september 2014: mamma mia! at the fox theatre

F OX T H E AT R E . O R G | E N C O R E AT L A N TA . C O M

THE FOX THEATRE | SEPTEMBER 2014

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On the Cover:Make the cover photo come to life through augmented reality. Cover artwork by Littlestar

CONTENTSSeptember 2014

FEATURES

10 42

38

10 Happy (And You Know It)A brief history of Swedish music, from ABBA to Icona Pop By Bret Love

38 Learning to FlyFollow the footsteps of Wilbur and Orville at North Carolina’s beachy-keen Outer Banks By Bret Love

42 Meet the MEATYsMetro stage and film actors launch "That’s Educational," a mockumentary Web series about, well, actors playing actors. By Julie Bookman

36 Information37 Etiquette/Fox Staff46 Dining Guide52 Fox Fun Facts54 PoshDealz

DEPARTMENTS

PERFORMANCE17 Mamma Mia! program

WHAT’S MORE BEAUTIFUL THAN LIFE IMITATING THE

Since 1986, Georgia Power has given more than $85 million to non-profits across the state. From Atlanta’s Woodruff Arts Center to Savannah’s Telfair Museums, our commitment to improving the cultural landscape, is just one of the many ways we’re working to support our communities.

georgiapower.com

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AUGMENTED CONTENTWe’ve hidden additional content throughout this issue. Unlock it with your phone!

AR* EXPERIENCES INSTRUCTIONS

CONTESTS

Front CoverSee what’s playing this season and get tickets.

3 WellstarWhat is Wellstar? What does it offer? Watch this.

6 AR Content (this page)A special message from our VP of Creative.

10 Happy (And You Know It)Benny Andersson and Björn Ulvaeus join the cast of Mamma Mia! London to perform at the 2014 Olivier Awards.

45 Emory VoiceFind out why a hoarse voice could be masking a more serious issue (video).

47 EccoMake a date with this Italian restaurant. Reserve your table by scanning this ad.

51 Gordon BierschGet $10 off with this AR coupon.

51 ConcentricsFeed your mood. Reserve your table by scanning this ad.

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Don’t forget, on EncoreAtlanta.com/contests, you can win additional prizes, like show tickets to the Fox and more!

*Augmented Reality

Melanoma is the most dangerous type of skin cancer. Northside Hospital Cancer Institute’s physicians are leaders in melanoma diagnoses and treatment, which is why people from across Georgia trust Northside with their melanoma care. In fact, Northside has one of the fastest growing melanoma programs in the state—helping more and more people get past their cancer and onto the dance fl oor. For help fi nding a cancer specialist, call 404-531-4444.

Melanoma cancer treatment that results in Salsa dancing.

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Last Modified August 25, 2014at 3:00 pm

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ATLANTA’S PERFORMING ARTS PUBLICATION 11

A brief history of Swedish music, from ABBA to Icona Pop

By Bret Love

Happy(and you know it)

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Like its Scandinavian brethren in Denmark, Finland and Norway, Sweden is a perennial

stalwart near the top of the list of the world’s happiest countries. Driving through its impossibly green countryside — where litter is nonexistent, renewable energy sources such as wind turbines are ubiquitous, and everyone seems kind and courteous to strangers — it’s easy to see why.

Perhaps that explains why Swe-den has a 40-year history of sunny pop music so infectiously happy, it would give Pharrell Williams a sugar high. And it all started with ABBA.

Formed in 1972 in Stock-holm by Agnetha Fältskog, Björn Ulvaeus, Benny Andersson and Anni-Frid Lyngstad (who were romantic couples offstage), ABBA’s moniker came from an acronym of band members’ first names. Their breakthrough came in 1974, when the song “Waterloo” won the pres-tigious Eurovision Song Contest, making them the first Swedish artists to take home the prize.

The band dabbled in the glam-rock sound that was trendy at the time, which Ulvaeus later acknowledged was a mistake: “[It] was stupid because we were always a pop group.” By 1975 it had found the formula for Billboard chart success, racking up a string of Top 40 hits that included “Waterloo,” “SOS,” “Mamma Mia” and “Fernando.” “Dancing Queen” gave the group its first No. 1 single in the United States, and by the end of the 1970s, ABBA was among the world’s most popular bands.

ABBA’s music makers went their separate ways in 1983, stay-ing together for four years after Ulvaeus and Fältskog divorced. While the women went on to respectable solo careers, Andersson and Ulvaeus collaborated with

Tim Rice on the stage musical Chess (London and Broadway), co-wrote a Swedish stage musical, were involved in the stage and film productions of Mamma Mia!, and continue to write songs together today. But it’s the music the quartet made together that has had an indelible influence on pop culture, and particularly the music of Sweden. Let’s take a survey.

THE ’80SRoxette, formed in 1986 by Marie Fredriksson and Per Gessle, was the first Swedish band to come

Sweden has a 40-year history of

sunny pop music so

infectiously happy, it

would give Pharrell

Williams a sugar high.

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close to approaching ABBA’s level of global pop success. Its third (Look Sharp) and fourth (Joyride) albums sold a combined total of 20 million copies, charting six singles that hit No. 1 or No. 2 on Billboard charts ("The Look,” "Listen to Your Heart,” “It Must Have Been Love," "Joyride,” "Dangerous" and "Fading Like a Flower"). They were even more successful in Europe, where Swed-ish King Carl XVI Gustaf honored them in 2003 "for appreciated achievements in Sweden and internationally.”

THE ‘90SThree major acts emerged, achiev-ing success on the pop, rock and dance music scenes. Ace of Base was arguably the biggest band in the world circa 1993, selling 23 million copies of its syrupy-sweet debut album, Happy Nation, thanks to the Top 10 singles “All That She Wants,” “Don’t Turn Around” and, especially, “The Sign” (which spent six weeks at No. 1). The Cardigans made a splash in indie-rock circles on the strength of the hit single “Lovefool” (“Love me, love me,


Top: ABBA, as it looked in the 1970s, posed provocatively in front of the Swedish flag (from left) Benny Andersson, Anni-Frid Lyngstad and Bjorn Ulvaeus. At bottom left: Two scenes from the show.

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say that you love me”), which was featured on the soundtrack of William Shakespeare’s Romeo + Juliet. Teen sensation Robyn broke out in 1997 when her dance singles “Show Me Love” and “Do You Know (What It Takes)” made it onto Billboard’s Top 10. She remains a Swedish icon today.

2000 & BEYONDIn the past 15 years, Swedish music has had an increasingly high profile on the world scene. From electro-pop duo the Knife and indie-pop trio Peter Bjorn & John to garage-rock revivalists the Hives and singer-songwriter Likke Li, the sounds emerging from this Scandinavian nation are

impressive in scope and diversity. Emerging techno-pop acts such as Swedish House Mafia, Avicii and Icona Pop (whose debut single “I Love It” sold nearly 3 million copies) are providing the lively soundtrack for a new generation of dancing queens.

But, as evidenced by the success of A*Teens (the tribute band whose 1999 album of ABBA covers sold 3 million copies) and the staying power of the Mamma Mia! musical (in its 13th year on Broadway), there has never been a Swedish band to rival ABBA’s enduring legacy. And, with about 120 million albums sold, there probably never will be.

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The old girls' group lives again in "Mamma

Mia!,: with Gabrielle Mirabella (left), Georgia

Kate Haege and, Carly Sakolove.r

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WORK LIGHT PRODUCTIONSEXECUTIVE PRODUCER, STEPHEN GABRIEL

PRESENT

MUSIC AND LYRICS BY

BENNY ANDERSSONBJÖRN ULVAEUS

AND SOME SONGS WITH STIG ANDERSON

BOOK BY CATHERINE JOHNSON

PRODUCTION DESIGNED BYMARK THOMPSON

LIGHTING DESIGNED BYHOWARD HARRISON

SOUND DESIGNED BYANDREW BRUCE &

BOBBY AITKENMUSICAL SUPERVISOR, ADDITIONAL MATERIAL

& ARRANGEMENTSMARTIN KOCH

CHOREOGRAPHYANTHONY VAN LAAST

DIRECTED BY

PHYLLIDA LLOYD

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in order of appearanceSophie Sheridan ......................................................................................................CHELSEA WILLIAMSAli .......................................................................................................................................EMILY PRICELisa ..................................................................................................................... OLIVIA ASHLEY REEDTanya ............................................................................................................. GABRIELLE MIRABELLARosie ....................................................................................................................................SARA SMITHDonna Sheridan ................................................................................................GEORGIA KATE HAEGESky .................................................................................................................................ERIC PRESNALL Pepper ....................................................................................................................P. TUCKER WORLEYEddie ..............................................................................................................................TONY TILLMANHarry Bright ............................................................................................................. MARK A. HARMONBill Austin ......................................................................................................... MICHAEL COLAVOLPESam Carmichael ...............................................................................................................JEFF DRUSHALFather Alexandrios .......................................................................................ROYCE JAMES McINTOSH

THE ENSEMBLEANTHONY ALFARO, FRANCESCA AROSTEGUI, SEAN PATRICK GRADY,

CHRISTOPHER HLINKA, ALBERT JENNINGS, TODD MacINTYRE, REBECCA MASON-WYGAL, ROYCE JAMES McINTOSH, BRYNN SMITH, JENNIFER WINGERTER, VINCE WINGERTER, BETH ANN WIPPRECHT,

EMMELINE WOOD, LAUREN WRIGHT

UNDERSTUDIESFor Sophie Sheridan—Francesca Arostegui, Brynn Smith;

for Ali—Emmeline Wood, Lauren Wright; for Lisa—Emmeline Wood, Lauren Wright;

for Tanya— Jennifer Wingerter, Beth Ann Wipprecht; for Rosie—Rebecca Mason-Wygal, Beth Ann Wipprecht;

for Donna Sheridan—Rebecca Mason-Wygal, Jennifer Wingerter; for Sky—Anthony Alfaro, Sean Patrick Grady;

for Pepper—Albert Jennings; for Eddie—Albert Jennings;

for Harry Bright—Royce James McIntosh, Todd MacIntyre; for Bill Austin—Royce James McIntosh, Vince Wingerter; for Sam Carmichael—Todd MacIntyre, Vince Wingerter;

for Father Alexandrios—Vince Wingerter

SWINGSSTEPHANIE BROOKS, DANIELLE BURDICK, JUAN GUILLEN, DANNY LOPEZ

Dance Captain—–Danny Lopez; Assistant Dance Captain—–Francesca Arostegui

THE BANDMusic Director/Keyboard 1—KEVIN CASEY

Associate Music Director/Keyboard 2—ALEX HARRINGTONGuitar 1—DAVID MALACHOWSKI

Guitar 2—DIEGO ROJAS Bass—MARCEL HAMEL

Drums—TERRENCE BATES

CAST

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GEORGIA KATEHAEGE

CHELSEAWILLIAMS

GABRIELLEMIRABELLA

SARA SMITH

MICHAELCOLAVOLPE

JEFF DRUSHAL

MARK A.HARMON

ERIC PRESNALL

OLIVIA ASHLEYREED

TONY TILLMAN

EMILY PRICE

P. TUCKERWORLEY

ANTHONY ALFARO

FRANCESCA AROSTEGUI

STEPHANIE BROOKS

DANIELLE BURDICK

SEAN PATRICKGRADY

JUAN GUILLEN

CHRISTOPHERHLINKA

ALBERTJENNINGS

DANNYLOPEZ

TODDMacINTYRE

REBECCAMASON-WYGAL

ROYCE JAMESMcINTOSH

BRYNNSMITH

JENNIFERWINGERTER

VINCEWINGERTER

BETH ANNWIPPRECHT

EMMELINEWOOD

LAURENWRIGHT

CAST


in alphabetical order

CHIQUITITA

DANCING QUEEN

DOES YOUR MOTHER KNOW

GIMME! GIMME! GIMME!

