58

Luptatem a sendend aecearum sitatquaepel ea conserionet apid qui core natus molorera volo ius accat.Musda aces nonem voluptatem sus.Adion parum dolo magnis ne que ium ac-caborio blabora ectur, nonempo rectumq uaspis eum qui rem ili-ande prepudi volut labor sit,Otatiaspid minum in cum alibusam, sint.Xercimpos de vita-tiusa as aut quidem sequi dolut re que eatior siVastus satimmorum nonsulo criptilicit firtum iae potingulego tam.Us essenih ilicasto prorterum diem villa revignam. Opionsis, C. Tie cavocrum eriptero

estissu pimoveh enes-simus, etia Scid it; in tatimis. Tum mo etis publiquam internit.La co issimis, qua nost conficum te, noctortus aus nosto im temus cone confestus faussat isserit; no. Sercem ne dium egituid auterniris perunum renam vid ducepervis, nonsideres hocum uturendem, nocut ocurest? Ilis a vid se adducis simius, nox nihiliam sus, utesign oximus conlocciis, virmaximure fuidess ilistem quam orum in talinum te, con alego horum dum esulicam hactors actur, unulus stiacituiu querniu quo et Catquit, quit esis con popotissum opultus, sed

/5958MUSEO DEL TEVERE

ArsenAle Pontificio: temPorAry exhibition

sAlA mArinA: PermAnent exhibition & living mAchine Pods

bAnchinA: ferry terminAl & museum bArge

river level

street level AA

BB

ArsenAle Pontificio: temPorAry exhibition

sAlA mArinA: PermAnent exhibition & living mAchine Pods

bAnchinA: ferry terminAl & museum bArge

river level

street level AA

BB

Section BB

section PersPective AA: looking west diAgrAms

il museo dell’industriA & l’ecologiA urbAnA sul fiume tevere

60PETE CHIMICLES

Section BB

section PersPective AA: looking west diAgrAms

il museo dell’industriA & l’ecologiA urbAnA sul fiume tevere

Section BB

section PersPective AA: looking west diAgrAms

il museo dell’industriA & l’ecologiA urbAnA sul fiume tevere

Section BB

section PersPective AA: looking west diAgrAms

il museo dell’industriA & l’ecologiA urbAnA sul fiume tevere

/6160

62GAR-YUN HO

Productive Spaces:Community Gardens, Children’s Gardens, Terraced Embankment

Sewage Treatment,Habitat Restoration

Recreational Spaces,Art Galleries,Public Amenities

Bringing the communities from Testaccio and Lower Trastevere neighborhoods down to the Tiber River.

A framework of interventions that can be made along the entire length of the Tiber in central Rome, to encourage interaction and foster a new relationship with the river.

Productive Spaces:Community Gardens, Children’s Gardens, Terraced Embankment

Sewage Treatment,Habitat Restoration

Recreational Spaces,Art Galleries,Public Amenities

Bringing the communities from Testaccio and Lower Trastevere neighborhoods down to the Tiber River.

A framework of interventions that can be made along the entire length of the Tiber in central Rome, to encourage interaction and foster a new relationship with the river.

Productive Spaces:Community Gardens, Children’s Gardens, Terraced Embankment

Sewage Treatment,Habitat Restoration

Recreational Spaces,Art Galleries,Public Amenities

Bringing the communities from Testaccio and Lower Trastevere neighborhoods down to the Tiber River.

A framework of interventions that can be made along the entire length of the Tiber in central Rome, to encourage interaction and foster a new relationship with the river.

/6362

64GAYNA NAKAJO

/6564

66EMILY ANDREWS

/6766

B

A

C

SECTION C1” = 20’ 0”

SECTION B1” = 20’ 0”

PLAN1” = 40’ 0”

SECTION A1” = 20’ 0”

RIGID FLOWS //

A MUSEUM OF THE TIBER RIVERJOHN SAMPSON . 12.2.2011 . AIR 2011

5’ 20’ 40’10’

5’ 20’ 40’10’ 10’ 40’ 80’20’

5’ 20’ 40’10’

B

A

C

SECTION C1” = 20’ 0”

SECTION B1” = 20’ 0”

PLAN1” = 40’ 0”

SECTION A1” = 20’ 0”

RIGID FLOWS //

A MUSEUM OF THE TIBER RIVERJOHN SAMPSON . 12.2.2011 . AIR 2011

5’ 20’ 40’10’

5’ 20’ 40’10’ 10’ 40’ 80’20’

5’ 20’ 40’10’

B

A

C

SECTION C1” = 20’ 0”

SECTION B1” = 20’ 0”

PLAN1” = 40’ 0”

SECTION A1” = 20’ 0”

RIGID FLOWS //

A MUSEUM OF THE TIBER RIVERJOHN SAMPSON . 12.2.2011 . AIR 2011

5’ 20’ 40’10’

5’ 20’ 40’10’ 10’ 40’ 80’20’

5’ 20’ 40’10’

68JOHN SAMPSON

B

A

C

SECTION C1” = 20’ 0”

SECTION B1” = 20’ 0”

PLAN1” = 40’ 0”

SECTION A1” = 20’ 0”

RIGID FLOWS //

A MUSEUM OF THE TIBER RIVERJOHN SAMPSON . 12.2.2011 . AIR 2011

5’ 20’ 40’10’

