sayed saad el din - portfolio

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SAYED SAAD EL DIN CIRCLES IN THE SAND

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Sayed Saad el Din helps us understand, put some reasoning into this piercing feeling of attachment, of belonging to a land where kindness still exists hidden underneath the sand, where warmth wraps the mind and soul past a blazing sun, where harmony is concealed behind turmoil, and where hope prevails, though tomorrow is capricious. And as we look at "the heart (which) has its reasons that reason does not know” (Pascal), it seems that Sayed Saad el Din may know after all. Because he chose optimism over despair and because he chose beauty over exasperation. Saad el Din knows that our love can never end and will never end and lures us into a wonderfully sincere and touching world where perfection is no coincidence and mystery is the answer.   And as we look at "the heart (which) has its reasons that reason does not know” (Pascal), it seems that Sayed Saad el Din may know after all. Because he chose optimism over despair and beauty over exasperation. Saad el Din knows.

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Page 1: Sayed Saad El Din - Portfolio

SAYED  SAAD  EL  DIN  

CIRCLES  IN  THE  SAND  

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Time  goes  by.  And  the  years  go  past.  And  somehow  and  for  some  unknown  reasons,  we  remain  in  love,  infatuated  by  its  sand,  smi;en  by  its  sun,  struck  by  its  Nile,  burdened  by  its  glorious  past,  and  bonded  to  its  people.        Sayed  Saad  el  Din  helps  us  understand,  put  some  reasoning  into  this  piercing  feeling  of  a;achment,  of  belonging  to  a  land  where  kindness  s@ll  exists  hidden  underneath  the  sand,  where  warmth  wraps  the  mind  and  soul  past  a  blazing  sun,  where  harmony  is  concealed  behind  turmoil,  and  where  hope  prevails,  though  tomorrow  is  capricious.      And  as  we  look  at  "the  heart  (which)  has  its  reasons  that  reason  does  not  know”  (Pascal),  it  seems  that  Sayed  Saad  el  Din  may  know  aHer  all.  Because  he  chose  op@mism  over  despair  and  because  he  chose  beauty  over  exaspera@on.  Saad  el  Din  knows  that  our  love  can  never  end  and  will  never  end  and  lures  us  into  a  wonderfully  sincere  and  touching  world  where  perfec@on  is  no  coincidence  and  mystery  is  the  answer.        And  while  Sayed  Saad  el  Din  a;empts  to  draw  the  veil  from  some  of  the  ambigui@es  that  overshadow  our  life,  he  ceremoniously  reveals  the  essence  as  well  as  the  perfec@on  that  lie  behind  the  imperfec@ons.  He  lays  bare  our  ins@nct  for  freedom  that  cannot  be  reversed  and  that  must  grow  to  a  powerful  force  if  there  is  to  be  hope.  Sayed  Saad  el  Din  ul@mately  restores  the  greatest  secrets  to  that  enigma,  in  which  we  live  and  ever  will  remain.  And  that  enigma  is  Egypt.      

 

By  Fatenn  Mostafa    

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Like  an  architect,  every  detail  is  scru@nized  and  yet  we  feel  the  abstrac@on  of  the  moment  and  the  intensity  of  the  simple  chores  repeated  daily  by  ordinary  Egyp@ans.  Circles,  wheels,  hoops,  ropes,  spirals  and  balls  smoothly  float  in  the  sky,  gently  spin  on  the  sand,  magically  roll  in  the  water,  leading  us  towards  infinity,  like  a  prayer  or  a  windmill  –  a  passionate  metaphor  to  the  world  we  live  in  and  to  a  country  we  are  so  a;ached  to.      Born  in  1944,  Sayed  Saad  el  Din  was  raised  and  schooled  soaked  in  the  rus@c  sun  of  Qena  in  Upper  Egypt.  AHer  enrolling  in  the  Faculty  of  Engineering  in  Minya  to  please  his  parents,  he  soon  realized  his  genuine  calling  was  in  fact  art  making.  Relentlessly  in  pursuit  of  his  passion,  he  leH  Minya  at  the  age  of  17,  headed  alone  to  the  big  capital,  Cairo,  and  began  his  formal  art  studies  at  the  Leonardo  Di  Vinci  Ins@tute  under  the  mentorship  of  modernist  painter  Sayed  Abdel  Rassoul.  From  then  on,  his  life  as  an  authen@c  Egyp@an  painter  and  sculptor  would  unfold,  with  scholarship  grants,  numerous  local  and  interna@onal  awards,  public  commissioning  and  residencies  abroad.    