HONEY, HONEY

I DO, I DO, I DO, I DO, I DO

I HAVE A DREAM

KNOWING ME, KNOWING YOU

LAY ALL YOUR LOVE ON ME

MAMMA MIA

MONEY, MONEY, MONEY

ONE OF US

OUR LAST SUMMER

SLIPPING THROUGH MY FINGERS

S.O.S.

SUPER TROUPER

TAKE A CHANCE ON ME

THANK YOU FOR THE MUSIC

THE NAME OF THE GAME

THE WINNER TAKES IT ALL

UNDER ATTACK

VOULEZ-VOUS

On a Greek Island, a wedding is about to take place...

PROLOGUE Three months before the wedding

ACT ONEThe day before the wedding

ACT TWOThe day of the wedding

The use of any recording device, either audio or video, and the taking of photographs, either with or without flash, is strictly prohibited.

MUSICAL NUMBERS

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Sea & be seen. Mingle in an ocean of A–listers — all for a great cause.

Enjoy delightful sips of 200 of the world’s finest wines, plus

gourmet fare from 30 top Atlanta restaurants.

AN EVENING to COME OUT of your SHELL.

SPONSORED BY:

GEORGIA KATE HAEGE (Donna) hails from the stunning harbor city of Sydney, Australia, where she studied at the Sydney Conservatorium and earned her Bachelor of Music. Georgia has sung backup for renowned artists including Meat Loaf, La La Brooks (of Phil Spector’s the Crystals), multi-platinum pop-rock band Wheatus and R&B singer Shontelle. Georgia has had several original bands in NYC. She currently fronts/co-writes for disco-pop act Liquid Diet, which recently released their EP Daddy Issues. She was a founding member of the glam group Whore’s Mascara, the electro-pop outfit Pop Smear, the electro-rock duo Die Kinder and pop-punk band The Strines, all of which released full-length albums. Georgia’s musi-cal theater highlights: Lost in Love: The Air Supply Musical, Date Me Do Me Dump Me, Hell Hole Honeys, Europa, Save the Robots, Lizzie Borden. Georgia starred in the horror feature Late Fee, which was released nation-ally. She’s also appeared in programs for the Discovery Network. Georgia can be seen/heard singing the Sleepy’s jingle, voicing a national Trojan Condom commercial and shaking her booty in the Brazil Butt Lift infomercial.

CHELSEA WILLIAMS (Sophie) returns to the touring company of Mamma Mia! after spending her summer playing Sophie in the Las Vegas production. A native Mainer, Chelsea’s roots spread to Boston where she earned a B.F.A. from Emerson College. She has worked with the Lyric Stage Company of Boston, Gloucester Stage Company, Berkshire Theatre Group and has collaborated with the SITI Company on Café Variations, directed by Anne Bogart. Love to the whole family and Thomas Pond, our happy place.

GABRIELLE MIRABELLA (Tanya). Back on the road with Mamma Mia! for a second year, Gabrielle has her span-dex prepped and ready. Love to the Mirabella-Murphy crew. Florida native and alumna of the Manhattan School of Music Conservatory. Follow her behind the scenes on Twitter @miragabbie and her travel sto-ries @actortraveltips.

SARAH SMITH (Rosie). International/ tours: Phantom of the Opera (Carlotta). Regional credits: Into The Woods (Witch), Joseph… (Narrator), …Spelling Bee (Rona), Annie (Miss Hannigan), The Full Monty (Jeanette). Immense gratitude to Nikki: I can’t thank you enough. To my BFBs Aimee, DJ, Tim, Jim and my family; my heart grows big-ger each day because of you. XO.

MICHAEL COLAVOLPE (Bill) is having a fantastic time on the island as part of the Mamma Mia! family! Recent regional cred-its: How To Succeed In Business… (Bratt), The Temperamentals (Harry Hay), Hairspray (Edna Turnblad), Avenue Q (Trekkie Monster), Company (Harry), plus Disney’s Finding Nemo: The Musical (Bruce, Mr. Ray) and The American Idol Experience (Judge). All my love to Kevin, without whom NONE of this would be possible. Twitter/Instagram: @mcolavolpe.

JEFF DRUSHAL (Sam). National tours: 1776 (Jefferson), My Fair Lady. Favorite regional: Carousel (Billy Bigelow), Jesus Christ Superstar (Judas), Oklahoma! (Curly McClain), Macbeth (Macduff), The Trojan Women (Poseidon), 1776 (Rutledge), Disney’s Aladdin: A Musical Spectacular (Jafar), Woyzeck (Drum Major), Man of La Mancha and more than a few productions of The Pirates of Penzance.

MARK A. HARMON (Harry). National tour: Wilbur Turnblad (Hairspray). Regional theater: Felix Turner (The Normal Heart), The Professor (Gilligan’s Island the Musical), Mr. McQueen (Urinetown), Yvonne (Art), Trevor Graydon (Thoroughly Modern Millie), Charles Thompson (1776), Ebenezer Scrooge (A Christmas Carol), Fredrik Egerman (A Little Night Music), Marcus Lycus (A Funny Thing ... Forum).

ERIC PRESNALL (Sky) is very thankful to get the chance to be a part of such an amaz-ing company. A NorCal native, recent credits include Green Day’s American Idiot national tour. Many thanks to the cast, crew and cre-

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NBAF.oRG

• Thursday, Sept. 18, 8 p.m.

• Center Stage Theater

Closing out the inaugural Spotlight Series curated by Wynton Marsalis, the Marcus Roberts Trio celebrates the legacy of Thelonious Monk and John Coltrane.

“ Marcus is like a movement. Years from now, people will look back on all the students and piano players that he influenced and it will become known as the School of Marcus Roberts…He is a genius.” – Wynton Marsalis

• Saturday, September 13, 8 p.m. and Sunday, September 14, 3 p.m.

• Baldwin Burroughs Theater at Spelman College

National Black Arts Festival in association with the Department of Drama and Dance at Spelman College and T. Lang Dance draws back the curtain on the ecstatic, transcendent ring shout tradition through a rich blend of dance, visual imagery, and music. Conceived, written and directed by Paul Carter Harrison in collaboration with composer Dwight Andrews, digital media artist Philip Mallory Jones and choreographer, Dianne McIntyre, Doxology will be performed by T. Lang Dance with a live band in a digitally created environment. Support for this event is provided by the National Endowment for the Arts. Doxology image: Philip Mallory Jones

• Friday, Sept. 26, 7 p.m. and Saturday, Sept. 27, 2 p.m.

• Ray Charles Performing Arts Center at Morehouse College

This theater piece for young audiences (ages 8 and up) is the Atlanta premiere of a hip-hop theater work created by middle school students and performed by adult and teen artists. Game On! is co-commissioned by Hi-ARTS, NBAF and the John F. Kennedy Center for the Performing Arts.

• Saturday, Sept. 27, 4 p.m. • Ray Charles Performing Arts

Center at Morehouse College

Now in its fourth year, First Glance is a national competition for youth artists in four NBAF disciplines. Winners receive cash prizes and professional development. Title support for this event is provided by Turner Broadcasting, Inc. through the Turner Voices Initiative.

THe 20 14 NBAF SeASoN CoNT iNueS !

Doxology Ring Shout: A Praise Dance for the Doxy

Don’t miss these upcoming National Black Arts Festival events in music, dance and theater. Tickets available now at nbaf.org!

First Glance National Competition

Game on!Marcus Robert Trio: Celebrating Monk & Trane

Support for the NBAF 2014 season is provided in part by:

Mayor’s Office ofCultural Affairs

Support for the Spotlight Series is provided in part by:

Support for the Youth Empowerment Series (YES!) is provided in part by:

NBAF14_Encore_9.3.indd 1 9/3/14 1:40 PM

atives for the opportunity and support. For my family.

OLIVIA ASHLEY REED (Lisa). DMV area credits include Anita (West Side Story, Riverside Center Dinner Theater, Va.), Carla (In the Heights, Toby’s Dinner Theater of Columbia, Md.), Ensemble, Nettie u/s (The Color Purple, Toby’s Dinner Theater of Columbia, Md.). Education: B.M. Musical Theater, Catholic University. Special thanks to my family and Joy Dewing Casting.

TONY TILLMAN (Eddie) is excited to join the Mamma Mia! family with his first national tour. Favorite credits include Seaweed in Hairspray (on board Royal Caribbean Cruise Lines), Angel in Rent, Mereb in Aida and Donkey in Shrek the Musical. B.F.A. Virginia Commonwealth University. Thanks to family and friends for the love and support.

EMILY PRICE (Ali). So excited to be on tour! Her experience includes LORT the-ater; Next to Normal (Natalie); Human Race Theatre. Regional: Secret Garden (Mary Lennox), Adventure Theatre in Maryland. Other: Anne of Green Gables (Anne), Leesburg Theatre Company; The Wizard of Oz (Dorothy), Alliance Theatre. Love you Mom, Dad, Daniel, Justin, Tim and Carolyn!

