks (i) (ii)

- C.2040 Vol. 40

- C.2041 Vol. 4l

- C.2O42 Yo'. 42

FBANCISCO RODRIGOwo.ks fo Guita

- C.2043 Yol. IMadriga] y Danza de Cocjo N" 1Mafuiga] y Danza de coejo N. :]Madri8al y Dmza de coeio N" 8- C.2O41 Yol. 2Suite

- C.2045 Vol. 3

(guift and ring trio)- C.2046 Yol. 4co..ieto en GrdadaGuita. md sma]] o.chesta)* C.2047 Vol. 5Fantaia pea Platero(guitar and sma]] o'!hera)

GENTILMONTAAworks 1br Guit

- C.2048 Vol. Isxite co]ombia N" l- C.2049 Vol. 2suite Colombidna N' 2- C.2050 Vol. 3Suit co]ombiana N" 3- C.2O5lJ2l3l4 Yot. 4'5-6'7original solos (i) (ii) (iii) (iv)

- C.2055/6,? Yol. 8-9-10Anmgements (i) (ii) (iii)

IGNACIO < INDIO > FIGUEKEDOworks ibr vious Ilstrumenl

- C.2058/59 Vol. 1-2Arrangcments fbr GuiLa; Alirio Daz- c.200l1 vol. 3..r

- C.2o6z3 vol. 5.6

!\TONIO LAUROsbrks for Glit- C.2001 Vol. 1

-.trrrerna vilse N. 2

}ffb - VaLsc N'.l

- C:0O2 Yol. 2E \1abino

- L-:fl3 Vol. 3

1oL llab un tema in|iti]

LUIS FEI.IPE K4MON Y RIYERAWorks for Voice and Piano

- C.2O61/65 Yol. l-z

e{L BoRGEswoks fo Guir- C.2O66/67 Yol. 1,-2

VICENTE EMILIO SOJOWorks lbr Vdious Instrumenrs

- C.2068 Vol. rFive velezuelan Mc]ocs(lrmscription tbr guilxT ] Ali.io D)'- c.2o9 vol. 2Three wok for Guit- C.2(t0 Vol. 3six venezue]o Dalce1 lfu 19 cenfury(trdscriplion f two guitm : Montcs / KiFher)- C.2(t1 vol. 4Two woks fo Guitar(irmscription tbr suilar: Alirio Da)- C.ZWZ Yol 5Diez Ceciones infanriles- CJr3 Vol. 6

- C.2W4 Yol.7Diez canluas infanri]espara 1os esco]Ns venezo]nos- C.2()75 Vot. aTrcs Cacione' pa ios- c2w6nB/9 ol 9.10-|1.\2M.ligles y Cmciones coB1$ (i) (n) (u) (i\ )- C.2080 Vol. 13

- C.2081/82 vol. 14-15Aguinaldos poputdcs vcDezolanos (il {ii)- C2oa 1|6n/8 yd. |6-17.1v|9.2o-z|Cancioncs poPulares iezolanas(i) (ii) (iij) (iv) (v) (vi)- C.2tl89l90 Yol. 22-23Canturas y Danz.s vcnc7o]nas (i] (ii)

C.2091./92 Yo'. 21-25

de1 niiio vcnczoloo (i) (ii)- C.2093 vol. 26ftifue cuademo de Danzasvenezolanas del Sigb Xlx- c.2094 v