5’ 20’ 40’10’ 10’ 40’ 80’20’

5’ 20’ 40’10’

B

A

C

SECTION C1” = 20’ 0”

SECTION B1” = 20’ 0”

PLAN1” = 40’ 0”

SECTION A1” = 20’ 0”

RIGID FLOWS //

A MUSEUM OF THE TIBER RIVERJOHN SAMPSON . 12.2.2011 . AIR 2011

5’ 20’ 40’10’

5’ 20’ 40’10’ 10’ 40’ 80’20’

5’ 20’ 40’10’

B

A

C

SECTION C1” = 20’ 0”

SECTION B1” = 20’ 0”

PLAN1” = 40’ 0”

SECTION A1” = 20’ 0”

RIGID FLOWS //

A MUSEUM OF THE TIBER RIVERJOHN SAMPSON . 12.2.2011 . AIR 2011

5’ 20’ 40’10’

5’ 20’ 40’10’ 10’ 40’ 80’20’

5’ 20’ 40’10’

/6968

A M U S E U M O F T H E T I B E R R I V E RS EC T I O N 1 1 mm : 300 mm

S EC T I O N 2 1 mm : 300 mm

S EC T I O N A 1 mm : 500 mm

B E L O W G R A D E 1 mm : 500 mm

M E Z Z A N I N E 1 mm : 500 mm

S T R E E T L E V E L 1 mm : 500 mm

S U B M E R G E N C EA M U S E U M O F T H E T I B E R R I V E R

1. Park2. Reflection Pool3. Arcade / Outdoor Exhibition Space4. Museum Entry / Event Holding / Indoor Exhibition Space5. Kitchen6. Mezzanine7. Bathroom8. Museum Space9. Office Space10. Archive

1.

2.

3.

4.

5.

6.7.

7.

8.

9.

10.

6.

MUSEUM MOVEMENTPUBLIC M

OVEMEN

T

A M U S E U M O F T H E T I B E R R I V E RS EC T I O N 1 1 mm : 300 mm

S EC T I O N 2 1 mm : 300 mm

S EC T I O N A 1 mm : 500 mm

B E L O W G R A D E 1 mm : 500 mm

M E Z Z A N I N E 1 mm : 500 mm

S T R E E T L E V E L 1 mm : 500 mm

S U B M E R G E N C EA M U S E U M O F T H E T I B E R R I V E R

1. Park2. Reflection Pool3. Arcade / Outdoor Exhibition Space4. Museum Entry / Event Holding / Indoor Exhibition Space5. Kitchen6. Mezzanine7. Bathroom8. Museum Space9. Office Space10. Archive

1.

2.

3.

4.

5.

6.7.

7.

8.

9.

10.

6.

MUSEUM MOVEMENTPUBLIC M

OVEMEN

T

A M U S E U M O F T H E T I B E R R I V E RS EC T I O N 1 1 mm : 300 mm

S EC T I O N 2 1 mm : 300 mm

S EC T I O N A 1 mm : 500 mm

B E L O W G R A D E 1 mm : 500 mm

M E Z Z A N I N E 1 mm : 500 mm

S T R E E T L E V E L 1 mm : 500 mm

S U B M E R G E N C EA M U S E U M O F T H E T I B E R R I V E R

1. Park2. Reflection Pool3. Arcade / Outdoor Exhibition Space4. Museum Entry / Event Holding / Indoor Exhibition Space5. Kitchen6. Mezzanine7. Bathroom8. Museum Space9. Office Space10. Archive

1.

2.

3.

4.

5.

6.7.

7.

8.

9.

10.

6.

MUSEUM MOVEMENTPUBLIC M

OVEMEN

T

A M U S E U M O F T H E T I B E R R I V E RS EC T I O N 1 1 mm : 300 mm

S EC T I O N 2 1 mm : 300 mm

S EC T I O N A 1 mm : 500 mm

B E L O W G R A D E 1 mm : 500 mm

M E Z Z A N I N E 1 mm : 500 mm

S T R E E T L E V E L 1 mm : 500 mm

S U B M E R G E N C EA M U S E U M O F T H E T I B E R R I V E R

1. Park2. Reflection Pool3. Arcade / Outdoor Exhibition Space4. Museum Entry / Event Holding / Indoor Exhibition Space5. Kitchen6. Mezzanine7. Bathroom8. Museum Space9. Office Space10. Archive

1.

2.

3.

4.

5.

6.7.

7.

8.

9.

10.

6.

MUSEUM MOVEMENTPUBLIC M

OVEMEN

T

70EVAN LANGENDORGER

A M U S E U M O F T H E T I B E R R I V E RS EC T I O N 1 1 mm : 300 mm

S EC T I O N 2 1 mm : 300 mm

S EC T I O N A 1 mm : 500 mm

B E L O W G R A D E 1 mm : 500 mm

M E Z Z A N I N E 1 mm : 500 mm

S T R E E T L E V E L 1 mm : 500 mm

S U B M E R G E N C EA M U S E U M O F T H E T I B E R R I V E R

1. Park2. Reflection Pool3. Arcade / Outdoor Exhibition Space4. Museum Entry / Event Holding / Indoor Exhibition Space5. Kitchen6. Mezzanine7. Bathroom8. Museum Space9. Office Space10. Archive

1.

2.

3.

