pf handbook pro

5/24/2018 PF Handbook Pro

1/37

|

SPECIMEN MANUAL

PF Handbook Pro

OpenType PS

supports Latin, Greek, Cyrillic,

Eastern European, Turkish, Baltic, Vietnamese

glyphs /ont

proessional kerning or all languages

opentype eatures /ont

weights

sophisticatedopentype fontsfor designerscreatives

visionaries andtrendsetters

_ _v../


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| copyr i ght Parachute Wor ldwide | a l l r i ghts reserved

:PF HANDBOOK PRO

contents

. about Parachute

. OpenType and Parachute onts

. how to type multilingual text

. ont credits /specs

. the designer

. available styles /ont weights

. supported languages

. the ull character set

. supported OT layout eatures

. samples

. acknowledgments

NOTE: All Parachute opentype ont names come with the

prefix PF (e.g. PF Fidelity Pro), a shortcut or Parachute Fonts


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:PF HANDBOOK PRO

aboutparachute

THE COOL, THE CLASSIC, THE ORIGINAL. Parachute landed in , but it wasnt till

that it started operating as a ull-scale type oundry. By then several designers had

joined in to orm a select group o open-minded, ree-spirited indivinduals/riends. Graphic

designers, illustrators, educators, typographers, with resh ideas and a strong desire to

design sophisticated typeaces which reflect current cultures and trends. Parachute is

based in Athens and is the major ont supplier to most publishing houses and advertisingagencies in Greece. It has built a strong network o valuable relationships with custom-

ers in Europe, United States, Canada and Australia, by providing custom ont services and

corporate ont licensing. Its clientelle includes multinational companies such asIkea, Vo-

dafone, Nestle and Unilever,advertising agencies such as DDB, Leo Burnett, McCann

Erickson, BBDO, Saatchi & Saatchi, Lowe, TBWA, Spot Thompson, publications such

asNational Geographic, Playboy, FHM, Elle, Vogue, Harpers Bazaar, Marie Claire,

PC Magazine, Lucky, PC World, Votre Beautand many, many others. In the last

years Parachutes designers (a.k.a. Parachuters) have won three major typeace design

awards, while their work has been eatured and extensively presented in design-oriented

magazines. The year marked the beginning o a new era or Parachute with the

release o a major -page catalog, which contained Greek and Latin typeace speci-

mens. This catalog/book included several classic revivals o historical importance, as well

as many original ont designs. Since then an emphasis was placed on multilingual support

and OpenType technology. In the spring o Parachutes first opentype Pro ont

was released. Archive Proan award winning typeace with multilingual support (over

. glyphs/ont), kerning or all European languages as well as advanced typographic

eatures, was first presented at theAdobe Creative Days orum, which was held

in Athens, Greece. From then on, all Parachute onts have been redesigned to offer multi-

lingual support, which includes major scripts such as Latin, Greek and Cyrillic.


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:PF HANDBOOK PRO

opentypeandparachutefonts

OpenType is a new ont ormat developed jointly by Adobe and Microsof. This tech-

nology is becoming the new world standard or ont development. There are three ma-

jor advantages over older ormats such as TrueType and Postscript: 1.Cross-platorm

compatibility (a single file or both PC and Mac offering absolute compatibility between

the two platorms) 2.Multilingual support (multiple language character sets can be ac-

cessed rom the same ont). This is particularly useul to advertising agencies, publishinghouses, multinational corporations and every other company small or large with accounts

and products with an international lair. Most Parachute onts come complete with a ull

range o characters to support all European languages 3.Advanced layout eatures (an

exciting unction which provides access to advanced typographic eatures such as small

caps, ligatures, oldstyle figures, swashes, etc). They enable the discriminating designer to

set text proessionally and add a touch o class to the page. Parachute openType onts

with advanced layout eatures and multilingual support are distinguished rom the other

simple openType onts by the word Prowhich is part o the ont name. The advanced

layout eatures cannot be accessed unless they are supported by your programs. Currently

(early ), only InDesignCS, IllustratorCS, PhotoshopCS and QuarkXpress7 support these

advanced eatures.