ANTHONY ALFARO (Ensemble, u/s Sky) National tour debut! Recent regional cred-its include In the Heights (Speakeasy Stage) Singin’ in the Rain (the Zeiterion) and The Rocky Horror Show (the ABP). B.F.A. Boston Conservatory, Class of 2013. Love and grat-itude to Mom, Dad, the Price Group, JD Casting, QCCBU, friends and family. Thank you!

FRANCESCA AROSTEGUI (Ensemble, u/s Sophie, Assistant Dance Capt.) is thrilled to be a part of Mamma Mia! Regional: Fiddler on the Roof (Chava), The Music Man (Zaneeta), HONK! (Penny) and Legally Blonde (Kate). Indiana University: B.F.A. While on the road, Francesca is a proud

Broadway Connection Master Teacher. Love and thanks to my amazing family and friends, WLP, JD Casting, Creatives and Eddie Rabon. For you, Grandma — thank you for the music!

STEPHANIE BROOKS (Swing) hails from Arizona and holds a B.F.A. in dance with a minor in family studies and human devel-opment from the University of Arizona. Favorite regional productions: Mary Poppins, 42nd St., White Christmas and My Fair Lady. Stephanie danced with Ad Deum Dance Company (Texas), in the national tour of the equestrian show Apassionata, and in Chicago aboard the Allure of the Seas (RCCL). Big thanks to her loving family and MSA Agency. stephaniebrooks.org

DANIELLE BURDICK (Swing) is delighted to be dancing in the Greek Isles! She received a B.A. in dance from Loyola Marymount University and has since performed with artists like Rihanna (MTV VMAs) and the Rolling Stones (tour). Theater: Cats (Demeter, Flat Rock Playhouse). Profound gratitude and love to Kim and Dawn, MSA, Joy Dewing and Brian English.

SEAN PATRICK GRADY (Ensemble, u/s Sky) is stoked to be joining the cast of Mamma Mia! for his first national tour. A recent alum from James Madison University, his favorite credits include Mortiz (Spring Awakening), Dennis (All Shook Up) and Studio Theatre’s Carrie. Much love to my supportive friends and family. seanpatrick-grady.com. Cheers!

JUAN GUILLEN (Swing) is extremely excited to be joining the cast of Mamma Mia! in his national tour debut. Regional: A Chorus Line (Al), Sunset Blvd. (Myron), 25th Annual… (Leaf Coneybear), Aladdin a Musical Spectacular (swing). Love to his friends and family for the constant support. Eric for helping with his audition.

CHRISTOPHER HLINKA (Ensemble). This is Christopher’s first tour. He is so

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excited to join the Mamma Mia! family! Recent credits include off-Broadway’s The Awesome 80s Prom and Pinkalicious. He can be seen in national commercials for Wendy’s and Jenga. Thanks to my incredibly support-ive friends and family. Dreams come true!

ALBERT JENNINGS (Ensemble, u/s Eddie, Pepper) is ecstatic to be part of the Mamma Mia! family! National tour: Cirque Dreams: Hollidaze. Recent credits: Disney Cruise Lines, Buddy Holly Story (Alhambra), Rent (Seacoast Rep), Altar Boys (Venice Theatre), among others. R.I. native and RIC graduate. Thanks to JD Casting and the MM creative. Much love and gratitude to Mom, Dad, family and friends. “A quitter never wins and a win-ner never quits.” albertkennings.com

DANNY LOPEZ (Swing, Dance Captain) is beyond thrilled to be making his touring debut with Mamma Mia! He's a Connecticut native who has performed in regional theaters around the country. Thank you to JD Casting, WLP, and to my family and friends for their unwavering love and support. Dreams really do come true!

TODD MacINTYRE (Ensemble, u/s Sam, Harry). National tour debut! Select credits: Scarlet Pimpernel (Percy Blakeney), Show Boat (Gaylord Ravenal), Grease (Kenickie), Can-Can (Theophile), Annie Get Your Gun (u/s Frank Butler), The Wizard of Oz (Scarecrow), Fiddler on the Roof (Perchik), Children of Hercules (Demophon), Holland America, Tokyo Disney, Puccini’s Tosca. Thanks to God, Mom, Dad, Bro, Sis, JDC and Bu! toddmacintyre.com. @toddmacintyre

REBECCA MASON-WYGAL (Ensemble, u/s Donna, Rosie) is a Los Angeles native, and a graduate of California State University Fullerton. She’s worked regionally at A Noise Within, Durango Melodrama & Vaudeville, and Sierra Repertory, among others, and has toured nationally with ArtsPower National Touring Theatre. Love to Mom, Dad, Brian and Coeurage Theatre Company!

ROYCE JAMES McINTOSH (Ensemble, u/s Bill, Harry) is very excited to be part of this year’s tour of Mamma Mia! Past tours include South Pacific and the first national tour of Elf the Musical. Favorite roles performed: Emile de Becque (South Pacific), The Count (Marriage of Figaro) and Fredrick Egerman (A Little Night Music). Thanks to God, friends and Mom and Dad.

BRYNN SMITH (Ensemble, u/s Sophie) is thrilled to be on her first national tour, and even more excited that it is Mamma Mia! A recent graduate of Abilene Christian University and the Syracuse Tepper Semester, Brynn has been seen on such stages as Flat Rock Playhouse and Casa Manana. She wants to thank her friends and family for all their support, Garrett Long for all her help, Joy Dewing Casting and the cre-ative team for giving me this opportunity and God for all his blessings.

JENNIFER WINGERTER (Ensemble, u/s Donna, Tanya) is thrilled to be touring with this fabulous company. Favorite cred-its include Oklahoma! (Ado Annie), Fiddler on the Roof (Tzeitel), Me and My Girl (Sally), All Shook Up (Natalie), Hairspray (Penny), 42nd Street (Anytime Annie), White Christmas (Judy) and Thoroughly Modern Millie (Millie). Jennifer loves travel and met her husband as singers with Celebrity Cruise Lines. Thanks always to my family and Vince. jenniferweingarten.com

VINCE WINGERTER (Ensemble, u/s Sam, Bill). Originally from Seattle, Vince is thrilled to be touring with Mamma Mia! Favorite roles include Me and My Girl (Bill Snibson), Singin’ in the Rain (Don Lockwood), The Drowsy Chaperone (George), Urinetown (Bobby), White Christmas (Phil Davis) and singing for Celebrity Cruise Lines. Love to Jennifer and family. vincewingerter.com

BETH ANN WIPPRECHT (Ensemble, u/s Tanya, Rosie) is thrilled to be making her tour debut with Mamma Mia! She is a proud

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graduate of Wright State University’s B.F.A. Actor Training Program. Credits include Rent (Joanne), Grand Hotel (Raffaela), Next Thing You Know (Lisa), Smokey Joe’s Café and Phantom of the Opera. Love to my wonderful family!

EMMELINE WOOD (Ensemble, u/s Ali, Lisa). Excited to join the Mamma Mia! fam-ily! Favorite credits include the international tour of Bring It On and regional produc-tions of The Music Man, Grease, Hairspray, 42nd Street, Legally Blonde, A Chorus Line. B.F.A. FSU. Love and thanks to Joy, Nikki, family, friends and the abundant universe. Be the sun!

P. TUCKER WORLEY (Ensemble, u/s Pepper). Recent credits include The Comedy of Errors and Julius Caesar (Chicago Shakespeare Theater), Sita Ram (Lookingglass Theatre and Chicago Children’s Choir) and Legally Blonde (Arvada Center for the Arts and Humanities). Touring credits include Oliver! (Networks). Tucker holds a B.F.A. in acting from the Chicago College of Performing Arts at Roosevelt University. For more, visit ptuck-erworley.com. Enjoy the show!

WILLIAM FERRY (Company Manager). has been very fortunate to work with some amazing companies and artists including Alwin Nikolais, Murray Louis, Alvin Ailey and Judith Jamison. His theatrical touring history includes STOMP, original cast and American tour, Little Shop of Horrors, Radio City Rockettes, Burn the Floor, Billy Elliot: The Musical. He is delighted to be able to add Mamma Mia! to the list.

LAUREN WRIGHT (Ensemble, u/s Ali, Lisa) is thrilled to be making her national tour debut in Mamma Mia! Favorite roles include Penny (Hairspray), Eponine (Les Misérables) and Wendy (Peter Pan). She is originally from Evansville, Ind., and a recent graduate of Belmont University. Lots of love to Mom, Dad, Claire and Nene!

ALAN D. KNIGHT (Production Stage Manager) attended Western Michigan University. National tours: The Book of Mormon (first national and Chicago) and Sister Act the Musical (first national). He is thrilled to be joining the Mamma Mia! fam-ily! Special thanks to my mother, father, Cheryl, and amazing family and friends for supporting my dream!

LAUREN HEDRICK (Assistant Stage Manager) is thrilled to be on the road again after spending the last year touring domes-tically and internationally as production stage manager of Ailey II. Other cred-its include (off-Broadway) Queen of the Night N.Y.C. (New York): Anahid Sofian Dance Company, Brooklyn Youth Chorus. Regional: Heartless, A Discourse ... Invisible World, Swing!, The Sound of Music. B.F.A. in stage management: Western Michigan University. Love and thanks to Adam.

KEVIN CASEY (Music Director/Keyboard 1). When he was 13 years old, Kevin’s mother asked him who sang “Fernando.” He didn’t know. Now, preparing for this tour, he has listened to every ABBA song and will be ready the next time his mother gives him a Swedish music quiz. Thanks to Kim, S&S, Bjorn and Benny.

