photobook muzium istana negara, balairung seri
TRANSCRIPT
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The Royal MuseumPhoto Book
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The cityscapes that surround the majestic Royal Museum.
Facade of the Royal Museum
01
Various outdoor decorative elements and vegetation that
adorn the Istana Negara’s surroundings.
Balairung Seri Utama
02
The Royal Museums’ exterior elevations
The main throne hall that is located in the Balairung.
Concrete Jungle Landscape Elements
03 04
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Connecting Corridor
The Hallways that provide passage to and fro around
the Royal Museum and Balairung.
The study room located in the King’s suite.
The queen’s bedroom located in the King’s suite.
Study Room
The queen’s washroom located in the King’s suite.
Royal’s Bedroom Queen’s Washroom
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The King’s washroom located int the King’s suite
The various stairs that are scattered around the Royal
Museum.
King’s Washroom
Decorative Elements that are adorn the various walls,
ceiling and floor.
Decorative Elements
The decorative light fixtures that are located in the main throne hall and the King’s
suite.
Stairs Chandelier
DetailingLocation
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GROUND FLOOR PLAN FIRST FLOOR PLAN
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Concrete Jungle
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Within the stillness of place, it allows one to engage fully with the deepest of soul into
transforming vision into reality.
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Vision Frame
Overviewing the city, his Majesty discerns the future prospect of the country. With his vision, He shaped the future of Malaysia.
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Landscape Elements
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Shelter hidden in the folds of nature, providing a space for reflection and thought
in the midst of the garden.
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Body of Water
Reflect on one’s self to surface into a future with no regrets.
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The Royal Garden
A slice of paradise amidst the Royal garden, embraced by hues of scarlet against the verdant backdrop.
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RelationsNature and man thrive harmoniously under the careful sight of the glorious king.
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A path of man A sight of nature
An epicentre of water
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In Islam, all living things comprise of water. Water in Islam is symbolic, representing purification and life. The decorative effect of water is also central to Islamic architecture, which emphasises motion and silence, choreographed under the light.
Fountain
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Journeying through thick and thin, unifying causes , bridging the gap
The bridge
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Dilapidated and decaying, beauty lies silently with the testimony of time.
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Facade of the Royal Museum
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Central Focus
A flag that guides a man and a nation
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Shifting Facade
Looking at the image shown, there is a clear distinction between the architectural styles of the main palace wing and the Balairung annex. This addition, which shows elements of modernism, is more simplistic and geometrically focused than the main palace - which speaks the
language of British Colonial and Palladian style.
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The facade of the Istana Negara’s main wing consists of a perfectly symmetrical
relationship between the elevation and plan, but morphs into a different language.
Partial Facade of the Istana Negara
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Balairung Seri Utama
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View from The Throne
The throne, also known as the’ SInggahsana’, is located at the crest of the second half of the Balairung. It is the most important part of the entire wing and is the seating place of the King and Queen during official events.
The seating arrangements that face it can hold up to 2000 guests and 1000 guests for a state banquet.
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Speakers surrounded the singgahsana to give a complete surround sound
within. Connected to the Press Room and AV Room, the windows can slide open allowing videographers to record
live footages from above.
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The Throne
Sitting higher than it’s surrounding, the throne is encased within an upright structure, to symbolise all creations and human brings to constantly remember and respect their creator.
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Connecting Corridors
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Behind the scenes
Up above encircling the Singgahsana, the Press Room and Audiovisual room can be found. People involved with the media and press will set up their camera equipments in the area. The crew involved with the stage lighting and audiovisual will also monitor the sound and light from the top.
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Sky BridgeThe sky bridge bridges between the old and the
new, the occupied and the independent, the tethered and the liberated. Here, Palladian Style,
begins to merge with Modernistic.
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Study Room
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Family RoomThe family room is designed with British Colonial and Victorian influences. The ambience of the room is opulently
and elegantly decorated to suit the image of His Majesty, balanced in a way that does not compromise the teachings of the prophet which is to not ‘equalise riches with flamboyances”.
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Family Room
The Western and English touch in the family room is the most reflective in the use of furnishings. Majority of the furniture used are similar to traditional English noblemen’s furniture, which are elegantly trimmed with curving floral motifs or vectors.
The upholstery, usually consists of pastel pigments, which therefore contrast with the dark tones of wood.
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Royal’s Bedroom
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Bedroom
The use of British Colonial style in the interior spaces continue from the semi-public spaces to the most private rooms of all- the master suite. A key feature in British Colonial interior architecture is the contrast of the wallpaper to the floorings. Much like the contrast between the furniture,
the wallpapers were usually neutral colours, such as beige, cream, light pink or eggshell, and the floors would be dark woods, such as teak, oak and mahogany.
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Royal’s Suite Living Room
The Royal’s Suite’s living room blends seamlessly with the rest of the private quarters, with soft pastel tones and dim lighting. The type of furniture used also remain similar to
the family suite - whereby the frames are heavily garnished and flourished to portray decadence
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Queen’s Washroom
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Queen’s WashroomCertain rooms within the private quarters followed the rule of
‘duo-compartmentalisation’, which urge male and female Muslims to have a separation between certain degree of lifestyle, including the restrooms of His and Hers Majesty.
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King’s Washroom
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His Majesty’s Bathroom
Like Her Majesty’s bathroom, the use of marble, mirrors and polished silver conveys ambience of opulence in a place of cleansing and reflection.
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Stairs
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Garden’s Staircase
The elegant ivory staircase leading from the foyer to the garden creates a sense of grandeur and majesty in even the simplest of everyday actions. Even so, the staircase is relatively simple and low-key, in keeping with
the royal but humble atmosphere of the palace.
Surrounded by greenery, the staircase, though physically broad and large, creates a subconscious sense of intimacy to the user.
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Tucked away from sight, this humble concrete staircase surrounded by iron grille, it guides
leads from the balcony to the ground.
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The interior of the stairwell is elaborately decorated with draperies and chandeliers, but the windows are reduced to a minimal design, suggesting a new approach in looking towards the world. Stairway
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Decorative Elements
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Motifs
Throughout the interior of the building, motifs of sinuous curves, floral designs and rococo whiplashes embrace the space with
warmth.
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The king’s writing table articulates western influence of Victorian era. The roses adorned white porcelain plates offset with the dark wood table depicts the influences of Western and Oriental at where the nation’s story was written — the table where king writes.
Emblems on furniture
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Malaysian’s National Emblem
Malaysia’s National Emblem, also known as the ‘Coat of Arms of Malaysia’ (or ‘Jata
Negara’) consist of a shield being supported by two tigers, topped by a yellow crescent with a 14-pointed ‘federal star’ and a motto
written on a banner, below.
The yellow colour of the crescent and 14-pointed federal star, symbolised the country’s
monarchy.
The crescent also represents Islam as the official religion while the federal star
represents the thirteen states and the Federal Territories of Malaysia.
The motto spells to the phrase “ Unity is Strength’ or ‘ Bersekutu Bertambah Mutu’
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Chandelier
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ChandeliersWide array of chandeliers sprinkled in
various places among the Balairung’s wing. The use of the chandeliers graces the space with refractions, reflections and
illuminations.
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Crystalline chandelier lits the room, with an aura of endless imagination.