THE DESIGN OF PARACHUTE FONTS. Parachute onts are designed by indivinduals who

are amiliar with Latin, Greek and Cyrillic. These are designers who have studied the par-

ticulars o each and every script in order to provide sophisticated, well-balanced, properly

kerned and proessionally designed typeaces in all different languages. Parachute online

onts are offered exclusively in OpenType ormat and they are released only afer they

have been thoroughly tested and reviewed.


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:PF HANDBOOK PRO

How to typeMultilingual text

Its never been easier to type or edit multilingual text. All you need is: 1.a program

which supports opentype onts (see below), 2.switch your keyboard to the languages

you are interested in and 3.use opentype onts which support the speciic languages

(Parachute onts support all European languages). Please note that i you only need to

edit an existing multilingual text i.e. copy/paste or change onts, you dont have to add or

switch keyboards.HOW TO SWITCH KEYBOARDS. First you add the new languages to the system. The

steps are similar on both platorms 1.On the PC (Windows XP) you go to the section and choose . Select and

ollow the instructions to add the new languages (or earlier versions please reer to their

manuals). Once added, you can switch between keyboards through the language bar

that appears on the desktop or through a key sequence 2.On the Mac (MacOsX) you

go to and select . Then you choose

and checkmark the languages you want to add. Once added, you can switch between

keyboards through the language palette which appears on the desktops menu ba r or

through a key sequence. Please visit Parachutes web site or click on the ollowing link to go directly to the support page. View them on screen

or download or your reerence.

ABOUT GREEK POLYTONIC. Add Greek Polytonic to the system by ollowing above in-

structions. Once added, you need to know the key combinations or typing your text.

Please visit Parachutes web site or click on the ollowing link to go directly to the . View the typing instructions on screen or download

or your reerence.

MAJOR PROGRAMS THAT SUPPORT OPENTYPE. Currently (early ), the programs

known to support OpenType are: InDesignCS, IllustratorCS, PhotoshopCS, Microsof Office,

CorelDraw and QuarkXpress .

SYSTEM REQUIREMENTS. Windows or later, MacOsX or later.
http://www.parachute.gr/support.aspx?Keyboards=1http://www.parachute.gr/support.aspx?Keyboards=1http://www.parachute.gr/support.aspx?HowTo=1http://www.parachute.gr/support.aspx?HowTo=1http://www.parachute.gr/support.aspx?HowTo=1http://www.parachute.gr/support.aspx?Keyboards=1


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fontcredits

HANDBOOK PRO. This typeace is the result o an attempt to modernize , by

introducing round smooth corners and distinct design elements to several characters like

a, g, k, m, without compromising legibility. In act this is a balanced typeace which works

very well in long texts at small point sizes. Handbook Procomes loaded with a number

o special eatures. The amily consists o onts -rom black to extra thin- including

true italics. It supports special opentype eatures like small caps, ractions, ordinals,etc. and offers multilingual support or all European languages including Greek and Cyrillic.

There is also a set o very interesting stylistic alternates which can be used to add a

rereshing flair to your designs. Finally, every ont in this amily has been completed with

copyright-free symbols,some o which have been proposed by several interna-

tional organizations or packaging, public areas, environment, transportation, computers,

abric care and urban lie.

format pentype PS

scripts latin, greek, cyrillic, eastern european, turkish, baltic, vietnamese

glyphs /font

kerning applied to all languages

pro features

weights

recommended for catalogs, magazines

designer Panos Vassiliou


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:PF HANDBOOK PRO

thedesigner

PANOS VASSILIOU. Panos Vassiliou has conducted numerous seminars or leading Ca-

nadian companies and institutions such as Bank o Nova Scotia, Royal Bank and Sony

Canada. He has organized and promoted several educational and cultural conerences.