JUDY CRAYMER (Producer) graduated from the Guildhall School of Music in 1977 and has since worked extensively in the theater, film, television and music indus-tries. She worked as a stage manager for the Haymarket Theatre in Leicester, the Old Vic Theatre in London and on the original pro-duction of Cats for Cameron Mackintosh and the Really Useful Theatre Company. In 1984, Judy became managing director of Three Knights Ltd., formed by Benny Andersson, Tim Rice and Björn Ulvaeus and was the executive producer for the West End produc-tion of Chess at the Prince Edward Theatre. In 1987, she decided to pursue a career in film and television, where she produced and developed television drama and comedy. The


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idea of Mamma Mia! began with Judy, who, in 1996 formed Littlestar Services LTD. with Benny Andersson, Björn Ulvaeus and Richard East, to produce the stage musical. She is the producer of Mamma Mia!, with 19 productions around the world. In 2002, Judy was presented with a Woman of the Year Award in recognition for her international success with Mamma Mia! The same year, the show was nominated for a Tony Award for best musical. In the Queen’s birthday honors list of 2007, she was given an MBE for her contribution to the music industry. Judy produced Mamma Mia! The Movie starring Meryl Streep and Pierce Brosnan, which became the highest-grossing musical film worldwide. In 2008, Judy was honored with the Women in Film ITV Achievement of the Year Award. Mamma Mia! the Movie was nominated for a Golden Globe for best motion picture — musical or comedy, a BAFTA for outstanding British film and Judy was personally nominated by BAFTA for the Carl Foreman Award for Special Achievement.

WORK LIGHT PRODUCTIONS (Producer). Dedicated to creating and produc-ing live entertainment. In addition to Mamma Mia!, current productions include the national tours of Nice Work If You Can Get It, White Christmas and the upcoming national tour of Vocalosity, an a cappella theatrical experience. Past productions include the North American tours of Tony Award winners American Idiot, In the Heights, Avenue Q and A Year With Frog and Toad. Produced Julie Andrews — The Gift of Music with performances at the Hollywood Bowl and London’s O2 Arena. Creators of four new musicals for young audiences including The Musical Adventures of Flat Stanley and James and the Giant Peach. WLP is led by founding partner and president Stephen Gabriel and vice president Nancy Gabriel. General management, Scott Seay and Aniele Fortin. Production management, Rhys Williams and Mike East. worklightproductions.com.

RICHARD EAST (Producer). Born in Australia. A fine art graduate from the Victorian College of the Arts, Melbourne, Australia, in 1977, Richard has worked in the entertainment industry for 24 years in Australia, London and the United States in various capacities including promoter, pro-ducer and artist manager. He is a peer of the Australia Council. Richard has been involved in Mamma Mia! from its inception.

BJÖRN ULVAEUS (Music & Lyrics) was born in 1945 in Gothenberg on the west coast of Sweden. After a successful local career with a folk group in the mid-’60s, he started his collaboration with Benny Andersson. They then went on to form ABBA with Agnetha Faltskog and Anni-Frid Lyngstad. Even during the ABBA years, the idea of writing a musi-cal seemed appealing and, in 1981, Björn and Benny met Tim Rice and co-wrote Chess with him, which opened in the West End in 1986. In 1995, Björn and Benny opened a new musi-cal in Sweden called Kristina From Duvemala, which played for three years. In February 2002, the Swedish version of Chess opened in Stockholm.

BENNY ANDERSSON (Music & Lyrics). Born in Stockholm on Dec. 16, 1946. Instructed by his father and grandfather, he started to play the accordion at age 6, and he has not stopped yet.

CATHERINE JOHNSON (Book). Theater: Rag Doll and Renegades (Bristol Old Vic); Too Much Too Young (Bristol Old Vic and London Bubble); Boys Mean Business, Dead Sheep, Little Baby Nothing (Bush Theatre, London); Shang-a-Lang (Bush Theatre and national tour); Mamma Mia! (worldwide). Her plays have been produced in Germany, Denmark and Sweden. Through the Wire, a musical for NT/Shell Connections. Television: episodes of “Casualty,” “Byker Grove,” “Love Hurts,” “Gold,” “Linda Green”; the screenplays of Rag Doll and Where’s Willy? (HTV) and “Sin Bin” (BBC); the series “Love in the 21st Century”

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The joy of art is right in front of you

Whether it’s the revolutionary work of Cézanne, live music on a Friday night or kids’ activities, the High Museum of Art offers a world of exploration, inspiration and entertainment that’s all right in front of you.

DINE AT table 1280Every 3rd Friday night

(excluding Oct.)

TODDLER THURSDAYS

CÉZANNE

CÉZANNE and works by

Oct 25, 2014Jan 11, 2015

Paul Cézanne, M

ont Sainte-Victoire, ca. 1904 – 190

6. The H

enry and Rose Pearlm

an Foundation, on long-term loan to the Princeton U

niversity Art M

useum.

Van Gogh, Degas, Gauguin,

Manet, Pissarro, and more!

HighMuseum_ENC1409 fp float.indd 1 9/1/14 8:49 AM

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(Channel 4). Catherine has won the Bristol Old Vic/HTV Playwrighting Award; Thames Television’s Writer-in-Residence award; Thames Television’s Best Play award and was nominated in 2002 for a Tony Award for best musical book for Mamma Mia!

PHYLLIDA LLOYD (Director) has directed opera, theater and recently her first film for television. Theater: Six Degrees of Separation, Hysteria, Wild East (Royal Court); The Threepenny Opera, Boston Marriage (Donmar Warehouse); Mary Stuart (Donmar Warehouse and Apollo); The Way of the World, Pericles, What the Butler Saw, The Prime of Miss Jean Brodie, The Duchess of Malfi (Royal National Theatre); Artists and Admirers, The Virtuoso (Royal Shakespeare Company); Mamma Mia! (London, Broadway and worldwide). Opera: La Bohème, Medea, Carmen, L’Etoile, Gloriana, Albert Herring (Opera North); Macbeth (Paris and Royal Opera House, London); The Handmaid’s Tale (Copenhagen, English National Opera and Toronto); The Carmelites, The Verdi Requiem and Wagner’s Ring Cycle (English National Opera). For Gloriana a Film, she received an International Emmy, an E.I.P.A. d’Or and the Royal Philharmonic Society Award. For Mary Stuart, Phyllida was nom-inated for the Olivier Award for best direc-tor and won the South Bank Theatre award 2006.

A N T H O N Y V A N L A A S T (Choreographer). Despite coming in second in the under-13 diving competition at school, Anthony has gone on to choreograph and direct shows all over the world and, in 1999, was awarded the MBE by Her Majesty the Queen for his services to dance and chore-ography.

MARK THOMPSON (Product ion Designer) has designed many productions for the Royal National Theatre and Royal Shakespeare Company. On Broadway, he designed Bombay Dreams, Shadowlands,

Joseph and the Amazing Technicolor Dreamcoat, Arcadia, Art, The Blue Room, Blast!, Follies and The Queen of Spades for the Metropolitan Opera. In London, Mark has worked many times in the West End and at the Almeida, Donmar and Royal Court. He designed the costumes for the film The Madness of King George and is the recipient of four Olivier awards.

HOWARD HARRISON (Light ing Designer). Howard’s current and recent work includes Mary Poppins; Guys and Dolls; Heroes and Donkeys’ Years in the West End; Mamma Mia! in London, Broadway, Las Vegas, Hamburg, Japan, Stockholm, Australia and U.S. tour; Mammals at the BUSH and on tour; Rebecca on tour; Skellig at the Young Vic; and Edward Scissorhands at Sadlers Wells and on tour. Howard has been nomi-nated six times as best lighting designer in the Laurence Olivier awards and was the recipient of the 2001 Australian Green Room Award for his work on Mamma Mia!

ANDREW BRUCE (Sound Designer) began his career at the Royal Opera House, London, in 1971. A year later he co-founded Autograph, the British sound design and rental company. His sound design credits include Song and Dance, Little Me, Abbacadabra, Chess, Follies, Into the Woods, Children of Eden, City of Angels, Martin Guerre, The Fix, Hair, The Witches of Eastwick, The Secret Garden, Sweeney Todd, the U.K. tours of Cats and Oliver! and all worldwide produc-tions of Miss Saigon, Les Misérables, Chitty Chitty Bang Bang and Mamma Mia! His latest design work can be heard on the new London production of Mary Poppins.

BOBBY AITKEN (Sound Designer) has been involved with theater sound for more than 20 years, designing sound for pro-ductions in the U.K. and around the world. London work includes Cyberjam, We Will Rock You, Blast!, Grease, Return to the Forbidden Planet, Five Guys Named Moe, Which Witch, Metropolis, Pete Townsend’s

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The Iron Man, In the Midnight Hour, High Society, Time, A Saint She Ain’t, The Best of Times, Soultrain, From a Jack to a King, Sweeney Todd, Bitter Sweet, Children of Eden, The Fix and Mamma Mia! U.K. regional work includes productions at Coventry Belgrade, Derby Playhouse, Sheffield Crucible, Manchester Royal Exchange, Watford Palace and Leicester Haymarket. RSC: The Beggar’s Opera and Bartholomew Fair. Opera: for the past four years Bobby has been working to create techniques to deliver credible sound rein-forcement for large scale, in-the-round opera production. Work has included Carmen, Madame Butterfly, Tosca, Aida and La Bohème at the Royal Albert Hall.

MARTIN KOCH (Musical Supervisor, Additional Arrangements and Materials). Musical supervisor: Les Misérables eight productions worldwide; Miss Saigon four productions worldwide; Cats London; Oliver! London; Martin Guerre U.K. tour; Mamma Mia! 14 productions world-wide. Orchestra-tions: Just So, Moby Dick, Tutankhamun, Which Witch, Mamma Mia! (Tony nomination 2002), Jerry Springer the Opera. Many arrangements for international artists and orchestras. Koch & Gilpin: Martin started this music production company with longtime friend and collaborator Nick Gilpin. They have been responsible for the produc-tion and composition of numerous TV pro-grams and produced many albums, including Mamma Mia! (Grammy nomination 2002) and Jerry Springer the Opera. They are cur-rently working on the stage production of Billy Elliot and film score for the forthcom-ing A Way Through the Woods.

MARTHA BANTA (Resident Director) is the artistic director of the Adirondack Theatre Festival. She served as artistic associate at New York Theatre Workshop. Selected credits include directing new work at Lincoln Center, New York Theatre Workshop, Soho Rep, Ensemble Studio Theatre, New Georges, Cincinnati Playhouse,

Portland Stage, Rent in Japan and Germany, and Playhouse Disney Live at Disney World.

DAVID HOLCENBERG (Associate Music Supervisor). Broadway: Mamma Mia!, Seussical, Titanic, Show Boat. David also music directed Ragtime (U.S. premiere, L.A. Drama Critics Award; Distinguished Achievement in Musical Direction), Dessa Rose (Lincoln Center) and The Phantom of the Opera (Toronto). David’s show Bingo is playing around the country.