4.

5.

6.7.

7.

8.

9.

10.

6.

MUSEUM MOVEMENTPUBLIC M

OVEMEN

T

A M U S E U M O F T H E T I B E R R I V E RS EC T I O N 1 1 mm : 300 mm

S EC T I O N 2 1 mm : 300 mm

S EC T I O N A 1 mm : 500 mm

B E L O W G R A D E 1 mm : 500 mm

M E Z Z A N I N E 1 mm : 500 mm

S T R E E T L E V E L 1 mm : 500 mm

S U B M E R G E N C EA M U S E U M O F T H E T I B E R R I V E R

1. Park2. Reflection Pool3. Arcade / Outdoor Exhibition Space4. Museum Entry / Event Holding / Indoor Exhibition Space5. Kitchen6. Mezzanine7. Bathroom8. Museum Space9. Office Space10. Archive

1.

2.

3.

4.

5.

6.7.

7.

8.

9.

10.

6.

MUSEUM MOVEMENTPUBLIC M

OVEMEN

T

A M U S E U M O F T H E T I B E R R I V E RS EC T I O N 1 1 mm : 300 mm

S EC T I O N 2 1 mm : 300 mm

S EC T I O N A 1 mm : 500 mm

B E L O W G R A D E 1 mm : 500 mm

M E Z Z A N I N E 1 mm : 500 mm

S T R E E T L E V E L 1 mm : 500 mm

S U B M E R G E N C EA M U S E U M O F T H E T I B E R R I V E R

1. Park2. Reflection Pool3. Arcade / Outdoor Exhibition Space4. Museum Entry / Event Holding / Indoor Exhibition Space5. Kitchen6. Mezzanine7. Bathroom8. Museum Space9. Office Space10. Archive

1.

2.

3.

4.

5.

6.7.

7.

8.

9.

10.

6.

MUSEUM MOVEMENTPUBLIC M

OVEMEN

T

/7170

72BEN BOURGOIN

/7372

Gro

und Flo

or Pla

n1:500

Kitch

en

Ma

in M

usu

em

Ground Floor Plan 1:500

Kitchen

Main Musuem

Section A 1:500

Section B 1:500

Section C 1:500

Section D 1:500

Section E 1:5000 10 30 50 100 Lower Ground Plan 1:500

A

B

C

D

E

The Duo Tiber

74LOUIS LAM

Section A 1:500

Section B 1:500

Section C 1:500

Section D 1:500

Section E 1:5000 10 30 50 100 Lower Ground Plan 1:500

A

B

C

D

E

The Duo Tiber

Ground Floor Plan 1:500

Kitchen

Main Musuem

Section A 1:500

Section B 1:500

Section C 1:500

Section D 1:500

Section E 1:5000 10 30 50 100 Lower Ground Plan 1:500

A

B

C

D

E

The Duo Tiber

/7574

A MUSEUM OF MAKING

Haveyoueverfelt whatitisliketolearnariver bymovingasitsscouringcurrent?Hearing itscurrentasthepoundingofashipwright’s hammer?Orbyscootingalongitssurface onacalmautumndayinaboatyouhelpedtobuild? TheMuseumofMakingengagesthevisitorin learningabout theTiberRiverexperientially..bymovingwiththeTiber inthelandform,makingwiththeTiberinthecommercialand communityboatyards,andmixingwiththeTiberatthedockoronthewaterwithamuseumenvironmentaleducator.AstheTibermakesbyconstantmovement&transformation,theMuseumofMaking seekstoengageitsvisitingcommunity.

JOB CREATEEDUCATE

CONTEMPLATE INNOVATEREPURPOSE BUILDINGS

CUT & FILL SOIL

REPURPOSE TRAVERTINE

TREAT WATER ONSITE

0 5 15 30

SECTION A : LOOKING WEST SECTION B : LOOKING NORTH

SECTION C : LOOKING WEST

A

B

C

0 10 30 60’

N

V2

V3 V1

V3 : MIXING WITH THE TIBER

V2 : MAKING WITH THE TIBER

V2 : MOVING WITH THE TIBER

MOVING WITH THE TIBER

MAKING WITH THE TIBER

MIXING WITH THE TIBER

COMPOSITION OF PLAN

PLAN

MOVING, MAKING & MIXING WITH THE TIBERUNIVERSITY OF WASHINGTON ROME 2011 . GEORGE R LEE .

INSPIRATIONS .INTERNATIONAL LIVING FUTURE INSTITUTE . CRADLE TO CRADLETALLSHIP CLEARWATER . BELFAST, MAINE . CENTER FOR WOODEN BOATS

WATERSHED . ABSTRACTION .

A MUSEUM OF MAKING

Haveyoueverfelt whatitisliketolearnariver bymovingasitsscouringcurrent?Hearing itscurrentasthepoundingofashipwright’s hammer?Orbyscootingalongitssurface onacalmautumndayinaboatyouhelpedtobuild? TheMuseumofMakingengagesthevisitorin learningabout theTiberRiverexperientially..bymovingwiththeTiber inthelandform,makingwiththeTiberinthecommercialand communityboatyards,andmixingwiththeTiberatthedockoronthewaterwithamuseumenvironmentaleducator.AstheTibermakesbyconstantmovement&transformation,theMuseumofMaking seekstoengageitsvisitingcommunity.