Two years afer his graduation rom the University o Toronto/Canada, where he studied

Applied Science and Engineering, he pursued a teaching career at George Brown College/

Toronto, first in the Inormation Systems Department and later in the Media & GraphicArts Department. He has been Creative Director or the Canadian design firm AdHaus,

ormer Publisher o the monthly magazine DNA (Greece) and Secretary-General or the

Hellenic Canadian Congress (Ontario, Canada). He has been designing typeaces since

, including commercial onts as well as commissions rom Vodafone, Nestl, Ikea

andNational Geographic. He is regularly invited as a guest speaker to conerences and

seminars, to speak on typography and related topics. Afer moving to Greece, he started

Parachute in setting the base or a typeace library that reflected the works o some

o the best contemporary Greek designers, as well as creatives around the world obsessed

with type. Some o his avorite designs include Agora Pro, Square Sans Pro, Fuel Pro,

Champion Script Pro. He received a design award or his typeace Archiveat the E

AWARDS 2004. As early as spring he released Archive Pro,his first opentype ont

with special typographic eatures and multilingual support or all European languages

including Greek and Cyrillic.


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:PF HANDBOOK PRO

NOTE:All weights contain the same pro eatures, the same language range and the

ull character set as seen on page .

Extra Thin

Extra Thin Italic

ThinThin Italic

Light

Light Italic

Regular

Italic

Medium

Medium Italic

Bold

Bold Italic

Black

Black Italic

Aef E

Aef E

Aef E

Aef E

Aef E

Aef E

Aef E

stylesfontweights


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supportedlanguages

GB English

GR Greek

FR French

DE German

RU Russian

ES Spanish

IT Italian

PT Portuguese

CS Serbian

BG Bulgarian

TR Turkish

BY Belorussian

SE Swedish

CZ Czech

HU Hungarian

RO Romanian

FI Finnish

NL Dutch

NO Norwegian

IS Icelandic

IE Irish

AL Albanian

HR Croatian

SK Slovak

MD Moldovan

DK Danish

UA Ukranian

PL Polish

ES Estonian

LV Latvian

SI Slovene

LT Lithuanian

ID Indonesian

MT Maltese

PH Filipino

TW Taiwanese

MAJOR LANGUAGES

Following is a list o all major encodings (codepages) and languages supported. This type-

ace supports over languages simultaneously, integrating within the same ont Latin,

Greek, Cyrillic, Eastern European, Baltic, Turkish and Vietnamese scripts. I you would like

to see a ull character set o this typeace (including all special characters), go to the

character set section on page .

MAJOR CODEPAGES

Latin-

Greek

Eastern European

Cyrillic

Turkish

Baltic


:PF HANDBOOK PRO


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thefullcharacterset

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z @ a b c d e f g h i j k l

m n o p q r s t u v w x y z & 1 2 3 4 5 6 7 8 9 0 $

IJ

fffiffiflfflst

aefijlrty

g

^+~

%

!?.,:;*(/)[\]{|}.,-

Latin

Accented Latin glyphs

Greek

Cyrillic

Latin Small Caps

Greek Small Caps

ligatures

stylistic set 01

stylistic alternates

math symbols

fractions

lining proportional

oldstyle tabular

oldstyle proportional

superior letters- Latin

superior letters-Greek

numerators & denominators

uppercase variants

scientific inferior

superscripts

punctuation

NOTE_1: The ull character set applies to all styles/weights. Some weights, such as italics may con-

tain more characters. You may view the ull character set or each and every ont weight by visiting

our site at www.parachute.gr NOTE_2:Most floating accents are not shown to save up space.
http://www.parachute.gr/http://www.parachute.gr/


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:PF HANDBOOK PRO

thefullcharacterset

'"#_

miscellaneous

arrows

various symbols

NOTE_1: The ull character set applies to all styles/weights. Some weights, such as italics may

contain more characters. You may view the ull character set or each and every ont weight by visit-

ing our site at www.parachute.gr NOTE_2:Most floating accents are not shown to save up space.

NOTE_3:The characters various symbolsare shown as a low-resolution image (zooming is limited).


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:PF HANDBOOK PRO

1. OLDSTYLE FIGURES: Changes selected figures rom the deault lining to oldstyle i.e. numbers o

varying height. These are appropriate or use with lowercase text. They come in two different styles:

tabular and proportional. Tabular figures have equal widths (useul or tables, so that numbers line

up rom one line to the next) whereas proportional have varying widths and are basically used within

a sentence.