 

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Fishermen  at  Twilight  Sold  At  Bonhams,  London    April  27,  2016  Oil  on  canvas  150  x  100  cm    Price  including  Premium:  USD  24,000            

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Temple  of  Philae  /  Maabad  Philae,  2016  Poem  by  Ahmed  Shawky  Oil  on  canvas  120  x  80  cm      SSD-­‐101        

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The  Laundry  /  El  Ghasseel,  2010  Oil  on  canvas  90  x  100  cm    SOLD  SSD-­‐102        

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The  Return  /  El  3awda,  2015  Oil  on  canvas  120  x  80  cm    SOLD  SSD-­‐103        

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El  Kanasseen  Oil  on  canvas  120  x  80  cm    SSD-­‐133        

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Hymn/  El  Tarteel,  1977  Oil  on  pressed  wood  95  x  130  cm      SSD-­‐127        

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Donkey  Market/  Souk  el  Hemir,  1977  Tapestry,  hand  woven,  natural  colors  Unique  piece  168  x  235  cm      SSD-­‐132        

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The  Race  /  El  Sebaq,  2005  Oil  on  canvas  70  x  100  cm      SSD-­‐105        

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Livelihood  /  El  Rizq,  2014  Oil  on  canvas  80  x  120  cm            SOLD                                                                SSD-­‐106        

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Pêche  Sur  Le  Nil  /  El  Sayad  3ala  el  Nil,  2012  Oil  on  canvas  50  x  70  cm      SSD-­‐107        

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Stone  Children  /  AVal  el  Hagara,    PalesWne,  1987  Oil  on  canvas  75  x  100  cm      SSD-­‐108        

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Under  Siege  /  El  Hessar,  2007  Oil  on  canvas  120  x  100  cm        SSD-­‐109        

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Under  Siege  /  El  Hessar,  2007  Oil  on  canvas  120  x  100  cm        SSD-­‐109        

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Dervishes  /  Daraweesh,  2009  Oil  on  canvas  130  x  75  cm      SOLD  SSD-­‐110        

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Nile  Journey  /  Rehla  Nileya  Oil  on  canvas  80  x  120  cm    SOLD      SSD-­‐111        

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EgypWan  Ballad  /  Rehla  Masreya  Oil  on  canvas  100  x  150  cm    SOLD    SSD-­‐112        

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MeditaWon  /  Ta’ammul,  2015  Oil  on  canvas  100  x  150  cm      SSD-­‐113        

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Valley  of  Fourty  /  Wadi  el  Arba3een,  1980  Oil  on  canvas  95  x  65  cm      SSD-­‐114        

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Black  &  White,  1998  Charcoal  on  cardboard  65  x  46  cm      SSD-­‐115      

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Memory  /  Zikra,  1998  Oil  on  canvas  105  x  70  cm      SSD-­‐116      

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Hopscotch  /  Hagla  Oil  on  canvas  55  x  46  cm      SSD-­‐117      

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Renaissance  /  El  Nehoud,  2008  Bronze  Unique  piece  30  x  55  x  3  cm  SSD-­‐118        

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The  Race  /  El  Sebaq  Bronze  Unique  piece  40  x  50  x  5  cm      SSD-­‐119        

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Sufi,  2009  Bronze  Unique  piece  60  x  16  x  5  cm      SSD-­‐120        

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The  Sweeper  /  El  Kannas,  2009  Bronze  83  x  25    x  3  cm      SSD-­‐121        

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Tale  of  the  Fish  /  Haddouted  el  Samaka  I,  2007  Oil  on  canvas  75  x  60  cm      SSD-­‐122        

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Tale  of  the  Fish  /  Haddouted  el  Samaka  II,  2007  Oil  on  canvas  60  x  75  cm      SSD-­‐123        

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Ball  Dance  /  Rakset  el  Kora  II,  2002  Oil  on  canvas  150  x  100  cm      SSD-­‐124        

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Ball  Dance  /  Rakset  el  Kora  II,  2016  Oil  on  canvas  120  x  80  cm      SSD-­‐104        

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The  Vow  /  El  Wasseya  Bronze  Unique  piece  80  x  30  x  4  cm      SSD-­‐125        

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The  Vow  /  El  Wasseya  Mosaïc  Unique  piece  116  x  85  x  4  cm      SSD-­‐128        

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The  Dancer  Bronze  Unique  piece  47  x  21  x  1  cm      SSD-­‐126        

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       +2027363948        8  el  kamel  mohamed  street    Zamalek.  Cairo.  Egypt.      www.ar;alks.com  info@ar;alks.com    Facebook  Page:  Art  Talks  Cairo  Instagram:  ArtTalksEgypt  www.issuu.com/ArtTalks    Opening  Hours  Daily  from  11am  to  8pm  Fridays  from  3  to  8pm    

Founded in 2010, ArtTalks | Egypt has established itself as a highly selective search engine for Egypt’s next generation of contemporary artists and an authority on high quality secondary market works by twentieth century Egyptian masters and many of the most important artists working today. ArtTalks manages the estate of the late painter and sculptor Sobhy Guirguis (1929-2013).   Part of ArtTalks income is channeled into an Art Fund to support high potential emerging artists and to finance an extensive educational program aimed at growing the number of art collectors and art patrons in Egypt. We run a yearly curriculum on the history of Egyptian modern and contemporary art and invite scholars from abroad to give talks to the public.   Founded by arts patron Fatenn Mostafa, former CEO of Gianaclis Vineyards for Beverages and former advisor to Bozar, Center of Fine Arts in Brussels, Belgium, the gallery is committed to the defense of freedom of art in Egypt and to strengthen Egypt's position on the regional art map.