JOB CREATEEDUCATE

CONTEMPLATE INNOVATEREPURPOSE BUILDINGS

CUT & FILL SOIL

REPURPOSE TRAVERTINE

TREAT WATER ONSITE

0 5 15 30

SECTION A : LOOKING WEST SECTION B : LOOKING NORTH

SECTION C : LOOKING WEST

A

B

C

0 10 30 60’

N

V2

V3 V1

V3 : MIXING WITH THE TIBER

V2 : MAKING WITH THE TIBER

V2 : MOVING WITH THE TIBER

MOVING WITH THE TIBER

MAKING WITH THE TIBER

MIXING WITH THE TIBER

COMPOSITION OF PLAN

PLAN

MOVING, MAKING & MIXING WITH THE TIBERUNIVERSITY OF WASHINGTON ROME 2011 . GEORGE R LEE .

INSPIRATIONS .INTERNATIONAL LIVING FUTURE INSTITUTE . CRADLE TO CRADLETALLSHIP CLEARWATER . BELFAST, MAINE . CENTER FOR WOODEN BOATS

WATERSHED . ABSTRACTION .

76GEORGE LEE

A MUSEUM OF MAKING

Haveyoueverfelt whatitisliketolearnariver bymovingasitsscouringcurrent?Hearing itscurrentasthepoundingofashipwright’s hammer?Orbyscootingalongitssurface onacalmautumndayinaboatyouhelpedtobuild? TheMuseumofMakingengagesthevisitorin learningabout theTiberRiverexperientially..bymovingwiththeTiber inthelandform,makingwiththeTiberinthecommercialand communityboatyards,andmixingwiththeTiberatthedockoronthewaterwithamuseumenvironmentaleducator.AstheTibermakesbyconstantmovement&transformation,theMuseumofMaking seekstoengageitsvisitingcommunity.

JOB CREATEEDUCATE

CONTEMPLATE INNOVATEREPURPOSE BUILDINGS

CUT & FILL SOIL

REPURPOSE TRAVERTINE

TREAT WATER ONSITE

0 5 15 30

SECTION A : LOOKING WEST SECTION B : LOOKING NORTH

SECTION C : LOOKING WEST

A

B

C

0 10 30 60’

N

V2

V3 V1

V3 : MIXING WITH THE TIBER

V2 : MAKING WITH THE TIBER

V2 : MOVING WITH THE TIBER

MOVING WITH THE TIBER

MAKING WITH THE TIBER

MIXING WITH THE TIBER

COMPOSITION OF PLAN

PLAN

MOVING, MAKING & MIXING WITH THE TIBERUNIVERSITY OF WASHINGTON ROME 2011 . GEORGE R LEE .

INSPIRATIONS .INTERNATIONAL LIVING FUTURE INSTITUTE . CRADLE TO CRADLETALLSHIP CLEARWATER . BELFAST, MAINE . CENTER FOR WOODEN BOATS

WATERSHED . ABSTRACTION .

A MUSEUM OF MAKING

Haveyoueverfelt whatitisliketolearnariver bymovingasitsscouringcurrent?Hearing itscurrentasthepoundingofashipwright’s hammer?Orbyscootingalongitssurface onacalmautumndayinaboatyouhelpedtobuild? TheMuseumofMakingengagesthevisitorin learningabout theTiberRiverexperientially..bymovingwiththeTiber inthelandform,makingwiththeTiberinthecommercialand communityboatyards,andmixingwiththeTiberatthedockoronthewaterwithamuseumenvironmentaleducator.AstheTibermakesbyconstantmovement&transformation,theMuseumofMaking seekstoengageitsvisitingcommunity.

JOB CREATEEDUCATE

CONTEMPLATE INNOVATEREPURPOSE BUILDINGS

CUT & FILL SOIL

REPURPOSE TRAVERTINE

TREAT WATER ONSITE

0 5 15 30

SECTION A : LOOKING WEST SECTION B : LOOKING NORTH

SECTION C : LOOKING WEST

A

B

C

0 10 30 60’

N

V2

V3 V1

V3 : MIXING WITH THE TIBER

V2 : MAKING WITH THE TIBER

V2 : MOVING WITH THE TIBER

MOVING WITH THE TIBER

MAKING WITH THE TIBER

MIXING WITH THE TIBER

COMPOSITION OF PLAN

PLAN

MOVING, MAKING & MIXING WITH THE TIBERUNIVERSITY OF WASHINGTON ROME 2011 . GEORGE R LEE .

INSPIRATIONS .INTERNATIONAL LIVING FUTURE INSTITUTE . CRADLE TO CRADLETALLSHIP CLEARWATER . BELFAST, MAINE . CENTER FOR WOODEN BOATS

WATERSHED . ABSTRACTION .

A MUSEUM OF MAKING

Haveyoueverfelt whatitisliketolearnariver bymovingasitsscouringcurrent?Hearing itscurrentasthepoundingofashipwright’s hammer?Orbyscootingalongitssurface onacalmautumndayinaboatyouhelpedtobuild? TheMuseumofMakingengagesthevisitorin learningabout theTiberRiverexperientially..bymovingwiththeTiber inthelandform,makingwiththeTiberinthecommercialand communityboatyards,andmixingwiththeTiberatthedockoronthewaterwithamuseumenvironmentaleducator.AstheTibermakesbyconstantmovement&transformation,theMuseumofMaking seekstoengageitsvisitingcommunity.