2|7|6|0 |||

2760

2. LINING FIGURES: This eature changes selected figures rom oldstyle to the deault lining orm.

Lining figures are numbers which fit better with all-capital text and they are o the same height as

capitals or a bit smaller. They also come in two different styles: tabular and proportional.

||| 2|7|6|0

3. PROPORTIONAL FIGURES: Replaces selected figure glyphs which are set on tabular widths (lining

or oldstyle), with corresponding glyphs set on proportional widths (lining or oldstyle).

2|7|6|0

|||

4. TABULAR FIGURES: Replaces selected figure glyphs which are set on proportional widths (lining or

oldstyle), with corresponding glyphs set on tabular widths (lining or oldstyle).

2|7|6|0

|||

5. SMALL CAPS: This eature ormats lowercase text as small caps. These are not computer

generated scaled-down versions o capitals, but rather glyphs which have been designed to match

the weight and proportions o the rest o the amily characters. They are ofen used in combination

with oldstyle figures, or acronyms and abbreviations and stylistically at the beginning o a paragraph

(this feature includes Latin and Greek small caps).

typography

supportedOTfeatures


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:PF HANDBOOK PRO

supportedOTfeatures

6. SMALL CAPS FROM CAPITALS: Replaces capital glyphs with small caps (this feature includes

Latin and Greek small caps).

TYPOGRAPHY

7. LIGATURES: Replaces a sequence o glyphs with a single glyph, creating a proessional-looking text

with no peculiar collisions among letters. This eature covers the standard -ligatures, as well as ew

other ones used in normal conditions.

ffj fjord ord after aster

affluent affluent bullfighter bullfighter

8. DISCRETIONARY LIGATURES: Replaces a sequence o glyphs with a single glyph. It differs rom the

previous eature in the act that it activates special (non-standard) ligatures or Latin and Greek.

c/o George Lewis George Lewis (care of)

/ ()

/ ( )

9. SUPERIORS: Replaces lining and oldstyle figures with superior figures and lowercase letters with

superior letters. These superior glyphs are not computer generated scaled-down versions but are rather

redesigned to match the weight o the regular glyphs. Superior figures are used mainly or ootnotes

and superior letters or abbreviated titles (this feature includes Latin as well as Greek superior

lowercase and capital letters).

footnote3 footnote h2=x2+y2 h=x+y

Dr D Mme M

DR D MME M

10. SCIENTIFIC INFERIORS: Replaces lining and oldstyle figures with inerior figures. They have been

designed to match the weight o the regular glyphs and sit lower than the standard baseline. Used

primarily or mathematical and chemical notations.

H2O HO


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:PF HANDBOOK PRO

11. NUMERATORS: Substitutes selected numbers (and basic punctuation) which precede a slash with

numerator glyphs and replaces the typographic slash with the raction slash.

253/ 85,6/

12. DENOMINATORS: Substitutes selected numbers (and basic punctuation) which ollow a slash with

denominator glyphs and replaces the typographic slash with the raction slash.

/253 /85,6

13. FRACTIONS: Figures separated by slash, are replaced with diagonal ractions.

5/8 3/4

14. ORDINALS: Contextually replaces deault alphabetic glyphs which ollow numbers withsuperscripted glyphs and the sequence No with the numero character (No). This feature includes

Latin as well as Greek lowercase and capital ordinals.

1st 1 2nd 2 28th 28 No

1er 1 2me 2 2ND 2

1 1 2 2 53 53 3 3

15. ORNAMENTS/VARIOUS SYMBOLS: This eature may replace the bullet or other characters with

any o the available ornaments/symbols. All o them are best accessed rom the programs Glyphs

Palette when available. There is a total o 270 ornaments/symbols included or packaging, public

areas, environment, transportation, computers, abric care, urban lie. (ull list on page 11)

~

16. STYLISTIC ALTERNATES: Replaces non-standard glyphs with alternate orms purely or aesthetic

reasons.

g g

supportedOTfeatures


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:PF HANDBOOK PRO

17. STYLISTIC SET 1: A set o stylistic variant glyphs which replace certain standard glyphs with

alternate orms that are designed to work better within the text or add a certain flair to the page. This

feature includes Latin as well as Greek alternates.

a a e e i i j j r r

aerial aerial electronic electronic

18. CASESENSITIVE FORMS: Shifs punctuation marks up to work better with capital letters and

lining figures since by deault they sit lower to properly mix with lowercase characters.