JANET ROTHERMEL (Dance Supervisor) is supervising all the North American com-panies of Mamma Mia! Broadway/national tour credits include Joseph ... Dreamcoat and Beauty and the Beast. Janet was the associate choreographer for the Miss U.S.A./Universe pageants and “The Carol Burnett Show.” Member of Actors’ Equity.

JOY DEWING CASTING (Casting Director). Broadway: Soul Doctor , Wonderland. Off-Broadway: Forever Dusty, Soul Doctor, The Voca People, The Sphinx Winx, Dear Edwina. Current/recent tours: Bring It On, Ghost, Mamma Mia!, West Side Story, Catch Me If You Can, In the Heights. Dance companies: Rasta Thomas, Elizabeth Streb.

ALLIED LIVE (Marketing and Press) is a full-service marketing and advertising agency representing Broadway shows, national tours, performing arts institutions and experiential entertainment entities. Clients include Blue Man Group, The Book of Mormon, Rodgers + Hammerstein’s Cinderella, Elf, Kinky Boots, Mamma Mia!, Motown the Musical, Once, Peter and the Starcatcher and Irving Berlin’s White Christmas.

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STAFF

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STAFF FOR MAMMA MIA!

GENERAL MANAGEMENTWORK LIGHT PRODUCTIONS

Stephen Gabriel Nancy Gabriel Scott Seay Aniele Fortin

COMPANY MANAGEMENT ........................BILL FERRYAssistant Company Manager ................Jimmy Yandoli

PRODUCTION TEAMRESIDENT DIRECTOR ...........................MARTHA BANTAASSOCIATE CHOREOGRAPHER....... JANET ROTHERMELASSOCIATE MUSIC SUPERVISOR .. DAVID HOLCENBERGASSOCIATE SCENIC DESIGNER ............... NANCY THUNASSOCIATE COSTUME DESIGNER ....SCOTT TRAUGOTTASSOCIATE LIGHTING DESIGNER .......... ED MCCARTHYASSOCIATE SOUND DESIGNER ...........DAVID PATRIDGEASSOCIATE HAIR DESIGNER .............JOSH MARQUETTEMUSICAL TRANSCRIPTION ..................ANDERS NEGLIN

CASTINGJOY DEWING CASTING

Joy Dewing CSA, Holly Buczek, Nikki Grillos

TOUR MARKETING DIRECTIONALLIED LIVE

Laura Matalon Marya Peters John Gilmour Meghan McDonald

Doug Blemker, Mary Alyce Blum, Sarah Dahlberg, Andrew Damer,

Jen Gallagher, Anne Dailey Meyer, Jacqueline Smith

TECHNICAL SUPERVISION Technical Theater Solutions

Rhys Williams Mike EastMusic Published by

EMI Grove Park Music, Inc. and EMI Waterford Music, Inc.

PRODUCTION STAGE MANAGER ............ALAN D. KNIGHTAssistant Stage Manager ....................Lauren HedrickDance Captain ......................................Danny LopezAssistant Dance Captain .............Francesca ArosteguiHead Carpenter ..................................Martin LechnerAssistant Carpenter ........................... Shelby DamronAssistant Carpenter ........................... Lisa LePoidevinProduction Electrician ..........................Dawn KensethHead Electrician ....................................... Alex JoansAssistant Electrician ..........................Maxfield BishopAssistant Electrician ..............................Andrew DyerProduction Sound Engineer ................. David PatridgeHead Sound ............................................ Jeff HumanAssistant Sound .................................John McKenzieProduction Properties .........................John Mark ZinkProduction Hair Supervisor ...................... Jeff KnaggsHead Wardrobe .....................................Rossella Nitti

Assistant Wardrobe ....................................... Jill TarrAssistant to the Choreographer .............. Ryan SanderAssistant Sound Designer ................... Kevin KennedyAssistant Music Supervisor .................... Bill CongdonElectronic Keyboard Prep ...................... Bryan CrookAssistant Costume Designer ...................Sabrina ZainProduction Assistant ..........................Gabrielle Norris

General Management Consultants ...Bespoke TheatricalsLegal Counsel .....................Levine Plotkin Menin, LLP

Loren Plotkin, Cris CriswellAccounting .........Fried & Kowgios Partners CPA’s LLPController ........................ Galbraith & Co/Kenny NothOriginal Logo Design ..........Littlestar Services LimitedMerchandising .................... Max Merchandising, LLC/

Randi GrossmanInsurance ............................ Maury, Donnelly and Parr

Bob MiddletonBanking ............................................ Signature Bank

Thomas Kasulka, Margaret MoniganPayroll ...................................... PEOPLE/Kim MerharTravel Agent ........................................... Road RebelHauling ............................................... Janco Limited

TOUR BOOKING AGENCYThe Booking Group

Meredith Blair, Mollie Mann, Brian Brooks and Rich Rundlewww.thebookinggroup.com

CREDITS AND ACKNOWLEDGEMENTSScenery constructed and painted by Hudson Scenic Studio, Inc. Sound equipment supplied by Masque Sound. Light Equipment supplied by 4Wall Entertainment and Vari*Lite, Inc. Soft goods by I. Weiss and Sons. Costumes executed by Barbara Matera Ltd., Tricorne New York City, and Carelli Costumes. Millinery by Lynn Mackey. Wet suits by Aquatic Fabricators of South Florida. Custom Men’s shirts by Cego. Custom knitting by C.C. Wei. Custom fabric printing and dye-ing by Dye-namix and Gene Mignola. Shoes by Native Leather, Rilleau Leather and T.O. Dey. Gloves by Cornelia James. Properties by Paragon Theme and Prop Fabrication.

SPECIAL THANKSClemson University—Lillian Harder, Woody Moore, David Hartmann

Mamma Mia! was originally produced in London by Littlestar Services Limited on April 6, 1999.

Visit Mamma Mia! on the web at www.mamma-mia.com

Backstage and Front of the House Employees are represented by the International Alliance of Theatrical Stage Employees (or I.A.T.S.E.).

1718 Peachtree St. NW, Suite 181, Atlanta, GA. 30309

Monday-Friday 10 a.m.-5 p.m.404.873.4300

Russ Belin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Vice PresidentArnesha Redding . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Ticketing ManagerMarc Finkbeiner. . . . . . . . . . . . . . . Regional Sales Operations ManagerKevin Ogle . . . . . . . . . . . . . . . . . . . . . . . . . . . Sales & Promotions ManagerVanessa Webber . . . . . . . . . . . . . . . . . . . . Sales & Promotions AssociateDavid Spry . . . . . . . . . . . . . . . . . . . . . . . . . Regional Director of MarketingRebekah K. Jones . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Technical DirectorTerry Romanoli . . . . . . . . . . . . . . . . .Director of Corporate Partnerships

For media inquiries, please contact Jennifer Walker at BRAVE Public Relations, 404.233.3993.

FOR INFORMATION regarding corporate partnerships and promotionalopportunities with Broadway in Atlanta, please call 404.873.4300.

Fifth Third Bank Broadway In Atlanta is thrilled to bring the best of Broadway to Peachtree Street at the Fox Theatre, and the 2014/2015 Series is our largest ever! Thank you for joining us for Mamma Mia! Our series will continue with Dirty Dancing, Newsies, Pippin, Motown the Musical, the beautifully re-imagined production of The Phantom of the Opera, and a one week return of audience favorite Blue Man Group. Only Subscribers are guaranteed seats for all of these blockbuster shows, but they also have priority access to purchase tickets for our remaining Season Option Wicked before the general public. For more information about a Broadway subscription or to read the latest Broadway Buzz, please visit BroadwayInAtlanta.com.

THANK YOU TO OUR SPONSOR:

Watch exclusive videos, become a fan, follow us and visit us online:

Visit our home page at BroadwayInAtlanta.com

: youtube.com/BAANational

: twitter.com/BroadwayAtlanta

ENCOREATLANTA.COM36

FOR YOUR INFORMATIONTHE THEATREA fully restored 1929 “Movie Palace,” the Fox Theatre, with 4,678 seats, is a multiple-purpose facility, housing Broadway shows, ballet, symphonies, concerts, movies, and private corporate events.

PRIVATE ROOMSThe Fox Theatre has three private rental spaces, with accommodations for 25 to 1,200 guests. Our Egyptian Ballroom and Grand Salon are beautifully decorated and can be set up to your specifications. The Landmarks Lounge is adjacent to the lobby and is perfect for a small pre-show and intermission event. To book your ”Fabulous Fox“ evening, please call 404.881.2100 or visit us at www.foxtheatre.org.

TICKET OFFICEThe Fox Theatre Ticket Office is located in the arcade entrance to the theatre. The Ticket Office is open for walk up ticket sales Monday-Friday, 10:00 a.m.-6:00 p.m., and Saturday,10:00 a.m.-3:00 p.m. The Fox Theatre Ticket Office is not open on Sundays unless there is a performance. On event days, the Ticket Office opens two hours prior to show time. Doors to the Fox open one hour prior to show time. Tickets for all performances at the Fox may be purchased online at www.FoxTheatre.org, all Ticket Alternative outlets and all Atlanta-area Whole Foods Markets, by calling 855-285-8499, or by visiting the Fox Theatre Ticket Office in person during regular Box Office hours.

GROUP SALESThe Fox Theatre Group Sales Department offers discounts to Groups for most Broadway shows. The Group Sales office is open Monday-Friday from 9am to 5pm. Call 404 881-2000 or email [email protected].

CONCESSIONSConcession stands are located in the Spanish Room, main lobby, and on the mezzanine lobby level.

RESTROOMSRestrooms are located off the Main Lobby (downstairs), Mezzanine Lobby levels, and the Gallery level. Accessible restroom facilities are located in the Spanish Room and Accessible/Family restrooms are located through the Office door in the main lobby.

GIFT SHOPThe Fox Theatre operates a gift shop selling history books, T-shirts, sweatshirts, and an assortment of other theatre-related merchandise. The gift shop is located in the Spanish Room.

TOURSFox Theatre Tours are conducted Mondays and Thursdays at 10:00 AM, 11:00 AM, 12:00 PM, and 1:00 PM. Saturday tours are offered at 10:00 AM and 11:00 AM. Fox Theatre Tours are guided by Fox employees well-versed in the Fox’s history, current events, awards, and upcoming shows. Tickets for Fox Theatre Tours are available at the Fox Theatre Ticket Office or online at www.foxtheatre.org. Special Tours can range from backstage to architectural to a school or college group. Please contact the Fox Theatre by calling (404) 881-2100 to schedule your group tour.