JOB CREATEEDUCATE

CONTEMPLATE INNOVATEREPURPOSE BUILDINGS

CUT & FILL SOIL

REPURPOSE TRAVERTINE

TREAT WATER ONSITE

0 5 15 30

SECTION A : LOOKING WEST SECTION B : LOOKING NORTH

SECTION C : LOOKING WEST

A

B

C

0 10 30 60’

N

V2

V3 V1

V3 : MIXING WITH THE TIBER

V2 : MAKING WITH THE TIBER

V2 : MOVING WITH THE TIBER

MOVING WITH THE TIBER

MAKING WITH THE TIBER

MIXING WITH THE TIBER

COMPOSITION OF PLAN

PLAN

MOVING, MAKING & MIXING WITH THE TIBERUNIVERSITY OF WASHINGTON ROME 2011 . GEORGE R LEE .

INSPIRATIONS .INTERNATIONAL LIVING FUTURE INSTITUTE . CRADLE TO CRADLETALLSHIP CLEARWATER . BELFAST, MAINE . CENTER FOR WOODEN BOATS

WATERSHED . ABSTRACTION .

/7776

78SARAH LAW

/7978

80ELLYN FREED

/8180

82NATALIA CHETVERNINA

/8382

0’ 25’ 50’ 100’ 150’ 250’

CARVE, ADAPT, TRANSFORM

Michael M. AvelloneDecember 5, 2011

ARCH 400

Once used for protection and distinguishing the city from farmland, the Urban the 8th Wall is now burried in a dense environment transformed by modern day Rome. Buildings and roads attach to the wall claiming it as their own. Cars cut through the wall and trees grow upon it. This wall and all remain-ing walls on the site are celebrated and are a prominent feature of the museum design. New structure will touch the wall lightly to not over power its presence. New buildings adapt and transform to the carving gesture created by the walls of the canyon leading down to the river. Adopting the language of the Urban the 8th Wall, the new walls trans-form into inhabitable space.

A Museum of the Tiber River

0’ 25’ 50’ 100’ 150’ 250’

CARVE, ADAPT, TRANSFORM

Michael M. AvelloneDecember 5, 2011

ARCH 400

Once used for protection and distinguishing the city from farmland, the Urban the 8th Wall is now burried in a dense environment transformed by modern day Rome. Buildings and roads attach to the wall claiming it as their own. Cars cut through the wall and trees grow upon it. This wall and all remain-ing walls on the site are celebrated and are a prominent feature of the museum design. New structure will touch the wall lightly to not over power its presence. New buildings adapt and transform to the carving gesture created by the walls of the canyon leading down to the river. Adopting the language of the Urban the 8th Wall, the new walls trans-form into inhabitable space.

A Museum of the Tiber River

0’ 25’ 50’ 100’ 150’ 250’

CARVE, ADAPT, TRANSFORM

Michael M. AvelloneDecember 5, 2011

ARCH 400

Once used for protection and distinguishing the city from farmland, the Urban the 8th Wall is now burried in a dense environment transformed by modern day Rome. Buildings and roads attach to the wall claiming it as their own. Cars cut through the wall and trees grow upon it. This wall and all remain-ing walls on the site are celebrated and are a prominent feature of the museum design. New structure will touch the wall lightly to not over power its presence. New buildings adapt and transform to the carving gesture created by the walls of the canyon leading down to the river. Adopting the language of the Urban the 8th Wall, the new walls trans-form into inhabitable space.

A Museum of the Tiber River

84JOCELYN REUTEBUCHMICHAEL AVELLONE

0’ 25’ 50’ 100’ 150’ 250’

CARVE, ADAPT, TRANSFORM

Michael M. AvelloneDecember 5, 2011

ARCH 400

Once used for protection and distinguishing the city from farmland, the Urban the 8th Wall is now burried in a dense environment transformed by modern day Rome. Buildings and roads attach to the wall claiming it as their own. Cars cut through the wall and trees grow upon it. This wall and all remain-ing walls on the site are celebrated and are a prominent feature of the museum design. New structure will touch the wall lightly to not over power its presence. New buildings adapt and transform to the carving gesture created by the walls of the canyon leading down to the river. Adopting the language of the Urban the 8th Wall, the new walls trans-form into inhabitable space.

A Museum of the Tiber River

0’ 25’ 50’ 100’ 150’ 250’

CARVE, ADAPT, TRANSFORM

Michael M. AvelloneDecember 5, 2011

ARCH 400

Once used for protection and distinguishing the city from farmland, the Urban the 8th Wall is now burried in a dense environment transformed by modern day Rome. Buildings and roads attach to the wall claiming it as their own. Cars cut through the wall and trees grow upon it. This wall and all remain-ing walls on the site are celebrated and are a prominent feature of the museum design. New structure will touch the wall lightly to not over power its presence. New buildings adapt and transform to the carving gesture created by the walls of the canyon leading down to the river. Adopting the language of the Urban the 8th Wall, the new walls trans-form into inhabitable space.