[(HELLO)] HELLO

19. CAPITAL SPACING: Globally adjusts inter-glyph spacing or all capitals. This eature can be

applied (opens up the space in-between them) when text is set all-capital in order to make it more

legible.

PARACHUTE PARACHUTE

20. SLASHED ZERO: Replaces the regular orm o zero with an alternate orm which includes a slash

through the counter. This is particularly useul when capitals are mixed with numbers in which case

capital O may be difficult to distinguish rom zero 0.

0 20 OBJECTS 2OBJECTS

21. ACCESS ALL ALTERNATES: All variations o a selected character are accessible with this eature

rom the glyph palette o all programs that support OT eatures.

2 2

supportedOTfeatures


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:PF HANDBOOK PRO

specimens

.latin samples

.greek samples

.cyrillic samples

.multi-language samples


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LATINSAMPLES_01 :PF HANDBOOK PRO

AWARDSSOPHISTICATED OPENTYPE FONTS

LES NOUVEAUX PRT PORTER

What ollows is a set o Latin samples or PF Handbook Pro. Greek and Cyrillic script samples are covered in other sec-

tions o this specimen manual. For products with an international flair, we have introduced a special packaging section(includes the special country code symbols). For more samples, please visit our site at www.parachute.grand try the

FonTestDriver, our advanced evaluation ont tool which supports simultaneously Latin, Greek and Cyrillic.

latinsamples

latin-greco melang with recent cyrillic infusions

booming economy, relaxed lifestyle

agriculture

en route pour un tour de paristhe future is in beta

oldstyle typewriters

OPTIMISM IS A STRATEGY FOR MAKING A BETTER

AFTER HOURS

HANDBOOK LATIN
http://www.parachute.gr/http://www.parachute.gr/http://www.parachute.gr/http://www.parachute.gr/


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Regardless of whether the nations continue to rema in isolated as far as the territo-rial aspect is concerned or they become more distributed ,the electronic contiguitywill reinforce the cultural link between them .During the few decades that televi-sion became widespread,some cultural codes were transmitted,even to nationswhere electronic means of communication were explicitly forbidden.The breakupof the Soviet Union may have been affected by this factor more than we would thinkpossible. Television presented several products and services worldwide,making

REGULAR 7/9

Regardless of whether the nations continue to remain iso-lated as far as the territorial aspect is concerned or theybecome more distributed, the electronic contiguity willreinforce the cultural link between them. During the few

decades that television became widespread, some cul-tural codes were transmitted, even to nations where elec-tronic means of communication were explicitly forbidden.The breakup of the Soviet Union may have been affectedby this factor more than we would think possible.THIN 11/13

EXTRA THIN ITALIC 21/19

bullfighter

Regardless of whether the nations continue to remain isolated as faras the territorial aspect is concerned or they become more distribut-ed, the electronic contiguity will reinforce the cultural link betweenthem. During the few decades that television became widespread

Regardless of whether the nations continue to re-

main isolated as far as the territorial aspect is

concerned or they become more distributed, the

electronic contiguity will reinforce the cultural link

between them. During the few decades that televi-sion became widespread, some cultural codes were

transmitted, even to nations where electronic means

of communication were explicitly forbidden. The

breakup of the Soviet Union may have been affected

by this factor more than we would think possible.

Television presented several products and services

BLACK 13/15

BLACK ITALIC 10/12

BLACK ITALIC 103pt

latin-grecomelang

with recentcyrillicinfusions


19/37



Regardless of whether the nations continue to remain isolated as far

as the territorial aspect is concerned or they become more distributed,

the electronic contiguity will reinforce the cultural link between them.