LOST AND FOUNDLost and found items are turned in to the Event Staff ’s office. To check on lost items, please call 404-881-2119. Lost and found items will be retained for 30 days.

EMERGENCY INFORMATIONIn the event of an emergency, please walk to the nearest exit. Do Not Run.

SMOKING In accordance with the Fulton County Clean Air Ordinance, the Fox Theatre is a smoke-free facility. Smoking is only permitted in designated areas.

ABOUT ACCESSIBILITYThe Fox Theatre strives to make events accessible to all guests. If you require assistance during your visit to the Fox Theatre please seek out or ask for one of our Accessible Ambassadors. These staff members are attired in the traditional Fox Theatre uniform however also have gold braid and white gloves to make them easier to see. The Fox Theatre offers the use of wheelchairs, listening devices and booster seats at no additional charge. Our Ambassadors will assist you to special restroom accommodations. Note: Steep Steps lead to all seats on the upper levels. For assistance needed or additional information on programs, please contact the Event Staff’s office at: 404-881-2119.

TICKETSTo purchase accessible seating at the Fox Theatre please call: 404-881-2016 Monday through Friday, 10:00 AM – 6:00 PM or on Saturday, 10:00 AM-3:00 PM. A Fox Theatre Ticket Office Associate will be happy to help you. Ticket buyers may also visit the ticketing site at www.foxtheatre.org.

PROGRAMS PROVIDEDOpened Captioning Performance Sponsored in partnership through TDF (Theatre Development Fund).

ELEVATORSElevators are located at the north end of each lobby. The elevators are available during all performances and make it possible to access each lobby without the use of stairs. Patrons should be aware that access to upper seating areas do involve stairs.

PARKINGParking is available within a four-block radius in all directions of the Fox Theatre. Advanced reserved parking is available for sale at the Fox Ticket Office or by calling 855-285-8499. The Fox Theatre assumes no responsibility for vehicles parked in any of the privately owned parking lots operating in the Fox Theatre district.

PERFORMANCE NOTESAll patrons, regardless of age, must have a ticket in order to be admitted to the theatre. Not all events are suitable for children. Infants will not be admitted to adult programs/performances. Parents will be asked to remove children who create a disturbance. Latecomers will be seated at the discretion of the management, in conjunction with the wishes of the producers. Please turn off all pagers and cell phones prior to the beginning of each performance. Camera and recording devices are strictly prohibited. Backstage employees are represented by the International Alliance of Theatrical Stage Employees (I.A.T.S.E.)

THE FOX THEATRE660 Peachtree Street, N.E.

Atlanta, Georgia 30308404.881.2100 • www.foxtheatre.org

STAFFAllan C. Vella . . . . . . . . . . . . . . . . . . . . . . . .President & C.E.O.Adina Alford Erwin . . . Vice President & General ManagerJeff Quesenberry . . . . . . . . . . . . . . . Vice President & C.F.O.Jennifer S. Farmer. . . . . . . . . . . Director of Sales/BallroomsJay Forrester . . Director of Concessions & MerchandisingMolly Fortune . . . . Director of Restoration and OperationsElton Houze. . . . . . . . . . . . . Director of Information SystemsJamie Vosmeier . . . . . . . .Director of Ticket Sales & ServiceShelly Kleppsattel . . . . . . . . . Booking & Contract AssociateRick Robbins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ControllerRachel Bomeli . . . . . . . . . . . . . . . . . . . . . Ticket Office ManagerKen Butler . . . . . . . . . . . . . . . . . . . . . Guest Services ManagerNikki Griffin. . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sales ManagerCarmie McDonald . . . . . Community Engagement ManagerShelby Moody . . . . . . . . . . . . . . . . . . . . . Ticket Sales ManagerDan Goldberger. . . . . . . . . . . . . . . . . . . . . . . . . . . E-Commerce

and Social Media ManagerAmy Smith . . . . . . . . . . . . . . . . . . . . . . . . . Production ManagerLen Tucker . . . . . . . . . . . . . . . . . . . . . . . . . . . . Project Manager Gary Hardaway . . . . . . . . . . . . . . . . . . . . . . Master CarpenterLarry Watson . . . . . . . . . . . . . . . . . . . . . . . . . . . . House FlymanScott Hardin . . . . . . . . . . . . . . . . . . . . . . . . . . .Property MasterRay T. Haynie . . . . . . . . . . . . . . . . . . . . . . . . Master ElectricianCary Oldknow . . . . . . . . . . . . . . . . . . . . . Assistant ElectricianRodney Amos . . . . . . . . . . . . . . . . . . . . . Head Sound Engineer

BOARD OF DIRECTORSEdward L. White . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ChairmanKeith O Cowan. . . . . . . . . . . . . . . . . . . . . . . . . . Vice Chairman

Clara Axam, Robyn Barkin, Beauchamp Carr, Renee Dye, Sheffield Hale, John Holder, Edward Hutchison,

Walt Huntley, Craig Jones, Jay Myers, Glen Romm

EMERITUS MEMBERS John Busby, Jr., Anne Cox Chambers, Pat Connell,

Rodney Cook, Ada Lee Correll, Richard Courts, Jere Drummond, Richard Flinn, Julia Grumbles, Steve Koonin, Charles Lawson, Robert Minnear,

Starr Moore, Joseph Myers, Edward Negri, Edgar Neiss, Joe Patten, Carl Patton, Herman Russell,

Sylvia Russell, Nancy Simms, Preston Stevens, Alan Thomas, Clyde Tuggle, Carolyn Wills

Official Beverage of The Fox Theatre Official Airline of The Fox Theatre

Official Vehicle of The Fox Theatre

Official Hotel of The Fox Theatre Official Restaurant of The Fox Theatre

ETIQUETTE

1. Please arrive early. Latecomers may not be seated until intermission.

2. Take care of personal needs (drinks of water or restroom) before the performance begins.

3. Please silence or turn off all electronic devices, including cell phones, beepers, and watch alarms. We encourage you to share your experience at the Fox via social media, but please refrain from doing so or texting during performances; the glow from your device is distracting.

4. Most shows do not allow photography of any kind. Flash photography inside the theatre is never allowed as it is a distraction to those around you and a danger to the performers.

5. The overture is part of the performance. Please cease talking at this point.

6. Dear Lovebirds, when you lean your heads together, you block the view of the people behind you. Please consider the people that will be seated behind you when choosing whether or not to wear a hat or what hair style you choose.

7. Please refrain from talking, humming, or singing along with the show, except when encouraged to do so by the artist or show.

8. Please wait for an appropriate moment to dig something out of your pocket or bag.

9. Go easy with the perfume and cologne, many people are highly allergic.

10. If you need assistance during the show, please go to your nearest volunteer usher. If additional assistance is needed the usher will get the appropriate person to further help you.

11. Yes, the parking lot gets busy and public transportation is tricky, but leaving while the show is in progress or before the actors have taken their final bows is discourteous. Wait until it is over and then exit with the rest of the audience.


Stretching 200 miles and separated from the mainland by the Albemarle, Cur-rituck and Pamlico sounds, the Outer Banks are a string of narrow barrier

islands off the coast of North Carolina and southern Virginia.

The area is subdued in the off-season, due to its remote location (the nearest international airport is a two-hour drive away in Norfolk). But these islands jump to life in warmer weath-er, when thousands of travelers are attracted by their wide expanse of open beachfront and a climate tempered by steady breezes off the Atlantic Ocean.

FIRST IN FLIGHTIt was primarily those winds that attracted Orville and Wilbur Wright to the Outer Banks in 1900, when the two came to Kitty Hawk to begin their manned gliding experiments. The soft, sandy landing surfaces provided by the tallest sand dunes on the Eastern Seaboard were also a factor, not to mention the fact that the Outer Banks (which had no bridge to the mainland at that time) ensured privacy from the prying eyes of reporters.

After three years of trial and error, it was here, on the island of Kill Devil Hills, that the Wright brothers made their historic controlled,

flyLearning toFollow the footsteps of Wilbur and Orville at North Carolina’s beachy-keen Outer Banks By Bret Love

ENCOREATLANTA.COM38

powered airplane flights on Dec. 17, 1903. Fly-ing just 10 feet above the ground at a speed of about 7 mph, their first three flights didn’t even make it 100 yards. But the fourth and final flight covered 852 feet and lasted 59 seconds, ensuring their place in aviation history.

The Wright Brothers National Memorial stands there today as a testament to their inno-vations, with walking paths tracing the actual routes of those four famous flights. The tourist attraction includes a 60-foot granite monument and an impressive Visitor Center museum featuring a life-size replica of the Wrights’ 1903 flyer, photos and other memorabilia, and tools and machines used by the brothers during their experiments.

FLEX-WING REVOLUTIONARY Orville and Wilbur Wright weren’t the only aviation legends that found themselves drawn to the Outer Banks’ notoriously perfect wind conditions.

California-based aeronautical engineer Francis Rogallo invented a self-inflating flexible kite, known as the “flexible wing,” in 1948. Af-ter releasing his patent to the U.S. government, Rogallo worked with NASA during the 1950s “space race” with Russia. They collaborated on experiments with what they called a “parawing” at altitudes up to 200,000 feet and as fast as Mach 3, in order to evaluate them as an alter-native recovery system for space capsules.

In the 1960s, Rogallo’s flexible wing essentially became the basis for all hang gliders. He eventually moved to the Outer Banks to test his new kite designs. Now, members of the U.S. Hang Gliding and Paragliding Associa-tion are called “Rogallo” members, and tens of thousands of people come to Nag’s Head

every year — just five miles from the site of the Wright brothers’ historic flight — to learn how to hang glide.

CATCHING AIRYou’ll learn a good bit of this Outer Banks aviation history during 30 minutes of pre-flight instruction before a beginner’s hang-gliding les-son from Kitty Hawk Kites. In operation since 1974, it’s the oldest and largest hang-gliding school in the world.

After three years of trial and error, it was here, on the island of Kill Devil Hills, that the Wright brothers made their historic controlled, powered airplane flights on Dec. 17, 1903.


The Wright Brothers National Memorial stands on the site of that first successful flight in 1903. It in-cludes walking paths to the brothers' first four flights plus a life-size replica of the flyer they used..