A Museum of the Tiber River

0’ 25’ 50’ 100’ 150’ 250’

CARVE, ADAPT, TRANSFORM

Michael M. AvelloneDecember 5, 2011

ARCH 400

Once used for protection and distinguishing the city from farmland, the Urban the 8th Wall is now burried in a dense environment transformed by modern day Rome. Buildings and roads attach to the wall claiming it as their own. Cars cut through the wall and trees grow upon it. This wall and all remain-ing walls on the site are celebrated and are a prominent feature of the museum design. New structure will touch the wall lightly to not over power its presence. New buildings adapt and transform to the carving gesture created by the walls of the canyon leading down to the river. Adopting the language of the Urban the 8th Wall, the new walls trans-form into inhabitable space.

A Museum of the Tiber River

0’ 25’ 50’ 100’ 150’ 250’

CARVE, ADAPT, TRANSFORM

Michael M. AvelloneDecember 5, 2011

ARCH 400

Once used for protection and distinguishing the city from farmland, the Urban the 8th Wall is now burried in a dense environment transformed by modern day Rome. Buildings and roads attach to the wall claiming it as their own. Cars cut through the wall and trees grow upon it. This wall and all remain-ing walls on the site are celebrated and are a prominent feature of the museum design. New structure will touch the wall lightly to not over power its presence. New buildings adapt and transform to the carving gesture created by the walls of the canyon leading down to the river. Adopting the language of the Urban the 8th Wall, the new walls trans-form into inhabitable space.

A Museum of the Tiber River

/8584

Luptatem a sendend aecearum sitatquaepel ea conserionet apid qui core natus molorera volo ius accat.

86CORY NESTOR

/8786

88MONICA THOMPSON

/8988

90JENNIFER JANOUSEK

/9190

92NISHANT JACOBS

/9392

94LAURA HALL

/9594

AD

D

A

B

B

C

C

HIDDEN RIVER MUSEUMMUSEUM OF THE TIBER

PLAN 1 . SCALE = 1 : 40

PLAN 2

SECTION CC

SECTION DD . SCALE = 1 : 20

SECTION BB

SECTION AA . SCALE = 1 : 20

AD

D

A

B

B

C

C

HIDDEN RIVER MUSEUMMUSEUM OF THE TIBER

PLAN 1 . SCALE = 1 : 40

PLAN 2

SECTION CC

SECTION DD . SCALE = 1 : 20

SECTION BB

SECTION AA . SCALE = 1 : 20

AD

D

A

B

B

C

C

HIDDEN RIVER MUSEUMMUSEUM OF THE TIBER

PLAN 1 . SCALE = 1 : 40

PLAN 2

SECTION CC

SECTION DD . SCALE = 1 : 20

SECTION BB

SECTION AA . SCALE = 1 : 20

96CALVIN TANDI

AD

D

A

B

B

C

C

HIDDEN RIVER MUSEUMMUSEUM OF THE TIBER

PLAN 1 . SCALE = 1 : 40

PLAN 2

SECTION CC

SECTION DD . SCALE = 1 : 20

SECTION BB

SECTION AA . SCALE = 1 : 20

AD

D

A

B

B

C

C

HIDDEN RIVER MUSEUMMUSEUM OF THE TIBER

PLAN 1 . SCALE = 1 : 40

PLAN 2

SECTION CC

SECTION DD . SCALE = 1 : 20

SECTION BB

SECTION AA . SCALE = 1 : 20

AD

D

A

B

B

C

C

HIDDEN RIVER MUSEUMMUSEUM OF THE TIBER

PLAN 1 . SCALE = 1 : 40

PLAN 2

SECTION CC

SECTION DD . SCALE = 1 : 20

SECTION BB

SECTION AA . SCALE = 1 : 20

/9796

98JASON CERALDE

/9998

A

G R O U N D P L A N W I T H S I T E C O N T E X T1 ” - 4 0 ” s c a l e

S E C T I O N A1 ” - 2 0 ” s c a l e

S E C T I O N B1 ” - 2 0 ” s c a l e

R I V E R E L E V A T I O N1 ” - 4 0 ” s c a l e

A B

T H E T I B E R A N D I T S T R I B U T A R I E ST H E T I B E R A N D I T S T R I B U T A R I E ST H E T I B E R A N D I T S T R I B U T A R I E SA M U S E U M O F T H E T I B E R R I V E R . L I S A H E A L Y . A I R 2 0 1 1

gift shop

interior museum

lobbeyarchives/o�ces

restaurantrestaurant

market/open community space

gardens

A

G R O U N D P L A N W I T H S I T E C O N T E X T1 ” - 4 0 ” s c a l e

S E C T I O N A1 ” - 2 0 ” s c a l e

S E C T I O N B1 ” - 2 0 ” s c a l e

R I V E R E L E V A T I O N1 ” - 4 0 ” s c a l e

A B

T H E T I B E R A N D I T S T R I B U T A R I E ST H E T I B E R A N D I T S T R I B U T A R I E ST H E T I B E R A N D I T S T R I B U T A R I E SA M U S E U M O F T H E T I B E R R I V E R . L I S A H E A L Y . A I R 2 0 1 1