During the few decades that television became widespread, some cul-

tural codes were transmitted, even to nations where electronic means

of communication were explicitly forbidden. The breakup of the Soviet

Union may have been affected by this factor more than we would think

Regardless of whether the nations continue to remain

isolated as far as the territorial aspect is concerned or

they become more distributed, the electronic contigu-

ity will reinforce the cultural link between them. During

the few decades that television became widespread,

some cultural codes were transmitted, even to nations

where electronic means of communication were ex-

plicitly forbidden. The breakup of the Soviet Union mayagTHIN ITALIC 12/14BLACK 34/27

BOLD ITALIC 8/10

BLACK 150pt

.

.

Regardless of whether the nations continue to remainisolated as far as the territorial aspect is concerned orthey become more distributed, the electronic contigu-ity will reinforce the cultural link between them. Duringthe few decades that television became widespread,some cultural codes were transmitted, even to nationswhere electronic means of communication were explic-itly forbidden. The breakup of the Soviet Union may have

Regardless of whether the nations continue to remain isolated as far as

the territorial aspect is concerned or they become more distributed, the

electronic contiguity will reinforce the cultural link between them. During

the few decades that television became widespread, some cultural codes

were transmitted, even to nations where electronic means of commu-

nication were explicitly forbidden. The breakup of the Soviet Union may

have been affected by this factor more than we would think possible.

Television presented several products and services worldwide, making

BLACK 10/12

EXTRA THIN 10/12

.

.

TECHNOLOGY IS THECAMPFIRE AROUND WHICHWE TELL OUR STORIES


20/37



Regardless of whether the nations continue to remain isolated as far as the

territorial aspect is concerned or they become more distributed, the electronic

contiguity will reinforce the cultural link between them. During the few decades

that television became widespread, some cultural codes were transmitted, even to

nations where electronic means of communication were explicitly forbidden. The

breakup of the Soviet Union may have been affected by this factor more than we

would think possible. Television presented several products and services world-

wide, making people consider them common, if not to respect them consistently.

ESSENTIAL INFORMATION

ON LOOKING GOODAND LIVING WELL

THE GUIDE

MEDIUM 7/9


isolated as far as the territorial aspect is concerned or

they become more distributed, the electronic contiguity

will reinforce the cultural link between them. During the

few decades that television became widespread, some

cultural codes were transmitted, even to nations where

electronic means of communication were explicitly

forbidden. The breakup of the Soviet Union may have

been affected by this factor more than we would think

possible. Television presented several products and ser-

vices worldwide, making people consider them common,

Regardless of whether the nations continue to remain isolated

as far as the territorial aspect is concerned or they becomemore distributed, the electronic contiguity will reinforce the

cultural link between them. During the few decades that televi-

sion became widespread, some cultural codes were transmit-

ted, even to nations where electronic means of communication

were explicitly forbidden. The breakup of the Soviet Union may

BLACK ITALIC 10 /12

LIGHT 10/12

THIN 32/25

BLACK 100pt


21/37

EXTRA THIN 9/11



electronic contiguity will reinforce the cultural link between them. During the

few decades that television became widespread, some cultural codes were

transmitted, even to nations where electronic means of communication were

explicitly forbidden. The breakup of the Soviet Union may have been affected

by this factor more than we would think possible. Television presented several




electronic contiguity will reinforce the cultural link between them. During the

few decades that television became widespread, some cultural codes were

transmitted, even to nations where electronic means of communication were

explicitly forbidden. The breakup of the Soviet Union may have been affected

by this factor more than we would think possible. Television presented several

THIN 9/11

Regardless of whether the nations continue to remain isolated as far asthe territorial aspect is concerned or they become more distributed, theelectronic contiguity will reinforce the cultural link between them. During

the few decades that television became widespread, some cultural codeswere transmitted, even to nations where electronic means of communica-tion were explicitly forbidden. The breakup of the Soviet Union may have