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After watching a short training video on hang-gliding safety — including how to strap yourself into the glider, use your shifting body weight to control the flight, and proper takeoff and landing techniques — students walk about 200 yards to Jockey’s Ridge State Park. It’s a perfect place to learn how to hang glide, offer-ing massive sand dunes, soft spots for landing and winds typically in the 10-20 mph range.

At the top of the dune, after getting into your safety gear, an instructor gets you into the harness, offers last-minute instructions, and helps you launch off the precipice and into the wild blue yonder. OK, so you’re really only 5 to 15 feet above the ground, but you’ll certainly feel like you’re floating through the clouds. The instructors hold onto tethered ropes the first few times, but by their fifth and final turn, most students are soaring solo, going anywhere from 30 to 100+ yards on each flight.

It’s an exhilarating experience for anyone older than age 4 (they offer special classes for young kids), not to mention a wonderful way to relive the excitement the Wright brothers must have felt 111 years ago. There are certainly a lot of other reasons to visit the Outer Banks, but having a chance to take your own first flight is arguably among the best.

IF YOU GOBY CAR: It takes a little more than 10 hours to drive from Atlanta to the Outer Banks, via I-20 East, I-95 North and U.S. 64.

BY AIR: US Airways has several round-trip flights daily from Atlanta Hartsfield-Jackson International Airport to Norfolk (Va.) International Airport. The Outer Banks are then a two-hour drive away.

WRIGHT BROTHERS NATIONAL MEMORIAL Open 9 a.m.-5 p.m. daily. 1000 North Croatan Highway, Kill Devil Hills, N.C., 27948. 252.473.2111. On the Web: nps.gov/wrbr/index.htm.

KITTY HAWK KITES Various locations. 1.877.359.8447. On the Web: kittyhawk.com/hang-gliding/.

OUTER BANKS VISITORS BUREAU 1 Visitors Center Circle, Manteo, N.C. 27954 1.877.629.4386

Hang-gl;iding is a great way to relive some of the ex-citement the history-making Wright brothers must have felt in December 1903.

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Cara is tired and disillu-sioned. She hasn’t made more than $20,000 a year since graduating

from college. Co-worker Suehyla has had to miss every holiday, wedding, funeral, bar mitzvah and Super Bowl for the past 10 years.

But those are the breaks. At least Cara Mantella and Suehyla El-Attar can legitimately call

themselves professional actors. They’re also two of the six per-formers in MEATY, yes, MEATY — Metropolitan Educational Atlanta Theatre for Youth. The group rehearses here and travels nationwide by minivan, with 267 bookings a year and seven “message” shows about such top-ics as nutrition, bullying and the dangers of the wicked weed.

MEATYsMetro stage and film actors launch ‘That’s Educational,’

a mockumentary Web series about, well, actors playing actors. By Julie Bookman

Actor Jimi Kocina (above) ponders the possibilities of a fowl puppet. Matt Myers (opposite, top) and Eric Mendenhall (opposite, bottom) are the creative minds behind the cheeky new Web series.

Meet the


Not really.MEATY was invented by At-

lanta actors Eric Mendenhall and Matt Myers, creators of “That’s Educational,” a mockumentary Web series. Like all cast members, Cara and Suehyla are real-life actors who play skewed versions of themselves. The debut season — eight episodes of five to seven minutes each — is now available online.

Much like filmmaker Christo-pher Guest’s full-length mocku-mentaries (Waiting for Guffman, Best in Show, etc.), the plots and characters in “That’s Educational” are comically painful — because they seem just real enough.

In a frog costume, a delight-fully dense Jenny Holden bangs on the window of a car as it pulls

away, desperately asking the unseen child inside: “Did you like the show?!”

In the season finale, most of the gang stands outside the van, bickering about how to fix a flat tire. MEATY member Jimi Ko-cina simply resigns himself to his fate, which means staying in the van and lighting a joint. The rest of the MEATY family includes Bryan Brendle (“narcissistic lead-ing man”) and Nick Arapoglou (“overly eager new guy”). Justin Anderson directs, and Chris Bar-telski is director of photography.

Mendenhall and Myers are on the edge of their seats these days, waiting for word of mouth to build until enough fans (hopefully some with financial support), demand more episodes.

The MEATY players are all Atlanta talents who have, collec-tively, performed at every theater in town and have a substantial number of film and commercial credits. Many have done educa-tional theater, “which is just so ripe with eccentric characters and crazy situations,” says Menden-hall. “These people spend a lot of time together, and conflicts arise. The show is mostly about the bizarre way they work through these conflicts.”

In one early scene, for exam-ple, MEATY cast members are costumed in bright-red crab-char-acter getups. They’ve been called to an emergency meeting in what looks like a supply closet. Why the meeting? To learn the fate of a cast member who got a little too crabby and hurled his crab self off a school stage, attacking an au-dience member whose cellphone went off.

With little cash on hand, Mendenhall and Myers have relied on actor friends and their connections to get the series produced. They shot scenes at Georgia Ensemble Theatre and

BEHINDTHE SERIESMATT MYERS The co-creator and head writer is an Atlanta actor and voice-over artist repre-sented by the People Store Talent Agency. You’ve seen him onstage at the Alliance Theatre, Georgia Ensemble Theatre, Synchronicity Theatre and Theatre in the Square, among others. He’s a University of West Florida grad and a substitute teacher for The Westminster Schools.

ERIC MENDENHALL The co-creator is an actor and editor known for the films 42 (2013) and Lawless, Trouble With the Curve and What to Expect When You’re Expecting, all in 2012. You’ve seen him onstage in Waffle Palace at Horizon Theatre and at Georgia Ensemble, Georgia Shakespeare, Theatre in the Square and Theatrical Outfit. He’s had roles in the TV series “Revolution” and “Army Wives,” among others. He’s a Campbell University (N.C.) grad.

Watch Season 1 episodes here: www.thatseduca-tional.com/episodes/

The “That’s Educational” family (from left): co-creators Eric Mendenhall and Matthew Myers with the crabby Jenny Holden, Jimi Kocina and Cara Mantella.

North Point Church; the church also supplied the crab costumes.

Mendenhall produces the se-ries, Myers is head writer. The two also have roles. Mendenhall plays the “bitter tech ninja” who travels with the group. (“You look out there at their fatty, sweaty little faces, and you know you are just making a difference in their fatty, sweaty little lives.”)

Myers plays a MEATY admin-istrator, an affable nincompoop prone to making grandiose yet lame statements (“I’m high on the possibility of a better tomorrow.” Or “Defeat is temporary. Giving up is permanent”).

In addition to Guest’s films, early fans of “That’s Educational” have said the series reminds them of the twisted humor on such TV shows as “Arrested Development,” “The Office” and “Parks and Recreation.”

“There’s not one single thing they’re comparing it to,”

Mendenhall says of the feedback he’s received. “I think that gives credence to the fact that we have found our own voice.”

Feedback has been “incredi-ble” so far, Mendenhall says. One recent highlight: He was getting coffee in Midtown and a guy approached him to say “I love 'That’s Educational!' It’s the most honest show I’ve seen!”

Myers has sketched out episodes for a second season, conditional on financing and aligning schedules. About $1,250 is needed to produce each episode and pay the actors “a little some-thing.”

Mendenhall and Myers have big dreams. They hope they’ll create much more together, including feature-length films. But for now, they hope this first season of “That’s Educational,” sort of like The Little Engine That Could, will mark the beginning of their chug-toward-success story.

ENCOREATLANTA.COM44


Please join us for an Open House:

Saturday, November 15 Kindergarten, 1:00 pm

Sunday, November 16Grades 1–5, 1:00 pm Grades 6–12, 3:30 pm

Learn more at www.lovett.org

Offering the best in academics—balanced with more than 50 classes in the Fine Arts, all taught by professional artists.

Academics+ART

Lovett

South Pacific, 2014

The Lovett School practices a nondiscriminatory admission policy. Financial aid is available.

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FOX THEATREDINING GUIDE

Are you looking for a great night out?Try one of these local restaurants before or after the show. For dinner-and-show packages, visit encoreatlanta.com/offers.

NEIGHBORHOODS CODES: A-Alpharetta, B-Buckhead, DK-Dekalb, D-Downtown, DW-Dunwoody, IP-Inman Park, M-Midtown, OFW-Old Forth Ward, P-Perimeter Mall area, SS-Sandy Springs, VH-Virginia Highland, NA-North Atlanta, V-Vinings, W-Westside

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AMERICAN

ARTICLE 14 — Whether dining at lunch, brunch or dinner, Article 14 is about the experience. The menus include options inspired by chef Chris Blobaum’s coast-to-coast American cuisine. In 2013, Jezebel magazine named Article 14 one of Atlanta’s 100 best restaurants. Reservations are gladly accepted at 404.443.8432. 1180 Peachtree St. N.E., Suite B, Atlanta, GA 30309. M

LOBBY — The menu at this sophisticated American restaurant focuses on seasonal fare. In the lobby of TWELVE Atlantic Station. 361 17th St. N.E., 404.961.7370, lobbyattwelve.com, M

THE MELTING POT — A premiere fondue restau-rant where guests can enjoy a choice of fondue cooking styles and a variety of unique entrees, salads and indulgent desserts. Four Atlanta locations. 754 Peachtree St. N.E., 404.389.0099, meltingpot.com. M

MURPHY’S — This restaurant has one of the city’s top brunch menus, but it’s known for great peo-ple-watching and contemporary comfort food. 997 Virginia Ave N.E., 404.872.0904, murphysvh.com, VH

ONE. MIDTOWN KITCHEN — Dine on fresh, sea-sonal American cuisine in a club-like atmosphere near Piedmont Park. 559 Dutch Valley Road, 404.892.4111, onemidtownkitchen.com. M

TWO URBAN LICKS — “Fiery” American cooking meets live music at this hip hangout. 820 Ralph McGill Blvd., 404.522.4622, twourbanlicks.com. M


AMERICAN/STEAKHOUSEELEVEN RESTAURANT & BAR — A luxurious destination at Loews Atlanta Hotel. Delectable cuisine, vibrant cocktails and live music. Visit Eleven for pre- or post-performance cocktails or a quick bite that always gets a standing ovation. 1065 Peachtree St. N.E., 404.745.5745, loewshotels.com/restaurants/eleven/cuisine. M