gift shop

interior museum

lobbeyarchives/o�ces

restaurantrestaurant

market/open community space

gardens

A

G R O U N D P L A N W I T H S I T E C O N T E X T1 ” - 4 0 ” s c a l e

S E C T I O N A1 ” - 2 0 ” s c a l e

S E C T I O N B1 ” - 2 0 ” s c a l e

R I V E R E L E V A T I O N1 ” - 4 0 ” s c a l e

A B

T H E T I B E R A N D I T S T R I B U T A R I E ST H E T I B E R A N D I T S T R I B U T A R I E ST H E T I B E R A N D I T S T R I B U T A R I E SA M U S E U M O F T H E T I B E R R I V E R . L I S A H E A L Y . A I R 2 0 1 1

gift shop

interior museum

lobbeyarchives/o�ces

restaurantrestaurant

market/open community space

gardens

100LISA HEALY

A

G R O U N D P L A N W I T H S I T E C O N T E X T1 ” - 4 0 ” s c a l e

S E C T I O N A1 ” - 2 0 ” s c a l e

S E C T I O N B1 ” - 2 0 ” s c a l e

R I V E R E L E V A T I O N1 ” - 4 0 ” s c a l e

A B

T H E T I B E R A N D I T S T R I B U T A R I E ST H E T I B E R A N D I T S T R I B U T A R I E ST H E T I B E R A N D I T S T R I B U T A R I E SA M U S E U M O F T H E T I B E R R I V E R . L I S A H E A L Y . A I R 2 0 1 1

gift shop

interior museum

lobbeyarchives/o�ces

restaurantrestaurant

market/open community space

gardens

A

G R O U N D P L A N W I T H S I T E C O N T E X T1 ” - 4 0 ” s c a l e

S E C T I O N A1 ” - 2 0 ” s c a l e

S E C T I O N B1 ” - 2 0 ” s c a l e

R I V E R E L E V A T I O N1 ” - 4 0 ” s c a l e

A B

T H E T I B E R A N D I T S T R I B U T A R I E ST H E T I B E R A N D I T S T R I B U T A R I E ST H E T I B E R A N D I T S T R I B U T A R I E SA M U S E U M O F T H E T I B E R R I V E R . L I S A H E A L Y . A I R 2 0 1 1

gift shop

interior museum

lobbeyarchives/o�ces

restaurantrestaurant

market/open community space

gardens

A

G R O U N D P L A N W I T H S I T E C O N T E X T1 ” - 4 0 ” s c a l e

S E C T I O N A1 ” - 2 0 ” s c a l e

S E C T I O N B1 ” - 2 0 ” s c a l e

R I V E R E L E V A T I O N1 ” - 4 0 ” s c a l e

A B

T H E T I B E R A N D I T S T R I B U T A R I E ST H E T I B E R A N D I T S T R I B U T A R I E ST H E T I B E R A N D I T S T R I B U T A R I E SA M U S E U M O F T H E T I B E R R I V E R . L I S A H E A L Y . A I R 2 0 1 1

gift shop

interior museum

lobbeyarchives/o�ces

restaurantrestaurant

market/open community space

gardens

A

G R O U N D P L A N W I T H S I T E C O N T E X T1 ” - 4 0 ” s c a l e

S E C T I O N A1 ” - 2 0 ” s c a l e

S E C T I O N B1 ” - 2 0 ” s c a l e

R I V E R E L E V A T I O N1 ” - 4 0 ” s c a l e

A B

T H E T I B E R A N D I T S T R I B U T A R I E ST H E T I B E R A N D I T S T R I B U T A R I E ST H E T I B E R A N D I T S T R I B U T A R I E SA M U S E U M O F T H E T I B E R R I V E R . L I S A H E A L Y . A I R 2 0 1 1

gift shop

interior museum

lobbeyarchives/o�ces

restaurantrestaurant

market/open community space

gardens

/101100

102JASMIN SABATI

/103102

104ADAM SHARRON

/105104

106COBY VARDY

/107106

si conosce il tevere?[rethinking human habitat along rome’s tiber river][paul flores | architecture in rome | university of washington | fall 2011]

a c c e s s e d u c a t i o n i n t e r a c t i o n

p e r s p e c t i v e v i a p o r t u e n s e

s e c t i o n p e r s p e c t i v e l u n g o t e v e r e p o r t u e n s e

01 urban river experiencethe experience of the tiber river in rome extends beyond the hard infrastructure of the embankment walls. although sensory connections to the river begin at the edge of the cityʼs urban fabric layers of infrastructure limit engagement of the river to brief moments of recognition.

02 existing site edge condition 03 new dynamic landforms interact with the urban environment

04 hierarchy of circulation patterns allows a variety of experiences

01 urban river experiencethe experience of the tiber river in rome extends beyond the hard infrastructure of the embankment walls. although sensory connections to the river begin at the edge of the cityʼs urban fabric layers of infrastructure limit engagement of the river to brief moments of recognition.

02 existing site edge condition 03 new dynamic landforms interact with the urban environment

04 hierarchy of circulation patterns allows a variety of experiences

01 urban river experiencethe experience of the tiber river in rome extends beyond the hard infrastructure of the embankment walls. although sensory connections to the river begin at the edge of the cityʼs urban fabric layers of infrastructure limit engagement of the river to brief moments of recognition.