been affected by this factor more than we would think possible. Televi-

THIN ITALIC 9/11



electronic contiguity will reinforce the cultural link between them. During

the few decades that television became widespread, some cultural codes

were transmitted, even to nations where electronic means of communica-

tion were explicitly forbidden. The breakup of the Soviet Union may have

been affected by this factor more than we would think possible. Television

LIGHT 9/11



electronic contiguity will reinforce the cultural link between them. Dur-

ing the few decades that television became widespread, some cultural

codes were transmitted, even to nations where electronic means of

communication were explicitly forbidden. The breakup of the Soviet


LIGHT ITALIC 9/11



electronic contiguity will reinforce the cultural link between them. Dur-

ing the few decades that television became widespread, some cultural

codes were transmitted, even to nations where electronic means of

communication were explicitly forbidden. The breakup of the Soviet


REGULAR 9/11

Regardless of whether the nations continue to remain isolatedas far as the territorial aspect is concerned or they become moredistributed,the electronic contiguity will reinforce the cultural linkbetween them. During the few decades that television became

widespread,some cultural codes were transmitted,even to nationswhere electronic means of communication were explicitly forbidden.The breakup of the Soviet Union may have been affected by this fac-

ITALIC 9/11


as far as the territorial aspect is concerned or they become more

distributed, the electronic contiguity will reinforce the cultural link

between them. During the few decades that television became

widespread, some cultural codes were transmitted, even to nationswhere electronic means of communication were explicitly forbidden.

The breakup of the Soviet Union may have been affected by this fac-

MEDIUM 9/11





widespread, some cultural codes were transmitted, even to na-

tions where electronic means of communication were explicitly

forbidden. The breakup of the Soviet Union may have been affected

MEDIUM ITALIC 9/11





widespread, some cultural codes were transmitted, even to nations

where electronic means of communication were explicitly forbidden.

The breakup of the Soviet Union may have been affected by this fac-

BOLD 9/11



distributed, the electronic contiguity will reinforce the cultural

link between them. During the few decades that television

became widespread, some cultural codes were transmitted,

even to nations where electronic means of communication were

explicitly forbidden. The breakup of the Soviet Union may have

BOLD ITALIC 9/11



distributed, the electronic contiguity will reinforce the cultural

link between them. During the few decades that television

became widespread, some cultural codes were transmitted,

even to nations where electronic means of communication were

explicitly forbidden. The breakup of the Soviet Union may have

BLACK 9/11

Regardless of whether the nations continue to remainisolated as far as the territorial aspect is concerned or theybecome more distributed, the electronic contiguity will rein-

force the cultural link between them. During the few decadesthat television became widespread, some cultural codeswere transmitted, even to nations where electronic means ofcommunication were explicitly forbidden. The breakup of the

BLACK ITALIC 9/11


isolated as far as the territorial aspect is concerned or they

become more distributed, the electronic contiguity will rein-

force the cultural link between them. During the few decadesthat television became widespread, some cultural codes

were transmitted, even to nations where electronic means of

communication were explicitly forbidden. The breakup of the




22/37

Regardless of whether the nations continue to remainisolated as far as the territorial aspect is concerned or they

become more distributed, the electronic contiguity willreinforce the cultural linkbetween them.During the fewdecades that television became widespread,some culturalcodes were transmitted,even to nations where electronicmeans of communication were explicitly forbidden. The

breakup of the Soviet Union may have been affected bythis factor more than we would think possible.Televisionpresented several products and services worldwide,mak-ing people consider them common,if not to respect themconsistently. Moreover, television dramatically increased

international communication.With -hours news broad-casts it has become increasingly difficult to disclose infor-mation from the public. Likewise, the Information Tech-nology Marketplace will boost local and global cultures,aspeople coming from smaller villages and greater capitals

will seek entertainment,commerce,education,health andother human activities together, regardless of their na-tionality.Could these forces equate the differences amongus,resulting in an international civilization?Regardless ofwhether the nations continue to remain isolated as far as

the territorial aspect is concerned or they become more



REGULAR 23/29


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GREEKSAMPLES_01 :PF HANDBOOK PRO

HANDBOOK

What ollows is a set o Greek samples or PF Handbook Pro. Latin and Cyrillic script samples are covered in other sec-



greeksamples


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R

EGULAR

17pt


NOTE:codes or languages/ countries ollow the ISO system

go to page 9 or an explanation

ULTILINGUALSAMPLES_VARIOUS LANGUAGES_01 :PF HANDBOOK PRO

GB

GR

FR

DE

RU

ES

IT

PT

DK

NL

CS

HU

SE

PL

CZ

TR

RO

BG

HR

FI

LT

SK

SI Hraniti izven dosega otrok.Ne priti v oi.Ne uporabljajte na pokodovanChrni pred slnkom a nevystavova vysokm teplotm.Nefaji pri pou