PRIME — Enjoy steak, sushi and seafood in a festive atmosphere near Lenox Square mall. 3393 Peachtree Road N.E., 404.812.0555, h2sr.com. B

RUTH'S CHRIS STEAKHOUSE — A favorite local steakhouse with multiple locations near shopping and entertainment hot spots. Sides are generous, and the quality of the steaks and sea-food is excellent. Three locations: Buckhead, 3285 Peachtree Road N.E., 404.365.0660; Sandy Springs, 5788 Roswell Road, 404.255.0035; Centennial Olympic Park, 267 Marietta St., 404.223.6500; ruthschris.com. B, SS, D

SOUTH CITY KITCHEN — With a stylish, Southern-contemporary menu, this DiRoNA restaurant helped make grits hip for the business crowd. Two locations: Midtown: 1144 Crescent Ave., 404.873.7358; Vinings: 1675 Cumberland Parkway, 770.435.0700, southcitykitchen.com. M, V

BREWPUB/ GOURMET PUB FAREGORDON BIERSCH — Fresh-brewed beers are a tasty accent to this brewery-restaurant’s hearty pizzas, salads and sandwiches. For a small additional fee, pre-show diners can leave cars in the lot while they’re at the Fox Theatre. Two locations: Midtown: 848 Peachtree St. N.E., 404.870.0805; Buckhead: 3242 Peachtree Road N.E., 404.264.0253, gordonbiersch.com. M, B

TAP — A gastropub offering easy-to-share pub fare and an extensive beer selection. The patio is a great place to chill after work. 1180 Peachtree St. N.E., 404.347.2220, tapat1180.com. M

Little fried goat cheese balls of heaven.

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CREOLE/CAJUN

PARISH — New Orleans-inspired dishes served with a modern twist and a fully stocked raw bar. A N’awlins-inspired brunch is served on weekends. Downstairs, a takeaway market sells sandwiches, spices, pastries and beverages. 240 North Highland Ave. N.E., 404.681.4434, parishatl.com. OFW EUROPEAN FUSION

ECCO — Esquire Magazine named this casual, European-influenced bistro a best new restaurant in America. It’s received raves for its wine list, wood-fired pizzas, and impressive meat and cheese menus. 40 7th St. N.E., 404.347.9555, ecco-atlanta.com. M

ITALIAN

DAVIO’S NORTHERN ITALIAN STEAKHOUSE — At Phipps Plaza in the heart of Buckhead. 3500 Peachtree Road N.E., 404.844.4810, davios.com/atl. B

MEXICAN

AGAVE — Offering creative Southwestern fusion, a tequila bar and specialty margaritas. Specializing in company meetings, events and family celebrations. Rated excellent by Zagat 2003-11. Just a short drive from the Fox Theatre. 242 Boulevard S.E., 404.588.0006. agaverestau-rant.com, OFW

ALMA — A refreshing approach to contemporary Mexican cuisine. Bright, fresh ingredients and traditional regional influences come together with other Latin American flavors in vibrant dishes that feel familiar and new all at once. 191 Peachtree St. N.E., 404.968.9662, alma-atlanta.com. D

CANTINA TEQUILA & TAPAS BAR — In the Terminus building on the corner of Peachtree and Piedmont roads. It features authentic Mexican cuisine and has become one of Buckhead’s favor-ite watering holes. 3280 Peachtree Road N.W., Terminus 100, Suite 150, 404.892.9292, h2sr.com. B

DINING GUIDE

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AND REGISTER TO WIN TICKETS!

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GORDON BIERSCH Win a $40 gift card to Gordon Biersch.

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MADAMA BUTTERFLYWin a pair of tickets to

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Science, Art, Cooking, Literacy,

Physics, Music, and More!

childrensmuseumatlanta.orgLocated across the street from

Centennial Olympic Park

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DO GOOD. DINE OUT.

*This amount is based on the individual experiences of grant recipients. Contributions will be used to reach the highest number of children facing hunger in America. Share Our Strength is a non-profi t 501(c)3 organization.

ONE IN FIVE KIDS IN THE U.S. STRUGGLES WITH HUNGER

It doesn’t have to be this way.

This September, join millions of Americans as they dine out to help end childhood hunger.

Visit one of the thousands of restaurants across the country uniting to raise money for Share Our Strength’s

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TWO HOTELSOne Great Location

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ENCOREATLANTA.COM50

EL TACO — An eco-friendly watering hole serving fresh Mexican food made with all-natural meats and tasty margaritas. 1186 North Highland Ave. N.E., 404-873-4656, eltaco-atlanta.com.VH

SEAFOOD/SUSHI

COAST SEAFOOD AND RAW BAR — Serving Atlanta’s freshest seafood and island cocktails. The menu incorporates classics including crab and corn hush puppies, a signature seafood boil, and a vari-ety of raw or steamed oysters, clams and mussels, along with signature fresh catch entrees. 111 West Paces Ferry Road N.W., 404.869.0777, h2sr.com. B

GOLDFISH — This fun seafood/sushi restaurant has happy hour specials Monday-Friday and nightly entertainment in its lounge. 4400 Ashford-Dunwoody Road, 770.671.0100, h2sr.com. P

LURE — A modern interpretation of a classic fish house with a focus on seasonality and freshness. 1106 Crescent Ave., 404-817-3650. lure-atlanta.com. M

SPANISH

NOCHE — A Virginia-Highland favorite known for its Spanish-style tapas dishes and margaritas. 1000 Virginia Ave., 404.815.9155, h2sr.com. VH

STEAK/SUSHI

ROOM — This elegant restaurant serves steak and sushi on the ground floor of the TWELVE Centennial Park hotel. 400 W. Peachtree St., 404.418.1250, roomattwelve.com. D

STRIP — This sophisticated steak, seafood and sushi restaurant offers an in-house DJ and a rooftop deck. Atlantic Station at 18th Street, 404.385.2005, h2sr.com. M

TWIST — This lively restaurant has a huge bar, satay station, tapas menu, sushi and seafood dishes; patio seating is first-come, first-served. 3500 Peachtree Rd. NW, 404-869-1191, h2sr.com. B

DINING GUIDE


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2 Atlanta locations3242 Peachtree Road NE · Buckhead · 404-264-0253848 Peachtree Street NE · Midtown · 404-870-0805

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A copy of this offer must be presented to your server in order to qualify for this offer. Limit one per person per table. Valid only at Buckhead and Midtown locations. Not valid at airport locations. Will not be accepted toward the purchase of merchandise or gift cards. Cannot be used as gratuity or redeemed for cash. Not valid in conjunction with any other promotion or discount. Not valid on alcohol where prohibited. Dine-in only. This offer is valid until July 31, 2013. Attn Server: Comp to MKTG$.

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FOX FUN FACTS IT’S JUST HISTORY:BUTTERMILK PAINT AND 4.5 TONS OF POPCORN

★In 1863-64, the lot on which the Fox is set served as Fortification K, one of 25 fortifications built to defend Atlanta during the Civil War.

★The Fox is a National Historic Landmark, the highest ranking on the National Register of Historic Places.

★The Fox was one of the first air-conditioned buildings in the country, preceding even the White House.

★To build the Fox today it would cost more than $300 million.

★All of the Fox’s furniture was chosen by Eva Fox, wife of founder William Fox.

★ The auditorium’s original blue sky was painted with buttermilk, glue and pure ultramarine pigment.

★The ceiling has 96 stars, about a third of which have heat sensors that make them dim and brighten.

★The Mighty Mo, a Möller Opus 5566 Theatre Organ, is the second-largest Mollër theater organ in the world. It was custom-made in 1929 at a cost of $42,000.

★ The Fox serves more than 4.5 tons of popcorn each year.

Do you know what a gem of a facility you have? Atlanta’s Fox Theatre was declared a top stop of the decade by Venues Today Magazine and the decade’s No. 1 non-residency venue worldwide by Billboard Magazine. Rolling Stone magazine last year called the venue one of the “best big rooms in America” as part of its Venues That Rock series. The Fox is more than a place for live entertainment and events, it’s a living museum of architecture and historical memories, too.

Did you know?


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Making

Celebrate the season by reserving

one of our private dining rooms

before October 31, 2014,

& YOU’LL RECEIVE 15% OFF*

YOUR HOLIDAY BOOKING.

As host, you’ll receive a complimentary gift c

ard

for booking with us!

*a $500 max discount on food

www.H2SR.comwww.H2SR.com

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A Boutique Luxury Hotel

After the show,Enjoy some ofour award winning...

regencysuites.comWest Peachtree at 10th

Southern Hospitality

ENCOREATLANTA.COM54

Be Art E.’s best bud and win!”Friend” and “follow” ArtEEncore and @ArtsATL to learn each week’s Free Ticket Friday challenge and play along for a chance to win seats to the symphony, the Fox Theatre, Atlanta Opera and more.

Get the scoop!Make sure you follow us on Facebook, Pinterest and Twitter (@EncoreAlanta) to learn what's new on the metro arts scene.

Promote your messageLooking for unique gift items for a wedding or corporate event? Apparel or awards with your logo for company or trade show promotions? PromoteYourMessage.net offers more than pens — it offers solutions. Find your answers on Twitter and Facebook or call 888.843.9890 for details.

The best dealzDid you know that PoshDealz.com has some of the best deals around for shows, attractions and more? You can get half-price dealz, or even dinner-and-show dealz, to events at MODA and Imagine It: The Children’s Museum of Atlanta. Visit often. New deals are always popping up.

You don’t have to know every ABBA lyric, fly your own plane or produce a Web series to enjoy the city's best in food, drink and entertainment. You'll find amazing bargains with PoshDealz! Sign up for our newsletter or “like” PoshDealz on Facebook. (We can spice up your life with great meals out and find discounted tickets to any number of metro stages or famous local sights.)

So many neighborhoods.One incredible festival.

TICKETS ON SALE NOW!

3 DAYS • 90 RESTAURANTS • 300 DELICIOUS BITES

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Save $5

off the price of General Admission or VIP tickets!

Use promo code ENCORE when you purchase tickets

by October 20.Offer valid for online

or phone purchase only. Must be 21 or older for VIP access.

ATLANTA’S PREMIER FOOD, WINE, BEER & COCKTAIL FESTIVAL

October 24, 25 & 26, 2014M i d t o w n a t Te c h S q u a r e | Ta s t e O f A t l a n t a . c o m

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september 2014: mamma mia! at the fox theatre

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