02 existing site edge condition 03 new dynamic landforms interact with the urban environment

04 hierarchy of circulation patterns allows a variety of experiences

cafe wc

tiber stewardship offices

tiber museum operations

p l a n

5 10 20 30

a

a b

b

meters

temporary exhibition gallery

ampitheater/gallery

tiber pavilion

cafe kiosk

108PAUL FLORES

si conosce il tevere?[rethinking human habitat along rome’s tiber river][paul flores | architecture in rome | university of washington | fall 2011]

a c c e s s e d u c a t i o n i n t e r a c t i o n

p e r s p e c t i v e v i a p o r t u e n s e

s e c t i o n p e r s p e c t i v e l u n g o t e v e r e p o r t u e n s e

s e c t i o n a a f a c i n g s o u t h

s e c t i o n b b f a c i n g s o u t h

5 10 20 30 meters

s e c t i o n a a f a c i n g s o u t h

s e c t i o n b b f a c i n g s o u t h

5 10 20 30 meters

si conosce il tevere?[rethinking human habitat along rome’s tiber river][paul flores | architecture in rome | university of washington | fall 2011]

a c c e s s e d u c a t i o n i n t e r a c t i o n

p e r s p e c t i v e v i a p o r t u e n s e

s e c t i o n p e r s p e c t i v e l u n g o t e v e r e p o r t u e n s e

/109108

Cross Section A. Longitudinal Section B.

Perspective a.

Perspective b.Perspective c. Perspective d.

Plan 1

Plan 2

Plan 3

Outdoor Museum

Bike Rentals

CafeKitchen

W.C

Indoor Museum

Outdoor Museum

Beyond City Walls

A.

B.

Cross Section A. Longitudinal Section B.

Perspective a.

Perspective b.Perspective c. Perspective d.

Plan 1

Plan 2

Plan 3

Outdoor Museum

Bike Rentals

CafeKitchen

W.C

Indoor Museum

Outdoor Museum

Beyond City Walls

A.

B.

Cross Section A. Longitudinal Section B.

Perspective a.

Perspective b.Perspective c. Perspective d.

Plan 1

Plan 2

Plan 3

Outdoor Museum

Bike Rentals

CafeKitchen

W.C

Indoor Museum

Outdoor Museum

Beyond City Walls

A.

B.

Cross Section A. Longitudinal Section B.

Perspective a.

Perspective b.Perspective c. Perspective d.

Plan 1

Plan 2

Plan 3

Outdoor Museum

Bike Rentals

CafeKitchen

W.C

Indoor Museum

Outdoor Museum

Beyond City Walls

A.

B.

110DAVID KIM

Cross Section A. Longitudinal Section B.

Perspective a.

Perspective b.Perspective c. Perspective d.

Plan 1

Plan 2

Plan 3

Outdoor Museum

Bike Rentals

CafeKitchen

W.C

Indoor Museum

Outdoor Museum

Beyond City Walls

A.

B.

Cross Section A. Longitudinal Section B.

Perspective a.

Perspective b.Perspective c. Perspective d.

Plan 1

Plan 2

Plan 3

Outdoor Museum

Bike Rentals

CafeKitchen

W.C

Indoor Museum

Outdoor Museum

Beyond City Walls

A.

B.

Cross Section A. Longitudinal Section B.

Perspective a.

Perspective b.Perspective c. Perspective d.

Plan 1

Plan 2

Plan 3

Outdoor Museum

Bike Rentals

CafeKitchen

W.C

Indoor Museum

Outdoor Museum

Beyond City Walls

A.

B.

/111110

112JOCELYN REUTEBUCHALENA BIRILLO

/113112

100 ft

50 m

20 ft

5 m

50 ft

20 m

REACH THE TIBER

N SITE PLAN

FLOOR PLAN

SOUTHEAST ELEVATION

PROGRAMS1 markets2 storage3 museum and exhibition4 box office5 consession stand6 restrooms7 cinema8 restaurant & bar9 kitchen10 restrooms11 pantry12 office13 outdoor theater14 festival space

1 2

34

5

6

7

8

9

10

11

12

13

14

SECTION THRU CINEMA

100 ft

50 m

20 ft

5 m

50 ft

20 m

REACH THE TIBER

N SITE PLAN

FLOOR PLAN

SOUTHEAST ELEVATION

PROGRAMS1 markets2 storage3 museum and exhibition4 box office5 consession stand6 restrooms7 cinema8 restaurant & bar9 kitchen10 restrooms11 pantry12 office13 outdoor theater14 festival space

1 2

34

5

6

7

8

9

10

11

12

13

14

SECTION THRU CINEMA

114DANIEL KIM

100 ft

50 m

20 ft

5 m

50 ft

20 m

REACH THE TIBER

N SITE PLAN

FLOOR PLAN

SOUTHEAST ELEVATION

PROGRAMS1 markets2 storage3 museum and exhibition4 box office5 consession stand6 restrooms7 cinema8 restaurant & bar9 kitchen10 restrooms11 pantry12 office13 outdoor theater14 festival space

1 2

34

5

6

7

8

9

10

11

12

13

14

SECTION THRU CINEMA

100 ft

50 m

20 ft

5 m

50 ft

20 m

REACH THE TIBER

N SITE PLAN

FLOOR PLAN

SOUTHEAST ELEVATION

PROGRAMS1 markets2 storage3 museum and exhibition4 box office5 consession stand6 restrooms7 cinema8 restaurant & bar9 kitchen10 restrooms11 pantry12 office13 outdoor theater14 festival space

1 2

34

5

6

7

8

9

10

11

12

13

14

SECTION THRU CINEMA

/115114