Saugoti nuo tiesioginisauls spinduliir nenaudoti esant auktai tempe

Tupakointi kielletty kytn aikana.Silytettv lasten ulottumattomissa

Ne aplicirati na iritiranu kou ili otvorene rane.Izbjegavati kontakt s oim

! . Nu fumai n timpul folosirii,nu pulverizai peste obiecte incandescente

ocuklarn ulaamayaca yerde muhafaza ediniz.Son derece yancdr.Y

Chrate ped dtmi.Pouze pro zevn pouit.Neaplikujte na podrdnou

Nie rozpyla nad otwartym pomieniem lub arzcym si materiaem.Ch

Skall skyddas mot solljus och fr ej utsttas fr hga temperaturer.Rk

Hasznlata kzben nylt lng hasznlata tilos!Ne hasznlja irritlt vagy s

Drati dalje od dece.Ne nanositi dezodorans na oteenu ili osetljivu ko

Drukcontainer.Beschermen tegen zonlicht en niet blootstellen aan hoge

Beholder under tryk.Skal beskyttes mod sollys og m ikke udsttes for

Recipiente sob presso.Proteger dos raios solares e no expor a temper

Recipiente sotto pressione. Proteggere contro i raggi solari e non esporr

Recipiente presurizado.Proteja de la luz solar y no exponga a temperatu

.:

Behltnis auch nach dem Gebrauch nicht aufbrechen oder verbrennen.N

Ne pas percer ou brler,mme aprs usage.Ne pas vaporiser vers une fla

.

Pressurized container.Protect from sunlight and do not expose to tempe


36/37


37/37


:PF HANDBOOK PRO

acknowledgments

TYPEFACES. The typeace used in this specimen manual or body text, headers, ooters

and page numbering is PF Square Sans Pro. PF Bulletin Sans Pro is used or page titles.

PRODUCTION. This manual was produced using InDesignCS, IllustratorCS and

PhotoshopCS rom Adobe and Word rom Microsof. Multilingual sample text

was originally set in Microsof Word or Windows. Final document was created in MacOsX

with InDesignCS.

TEXT. The main text used or samples, has been adapted and translated by permission

rom the book What will be by the late MIT Proessor and visionary Michael Dertouzos,

published in by HarperEdge. Greek version published in by Livani Publishing

Organization. Additional text and samples were derived rom the -page catalog/book

IDEA-Trendsetting Typography vol. released by Parachute in the year .

TRADEMARKS. Parachute, the Parachute logo, Agora Sans, Agora Seri, Agora Slab, As-

trobats, Alabeta, Amateur, Baseline, Beatnick, Beau Sans, Bodoni Script, Bulletin Sans,

Champion Script, Cosmonut, DaVinci Script, Din Text, Din Display, Fidelity, Fuel, Fusion Sans,

PFGoudy Initials, PFGoudy Ornaments, Scandal, Handbook, Haus Square, Highway Sans,

Hellenica, Hellenica Seri, Isotext, Kids, Kidstuff, Libera, Manic Attack, Mechanica, Mediterra,

Monumenta, Playskool, Psychedelia, Raskript, Reminder, Square Sans, Signskript, Stamps,

Stamp Frames, Synch, Videotext, Wonderland, Wonderbats, are either registered trade-

marks or trademarks o Parachute and/or Parachute Worldwide. Apple, Mac, Macintosh

and TrueType are trademarks o Apple Computer Inc. Adobe, InDesign, Illustrator, Pho-

toshop and PostScript are trademarks o Adobe Systems Incorporated. Microsof, Windows

and OpenType are trademarks o Microsof Corporation.

You may reproduce this manual and distribute it reely, provided you do not edit the document and/or

remove the copyright inormation. Parachute assumes no responsibility or liability or any errors or inac-

curacies that may appear in this document. Contents ate subject to change without notice.

ParachuteWorldwide

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[email protected] | www.parachute.gr

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